- 4 months ago
Heavy Traffic (1973) is an animated feature directed by Ralph Bakshi that blends surreal storytelling with striking visual style. The film follows a young cartoonist as he explores life in the city, capturing the chaos, humor, and creativity of urban culture. Known for its bold animation techniques and unconventional narrative, the movie has become a cult classic and a landmark in animation history.
Heavy Traffic 1973, Heavy Traffic movie, Ralph Bakshi animation, cult classic animated films, 1970s animated movies, surreal animated films, urban culture animation, independent animation classics, animated cult classics, underground animation films, artistic animation movies, unconventional animated films, 70s animation history, classic animated features, Ralph Bakshi classics, animation for adults 1970s, experimental animated films, vintage animation gems, 1973 cult classics, bold animation styles, influential animated movies, animation history films, indie animation classics, alternative animation features, groundbreaking 70s animation, surreal storytelling films, animated films with style, iconic Ralph Bakshi movies, underground animated classics, animation cinema gems
Heavy Traffic 1973, Heavy Traffic movie, Ralph Bakshi animation, cult classic animated films, 1970s animated movies, surreal animated films, urban culture animation, independent animation classics, animated cult classics, underground animation films, artistic animation movies, unconventional animated films, 70s animation history, classic animated features, Ralph Bakshi classics, animation for adults 1970s, experimental animated films, vintage animation gems, 1973 cult classics, bold animation styles, influential animated movies, animation history films, indie animation classics, alternative animation features, groundbreaking 70s animation, surreal storytelling films, animated films with style, iconic Ralph Bakshi movies, underground animated classics, animation cinema gems
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CreativityTranscript
00:02:02Do you have to go away?
00:02:04Do you have to go away?
00:02:06Do not have to go away.
00:02:08Do not have to go away.
00:02:10No gymnast.
00:02:14What makes you happy?
00:02:19What makes you happy?
00:02:23Where do you go?
00:02:26Where do you go?
00:02:29Where do you hide?
00:02:32Where do you hide?
00:02:35Who do you see?
00:02:36Who do you see?
00:02:38What do you trust?
00:02:40What do you trust?
00:02:42Hey!
00:02:43What do you trust?
00:02:44You mother fucker, what's happening?
00:02:47Hey!
00:02:48Get!
00:02:49Lysha!
00:02:50Get!
00:02:51Woo!
00:02:52What you doing? Look at him!
00:02:54I never thought I'd meet you here.
00:02:56You told me you was never gonna come back here.
00:02:58I thought I was never gonna see you here again.
00:03:02Oh, shit.
00:03:04You know, I mean, you should be back blowing your harm.
00:03:07Who do you screw?
00:03:09Who do you screw?
00:03:11Who do you screw?
00:03:17What kills the pain?
00:03:19I ain't there. I ain't there.
00:03:21What kills the pain?
00:03:23What else?
00:03:25They ain't ready.
00:03:27They ain't ready.
00:03:29Oh, I can dig it.
00:03:31Game up. Game win.
00:03:33Bub around.
00:03:35Set it straight.
00:03:36A transaction.
00:03:38Play it hard.
00:03:39It hurts so bad.
00:03:40I gotta win.
00:03:41Every one loses.
00:03:42Everything loses.
00:03:44Gotta win big.
00:03:46The second toy loses.
00:03:48Where's it all going?
00:03:52Where's it all going?
00:03:54Where does it lead us?
00:03:56Where does it lead us?
00:03:58Where does it lead us?
00:04:00Where does it lead us?
00:04:02Where does it lead us?
00:04:04Where does it lead us?
00:04:06Where does it lead us?
00:04:08Why does it lead us?
00:04:09Where does it lead us?
00:04:10Where does it lead us?
00:04:11Where does it lead us?
00:04:12How do you do it?
00:04:13Hey, man!
00:04:14Tilt City, Pinball Alley. Blinking lights, shot to hell. Fuck it all.
00:04:32Tilt City, Pinball Alley, blinking lights, shot to hell. Fuck it all.
00:04:39Shit, let's go get a jug. You got the money?
00:04:44I guess we can get something. Let's go get a jug and talk about time.
00:04:49I got up this morning and I was thinking about you. And I thought of this song, which I'm going to play for you right now.
00:05:09I won't play that other because it says Old Doc.
00:05:16All the world is sad and dreary. Everywhere I roam.
00:05:35Oh, I won't play that again either.
00:05:44Hey, what a night.
00:05:46Pop's okay.
00:05:47You should have seen those poor bastards on the docks scatter.
00:05:51Hey, think of that. Those dumb loonies think they could pull a strike on the docks all by themselves.
00:05:58No one strikes without permission from the organization.
00:06:04It took me just two hours in Brooklyn and I had a million Puerto Ricans screaming for work.
00:06:10What do you think of that?
00:06:12Hey, you should have seen those poor bastards' faces on the docks when we pulled in with two truckloads of steak and spank.
00:06:20Hey, how come you think I didn't pay for any drinks tonight, huh?
00:06:25Hey, I'm respected in this neighborhood.
00:06:30Goddamn stoplights.
00:06:46Hey, Mac, can you spare a quarter?
00:06:48No one fucks with Ed!
00:06:54Come on, Angie, we got better things to do.
00:07:00I get respect from the organization.
00:07:09I get respect from the Father.
00:07:11Angie, come on.
00:07:13Come on, Angie.
00:07:15You're so big and strong and handsome.
00:07:16Come on!
00:07:17You goddamn slut of a bitch!
00:07:18Hi.
00:07:19When am I gonna see you again?
00:07:20You keep this shit up never!
00:07:21Angie!
00:07:22I'm sorry!
00:07:23You're so hot, huh?
00:07:25You roadblocks!
00:07:27I'm so calm.
00:07:29He's so hot and beautiful.
00:07:30Hey!
