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Bono & The Edge: A Sort of Homecoming with Dave Letterman (2023) is a heartfelt music documentary that brings together U2 bandmates Bono and The Edge with legendary host David Letterman. Filmed in Dublin, the special blends intimate performances, personal conversations, and stories that reflect on friendship, creativity, and the power of music. With acoustic renditions of U2 classics and a warm behind-the-scenes look, this documentary is a celebration of artistry and connection.
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Transcript
00:00:00Growing up in Ireland, it felt as if the future was always somewhere else.
00:00:25In our Dublin, it felt as if there were no present.
00:00:30Let alone past or future.
00:00:41In our band, we felt estranged from any traditions we could have held on to.
00:00:49And the question that began to intrigue us was, how do we fit into this story?
00:01:00I'm looking for the peanut butter cups.
00:01:08What are those?
00:01:14I don't want to touch your food.
00:01:16Oh, see, now you've touched.
00:01:17Okay.
00:01:19No.
00:01:20What's your name?
00:01:21Felix.
00:01:22Felix.
00:01:23I'm Dave.
00:01:24Nice to see you.
00:01:25I'm trying to get to Dublin.
00:01:26Take care.
00:01:27Take care.
00:01:32I'll tell you what else is great about this show tonight.
00:01:34This is the biggest, the greatest, most exciting, most influential rock and roll band in the world.
00:01:44And, and gentlemen, once again, you too.
00:01:46You too.
00:01:47Oh, my goodness.
00:01:48Oh, my goodness.
00:01:50And, and, and, and, and, and, and I.
00:01:51I'll tell you what else is great about this show tonight.
00:01:53This is the biggest, the greatest, most exciting, most influential rock and roll band in the world.
00:01:57influential rock and roll band in the world and gentlemen once again you too
00:02:13oh my goodness great pleasure to see you again see you thank you for letting me be part of this
00:02:18good god what expectations you have set for yourself writer poetry and prose musician
00:02:25something else i forgot my um self-esteem never been lower i just i just want to tell you
00:02:32the door is now closed you and i are not going to be best friends do you like retrospectives of
00:02:40yourself do you like looking over your shoulder at this point in your life no okay well that's all
00:02:45we need thank you very much let's talk about music years of reflection has caused you to change
00:02:53lyrics in some of these songs some of them you thought perhaps were never finished in the first
00:02:58place yeah that's right we wanted to sort of strip away the artifice that inevitably emerges after
00:03:06you've been around this long in the isolation of the pandemic it was almost like the question became
00:03:15what is left when everything is stripped away where do you take it all right yeah let's take it from
00:03:22the top do you do you want to know what i did during the pandemic what did you do calligraphy
00:03:29really yeah i've gotten very good wow yeah
00:03:50in between tours while larry was injured and adam was off making an art film
00:03:59and i asked david letterman to dublin to talk about our songs
00:04:13and there was certainly a part of me that wanted to hear them again as if for the first time
00:04:19and we ask ourselves the nervous question is there any merit to these songs if you take away the
00:04:29firepower of a rock band like you too hold on um technical there everything dropped out
00:04:39okay yes i don't know how we're going to lift this can we try it slow down boom
00:04:44there is no there there is no there there is no there there's only us there's only us
00:05:06arpeggiating thing it might work for you to tickle your instrument doesn't wear
00:05:11there's only us and all of you when you're singing at the end make it a kind of almost an aura you know
00:05:35there's only us great
00:05:44what a room sounds really beautiful and we got his daveness yes sir to dublin where where is day
00:05:59oh geez they're still alive
00:06:00hello man hi hello how are you how about this wow it's your first time here first my first time
00:06:14in dublin my first time out of the house as a matter of fact tell us a little bit about this
00:06:19establishment indole reggae store the only reggae shop in island the only reggae shop in island yeah i'm
00:06:25interested in a wheel of cheese i've never purchased a wheel of cheese i would like to buy two hats for
00:06:33friends of mine their heads are the ones about like this and ones about like that is there anyone
00:06:40here that can help an old man carrying a cheese i'd like to welcome you all today to the youtube walking
00:06:47tour there are certain bands when i listen to them i just see streetscapes open up before me and dublin and
00:06:53you too is deeply connected in october 77 a great british punk band called the clash played two gigs in
00:07:02the examination hall of trinity college dublin and in the crowd was a young impressionable bono
00:07:11seeing the clash on stage singing these angry songs was a moment of awakening later on when they're
00:07:18arguably the biggest band in the world they never really forget this part of dublin and everything
00:07:25it does for them i i was told there would be a hot meal
00:07:31let's go back
00:07:43exactly what you don't want to do how old were you kids when you got together and so 76 i would have been
00:07:52uh 15 15. 15. that at age 11 i went to that school for one year they asked me to leave had they not
00:08:05have i would not have met this man really that's correct tell me about your relationship with the
00:08:13band when did that begin february 82 and you became very close with them close enough make sure you
00:08:21get some sun on your face yeah you're all about shadows aren't you but you are part of the family
00:08:28have you seen them obviously they've changed over the years since you met them um they're the same
00:08:34people in a way i have to say okay the edge this is your calendar shot monday morning 18 years of dawning
00:08:48i said how long i said how long it was one i'd say the band was born out of the culture of a particular
00:08:59high school at a particular time and it was a social experiment in our country it's it's non-denominational
00:09:12people of any religion can come and more importantly to me girls and boys boys and girls they go to school
00:09:23and girls can make children well not like this one we invented a whole culture of our own amongst our
00:09:36friends we called ourselves lipton village i can't remember why and in lipton village all our friends
00:09:44were given their own unique nicknames that's where i got the name the edge bono's village name was
00:09:53bono box of o'connell street the the hearing aid store right and this was part of a pushback
00:09:59against the conservative society that we were part of so here we have the edge yeah bono then we have
00:10:11adam then we have larry when you hear what their original village names were you would understand why
00:10:17they didn't run with larry's was he was known as the jam jar the jam jar adam was mrs burns
00:10:26bass player is called mrs burns yeah hey we got spirit we got soul my brothers and i are out of control
00:10:37we had no aspirations beyond just something fun to do on a saturday afternoon but then weirdly as we
00:10:46started to play together and at first atrociously badly we recognized some chemistry there
00:10:57my uh uh nickname dumbass yeah
00:11:01you and i last saw one another in the early aughts the early aughts we were on doing your show our
00:11:16next guests are a pair of talented singer-songwriters who star in the motion picture once in those days i
00:11:21don't think you and i talked much of anything other than here he is and thank you and good night
00:11:27yeah you stuck your head into the room we said a quick hello it was a big deal other than that
00:11:32we were all told avoid david and don't look me in the eyes that's what we were told yeah hi glenn
