- 5 months ago
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00:00I wasn't expecting that.
00:12Where were you? I'm sorry. They could have drowned.
00:14I'm sorry. I had a summer gig. I had to go get her back.
00:17Make sure it doesn't happen again.
00:23Do you think that I should call Dorothy just to make sure she's okay?
00:27Are you still hung up on her?
00:30No. It's not like that. I'm just trying to be helpful.
00:34Don't you remember, Drake?
00:36She's the one who had me kicked out of the movie.
00:39She's the one who killed my baby.
00:42Not just my baby, but Nick's baby.
00:44I know I'm just her sister-in-law.
00:47Whatever happened between us is in the past.
00:49But I have no one now.
00:52No husband. No baby.
00:56The man left is you.
00:57I haven't seen three Dorothy yet.
01:02She's nothing but a slut sleeping her way to the top.
01:04You don't know that.
01:06You know I'm right.
01:08Why else would John come onto the set and stand up for her?
01:11Not just John, but Christopher too.
01:13She's sleeping around with anyone she can find.
01:16She's a whore.
01:16Shut up!
01:27You want war?
01:29I'll give you war.
01:34Do it.
01:34Make sure Dorothy feels every bit of it.
01:45Breaking news.
01:46Unknown actress seduces Hollywood heartthrob.
01:50Rising star or opportunist.
01:52Actress Dorothy's shocking affair with Christopher.
01:54Christopher's new flame or a heartless gold digger.
01:57Dorothy!
01:59Liar!
02:00The bitch!
02:03This is getting out of hand.
02:05Maybe we should just reveal her real identity.
02:08Let everyone know she's not just some random actress.
02:15Elizabeth, no.
02:16Dorothy, once we tell them who you are, there's no reason for them to attack you.
02:19There's someone behind us.
02:21And whoever they are, I'll make them pay.
02:31Fuck off.
02:39This just can't be right.
02:44I die in the second scene.
02:46This must be Dorothy's job, forcing S.Q. to cut me out.
02:50I won't get away with this.
02:57Drake, can you believe this?
02:59They completely have written me out of the script.
03:02Do you remember when Nick was lying in that hospital bed?
03:05You promised him you'd look after me.
03:07I've already lost my husband and my baby.
03:10I can't lose my career, too.
03:11I'm sorry.
03:11I'll get you your character back.
03:31There's a tape of a documentary that apparently S.Q. has always wanted.
03:35So, if we win this bid and we gift it to them, we should be able to get you your robot.
03:43Up next, a rare gem.
03:46The original film documentary chronicling the creative journey of none other than herself.
03:52Legendary screenwriter, Margaret Blaine.
03:55$60,000.
03:57What's she doing here?
04:00I don't know.
04:03I'm not going to let her win this.
04:05$60,000.
04:09$70,000.
04:13$100,000.
04:14This is my grandmother's documentary.
04:19It's her legacy.
04:21She's the one who inspired me to become a screenwriter.
04:24I can't let her fall into the wrong hands.
04:28$500,000.
04:39$500,000.
04:43Trying to get you your robot.
04:44Don't worry.
04:45I've got it covered.
04:47Ladies and gentlemen, we are down to the final bid.
04:51Standing at a whopping $500,000.
04:55$500,000 going once.
04:58$500,000 going twice.
05:01Sold.
05:02To the lady in the blue dress.
05:11I can't believe this.
05:12You have no right to take that film reel with you.
05:21You have no right to take that film reel with you.
05:23What's going on?
05:31Um, ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
05:40Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
05:46This is ridiculous.
05:47I was invited.
05:49Well, in that case.
05:52May I see your invitation?
05:58I did have it, I swear.
05:59I'm sorry, Miss Dorothy.
06:01If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
06:06This is the protocol.
06:07Oh, you don't understand.
06:08I'm sorry.
06:27I'm sorry.
06:28These are the rules.
06:30The documentary reel will go to the honourable couple.
06:52Stephanie, wait.
06:54Just sell it to me.
06:56Name your price.