00:07:31You're so safe.
00:07:32You're here, and you're here, and you're here, and your little guy.
00:07:34Hey!
00:07:35I'm so happy that you're here.
00:07:36You got to see you again.
00:07:37Hey!
00:07:38Hey!
00:07:39Hey, boy!
00:07:40Hey!
00:07:41Hey!
00:07:42Hi!
00:07:43Hey, you're here, Alger.
00:07:44Hey!
00:07:45Hey, you're here.
00:07:46Hey, how are you?
00:07:47Hey, girl, you're here, you're here.
00:07:49Hey!
00:07:50Hey!
00:07:51Michael, you're still up drawing?
00:07:58You know, Michael Bubbler, darling.
00:08:02Your bastard father has been out all night again.
00:08:05Pop's okay.
00:08:07I'm not.
00:08:08Well, you're okay too, Ma.
00:08:10I love you both, but I got my own problems, you know?
00:08:13How'd you like some breakfast?
00:08:17It's too early now, Ma.
00:08:20But who are you?
00:08:22A duck?
00:08:23A duck?
00:08:24But you're a bitch.
00:08:26Oh, my God.
00:08:27Oh, my God.
00:08:29Oh, my God.
00:08:30Oh, my God.
00:08:31Oh, my God.
00:08:32Oh, my God.
00:08:33Oh, my God.
00:08:35Oh, my God.
00:08:37Oh, my God.
00:08:41Hey, I thought you'd be sleeping.
00:08:49Hey, Ida, what are you doing out?
00:08:50Praying for the dead.
00:08:52Praying for the dead who died
00:08:55Someone close
00:08:59Anyone I know
00:09:1623 years of suffering so go marry an Italian
00:09:20Italian stays out all night with some dumb whore
00:09:25Catholics don't get divorced
00:09:28big deal I
00:09:32Died the day I married a guy
00:09:36Now it's your time Angie roast in hell
00:09:50I
00:09:56Got one left over
00:10:04Don't meet your Marys and Josephs
00:10:06Yes
00:10:23I
00:10:25Your mother is a goddamn crazy bitch, Michael!
00:10:45Mother of God.
00:10:48Thank God she needs glasses.
00:10:51Your mother tried to kill me.
00:10:53What happened, Pop?
00:10:55Didn't you score last night?
00:10:56Hey, come on, son.
00:10:58Not you, too.
00:11:00You gotta quit taking your mother's side in these family arguments.
00:11:04Ain't you got any respect for your father?
00:11:08Hey, what's the matter?
00:11:10You never leave the room, you draw all the time,
00:11:12and I never see you with a girl.
00:11:14I was thinking about asking you Molly for a date.
00:11:17Eat your breakfast, Michael, darling.
00:11:20And don't give that bastard any of it.
00:11:23Hey, come on.
00:11:24You know, I've been wanting to talk to you for a long time now.
00:11:39Well, it's not good you staying away from them girls.
00:11:43I mean, being 22 years old and never having been laid, yeah?
00:11:47Well, it's not Italian.
00:11:50Poor Jewish, Pop.
00:11:51Uh, but I mean, uh, you're Italian half.
00:11:58Listen, son, come down with me on the docks and join the union.
00:12:01Screw the docks.
00:12:02You two still talking?
00:12:04What kind of guinea crap is he filling your head with now, Michael?
00:12:07What do you give a shit for?
00:12:09He's my goddamn son.
00:12:12He's your goddamn son.
00:12:13That's right, but who wants him now after what you did to him?
00:12:17Look what you did to me.
00:12:19I was the Molly's adorable boy.
00:12:22Oh, my God.
00:12:50Hey! It's Michael Coyola! What are you doing there?
00:13:09What are you doing there?
00:13:11Hey, crazy man, how come you're not down in your basement?
00:13:15Well, I came to kill your pigeon boy.
00:13:19That's bullshit, Mo. You know, you're probably peeking down at the ladies.
00:13:25Yeah! My peaking tea is long shut down, Michael.
00:13:32I ain't there no more. I just ain't there.
00:13:43Hey, you're just a crazy nigga, Mo.
00:13:49Just a goddamn crazy nigga.
00:13:51We's all niggas, boy. You and me, just goddamn crazy niggas.
00:13:56We's all niggas, boy.
00:13:58Only some of us don't know it yet.
00:14:01Hey, listen, you want some of this shit?
00:14:07Even your pigeon's a nigga.
00:14:10Ha! That's why I'm gonna kill you.
00:14:13Mo, you ain't gonna do shit.
00:14:16I just ain't there.
00:14:19Every... everybody plays like they're there.
00:14:22But they ain't there.
00:14:24I ain't there.
00:14:26Your pigeon ain't there.
00:14:27He flies high like he there.
00:14:31But he... he don't fly unless you open that cage.
00:14:36And he... and he got to come back cause he's trained to.
00:14:41We ain't there.
00:14:42We ain't there.
00:15:07Okay, bird. Go.
00:15:12Get going.
00:15:17We fly, bitch. Get out of here.
00:15:20Fly, mother.
00:15:27Dumb fucker.
00:15:28Move it.
00:15:30Get that thing, boys.
00:15:32Move it.
00:15:33Fly, fucker. Fly.
00:15:34Come on. Let's go.
00:15:35Come on.
00:15:36Move.
00:15:38Get down.
00:15:39Get down.
00:15:40Move it.
00:15:41Come on!
00:15:43He can move it.
00:15:48He's going, Mo.
00:15:50The shit ed says we got it!
00:15:59Why you little dumb stupid!
00:16:00I set you free and your shit on me!
00:16:07I likes that bird.
00:16:10Master Brother Jerry promised me a big-ass job in the garment center.
00:16:16We've got the best line of brassieres.
00:16:19You're sitting here worried about a goddamn...
00:16:21We've got bronze and bad kicks.