00:11:37that was beautiful excuse me your eyes by the way stunningly beautiful oh thank you david uh explain
00:11:43where we are we're in dublin well we're in greystone so we're on the kind of southern edge of the
00:11:48the swerve of shore bend of bay to quote joyce we're in uh yeah oh you've been here less than a minute
00:11:54and you're quoting joyce good lord you know i'm meeting you i have to i have to impress you with
00:11:58the irishness we're going to talk about your buddies you too yeah well i've known them pretty
00:12:05much all my life when i was 10 years old my uncle took me to see the police but the opening band was you
00:12:13too oh my god yeah yeah and everyone the whole like this guy came on stage and he was like he was
00:12:28possessed everybody left going who were they and they were irish they were dublin they were from the
00:12:42same town i'm from and so we all became obsessed it didn't sound like anything else not just in
00:12:55ireland but actually almost anything else we were hearing from america or from britain you two were
00:13:00completely different so not just america uh but globally why do people respond uh emotionally
00:13:12to this music well the first time you you you heard i will follow on the radio at that time
00:13:19everything was trying to show how much you were against everything you know youtube was trying to
00:13:23express something with this force of sincerity they had a purpose and they had an earnestness in
00:13:32their music that you could easily dismiss because bono was just he was like uh he was strident with
00:13:38something pure the first album was made i would have been 18 so we were kids really when we started
00:13:49did you have a vision for your future at all or was it day to day week to week it was about our
00:13:54concerts and about you know the u2 audience live that gave us a constant sense of moving up and moving
00:14:02forward it was a complete game changer you two kind of cleared the decks like any bands that were going
00:14:13you two were suddenly boom nobody ever would have thought it would be you two would be the band because
00:14:20they were kind of just like awkward and but they had something they had a kind of they were that a message
00:14:25in their song
00:14:39you want to go see a youtube show a free uh u2 show oh yeah you've been with the band youtube yes have you ever
00:14:48seen them live uh not live believe it or not they're doing a show in town here tomorrow night
00:14:54yeah uh you should come to the show just mention my name and you'll get in and say dave said it would
00:15:01be okay if i came yeah okay i'd love to yeah that'd be a pleasure there you should for god's sakes you
00:15:06should go yes my work here is finished but i think what's interesting now is that i think there's they're
00:15:12going back to the beginning again your biggest competition is wanting to be safe it feels really
00:15:20good to sell 20 million albums or whatever the heck it is and you know what that sounds like
00:15:27but to say no we're going to change it and we're going to bring our audience with us
00:15:33how do you think is uh warm up the edge uh let me guess your biggest foe there is your fear of moving forward
00:15:48now i see the problem with these is they don't tell you where to go uh we'll find our way
00:16:03this is a bit of a day isn't it lovely
00:16:16what a venue yes yes there's everything you do still within your comfort zone
00:16:23rarely yeah i'm rarely in my comfort zone and i and i think that's been difficult for the band
00:16:28because i don't let them be in it either for me music and songwriting is it's just you know heart
00:16:37surgery
00:16:47oh no thank you very much
00:16:50thank you do we have an idea of what we're in for tonight
00:16:58you will be very very happy you did have this experience are you ready bono and the edge
00:17:18you will be very happy you will be happy you will be happy you will be happy you will be happy
00:17:25let's go down it's dark the jungle is your head can't rule your heart feeling so much stronger
00:17:33than a thought your eyes are white and know your soul it can't be bought your mind can wander
00:17:39hello hello
00:17:41hola
00:17:43let please go vertigo
00:17:45it's everything i wish i'd hidden on
00:17:49you give me something i can feel
00:17:59night is full of holes this blood strip sky ink with gold
00:18:05the sparklers and boys play rock and roll they know that they can't dance
00:18:11least they know i can't stand the beats
00:18:14masking for the check
00:18:15girl the crimson nails got jesus around the neck
00:18:19swing into the music swing into the music
00:18:22oh
00:18:28hello hello
00:18:29hello hello
00:18:31there are a place called vertigo
00:18:33it's everything i wish i didn't love
00:18:36yeah give me something i can feel
00:18:41well
00:18:43i can feel
00:18:46!!!!
00:18:47yeah
00:18:49and tell me where i am
00:18:51and tell you who you are
00:18:54and tell you who you are
00:18:55let's see
00:18:57let's see
00:18:57let's see
00:18:59let's see
00:19:00let's see
00:19:02I'm
00:19:03All of this, all of this can be yours
00:19:21All of this, all of this can be yours
00:19:25Just give me what I want and no one gets
00:19:28Hello, hello
00:19:34Better please come and go
00:19:38Everything I wish I didn't know
00:19:42Will you give me something
00:19:44I can feel your love teaching me how
00:19:50Your love is teaching me how
00:19:56I will be yours
00:20:02Be, yeah
00:20:04Yeah, yeah, yeah, yeah, yeah, yeah
00:20:10Yeah, yeah, yeah, yeah, yeah, yeah
00:20:14The genesis of the band is always linked with religious, Christian influence.
00:20:31To me that sounds unusual when you compare to the United States with a rock and roll band
00:20:37It's kids smoking weed in their garage and wanting to meet girls
00:20:41We'll get to that
00:20:43Is that because of Ireland?
00:20:46Well, I should draw you a map
00:20:48Okay, so just give me a second until I get a rough Ireland for you
00:20:53Okay, that's close enough
00:20:55So we live in a tiny island in the North Sea
00:20:58Brutalized by occasional bad weather
00:21:00And some difficult neighbors
00:21:02And in the country of Northern Ireland
00:21:05The Northern Protestants outnumbered the Catholics
00:21:10What caused the border to be established?
00:21:13Our war of independence
00:21:14So who do I dislike in this?
00:21:17I'm eager to dislike somebody
00:21:19I'm part of the great divide
00:21:20I want to dislike
00:21:21Should I dislike the British?
00:21:23No, no
00:21:24Okay, whoever you don't like, I don't like
00:21:26So the chief among the differences here still would be the religion?
00:21:30Well, yeah
00:21:31When we were kids, we were in the middle of the troubles
00:21:36British troops called to break up a protest
00:21:39Kill 13 Catholics
00:21:40It was just a constant drip, drip, drip
00:21:44When we were forming the band
00:21:45So we were looking for a way to express our faith
00:21:51That wasn't obviously religious
00:21:52And there was a kind of movement in Ireland
00:21:55In the late 70s
00:21:57Which was called Charismatic Renewal
00:22:00And we met some religious people
00:22:04They had no possessions particularly
00:22:06They lived a very disciplined life
00:22:08We thought they were a bit punk rock, actually
00:22:10And they seemed to accept us for who we are
00:22:14But they kind of started to become much more
00:22:17Like a conventional church
00:22:19And it was then that the leadership sort of came to us
00:22:22And said, look, you should be full-time for God
00:22:25And not this rock and roll thing
00:22:27Music was just something that we had to give up
00:22:29Because these people felt rock and roll was kind of nonsense
00:22:33And that the real job was fixing a broken world
00:22:37And Edge was in some kind of, yeah, agony
00:22:43So it was taken that seriously
00:22:45So it was taken that seriously that it might actually put an end to the band
00:22:47Yeah
00:22:48Because if we are to be useful, as it were, in music
00:22:54Well, what is, how's that going to look?