06:57I'll pay you anything you want.
06:59It's really important to me, please.
07:01Why are you doing this?
07:03Are you just trying to get my attention by going after something that Stephanie wants?
07:07No, you don't understand.
07:09Just let me buy this.
07:12Whatever it takes.
07:14It's horrible.
07:15You think this is about money?
07:17Please.
07:18This isn't something you can just buy.
07:21What is it?
07:22What the hell is it?
07:24Why do you always have to go against her like that?
07:26This reel is important to Stephanie.
07:27She can use this to help her career.
07:30Her career?
07:32Is this about your role being cut from her head?
07:36Is that why you're doing this?
07:40I'm the writer.
07:41I'm going to fix this.
07:43Can you write the story and bring your character back?
07:45Just let me have to read the person.
07:49You're the writer.
07:51Are you telling me that you're SQ?
07:53The writer is SQ.
07:59Can you give us a break?
08:00Look, this reel is important to Stephanie.
08:04End it.
08:05Don't make this harder than it has to be.
08:06You've been with Dorothy for so long, and you don't even know her.
08:11Oh, and you do.
08:12A hell of a lot more than you.
08:14What the fuck do you think you are?
08:15Both of you, can't do it.
08:16Scratched all over.
08:32It's ruined.
08:33It's not even fit to be a gift anymore.
08:35I can fix this.
08:37Stephanie, I know someone who can restore it.
08:38Just sell it to me, please.
08:39Just name your price.
08:43Even if I had no use for it, I'd never give it to you.
08:46I want to be a writer like you, Grandma.
09:16I want to make movies like you do.
09:20This reel has more than pictures and sound on it.
09:25Really?
09:25An entire world I've captured, but it's just one way of seeing things.
09:31The magic is creating it to yourself.
09:35Someday you will.
09:36Dorothy, I need you to go apologize to Stephanie and give her her role back.
09:54Apologize?
09:55To her?
09:56She destroyed the reel.
09:57Because she wouldn't have done that if you hadn't pushed her.
10:04So go apologize or I'm pulling my funding.
10:07Look, Dorothy.
10:09Let's be real here.
10:11Without Stephanie, there is good and the best.
10:15Even the production company will pull out if they hear that she's not involved anymore.
10:18Her name carries weight.
10:19Let's not pretend that your reputation is exactly stellar right now.
10:24Christopher's fans hate you.
10:25Stephanie's fans hate you.
10:27Even if you actually make this film, no one's going to support you.
10:31You can be prepared.
10:34But if you apologize to Stephanie now, I can help you.
10:39I can control the press.
10:42I can control the narrative.
10:44I can actually give you a chance.
10:48What's so funny?
10:52What's so funny?
10:54Pull your funding.
10:56Do it.
10:58You'll see it does nothing for you.
10:59Okay.
11:01So what if I tell the production head to pull his funding too?
11:04Didn't I tell you that I know Mr. Bennett?
11:06Oh.
11:08Go ahead.
11:09Quiet.
11:10You want me to call?
11:12Mm-hmm.
11:13Fine.
11:18Hi, Mr. Bennett.
11:19It's Drake.
11:20Drake Mossbacher.
11:22Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing.
11:25I've seen it and it's a sinking ship.
11:29You're pulling out?
11:30Great.
11:30I'll take full control of the investment.
11:32Not a problem.
11:39So you start with it.
11:43That's why he's supporting you, isn't it?
11:49Is this how you see me?
11:50The type of woman who would use her body to get what she wants?
11:52What other explanation do you have?
11:55You know nothing about Dorothy.
12:01Apologize to Stephanie.
12:02Cut ties with Mr. Bennett and end this.
12:04Dorothy, come back to me.
12:05Whatever he's offering you, I'll match you.
12:07I'll double it.
12:08You must be able to hear fucking minds.
12:10About Dorothy.
12:15Apologize to Stephanie.
12:16Cut ties with Mr. Bennett and end this.
12:18Dorothy, come back to me.
12:19Whatever he's offering you, I'll match you.