00:16:23Don't let Jerry hear you talk like that about his girl.
00:16:26We've got good brassiers, but lousy Michael's coming in.
00:16:29Let the designer talk. Let the designer talk.
00:16:32Talk, talk, talk to the designer.
00:16:34I still say that. We've got a way around the goddamn problem.
00:16:36This has slipped the right guy a couple of dollars.
00:16:38Was that designing? What kind of talk is that?
00:16:40Right away. That's for Jerry. We've got a design.
00:16:42They did that one.
00:16:44They did that one.
00:16:46No, no, no, no.
00:16:48What kind of silk do you use?
00:16:50What are you talking about?
00:16:52What are you talking about?
00:16:54I can't get the boss away from the girls.
00:16:56You can't charge ten cents an hour.
00:16:58The fuck are you thinking about that?
00:17:00Well, look at those girls out there.
00:17:04They're getting $60 an hour.
00:17:06Hey, Michael.
00:17:10Glad you showed up.
00:17:11Hi, Jerry.
00:17:12You're looking good, kid.
00:17:13Heard you want to go to the coast.
00:17:15Well, hell.
00:17:16Everyone wants to go to the coast.
00:17:17They can't make it to the big city.
00:17:19Besides C, cuff.
00:17:21That's the wrong goddamn brassier, Shirley.
00:17:23Well, now, where were we?
00:17:25Well, okay, Jerry.
00:17:27You've been bullshitting my mark for a year now.
00:17:30I mean, about this big-ass job.
00:17:32And like, I'm here, and what do you got?
00:17:35Well, right, kid.
00:17:38That's it, Fanny. Fill them out good.
00:17:41Stuff them.
00:17:42Make them look real good.
00:17:43Huh?
00:17:44Let the right guy a couple of dollars a little over, you know?
00:17:47No, forget it.
00:17:48It's not the problem with the girls, man.
00:17:49It's the question of, uh...
00:17:50We got, look, we got seven-year-old ladies on the machine.
00:18:01Hey, kid, you want to get my catch?
00:18:03Uh, sure.
00:18:04What, uh, you want me to do?
00:18:06Hey, come on.
00:18:07You gotta be kidding, Charlie.
00:18:09Just open it up.
00:18:10Huh?
00:18:11Sure, then.
00:18:28Hey, Michael.
00:18:29Stop that screwing around.
00:18:31What do you think this is?
00:18:32Some whorehouse?
00:18:33You got no time for games here.
00:18:35This is a $2 million a year business.
00:18:37I don't take any roughhousing with the models.
00:18:40They're just models.
00:18:42Charlie.
00:18:43Come on back and get another set.
00:18:45Okay, okay.
00:18:46Come on back to work.
00:18:48Break it up here, you girls.
00:18:49You got a photographer coming up here in 10 minutes.
00:18:52All right, now, Michael, let's, let's figure out...
00:18:55Mike, Michael!
00:18:56Michael!
00:18:57Oh, fuck these kids.
00:18:58They're all the same.
00:19:00What are you doing?
00:19:01Look around today.
00:19:02I thought he tried that rogue ship.
00:19:03Oh, fuck.
00:19:04No, I won't.
00:19:05I won't.
00:19:06Okay.
00:19:07I won't.
00:19:08I won't.
00:19:09I won't.
00:19:10I won't.
00:19:11I won't.
00:19:12I won't.
00:19:13I won't.
00:19:14I won't.
00:19:15I won't.
00:19:16You ready?
00:19:17I won't.
00:19:18You ready?
00:19:19All right, son?
00:19:20Let's go out and look around today.
00:19:22I thought he tried that rogue site,
00:19:24and then we're going to lay out the new stand on him.
00:19:26I don't care what you show him.
00:19:28Let him get his bearings and know where he's at.
00:19:30He'll find out soon enough if he knows his business.
00:19:32Well, don't bite my arm off.
00:19:34What's the matter with you?
00:19:36What's that?
00:19:38Hey! Hey!
00:19:42Hey!
00:19:44Hey!
00:19:46Hey!
00:19:48Hey!
00:19:52How many times have I told you to let down those curtains?
00:19:54Why? They've all gone off to work.
00:19:58You heard me. Let them down.
00:20:02What's the matter?
00:20:04Afraid I'll shock the Duchess?
00:20:06Don't you suppose she's ever seen a French postcard?
00:20:12You'll let those curtains down,
00:20:14and this is the last bath you'll ever...
00:20:18Get out of there.
00:20:22Say, what's the idea?
00:20:23What?
00:20:24Getting in that barrel.
00:20:26Oh, I don't know.
00:20:27Maybe I'm going over Niagara Falls.
00:20:33Hey, you're supposed to rinse off of that gourd.
00:20:35Hey, listen.
00:20:36You know we drink that water?
00:20:37Yeah.
00:20:38Well, you won't, sis.
00:20:39Unless you're stubborn and insist on it.
00:20:43Come on. Get out.
00:20:44Oh, no, don't, Danny.
00:20:45I'm in it now. Stop!
00:20:46More occurrence like this, and you'll live in that shack across the river.
00:20:49I will not.
00:20:50And if you think I give a...
00:20:56Come here, you love.
00:20:58Take that back.
00:20:59Huh?
00:21:02Let me tell you this.
00:21:04I'm not a one-woman man.
00:21:05I never have been, and I never will be.
00:21:07But if you want to take your turn...
00:21:09Are you going to Scarborough Fair?
00:21:12Wash your sage, rosemary, and thyme.
00:21:15Remember me, too, one who lives there.
00:21:18Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:21:24Are you going to Scarborough Fair?
00:21:29Wash your sage, rosemary, and thyme.
00:21:34Remember me, too, one who lives there.
00:21:39He once was a true love mine.
00:21:44I can't justify you, that's what I'm carrying.
00:21:48Keep standing, keep standing, keep standing.