00:22:56So I spent this couple of weeks really trying to figure out what felt right
00:23:03And Edge was still nagging at us
00:23:06And the actual answer came in the shape of a song
00:23:12That Edge started
00:23:14And then on one particular day
00:23:20This rage poured out
00:23:23This frustration at not being able to write
00:23:27Not knowing if I should be in a rock and roll band
00:23:30What the future might hold
00:23:34How old were you at this point?
00:23:36Maybe 21
00:23:36Can't believe the news today
00:23:40I can't close my eyes and make it go away
00:23:47This was alchemy
00:23:49And I was watching it
00:23:51I was standing beside it
00:23:52I saw this transformation of internal rage to external
00:23:58How long, how long must we sing this song?
00:24:06How long, how long
00:24:08Tonight
00:24:13We can be as one tonight
00:24:19And I was like, whew
00:24:22Ah, that's why I'm in a band
00:24:24That's why I'm with this dude
00:24:26That song, Sunday Bloody Sunday
00:24:28It was a way to feel our music could mean something
00:24:33Outside of just itself
00:24:43We got this broadcast on RTE
00:24:45Of you two at Red Rocks
00:24:48Oh, yes
00:24:49You could tell from the beginning
00:24:53They were trying to go stratospheric
00:24:55So here's a guy
00:25:03Singing about Catholics and Protestants
00:25:06In the north of Ireland
00:25:07In America
00:25:08You two had gone
00:25:10And made our case
00:25:12In front of millions of Americans
00:25:15And we were getting to see it on TV
00:25:17And we were gobsmacked
00:25:18Sing no more
00:25:20No more
00:25:22No more
00:25:23No more
00:25:25No more
00:25:27No more
00:25:28No more
00:25:29No more
00:25:30No more
00:25:31Wipe your tears away
00:25:34Wipe your tears away
00:25:38Wipe your blood
00:25:41Shut our eyes
00:25:43Wipe your tears away
00:25:46Because it becomes a hymn
00:25:48Yeah
00:25:48A hymn of despair
00:25:50Of yearning
00:25:53Just even expressing that
00:25:56Even though it's a pretty bleak thought
00:25:58Giving it expression
00:25:59Gives people a lot of courage
00:26:02And consolation
00:26:04I'm so sick of you
00:26:07So right now
00:26:13We've got peace in Ireland
00:26:14Eventually
00:26:16I don't know when it will be
00:26:17I hope it's in my lifetime
00:26:18When the border goes away
00:26:20Because it's kind of ridiculous
00:26:22Having a border
00:26:22On an island this size
00:26:25And the north and the south
00:26:27Will hopefully
00:26:28Have more respect for each other
00:26:30That would be nice
00:26:31Before it was a cinema
00:26:36This was part of
00:26:38Rotunda Hospital
00:26:38This very room
00:26:39I was born here
00:26:41Yes I was
00:26:42Brendan Bean said
00:26:44If you weren't born in the Rotunda
00:26:45You weren't a proper Dubliner
00:26:47So there you go
00:26:49This next song is the first song
00:26:52Really we wrote about Dublin
00:26:55In the 70s
00:26:57It's a very different Dublin
00:26:59Than it is today
00:27:01A very different country
00:27:03Very bad
00:27:05And we called a song bad
00:27:22If I twist and turn away
00:27:32If I tear myself in two again
00:27:41If I could
00:27:46No I would
00:27:47If I could
00:27:49I would
00:27:52Let it come
00:27:53Surrender
00:27:59This is a song
00:28:02Of surrender
00:28:03Could any of this have happened
00:28:05Anywhere but Dublin?
00:28:07Not just because you knew each other
00:28:08But Dublin
00:28:09We're around
00:28:10As Ireland moves
00:28:12From black and white into colour
00:28:14Could throw this lifeless
00:28:16Lifeline to the wind
00:28:19The country was trying to identify itself
00:28:22Who are we?
00:28:23Are we buying this myth
00:28:25That we've been sold
00:28:26Or are we going to be something more extraordinary?
00:28:29Into the lives
00:28:31And that's what all four members of you two
00:28:35Had in common with the country
00:28:37You can only have it all
00:28:42If you give it all away
00:28:46You can only have it all
00:28:51If you give it all away
00:28:56To let it go
00:29:03To let it go
00:29:15To let it go
00:29:17So not to fade away
00:29:23To let it go
00:29:26So not to fade away
00:29:32So not to fade away
00:29:32A wide away
00:29:36A wide away
00:29:42A wide away
00:29:42Wide away
00:29:46I'm not sleeping
00:29:50Oh no
00:29:53I'm not sleeping
00:29:59Oh no
00:30:02See I wasn't wrong about this
00:30:16Was I folks?
00:30:17It's a wonderful night
00:30:18By the way
00:30:20Do you know who's doing a show tonight
00:30:21At Crow Park Stadium?
00:30:24Adam and Larry
00:30:25Yeah
00:30:26I hear it's great
00:30:28I'm sure it is
00:30:30Let me ask you a question about songwriting
00:30:33When you're writing a song
00:30:35And you end up with
00:30:36Who, who, who, who
00:30:38Who provided that inspiration?
00:30:42I'm telling you it's lovely
00:30:43But who says
00:30:44Okay here's where you do
00:30:45Who, who
00:30:47We like to ask the big question
00:30:50So we start with who
00:30:51And we eventually get to why
00:30:54So we'll hear why, why later
00:30:56Yeah
00:30:56And when
00:30:57It's coming
00:30:58That's a full night
00:31:00Isn't it folks?
00:31:05Going back to the why
00:31:06Of you two
00:31:07You gotta stay with the why
00:31:10And I think the band
00:31:12Were on the same page
00:31:13In this one
00:31:14Yeah they wanted to entertain
00:31:16But they didn't want to
00:31:18Just entertain
00:31:19They wanted to do something great
00:31:21Something that spiritually
00:31:23Affected people
00:31:26And that's the why
00:31:29And that's the why
00:31:29We grew up as a band
00:31:47On a live stage
00:31:48That's that's how we learned
00:31:50To do what we do
00:31:51And by the street
00:31:52And when I wrote the music
00:31:55I set myself
00:31:57A specific
00:31:59Sort of thought exercise
00:32:01Of what would I want
00:32:03To listen to
00:32:04If I was in the audience
00:32:06What would blow me away
00:32:08Please do it again
00:32:10Because this is an experience
00:32:11I'll never get again
00:32:13In my life
00:32:13Of soul
00:32:14Road streets for no name
00:32:35Is an unusual brew
00:32:37Of a song
00:32:38The lyric
00:32:39Is not very
00:32:41Fleshed out
00:32:42But the suggestion
00:32:44Contained in the lyric
00:32:45Is gigantic
00:32:46And what it seems
00:32:49To suggest is
00:32:51There's a transcendent place
00:32:53We can go to
00:32:54Together
00:32:55Do you want to come?