12:21I'll double it.
12:22You must be able to hear fucking minds.
12:25What makes you think I would ever go back to that living hell?
12:29Living hell?
12:30You heard me.
12:31Being married to you was a fucking nightmare.
12:35You made me believe you loved me.
12:38And then you had me waiting in vain for three years, Drake.
12:42You said you'd always protect me, but then when I needed you the most,
12:46you just turned your back on me.
12:48You chose your sister-in-law over your wife.
12:54I've had enough, Drake.
12:56You were my prison.
12:58So just go back to your precious Stephanie.
13:05Let's just go.
13:15Why are you hurt?
13:17Are you okay?
13:18What is Steph?
13:25What are you doing?
13:26You want me, don't you?
13:27Just kiss me.
13:28I'm all yours.
13:29Steph!
13:30You're Nick's wife.
13:31I've always told you you're like a sister.
13:33Sister?
13:35Funny.
13:36Don't you remember when you came to me the night Nick and I got married?
13:39Don't you remember what you said?
13:42Remember this?
13:43Yeah, why don't you marry Stephanie?
13:47God.
13:47You were practically begging me not to marry Nick.
13:49No, I shouldn't have said that.
13:50I shouldn't have said that.
13:51Don't let's see.
13:54What's that?
13:56Oh, it's nothing.
13:57Yeah, what is that?
13:58No, Drake, no.
13:59Please.
13:59You lie about this.
14:06You lie about this.
14:11You said that Dorothy pushed you into the water, but this shows you shoving her in.
14:15It's a glitch.
14:17A glitch.
14:19Sorry, do you actually expect me to believe that?
14:22What's this?
14:24Buying pills off the black market?
14:28Tell me you're pregnant, sir.
14:30It's you.
14:31This time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
14:35Don't tease me.
14:36You have to believe me.
14:38I didn't...
14:38Do you know what?
14:38I've always thought of you like a sister.
14:41I've always taken care of you.
14:42I even thought that I loved you once, but that was before you were Nick's wife.
14:45You've changed.
14:51You've changed.
14:54You know the person I thought you were?
14:58I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
15:03I guess there's no need to look after you anymore, huh?
15:07What does that mean?
15:08You're just going to throw me away.
15:10I'm going to throw you away?
15:13But this is my house.
15:15Oh, no, back.
15:17I hope you'll be gone.
15:19But you can't just walk away from me like that.
15:21I've said everything that I need to say.
15:22Now I'm going to go find the person that I actually care about.
15:29Oh, Dorothy.
15:30This is all your fault.
15:33Let's take this bitch down.
15:37Let's take this bitch down.
15:52What do I say, please?
15:54I was wrong.
16:01I misunderstood everything about you and about us.
16:09Can you please just take me out?
16:12You think you could just come here and apologize?
16:15After everything?
16:16I didn't mean to hurt you.
16:20Look, I understand what I did, but it was just because it was definitely better.
16:23Anyway, could you please just forgive me?
16:26I don't need your apology, Drake.
16:28You let me down.
16:30You abandoned me.
16:32I hated you the most.
16:34You used me, manipulated me, and now you beg for my forgiveness.
16:41Oh, God, please just don't show me out.
16:43I can fix this.
16:44I can fix it.
16:45I can't do anything, Dorothy.
16:47Please, just...
16:48No.
16:50You were never the person I thought you were.
16:53And I'm not either.
16:54I've moved on.
16:58I don't need you.
17:03You're like I used to.
17:05Just take that.
17:07After everything.
17:08Yeah, that's it.
17:09I deserve better than this.
17:22We did it.
17:43Before you all celebrate this movie, there's something you should know.
17:54Dorothy is nothing but a homewrecker.
17:57What's going on?
17:58A glorified mistress who's been playing the part of a wonderful actress
18:02when all she's really done is ruin lives.
18:07Is it true, Dorothy?
18:08Are you involved with a married man?
18:10What's your response to Stephanie's claim?
18:13This is ridiculous.
18:17Let's talk about how she got here, shall we?