00:21:50I wouldn't be shown to be here halfway if I just shouldn't ask you.
00:21:53I wouldn't stand outside.
00:21:54Infinity, you make me hope that you...
00:21:58I would say two and a head looks like a snake.
00:22:01That's funny.
00:22:03What, how much would you say?
00:22:04It still feels...
00:22:05I got sent down.
00:22:09each other.
00:22:10Whatever.
00:22:11Oh, no, you don't understand, man.
00:22:13What do you mean?
00:22:15Come on. Come on?
00:22:17Come on! Come on!
00:22:19Louie! Hey, Alan!
00:22:21What's going on here, man? We're wasting time!
00:22:23Oh, hey, Michael!
00:22:25How's you been, baby?
00:22:27Michael don't want to join us!
00:22:29Hey, did you hear that phone?
00:22:31Michael don't want to join us!
00:22:33Oh, I don't believe it.
00:22:35Oh, man.
00:22:37You think it's true what everyone's been saying?
00:22:39Say hello to Rosalind, Mike.
00:22:51Hiya, Mike.
00:22:53I've heard a lot about you.
00:22:55She's good, Mike.
00:22:57Everyone says you're a virgin, Michael.
00:23:01Wait a minute. Don't even believe that.
00:23:07You know, everybody talks.
00:23:09You know, they think they know everything.
00:23:11But, uh...
00:23:13Well, nobody knows nothing.
00:23:15I mean, do I look like a virgin to you?
00:23:17Listen!
00:23:19Hey, give it to us!
00:23:21What do you think?
00:23:23What do you think, Michael?
00:23:25I don't care, Michael.
00:23:27Get around.
00:23:29I mean, you know, uh...
00:23:31You're gonna catch a cold.
00:23:33Come on, Michael. Come on.
00:23:35Uh...
00:23:36How do you like it, Michael?
00:23:38Uh...
00:23:39All you have to do is want it.
00:23:41Yeah, well, I'm, uh...
00:23:43Any way that, uh, pleases you the most, baby.
00:23:46I just want more feet of hands, do you?
00:23:49Oh, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
00:23:58Now, you guys just better take it easy.
00:24:00I'm telling you that, right now, we're gonna have a lot of trouble up here.
00:24:04Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:24:09Michael, come on.
00:24:11Ah!
00:24:12Ah!
00:24:13Ah!
00:24:19She had it coming.
00:24:27Shake it up, baby.
00:24:29Shake it up, baby.
00:24:31With this song.
00:24:33Oh, oh, oh, oh.
00:24:35Come on, baby.
00:24:37Come on, baby.
00:24:38Come on and work it on out.
00:24:40Come on and work it on out.
00:24:42Oh, work it on out, honey.
00:24:44Work it on out.
00:24:46Yeah, you look so good.
00:24:48You know you look so good.
00:24:50Now you know you got me going.
00:24:52You know you got me going.
00:24:54Just like I knew you were.
00:24:56Come on, I knew you were.
00:24:58Shake it up, baby.
00:25:00Shake it up, baby.
00:25:02Let's go.
00:25:04Let's go.
00:25:05Let's go.
00:25:07Come on, come on, come on, baby.
00:25:09Come on, baby.
00:25:10Come on and work it on out.
00:25:11Come on and work it on out.
00:25:13Well, listen, little girl.
00:25:14You know you redesaved so fine.
00:25:17Come on and twist a little closer.
00:25:19Come on and show me that you're mine.
00:25:20Come on, it's whistlin' in the flow, say.
00:25:24Come on, and show me that you're mine.
00:25:27Show me your money.
00:25:28It's all mine.
00:25:47Come on, man.
00:25:48Come here.
00:25:50I've never seen you with a guy or nothing like that, Carol.
00:25:53Yeah, yeah.
00:25:54I'll come.
00:25:55I'll keep my thing private, babes.
00:25:57Damn.
00:25:58Is that possible?
00:25:59You got it too, Carol, baby.
00:26:01You got it.
00:26:02Ah, snowflake.
00:26:04Hi, Carol. How's everything going?
00:26:06Fine, babe.
00:26:07Oh, that girl is so beautiful.
00:26:09I wish I had the body that she had.
00:26:11Oh, Jesus Christ.
00:26:12Ooh.
00:26:13Well, hi there.
00:26:14Want to buy a girl a drink?
00:26:16Oh.
00:26:19Same to you, fella.
00:26:21Sure, sure hope we don't have any trouble tonight.
00:26:24Carol don't feel like any hassle.
00:26:32No hassle for me, Carol.
00:26:34Shorty can handle everything.
00:26:37I know, honey, but hassles aren't the fun they used to be.
00:26:42Is that crazy Jew kid up there again?
00:26:50That's worth one.
00:26:52Shit, that's worth two.
00:26:57You've been doing that number awfully long, Carol.
00:27:02If Mario catches you giving away free booze, it's gonna be bad for you.
00:27:07You know how cheap Mario is.
00:27:10I can handle it, Shorty.
00:27:13I just don't want nothing to happen to you, Carol.
00:27:17You know how I feel.
00:27:19I can handle it, Shorty.
00:27:24I'll be back.
00:27:28Hi, snowflake. Who's your friend?
00:27:30Oh, Bongo?
00:27:31I met him earlier, sweetie.
00:27:32Ain't he cute?
00:27:33Oh, you savage Bongo.
00:27:34You really are, you know.
00:27:35And does Mr. Bongo know who you are, sweetie?
00:27:38He knows a pretty girl when he sees one, honey.
00:27:41Yes.
00:27:46Oh, Bongo, you've got so much nice arms.
00:27:48They're so strong.
00:27:50Come on.
00:27:51Come and dance with me, will you, please?
00:27:52Oh, Jesus Christ.
00:27:54They're a very good dancer.
00:27:55You know that, Bongo?