00:32:57I want to run
00:33:03I want to hide
00:33:07I want to tear down the walls
00:33:13And hold me in silence
00:33:16I want to reach out
00:33:19And touch the flame
00:33:22Where the streets have no name
00:33:28Our band is
00:33:31The chemistry set
00:33:32Where the streets have no name
00:33:34Chemical reaction
00:33:35Between our audience and us
00:33:37That's what makes
00:33:38A good band great
00:33:40Still building
00:33:41And burning down
00:33:43Burning down
00:33:47And when I go there
00:33:51I go there with you
00:33:54It's all I can do
00:33:57Explain to me the connection
00:34:07Between where the streets have no name
00:34:09To Super Bowl XXXVI
00:34:11Six months after the September 11th attack
00:34:14I recall grappling with
00:34:18The concept of America
00:34:21And what it meant to me
00:34:23And what it might mean
00:34:24Around the world
00:34:25And this is a fragile moment
00:34:28I wanted to use some exhortation
00:34:35Taking away normal spectacle
00:34:38And turning it into
00:34:40A monument of rolling names
00:34:42The Super Bowl halftimes
00:34:44Are about spectacle
00:34:45But the greatest spectacles
00:34:48Are emotions
00:34:50I've come to understand
00:35:08The connection
00:35:08About spirituality
00:35:10And religion
00:35:11You feel that
00:35:14And it doesn't
00:35:15Doesn't hit you over the head
00:35:16But it's palpable
00:35:18For sure
00:35:18Well for me too
00:35:27I want to feel that
00:35:28That's my drug of choice
00:35:30The feeling of
00:35:31Not writing a song
00:35:33But being sung by the song
00:35:35Sounds a little arty
00:35:36But it's not
00:35:37You feel it
00:35:38Strongly coming through you
00:35:40You know
00:35:41And Brian Eno
00:35:43Who said to us
00:35:44You know
00:35:46You should not be
00:35:48Concerned with things
00:35:49Like being cool
00:35:50That would be uncool for you
00:35:52Just be yourself
00:35:54Right
00:35:54You know
00:35:55And I look back now
00:35:57And I realise
00:35:58That's U2's thing
00:35:59Ecstatic music
00:36:00Because you're in that
00:36:08You have to have the courage
00:36:09To jump off the building
00:36:12And believe you can fly
00:36:13The heart is a bloom
00:36:15It shoots up through the stony ground
00:36:20But there's no room
00:36:23No space to rent in this town
00:36:27You're out of luck
00:36:29And the reason that you had to care
00:36:35The traffic is stuck
00:36:37You're not moving anywhere
00:36:41You thought you'd found a friend
00:36:45To take you out of this place
00:36:49Someone that you could lend a hand
00:36:53In return for grace
00:36:56It's a beautiful day
00:37:00Sky falls, you feel like
00:37:04It's a beautiful day
00:37:06You're on the road
00:37:12She got no destination
00:37:18You're in the mud
00:37:20In the maze of her imagination
00:37:25You love this time
00:37:28Even if that doesn't ring true
00:37:33Even if that doesn't ring true
00:37:33It's been over
00:37:35And it's been over you
00:37:39It's a beautiful day
00:37:44Let it get away
00:37:47It's a beautiful day
00:37:50Touch me now
00:37:57Take me to that other place
00:38:01Teach me love
00:38:05I know I'm not a hopeless case
00:38:09See, that's what's interesting
00:38:11When did the tongue go into the cheek?
00:38:13Because I think that's what saved you two
00:38:15And they kind of got the rock star thing
00:38:18And the humour entered what they were doing
00:38:21Because they were the pilgrims
00:38:22They were the guys going to America
00:38:24With the Christian mindset
00:38:26And suddenly they were the rock stars
00:38:28Suddenly they were on a different train
00:38:30And it really worked
00:38:31See the bird with a leaf in her mouth
00:38:35After the flood
00:38:37All the colours came out
00:38:39It was a beautiful day
00:38:47Let it get away
00:38:52Beautiful day
00:38:54Yeah, yeah
00:38:59Touch me now
00:39:03Take me to that other place
00:39:06Reach me
00:39:10I know I'm not a hopeless case
00:39:13What you don't have
00:39:16You don't need it now
00:39:18What you don't know
00:39:20You can feel it somehow
00:39:22What you don't have
00:39:23You don't need it now
00:39:26Don't need it now
00:39:30How it must feel to be a bird
00:39:48I need help here
00:39:51Because Ireland is a young country
00:39:53Roaming lonely over sea
00:39:57And what I knew of Ireland growing up
00:40:01Was it was controlled religiously
00:40:03And then it changed
00:40:04And it changed quickly
00:40:06How did it happen here?
00:40:08The world into which you two are coming
00:40:11As a society
00:40:12Which has been kind of liberalising
00:40:14But is now going back
00:40:16You know
00:40:16It's getting cold feet
00:40:18About do we really want to change
00:40:20Do we really want to become more modern
00:40:21And this band comes into the middle of that
00:40:29And I think they formed a kind of critical bridge
00:40:32From being a conservative society
00:40:39To being the place it is now
00:40:40Which is a very open, tolerant society
00:40:42Oh my god
00:40:48Are those real diamonds?
00:40:50Holy god
00:40:51Dead
00:40:52Dead
00:40:52You can't leave the building with those
00:40:55Dressing like a woman makes a lot of money
00:40:57In this culture
00:40:58This is your first time to Ireland, right?
00:41:01You need to get out more, Dave
00:41:03Well, that's true in almost every aspect of my life
00:41:06Like many things in my life
00:41:08I'm operating from a position of ignorance
00:41:12I'm an open book, Dave
00:41:13You can ask whatever you want
00:41:14Okay, all right
00:41:15I'm unshockable
00:41:16That's good
00:41:17So is it safe to say that Ireland
00:41:19Was among the most repressive
00:41:21Toward homosexuality
00:41:23And has now become
00:41:25Almost the diametric opposite?
00:41:27Yes
00:41:27I grew up in a country
00:41:30That would absolutely repress
00:41:32Any hint of sexuality
00:41:33Dillon, all through the 80s
00:41:36Was this grey
00:41:38Aggressively normal
00:41:40If you know what I mean
00:41:41Kind of plays
00:41:42Homosexuality wasn't even heard of
00:41:45You know, when I was a high school student in the 80s
00:41:48U2's albums were
00:41:50They exploded
00:41:51Did you respond to those as a kid?