18:21She didn't get here off her talent.
18:23Oh, no.
18:24She got here by clinging to powerful men.
18:28No real experience.
18:29No skill.
18:30Just a man's name and a man's money.
18:33Security!
18:34Get her out of here.
18:35Wait.
18:36If she has something to say, let's hear it.
18:39Dorothy, it's a trap.
18:41I'm not afraid of the truth.
18:42Let's see what she's got.
18:48What's going on?
18:49So tell us, Dorothy.
18:51How did you get here?
18:53Did you use your relationship with John Bennett to land the part?
18:57A homework, are you saying?
19:15Is there something wrong with me appearing with my own dad?
19:18You're the one who sent me this photo, right?
19:20How about you take another one?
19:22This time, of my lovely family of three.
19:25Dorothy, Dorothy, Dorothy.
19:27Are you really John Bennett's daughter?
19:29Yes.
19:30I bet you never ask my last name.
19:32It's Bennett, by the way.
19:33So, Dorothy is the producer's daughter.
19:39Dorothy, so did you use your father to get the part?
19:42Ha!
19:43So it's just nepotism, then.
19:45Well, even if she didn't fuck her way to the top, she still only got here through her connections.
19:54Whether you like it or not, my performance speaks for itself.
19:57And everyone here saw it.
19:59She was actually really good.
20:00Yeah, she handled the movies.
20:02Oh, are you saying that everyone here is wrong?
20:04You think you're so clever, don't you?
20:08Fine.
20:08You can act a little bit.
20:10But let's be real.
20:12You didn't land this role on your own.
20:13You just snapped your bony little fingers and let Daddy give you a role.
20:17How else would a nobody like you have landed yourself the lead otherwise?
20:21Dorothy isn't just a nobody.
20:25She wrote Liar's Game.
20:28She is SQ.
20:34Dorothy is SQ.
20:36How can that be possible?
20:38Liar's Game is a masterpiece.
20:40There's no way you could have written it.
20:41You don't have to believe me.
20:43Just let the credit speak for itself.
20:48How can this be true?
20:53Something can happen.
20:55Dorothy Van Eyck, you're the daughter of the producer and the famous writer SQ.
20:59Why did you keep your identity a secret so long?
21:04Why did you keep your identity a secret so long?
21:09Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on a suspicion of deformation.
21:15No, no, no, no, I didn't do anything wrong.
21:17This was all Stephanie's idea.
21:18I didn't do anything.
21:20Oh, jeez.
21:26This whole time she was actually telling the truth.
21:29Dorothy's SQ.
21:32She's a genius.
21:33That's why she always had a book in her hand.
21:39Always writing something on her laptop, always lost in her thoughts.
21:45Didn't even see her.
21:48I guess I was bland all along.
21:51I don't deserve that.
21:52I've missed this place.
22:13Don't you remember?
22:16Of course I do.
22:18We saw so many films here.
22:20We were just staying in our seats and talk about life and everything.
22:27But you just made me feel like I could face anything, really.
22:31God, I used to be so nervous back then.
22:37About everything.
22:39About the future.
22:42But you just made me feel like I could face anything, really.
22:45No.
22:49Someone had to be there to make sure you didn't ever think everything.
22:52I remember you used to unpick every little detail like it was a life or death situation.
22:56You know, Dorothy, life's not been the same without you.
23:05Even when we parted ways, I always knew that we would find each other again.
23:17I don't care what we've been through.
23:20I don't care what's happened.
23:21All I know is that I need you now.
23:28More than ever.
23:35And the award for Best Adapted Screenplay goes to Dorothy Bennett with Liar's Game.
23:52Wow.
23:54Best screenplay.
23:56Shall I start calling you Your Majesty?
23:58I think that's the greatest idea.
24:01Why don't I start now?
24:03You deserve this.
24:05Majesty.
24:07Every bit of it.
24:09Now, since you've won, I think there's cause for a reward.
24:15Oh, yeah?
24:18And what would that be?
24:21Me.
24:35What do you think, do you think?