00:27:56Anybody tell you they're such a good dancer?
00:27:57Yeah.
00:28:00All right.
00:28:01We better stare each your eyes out.
00:28:03Let's go.
00:28:04Oh, let's go.
00:28:07Now, listen, Bongo.
00:28:08A little closer, will you please?
00:28:09You're backing off.
00:28:10Now, listen.
00:28:11We've got to dance close.
00:28:12Oh, thank you.
00:28:13That's very nice.
00:28:16On the neck, on the neck.
00:28:17I really like the neck.
00:28:22Oh!
00:28:23Stop that!
00:28:24Son of a bitch!
00:28:25This bro's got a hard arm!
00:28:27Clear!
00:28:28A lousy no-good classic!
00:28:30Oh, fantastic!
00:28:31Oh, fantastic!
00:28:32Oh, fantastic!
00:28:35Oh!
00:28:36Who'd you expect?
00:28:37Who'd you expect?
00:28:38Your mother?
00:28:40Oh, how bizarre!
00:28:42Oh, listen, Bongo.
00:28:45Oh, this is absolutely sublime and sublime!
00:28:49Oh, my God!
00:28:50Oh, do it again!
00:28:51Oh, do it again!
00:28:52Oh, do it again!
00:28:53Oh, do it again!
00:28:54Oh, do it again!
00:28:58Oh, beautiful!
00:29:00Oh, beautiful!
00:29:05Oh, Jesus Christ, Bongo!
00:29:07You really know how to dance.
00:29:09You know that?
00:29:10You really know how to dance.
00:29:11Can I see you next week?
00:29:29I'm going to fool around with me for you.
00:29:31Stupid little queer.
00:29:33I'm sitting here.
00:29:34I'm sitting here.
00:29:53Oh, Jesus!
00:29:54He was such a nice guy.
00:29:55Why'd they throw him out?
00:29:57Snowflake.
00:29:59Now, you ought to know better than to pick up such rough trade, especially when they've been drinking.
00:30:04I just want someone to love, Carol.
00:30:07All right, what's going on, Carol?
00:30:09No problem, Mario.
00:30:10And if there was a shorty out there, it ain't no more.
00:30:13It's your job, Carol, to spot this sort of crap early.
00:30:16I don't want my steady customers hurt by trench and trade, understand?
00:30:19You know, it's tough enough having a black girl run my bar in this neighborhood, but when you start acting like an uptown nigger...
00:30:23Look at me, goddammit, when I'm talking to you!
00:30:26You can't stick it, Mario!
00:30:36Where'd it take you so long, Superman?
00:30:41Carol!
00:30:43Carol?
00:30:44Where you going?
00:30:46I've been from Boston to Bombay.
00:30:47It's not where I'm going, honey.
00:30:49It's where I've been that I'm thinking about.
00:30:52What do you mean?
00:30:55I'm splitting, shorty.
00:30:56I've had it.
00:30:58Where you gonna go, Carol?
00:31:00Why don't you stay with me?
00:31:02I don't like your splitting.
00:31:04Why don't you stay with me, and then I can really, really take care of you.
00:31:09Uh-uh, honey, it would never work out.
00:31:13Why not, Carol?
00:31:14Ain't I always done everything for you?
00:31:18Well, cause I'm staying with Michael.
00:31:20Michael, we've been secretly tight for a long time.
00:31:28How long?
00:31:30Well, uh, uh, long enough, shorty.
00:31:33Uh-uh, that ain't pretty.
00:31:34Uh, are you serious about staying with me?
00:31:35Cause, I mean, uh, it's really okay with me.
00:31:37Uh, I mean, if I could, uh, well, I could sleep on the floor, and you could, I mean, uh...
00:31:42Listen here, white boy.
00:31:43Don't hand me that honky shit.
00:31:44Stay with you.
00:31:45You ain't got nothing going for you.
00:31:46Damn, man.
00:31:47First you helped me get my ass kicked out of a good gig.
00:31:48Then, cause you think I need you for a few goddamn minutes?
00:31:49You try to job ass me for a quick lay?
00:31:50Now, listen here, boy.
00:31:51As long as Carol got this here good thing and this here left...
00:31:53She don't need anything else unless she wants it.
00:31:54And, child, I don't want it.
00:31:55I don't want it.
00:31:56I'm going to get you in the floor, and you could, I mean, uh...
00:31:57Listen here, white boy.
00:31:58Don't hand me that honky shit.
00:31:59Stay with you.
00:32:00You ain't got nothing going for you.
00:32:01Damn, man.
00:32:02First you helped me get my ass kicked out of a good gig.
00:32:04Then, cause you think I need you for a few goddamn minutes?
00:32:06You try to job ass me for a quick lay?
00:32:09Now, listen here, boy.
00:32:11As long as Carol got this here good thing and this here left...
00:32:16She don't need anything else unless she wants it.
00:32:20And, child, I don't want it.
00:32:26You know, I'm, uh...
00:32:27Really not too big with the girls.
00:32:29I mean, it's, uh...
00:32:31It's obvious Mick Jagger, I'm not.
00:32:35I wonder if anyone notices that.
00:32:41haga.
00:32:46Yeah, togl.
00:32:47Shh.
00:32:49Shh.
00:33:032016
00:33:08Oh
00:33:38Yeah
00:33:43Surprise sugar you're on what you're gonna do about it. I mean now you're on for a few days till I hook it up
00:33:52Yeah, sure of course right on right on
00:33:57Don't you mean
00:34:00Right off
00:34:08Oh
00:34:38Why'd you ask us down here this morning Angie? Well Molly I was thinking about last night. I was gonna show you that I
00:34:59Want you to see me handle these goddamn strikers. Oh
00:35:04How wonderful
00:35:07Why'd you have me bring Rosa? I got a job for I have to
00:35:13With my home yeah, the kids got a line
00:35:18Young boy
00:35:20Ma stop the tea
00:35:26And you know tell your yeah, let's go the boss is waiting
00:35:31Is that the Godfather yeah?