00:41:53See, I didn't
00:41:54I unfairly maligned U2
00:41:57Because to me at that time
00:41:59They were part and parcel of this culture
00:42:03This sort of straight boy rock culture
00:42:06That I felt absolutely rejected by
00:42:09So I left
00:42:10I went to Japan
00:42:11To live and work and do this
00:42:14And while I was living there
00:42:17U2 came and performed
00:42:19And I started to see
00:42:22Oh actually this U2 is not the U2 that I
00:42:25You know, unfairly maligned
00:42:26What I saw on the stage in Tokyo
00:42:29Was outward looking
00:42:31And you know, sexy and fun
00:42:33Your precious stone
00:42:36Maybe I'm overselling it
00:42:37But they were part of the reason
00:42:39Then in the end
00:42:40That I ended up coming back eventually
00:42:42I saw a video of you on stage
00:42:52With Bono and the band
00:42:54Oh right
00:42:55It wasn't long after
00:43:02The same-sex marriage referendum
00:43:04I was the first country in the world ever
00:43:06To bring in same-sex marriage
00:43:07To popular vote
00:43:08One thing here
00:43:10So Bono gives you the microphone
00:43:11Do you remember what you said?
00:43:14I don't actually
00:43:15Have you something to say to your people?
00:43:18I'd just like to say
00:43:18I think this might be
00:43:19The straightest audience
00:43:20I've ever played to
00:43:21I would have to check that David
00:43:24That sounds like work
00:43:25And I don't like to do work
00:43:26So I would just like to say
00:43:27On behalf of people like me
00:43:29Thanks a million
00:43:30We really appreciate it
00:43:32Let's get married
00:43:34See I found my way back
00:43:35Over the years
00:43:36But not because I changed
00:43:38I'm still the same idiot
00:43:40I was then
00:43:41But this country changed
00:43:43Like dramatically
00:43:45You two was part of what
00:43:48Allowed Ireland to stand in its own defeat
00:43:50Actually we have our own thing
00:43:51I appreciated that at the time
00:43:53And I still do now
00:43:54Well good for you
00:43:55And do you have any questions for me?
00:43:57Yeah
00:43:58I think you've always been
00:43:59Kind of a low-key fashion icon Dave
00:44:01You look like a cool dude now
00:44:03Cool dude
00:44:04What is you now Dave?
00:44:0675
00:44:0675
00:44:07You are a cool looking 75
00:44:09What do I do about the chest pains?
00:44:12Oh
00:44:12Dave if you get chest pains and die here
00:44:15I'll be cashing in for years
00:44:17I'll have a blue plaque out there
00:44:19Dave Letterman died here
00:44:21There's several theaters in the world
00:44:24Where I died
00:44:25But this would be an honor to die here
00:44:28Thank you for that
00:44:29Thank you so much
00:44:30Your work in particular
00:44:40Presents a difficult choice
00:44:42You're torn
00:44:44And there is maybe an ultimatum
00:44:46Which way are we going to go here?
00:44:48Is it going to be this?
00:44:49Is it going to be that?
00:44:50Give us your soul
00:44:53Your soul
00:44:56Your soul
00:44:59And I think you even speculated
00:45:01That it was that tension
00:45:03That was useful to you creatively
00:45:05That's exactly
00:45:06You know if you spoke to Keith Richards
00:45:08I mean one of the things
00:45:10He's always been great on
00:45:12Is duality
00:45:12He'd say duality
00:45:14Is this Mona Lisa's face?
00:45:17Is it sad?
00:45:19Is it happy?
00:45:20Duality
00:45:20Duality
00:45:29Duality
00:45:31Is the song
00:45:32You know
00:45:33Tears but I'm dancing
00:45:34That's the U2 thing
00:45:36You're right in the middle of that
00:45:38My life
00:45:46Opened up as an artist
00:45:48When I realized you don't have to resolve every contradiction
00:45:53In fact right at the center of a contradiction
00:45:56Is the place to be
00:45:58Is it getting better?
00:46:02Do you feel the same?
00:46:08Will it make it easier on you now?
00:46:13You got someone to blame?
00:46:15You got someone to blame
00:46:18You say
00:46:20One love
00:46:21One life
00:46:21One life
00:46:24It's one meal
00:46:27In the night
00:46:29One love
00:46:32Get to share it
00:46:33Get to share it
00:46:34Leaves you
00:46:36Leaves you baby
00:46:37You don't care for it
00:46:40Did I disappoint you?
00:46:54Leave a bad taste in your mouth
00:47:00You act like you never had love
00:47:04And you want me to go without
00:47:09Well it's too late
00:47:14Tonight
00:47:15To drag the dirt out into the light
00:47:21One
00:47:22Well we're not the same
00:47:26We get to carry each other
00:47:28Carry each other
00:47:31One
00:47:32One
00:47:33Have you come here for forgiveness?
00:47:45Have you come to raise the debt?
00:47:51Have you come here to play Jesus?
00:47:57To the lepers in your bed?
00:48:02Did I ask too much?
00:48:06More than a lot
00:48:08You gave me nothing else
00:48:11All I've got
00:48:13One
00:48:15But we're not the same
00:48:17Yeah
00:48:18We hurt each other
00:48:20Then we do it again
00:48:22You say
00:48:24Love is a temple
00:48:26Love a higher law
00:48:28Love is a temple
00:48:29Love a higher law
00:48:31Love is a temple
00:48:32Love a higher law
00:48:33Love a higher law
00:48:34You ask me to enter
00:48:36Then you make me cry
00:48:38You can't be hold on
00:48:40You can't be hold on
00:48:42To what you've got
00:48:45When all you've got is hurt
00:48:48One love
00:48:50One blood
00:48:53One life
00:48:55Got to do what you should
00:48:57All lying
00:49:01With each other
00:49:03Sister
00:49:06Brother
00:49:25Ireland is about 100 years old
00:49:28And the band is about 50 years old
00:49:30Which is more unlikely
00:49:31That Ireland is 100 and better than ever
00:49:34And the band 50 years in
00:49:36To that question I would say it's probably the fact that we're
00:49:40A band for this long is the more remarkable thing
00:49:43We kind of grew up working together and learnt how to be
00:49:49You know, people of the world because of our band
00:49:52So we're probably to some extent all a little institutionalised
00:49:56By being in U2 this long
00:50:02I don't know that I could work with my friends in a creative arena
00:50:06For any length of time
00:50:08There's many times in the past I think that that might have been
00:50:11Just pushing our luck a little too far
00:50:16Friendship
00:50:18It's deeply part of who we are
00:50:19But you could lose that along the way
00:50:22But we had to work on it
00:50:23Do you embarrass the band?