00:35:35He wants to watch personally you see the olive oil and those strikers ain't moving comes from the Godfather's
00:35:42Oh
00:35:44Jesus Christ hey
00:35:47What's that?
00:35:48That's my ace in the hole blacks and wait for me
00:35:53Those bastards don't want to load the father's oil. I gonna bring in my blacks to move it
00:35:58I
00:36:00Put out of your ass
00:36:01Fox man
00:36:02Fox
00:36:03Pretty shop, huh?
00:36:05Everyone goes back to work today, right?
00:36:11Everyone goes back to work today, right?
00:36:13Everyone goes back to work today, right?
00:36:18This is Angelo Culliona talking. We don't recognize unions on this dock
00:36:22All we recognize is man who want to work
00:36:27There's the boxes below
00:36:29There's the payment
00:36:30There's the ship
00:36:31There's no union here
00:36:32We don't need no colleagues and unions here
00:36:33So let's go, huh?
00:36:34What do you say, man?
00:36:35Fuck you!
00:36:36Try me!
00:36:38What happened?
00:36:39Why'd the Godfather leave?
00:36:40The Godfather's very strict about this
00:36:42He don't want no niggers touching his olive oil
00:36:44You should have known that
00:36:45You should have known that
00:37:06You should have known that
00:37:07You should have known that
00:37:08You should have known that
00:37:09You should have known that
00:37:10You should have known that
00:37:11You should have known that
00:37:12You should have known that
00:37:13You should have known that
00:37:14You should have known that
00:37:15You should have known that
00:37:16You should have known that
00:37:17You should have known that
00:37:18You should have known that
00:37:19You should have known that
00:37:20You should have known that
00:37:21You should have known that
00:37:22You should have known that
00:37:23You should have known that
00:37:24You should have known that
00:37:25You should have known that
00:37:26You should have known that
00:37:27You should have known that
00:37:28You should have known that
00:37:29You should have known that
00:37:30You should have known that
00:37:31You should have known that
00:37:32You should have known that
00:37:33You should have known that
00:37:34You should have known that
00:37:35Well, here comes phase two, Angelo Corleone.
00:37:45Hey, Rosa, you're Sicilian, right?
00:37:51I'm ready, Angelo, any time you say.
00:37:58Such a nice bed in here.
00:38:01And where does he sleep?
00:38:02Just like an Arab.
00:38:04On the floor.
00:38:08Oh, Angelo, how can I when he's a dad?
00:38:12Who's dead? Who's dead?
00:38:13Who, who, who, who?
00:38:15Oh, no, you're not gonna do it, Angelo Corleone.
00:38:20Not with my son.
00:38:22Maybe with your son, but not with my son.
00:38:24I ain't got any other son.
00:38:26That's just too goddamn bad.
00:38:28Okay, Ida, come on.
00:38:29This is it.
00:38:31I've had enough of your Jewish mama.
00:38:33Oh, crap.
00:38:34Okay, Angie.
00:38:36Okay.
00:38:38Oh, my.
00:38:39Hello.
00:38:43I like it to be younger boys.
00:38:44I like it to teach younger boys.
00:38:46Oh, God.
00:38:47Oh, my God.
00:38:48I'm feeling so bad.
00:38:56Oh, my God.
00:38:56Oh, my God.
00:38:57What are you talking about?
00:38:58Oh, my God.
00:38:59I'm going to kill you!
00:39:01Hurry up!
00:39:03Get the shit out of her!
00:39:05Let her in there!
00:39:07Okay. Okay.
00:39:09You win, Angie.
00:39:11He's your goddamn son.
00:39:13I won.
00:39:15Thirty years later, I won.
00:39:21Fuck you, man!
00:39:23Leave me alone, will you?
00:39:25What's going on here?
00:39:27What the hell's going on here?
00:39:29What the hell's going on here?
00:39:31Your father brought you a present.
00:39:39Well, go ahead and screw her!
00:39:41What the hell's all this racket about?
00:39:43What did your Jewish princess mother do?
00:39:47Hire a cleaning lady?
00:39:49It's my girlfriend, Pop.
00:39:51Get that nigger out of my house!
00:39:57Keep your hands off of my son!
00:40:01Keep your hands off of my son!
00:40:05Come on!
00:40:15Maybelline, why can't you be true?
00:40:17Maybelline, why can't you be true?
00:40:19You started back doing all the things you used to do.
00:40:23I was motivatin' over the hill to see
00:40:29Maybelline in a quiddlin' day.
00:40:31Seen little, little, little, little, oh, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho.
00:40:41Oh, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho
00:41:11Maybelline, why can't you be true? You just started doing the things you used to do.
00:41:19As I was motivating over the hill, I saw Maybelline in a cool build.
00:41:23Cadillac rolling on an open road, nothing out of running by a V-A-4.
00:41:27Cadillac doing about a 95, we bump it up, we roll it side to side.
00:41:31Maybelline, why can't you be true? Oh, Maybelline, why can't you be true?
00:41:38You just started back doing the things you used to do.
00:41:43A Cadillac full of the heart of a bow, before it got hot and wouldn't do no more.
00:41:47Guns got clouds and started to rain, I tooted my horn, put a pass in lane.
00:41:51Rainwater blowing all under my hood, I knew that I was doing my most good.
00:41:55Maybelline, why can't you be true? Oh, Maybelline, why can't you be true?
00:42:03You just started back doing the things you used to do.
00:42:08Oh, Maybelline, why can't you be true?
00:42:28Oh, Maybelline, why can't you be true?
00:42:32Oh, Maybelline, why can't you be true?
00:42:36You just started back doing the things you used to do.
00:42:41The motor pulled down, the heat went down, that's when I heard that highway sound.
00:42:46Cadillac sitting like a torn of lead, a hundred and ten and a half a mile in here.
00:42:50Cadillac looking like standing still, and I caught Maybelline at the top of the hill.
00:42:53Maybelline, why can't you be true?
00:42:57Oh, Maybelline, why can't you be true?
00:43:00You just started back doing the things you used to do.
00:43:09Maybelline, why can't you be true?
00:43:11Maybelline, why can't you be true?
00:43:14You just started back doing the things you used to do.
00:43:15Listen, Michael, uh, first thing in the morning, we would take those big-ass drawings of yours up to one of them big cartoon syndicates.
00:43:24And you can sell them, well, get some bread, get our clothes out of Angie's house in San Francisco, and shorty can't roll that far.
00:43:33I'm gonna tell you, Carol, I don't want to sell my cartoons to one of them places.
00:43:37They, uh, they ain't gonna buy that crap anyway, I'm, uh, I'm an underground cartoonist, that's, uh, that's where I belong.
00:43:45So why don't you sell your stuff to your underground friends?
00:43:48Because they don't want to buy any.
00:43:50Now, why that, Mr. Underground?
00:43:52Because, well, uh, I still jack off.
00:43:58You are cool!
00:44:01Mr. Quigley, there's a young cartoonist out here to see you.
00:44:22Hello, young man.
00:44:23It's good to see you.
00:44:26He's nervous, aren't you?
00:44:27Well, don't you be.
00:44:29I've been around this business for years.
00:44:34I've seen them all.
00:44:36All the greats.
00:44:37All the originals.
00:44:39And one thing they do, and they stand there, nervous.
00:44:44But don't you worry about a thing.
00:44:47I can spot originality a mile away.
00:44:51Two miles away.
00:44:52Three miles away.
00:44:54Many, many billions, I did.
00:44:56Strips of books.
00:44:58Toys, animations.
00:45:00A realm of millions, millions.
00:45:01Show me, show me.
00:45:03What did you bring me, boy?
00:45:04Did you bring me a family strip?
00:45:05Well, uh, no, not a, uh, family strip.
00:45:08No, not a family strip.
00:45:10A kid strip.
00:45:11Uh, well, no.
00:45:13Ah, an action-packed adventure strip.
00:45:16Uh, not really, sir.
00:45:17It's, uh, it's a religious script.
00:45:20Religion!
00:45:22Good!
00:45:22That's great!
00:45:24My God, religion!
00:45:26Jesus has always been in good style.
00:45:29That will sell!
00:45:30That will sell!
00:45:31Come on, tell me about it.
00:45:33Holy shit!
00:45:34Maybe, uh, maybe there's a few bucks here.
00:45:36Heh.
00:45:41The wars never began.
00:45:43The tremendous Russian-American atomic bang-out there was to be never came.
00:45:48But what came was far worse.
00:45:49Another million years passed, and everything was under garbage.
00:45:55The only thing that didn't change was the guys were still horny as hell.
00:45:59They'd just hump anything in sight.
00:46:01Occasionally, they'd make a mistake.
00:46:02Though this mistake turned out real bad,
00:46:04because that, uh, pile of humped garbage came alive.
00:46:08And that one good screw, and, well, it became known as Mother Pile.
00:46:14And the people needed something to look up to,
00:46:16so they started worshipping it.
00:46:17And when someone got pissed off and clinched garbage,
00:46:22or accidentally bumped into garbage,
00:46:24they were beaten in shots.
00:46:26A man looked doomed.
00:46:30All except for Wanda the last.
00:46:33The last of the perfect women from the past,
00:46:35who were the manager, Duck Warren,
00:46:37toured the land, showing off a feminine beauty.
00:46:43Now, one night, Warren was awakened by a strange light coming into a window.
00:46:47Hey, this is the voice of God, Warren.
00:46:49What's up?
00:46:50I'll come right to the point, Warren.
00:46:52You gotta let me screw Wanda.
00:46:59Hey, God, how was she?
00:47:00Not bad.
00:47:01Finally, one night, the baby was born,
00:47:02and three wise men appeared instantly.
00:47:04It was a boy, and the new messiah was born.
00:47:07And the garbage priest tried to find out where the new messiah was.
00:47:10Man was crucified, but still did not tell.
00:47:13Oh, it hurts.
00:47:14And high on a mountain,
00:47:15God taught his son, once a week, the truth.
00:47:19He's been in there three months already, meditating.
00:47:21Then from out of the cave came a distant sound.
00:47:25I got the truth, Pop.
00:47:27Go down to mother pie, lad.
00:47:37You see, Pop, the truth is, you've been conning us all along.
00:47:40I'm gonna take care of God.
00:47:42You see, Pop!
00:47:43You see, Pop!
00:47:44I'm gonna take care of God.
00:47:45I'm gonna take care of God you're going.
00:47:47And I'll take care of God.
00:47:48I'll take care of God.
00:47:49Oh, my God.
00:48:19Carol's got to think of something bigger.
00:48:24We're going to be second string for a long time.
00:48:27Hey, hey, hey!
00:48:29If it ain't Carol, but head motherfucker.
00:48:34How you doing this, Carol?
00:48:36Heard you been bounced and bounced around.
00:48:38And took up with a white man.
00:48:40You mean a white boy child.
00:48:42Ain't it obvious?
00:48:49Hello, seaweed. Been enjoying yourself?
00:48:53Well, no, I just came down from Baltimore.
00:48:55I mean, I just came to see the city.
00:48:56Well, you just come right along here and tell me what's your specialty.
00:48:59I got a wife and ten kids.
00:49:00How old is your boys?
00:49:03You know, I never thought of that.
00:49:04That girl's just like a savings bank planner for the future.
00:49:08Why not come down and join us, honey?
00:49:11The bread is good.