00:50:27Yes, I do
00:50:28My activism
00:50:33As the band would accept
00:50:35Is fairly unhip work
00:50:38If you're in a rock and roll band
00:50:41You don't want to be in the photograph with some people
00:50:44That might be polar opposite to the values that you hold dear
00:50:49And I did that to them
00:50:51And I'll say it's extraordinary on a few levels
00:50:54Because, you know, it's bad for both of our images
00:50:58When I was working with Jesse Helms
00:51:01And we did great work together
00:51:06Edge just said please, just please
00:51:09Whatever you do
00:51:11Don't bring Jesse Helms
00:51:12Who personally dismantled the National Endowment for the Arts
00:51:17Do not bring him to a U2 show
00:51:19And I brought him to a U2 show
00:51:21And I brought him to a U2 show
00:51:25It was very hard for us
00:51:26Yeah
00:51:27There's a lot of tension created by that
00:51:31I wouldn't have done it, I guess
00:51:33I probably wouldn't have done it
00:51:35Yeah, it's an awkward one
00:51:39It's an awkward one
00:51:42You know, I'm turning what we create as a band
00:51:45Into currency that I choose to spend in these areas
00:51:52And they, by and large, support me
00:51:56But I do know I test their patience
00:52:01And do you feel that this relationship
00:52:02To getting stronger as you guys get older?
00:52:05Yeah, I think we acknowledge each other's idiosyncrasies
00:52:10And they're not, it's not threatening
00:52:12And we're also not in competition
00:52:15It's just part of the way
00:52:18I suppose we show respect to each other
00:52:23We have an unusual relationship
00:52:28As I often explain to the audience
00:52:30Edges from the future
00:52:34And as I often ask him
00:52:36How is it?
00:52:37Which he will always
00:52:38Reply
00:52:39Better
00:52:42Hi guys
00:52:43This is digital
00:52:44It's not actually me
00:52:45It's not video
00:52:46I'm confused
00:52:47That's not you
00:52:48That's not a human being
00:52:49No
00:52:49It's a rendering of me as an avatar
00:52:52It's a virtual version of me
00:52:54A replica
00:52:55Imagine if we could take that
00:52:56I just promise me you'll always use this for good not evil
00:53:00The thing I don't like
00:53:10The thing I don't like about you
00:53:14The thing I don't like about Edge is that he
00:53:16He doesn't need me
00:53:18I mean he could be doing
00:53:20All of this
00:53:22Writing, singing, performing, playing, producing on his own
00:53:27But he doesn't
00:53:30Because it's not as much fun
00:53:31I am not afraid
00:53:39Of anything in this world
00:53:41There's nothing you can throw at me
00:53:44That I haven't already heard
00:53:47I'm just trying to find
00:53:49A decent melody
00:53:51A song that I can sing
00:53:54In my own company
00:53:55Your best friends are the ones that you can have the best arguments with
00:54:02And I've got pretty much the best arguments you can ever find right here
00:54:07You wanna stand up straight
00:54:10Carry on away
00:54:12These tears are going nowhere, baby
00:54:16I would trust the Edge with my life
00:54:19In fact, I have trusted him with my life
00:54:21So you got stuck in a moment
00:54:25Yeah, that was a good call
00:54:27Stuck in the moment
00:54:31You got to get yourself together
00:54:35You got stuck in the morning
00:54:38Now you can't get out of bed
00:54:41Don't say that
00:54:43Later we'll be better
00:54:45Now you're stuck in the morning
00:54:49And you can't get out
00:54:52And if the night was over
00:54:58And if the day won't last
00:55:03And if your wish should fall to
00:55:08Along the story pairs
00:55:12It's just a moment
00:55:14And if the night was over
00:55:16And if the night was over
00:55:17And if the day won't last
00:55:19And if the day won't last
00:55:21And if your wish should falter
00:55:23And if your wish should falter
00:55:27Along that stony pass
00:55:31It's just a moment
00:55:33It's just a moment
00:55:35It's just a moment
00:55:37It's just a moment
00:55:41It's just a moment
00:55:43It's just a moment
00:55:46It's just a moment
00:55:48Oh, this, you feel like you're in Ireland here, eh?
00:56:07What is this called?
00:56:08This is the 40 foot?
00:56:09Yeah.
00:56:10Tell us what, why are you here and then why?
00:56:14Well, I'm here to swim.
00:56:15But did you lose a bet?
00:56:16No.
00:56:17No, sorry.
00:56:17Well, explain the routine.
00:56:19Every morning, there's a crowd of swimmers and we all meet up.
00:56:22Every season.
00:56:23Summer, spring, winter, fall.
00:56:25Yeah.
00:56:26Hello.
00:56:27How is everyone?
00:56:29There's a man in a Santa hat.
00:56:32He swims here every day.
00:56:34We're going to say that that's me.
00:56:36Okay.
00:56:36There I am.
00:56:37There's Dave.
00:56:39So do you want me to swim with Dave?
00:56:40Yeah, go down and swim.
00:56:41Yes, please do.
00:56:42Because I'm freezing now.
00:56:45Could you get in?
00:56:46No, no.
00:56:47I can make that sound without getting in.
00:56:49Oh, is that kelp?
00:56:51Oh, my God.
00:56:57This is like there's been some shipwreck.
00:57:00But yet we found the survivors.
00:57:02How was that?
00:57:05It was actually very nice.
00:57:06You enjoyed it?
00:57:07I feel brilliant.
00:57:08You're happy to be alive?
00:57:10Oh, yeah.
00:57:10It's amazing.
00:57:11You go in to see one person and come out another.
00:57:13Well, that's lovely to hear.
00:57:14It's great change, yeah.
00:57:15You should try it.
00:57:16Yeah.
00:57:16What, when I get back to the hotel and try it in the pool?
00:57:19Yeah.
00:57:19Traditionally, this was only for men.
00:57:23So women never came in.
00:57:23Until 1974.
00:57:25Yeah, yeah.
00:57:25And then women were allowed.
00:57:27I was here when the women rushed in and popped in there and swam in there naked.
00:57:32There's a lovely atmosphere down here.
00:57:34You never come out of a swim without a smile on your face.
00:57:37And if you have any worries, if you have any worries, they just can't.
00:57:41I understand the smile on your face, sort of frozen on one's face.
00:57:45Probably, yeah.
00:57:46Well, let's just see what temperature this water is.
00:57:49I just know this is the closest.
00:57:51I'm going to get.
00:57:54I told you not to let me get too close.
00:57:58I have to leave now.
00:57:59Shoes are wet.
00:58:00Well, we just want to welcome the 40-foot man.
00:58:08He's been out on the 40-foot.
00:58:09Yes.
00:58:10And he's getting splashed around.
00:58:13I, uh, the bay.
00:58:15It was on the news.
00:58:16I stripped naked and got in for 45 minutes.
00:58:21You've seen more Dublin the last three days, he has, than we have in the last year.
00:58:26This also is a gift.
00:58:28Uh, we went somewhere and got on the dart and, uh, spent two hours with Glenn.
00:58:34Uh-huh.
00:58:35There you go.
00:58:36The immediate beard off.
00:58:37Beard off.
00:58:38He, he has, he has a beautiful beard, but I, if you ever get a chance to get right up close
00:58:44to him, you'll be hypnotized by his blue eyes.
00:58:48Oh, my goodness, ladies and gentlemen.
00:58:50There's a Moya Cannon poem that probably speaks a lot to the idea of taking songs and what
00:59:06happens to songs and where they go and where music goes.
00:59:09It's called carrying the songs.
00:59:11It was always those with little else to carry who carried the songs.
00:59:15Deep rhythms.
00:59:16Ah, f**k.
00:59:17Every one of the poems I write ends in, ah, f**k.
00:59:22Okay, I, I think I have it.
00:59:23Okay, all right.
00:59:24All right.
00:59:25One more time.
00:59:26There was always those with little else to carry who carried the songs to Babylon, to
00:59:37the Mississippi.
00:59:39The last of these possessed less than nothing, did not own their own bodies.
00:59:46Yet three centuries later, deep rhythms from Africa stowed in their hearts and their bones.
00:59:52They carried the world's songs.
00:59:56And for those who left my county, girls from the Downings and the Rosses, who followed the
01:00:02herring boats north, gutting the sea's silver as they went.
01:00:08Or boys from Ranafast, who slept over a rope in a bothy.
01:00:14Songs were their soul's currency.
01:00:18The pure metal of their hearts, to be exchanged for other gold, other songs that rang true
01:00:25and bright when flung down on the deal boards of their days.
01:00:30So this idea that songs are what we carry, even when we have nothing else.
01:00:37Those who are the victors write the history.
01:00:41Those who suffered both the songs.
01:00:43So we have a lot of songs in Ireland.
01:00:50And sometimes I wake up in the morning, the ginger lady by my bed.
01:00:57And sometimes I wake up in the morning, the ginger lady by my bed.
01:01:05And sometimes I wake up in the morning, the ginger lady by my bed.
01:01:20How long have you been sober?
01:01:21Since I was 34.
01:01:22Since I was 34.
01:01:23Since I was 34.
01:01:24Okay.
01:01:25Fingers crossed.
01:01:26Do you want to see a walk there?
01:01:27Yeah.
01:01:28Let's watch this.
01:01:29Okay.
01:01:30This is a walk.
01:01:31Dublin walk.
01:01:32Yeah.
01:01:33Alright.
01:01:34Pretty good.
01:01:35Go then.
01:01:36Yeah.
01:01:37That's it.
01:01:38Are we here?
01:01:39This is it.
01:01:40I've been in here for a long time.
01:01:41How are you doing?
01:01:42Good evening.
01:01:43Hi.
01:01:44How are you?
01:01:45How are you?
01:01:46Hi.
01:01:47How are you?
01:01:48What is your name?
01:01:49Oliver?
01:01:50I'm Dave.
01:01:51Good evening.
01:01:55Hi.
01:01:56How are you?
01:01:57What is your name?
01:01:59Oliver?
01:02:00I'm Dave.
01:02:01Hi how are you? What is your name? Oliver? I'm Dave.
01:02:06La la la la la la la
01:02:15Oh la la la la la la la leaving
01:02:27Hello? Where is David? How are you?
01:02:32I believe you like me always.
01:02:35Okay. It was just wonderful. Thank you.
01:02:39It should be the national anthem, eh?
01:02:42Ooh!
01:02:54Say you are a diamond, a ring of gold
01:03:04A story to remain untold
01:03:08Your love not to grow cold
01:03:13All the promises we break
01:03:18From the cradle to the grave
01:03:24All I want is you
01:03:33All I want is you
01:03:37All I want is you
01:03:42All I want is you
01:03:49All I want is you
01:03:54All I want is you
01:03:59All I want is you
01:04:03All I want is you
01:04:04All I want is you
01:04:06All I want is you
01:04:08All I want is you
01:04:14You mentioned recording phrases of music
01:04:17Yeah
01:04:18On a device
01:04:19I mean it could be literally the middle of the night
01:04:21I wake up with an idea
01:04:23idea so i have to get out of bed find the phone a guitar looking at my phone this morning i have
01:04:306 000 voice notes see to be able to do this is honestly it's like you guys are a magic act well
01:04:43we have some magic for you we're gonna write a tune for you called 40 foot man now when did this
01:04:48happen how long is this this is uh 3 a.m this morning oh yeah it started at 3am so this whole
01:04:54little thing that you're doing for me now is fresh out of the oven yeah try it again let me try it
01:05:00again oh do you want to give it a go okay you've written lyrics and everything oh yeah one two three
01:05:14four we've come to love this 40-foot man he keeps on doing the best that he can
01:05:27we almost lost him there on sandy mount strand being swept away was part of his plan
01:05:37you can let me sleep that's how we see underneath
01:05:51you try this bit
01:05:54he's not so excited
01:06:00he's not so frightened
01:06:07fast as lightning
01:06:11this 40-foot man
01:06:17this 40-foot man oh yeah
01:06:24oh man okay the phrase in there that absolutely rings true is he tries the best that he can and i i have
01:06:32to tell myself that every minute of every day many nice things have happened for me in my life
01:06:39this is would be right at the top of that list i mean this is like people could call and order
01:06:45custom-made u2 songs i don't know about that you see the thing is it's about inspiration
01:06:51oh you gave us the inspiration this is too much well when do we talk about uh publishing publishing
01:06:59hey yeah back off back off letterman
01:07:05the greatest songwriting is never conclusive
01:07:17but the search for conclusion
01:07:19how long how long how long must we sing this song
01:07:33how long how long
01:07:34is
01:07:36oh
01:07:38is
01:07:40tonight
01:07:42we can raise one
01:07:44tonight
01:07:46tonight
01:07:48tonight
01:07:50tonight
01:07:52tonight
01:07:54tonight
01:07:56pick it up
01:08:06tonight
01:08:08pick it up
01:08:10tonight
01:08:14what the tears from your eyes
01:08:20the lyrics of this have been rewritten for the new release
01:08:30yeah that's right what a thrill to finish sunday bloody sunday all these years later
01:08:35to go back to dairy and make it present tense i could never have written that song this way back then
01:08:43here at the murder scene
01:08:51the beginning of a fiction
01:08:53the facts will not come clean
01:08:57why so many mothers cry
01:09:01is religion now the enemy of the holy spirit guide
01:09:07the real battle yet begun
01:09:11where is the victory jesus
01:09:17won
01:09:21so all i want now is the answer to the question how do you write a song and i don't have that yet
01:09:37not to get into the weeds too much but chords are the foundation of all melody so actually before you get to melody you need to find the right chords
01:09:47you need to find the right chords
01:09:49i don't agree with edge on that one i'm just saying because think about what you just did
01:09:53what you did
01:09:55to one you changed the chords
01:09:57same melody same words
01:09:59you just did it
01:10:01i think we changed the key but not the chords
01:10:03we did well we nearly got to 50 years
01:10:05and in marsh's library
01:10:07it's coming apart
01:10:09it all just fell apart
01:10:11you're still doing it
01:10:13and he's not tired of doing it
01:10:15and you still
01:10:17no no i you know i certainly thought about um
01:10:19walking away from you two
01:10:21no every member has
01:10:23no no no no we have all thought about it
01:10:25thought about it but it's really the right
01:10:27it's really the right
01:10:29instinct is to question
01:10:31whether this should be a going concern
01:10:35and what it demands of all four members
01:10:37of you two
01:10:39and the reason why i want to go forward
01:10:41and is because something is stirring
01:10:44and in my voice and in my singing
01:10:46and this desire to write the song that we haven't got yet
01:10:50you know we're sort of chasing the dragon of the song we can't get
01:10:55do you want to hear another song
01:10:58yes
01:10:59let's try breaking away
01:11:00because we never quite nail the vocal here
01:11:02let's do something completely different
01:11:06this is a tenure in the making song
01:11:08every breaking away on the shore
01:11:15tells the next one there'll be one more
01:11:21and every gambler knows that to lose
01:11:26is what you're really there for
01:11:30summer hours feel lessness
01:11:35now i speak into an answer for
01:11:40every fall i leave on the breeze
01:11:46leave it alone
01:11:50if you go
01:11:57if you go your way and i go mine
01:12:01are we so
01:12:05are we so helpless against the tide
01:12:11darling every dark on this street
01:12:15knows that we're in love with defeat
01:12:19are we ready to be swept off our feet
01:12:24and stop chasing
01:12:28every breaking way
01:12:36you know the early songwriting was just sketching really
01:12:40sometimes you know you've just started the song
01:12:45and it might take 20 years to finish it
01:12:49but then you realize
01:12:52this song has been waiting for this moment
01:12:57to be a moment
01:12:58and it's all
01:13:06and it's all
01:13:08and it's all
01:13:09that's the song
01:13:10that's the song
01:13:11and it's all
01:13:12that's the song
01:13:14and it's all
01:13:15If you go your way and I go my way slow
01:13:29Are we so helpless, kissing, baby
01:13:35Every dog on the street knows that we're in love with defeat
01:13:43Are we ready to be swept off our feet
01:13:49And stop chasing every breaking wave
01:13:57Every breaking wave
01:14:01Every breaking wave
01:14:05Every breaking wave
01:14:15Every breaking wave
01:14:19Every breaking wave
01:14:25Every breaking wave
01:14:41I feel like a different person. I have to lie down. I'm sorry. Yeah, me too.
01:14:47I think the thing that we've all been given from Dublin is a real connection to our regular lives.
01:15:07Our friends are the same friends we had when we were 15, 16.
01:15:15All of the members of the band
01:15:17We've been protected, I think, from the worst excesses of rock and roll stardom by being here.
01:15:23It was a shame.
01:15:25One, two, three, four.
01:15:27One, two, three, four.
01:15:29It's like the room just cleared a smoke
01:15:31You didn't even want the heart you broke
01:15:33It's like the room just cleared of smoke
01:15:53You didn't even want the heart you broke
01:15:57It's yours to keep, just might need one
01:16:04I finally found my real name
01:16:08I won't be me when you see me again
01:16:13No, I won't be my father's son
01:16:18I'm more than you know
01:16:22I'm more than you seem
01:16:27I'm more than you let me be
01:16:31I'm more than you know
01:16:34Body and my soul
01:16:37You don't see me but you will
01:16:43I am not invisible
01:16:46I don't dream, not as such
01:17:06I don't even think about you that much
01:17:10Unless I start to think at all
01:17:17Of those frozen days
01:17:21And your frozen ways
01:17:25That melts away
01:17:27You face like snow
01:17:31I'm more than you know
01:17:35I'm more than you see
01:17:39Yeah, I'm more than you let me be
01:17:43I'm more than you know
01:17:46Body and my soul
01:17:50You don't see me but you will
01:17:55I am not invisible
01:17:58I am invisible
01:18:00I am invisible
01:18:02Let's try something
01:18:16Let's sing
01:18:18There is no them
01:18:20There is only us
01:18:22So you can be part of this
01:18:24There is no them
01:18:27There is no them
01:18:31There's only us
01:18:34There's only us
01:18:38There is no them
01:19:08There is no them
01:19:12There is no them
01:19:15There's only us
01:19:19There's only us
01:19:23There is no them
01:19:26Thank you very much
01:19:28I am shitfaced now
01:19:34I have something to say
01:19:38Thanks to everybody here
01:19:40I've never had an experience like this
01:19:43I also want to thank Ireland
01:19:45I mean, my God
01:19:47What an education
01:19:49Glenn, God bless you with that beard
01:19:52Thank you to my host
01:19:55Bono and the Edge
01:19:56Thank you for your hospitality
01:19:58God bless everybody in this room
01:20:01Thank you
01:20:03Thank you, sir
01:20:04Thank you, sir
01:20:05Thank you, sir
01:20:06Thank you, sir
01:20:10By the way, Dave
01:20:11I love the new look
01:20:12Just saying
01:20:13Why do you think I bought this?
01:20:19I got this from you.
01:20:23It looks obvious now through the rearview mirror,
01:20:27but the real miracle of you two is that everything we needed,
01:20:31all the people we needed, they've always been right there.
01:20:36Well, that's where we began this. That's so unbelievable.
01:20:40Yeah.
01:21:19Oh, and the monster's not under the sea.
01:21:25Oh, the monster's sitting next to me.
01:21:30And he's not friendly.
01:21:35He's not even biting.
01:21:42His tongue's like lightning.
01:21:45Oh, the 40-foot man.
01:21:50It can take a stranger to see yourself.
01:21:58An outside eye can be of great help.
01:22:04He's only one, but he'll pop it right out.
01:22:09He's a caring, sharing cyclops.
01:22:12Oh, this does no doubt.
01:22:15Oh, the 40-foot man.
01:22:24Oh, the 40-foot man.
01:22:26Oh, the 40-foot man.
01:22:28Oh, the 40-foot man.
01:22:29Oh, the 40-foot man.
01:22:30Oh, the 40-foot man.
01:22:35Oh, the 40-foot man.
01:22:36Oh, the 40-foot man.
01:22:37Oh, the 40-foot man.
01:22:38Oh, what a wonderful discovery.
01:22:42Oh, what a wonderful discovery.
01:22:57Oh, and I find we're laughing nervously.
01:23:03His boss is then crying
01:23:06He's not even biting
01:23:12A tongue like lightning
01:23:18The 40-foot man
01:23:25The 40-foot man
01:23:33The 40-foot man
01:24:03The 40-foot man
01:24:33The 40-foot man
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