00:49:13And you can get to keep all the white boys you want.
00:49:16If Miss Carol comes down, you ladies are going to starve for lack of work.
00:49:22But seeing as how I basically good make you, I'll forget that.
00:49:27Now, I was wondering if you ladies...
00:49:29That's correct.
00:49:30That's us.
00:49:31Especially me, honey.
00:49:32Would know of any action happening other than your own that Carol could get her ass into?
00:49:37Well, it's taxicab.
00:49:39Babysitting.
00:49:39There's housewifing.
00:49:40That's one.
00:49:41That's good housewifing.
00:49:43That's one.
00:49:46Shit.
00:49:51Okay, children, you win.
00:49:53But when Carol's back up, don't come around skinning and grinning.
00:49:58Well, there is this taxi dance job over on Broadway and 46th Street.
00:50:03If you leave right now, baby, I know you can make it.
00:50:06Thanks, ladies.
00:50:08Stay extra loose.
00:50:16Excuse me, but do you have a wife?
00:50:37Well, then, child, you're really in need of my services.
00:50:52Where are you going, Michael Caliano?
00:50:55I figured I'd walk to California.
00:50:56Yeah, but we got a few things left to do first.
00:51:01You know, Carol, we're getting nowhere fast.
00:51:03Oh, my God.
00:51:16Oh, no.
00:51:33Oh, my God.
00:52:03Oh, my God.
00:52:33Oh, my God.
00:52:38My family shall always be in your service.
00:52:43He's all right.
00:52:46God, thank you, my Godfather.
00:52:51Godfather, I wish...
00:52:53Angelo Corleone pays his respects, Godfather.
00:52:59Godfather, I bring you my good wishes.
00:53:03Godfather, my family extends their good wishes, and I...
00:53:13Godfather, my family extends their good wishes, and I...
00:53:29I wish to discuss something very, very important.
00:53:34You know, I've always been faithful and respectful to you, you know, of your good wishes.
00:53:43And in turn, I have felt your respect for me in jobs well done by me and for your family.
00:54:07Marino, Godfather, you hear me?
00:54:12I now have a problem that I need your help in.
00:54:17Uh...
00:54:19I need your help this time.
00:54:21I want to get...
00:54:23I want to put out a contract on my son's wife because he is living in disrespect, what I call it, girl.
00:54:41A Mulignan!
00:54:45That is personnel.
00:54:47Not business.
00:54:50That is personnel.
00:54:57Idiot, imbecile!
00:55:02Ma...
00:55:04Ma...
00:55:05Ma chi sta a Mulignan, capisci?
00:55:08Fangull.
00:55:11Well, good evening, Godfather, I thought you should know, I just saw those niggers load your olive oil, you know, Angie's man.
00:55:37I worked myself to the bone, I won my life, I won a card.
00:55:40Well, hi there, Angie. You sure look like you need a friend tonight.
00:55:45Everybody needs a friend.
00:55:48Now listen, you savages, now just stay in the truck. I saw him first.
00:55:55Now will you just wait a second? Oh, Angie, like I was saying, you sure look like you need a friend. You want to tell Roberta all about it, big boy?
00:56:10Look, black people just ain't in the nostalgia bag. Those old freaks out there, big blonde hair, Coca-Cola signs, Betty Grable, and crap like that.
00:56:19Look, black people just ain't in the nostalgia bag. Those old freaks out there, big blonde hair, Coca-Cola signs, Betty Grable, and crap like that.
00:56:33And listen, creep, all those broads out there, who they got hustling for them? No one, right? Well, shit, man. Carol's got Michael.
00:56:43You mean a pimp? If hustling, dancing is pimping, Michael's my main man.
00:56:50Yeah, I'm a main man. The trouble is, you know, I gotta get it together, but I'll get it together real quick.
00:56:54Okay, broad. It's your feet. You's get $1.25 a dance, half yours and half mine. Your outfit's hanging over there.
00:57:06Thanks, Pygmy. Where do we change? Right here. I thought all the creeps were inside.
00:57:24Come on.
00:57:25Come on.
00:57:27Let's go.
00:57:32Come on.
00:57:38Come on.
00:57:39Come on.
00:57:54What are you doing, Michael?
00:58:20I'm getting with it.
00:58:21Can't you tell?
00:58:22A reedy zooty, cazabooty, funky woody, razzmatazz.
00:58:26Ha, well, zoot owls about razzatazzin' up a dollar 25 cent dance for us.
00:58:32All righty.
00:58:33All righty, cazabooty, hot licks, and jazz-a-booby-zooby.
00:58:38Pops are likely to meet and dance with the fourth Andrew sister.
00:58:41The fourth?
00:58:42Yeah, because she was black, they kept her in the background.
00:58:45Anyhow, here's Carol, sister of the fourth.
00:58:50That's one.
00:58:59Oh, that's one.
00:59:00That's one.
00:59:02Oh, hello, Michael, darling, how are you, sweetie?
00:59:06What are you doing in this joint?
00:59:08I'm just relaxing and having a good time like everybody else is, Barbie.
00:59:25Come on, darling, have a little vino.
00:59:27Come on, Michael.
00:59:28Look, look, I'll do a quick dance with you.
00:59:29From your mother.
00:59:30I've got to get out of here, mom.
00:59:31I've got to go to work, you know.
00:59:33You've got to leave.
00:59:34You didn't say anything about the way I looked.
00:59:37You look beautiful, my boy.
00:59:38Your father always loved me in this dress.
00:59:46It's nice and shiny with a lot of things hanging out.
00:59:49You notice everything's hanging out.
00:59:51You can't think the only ones with things hanging out, you know.
00:59:54Oh, my God, I haven't seen these pictures in so long.
01:00:10Oh, how terrific.
01:00:14Look at that.
01:00:15There's cousin Harry and Larry and Rosella.
01:00:21We never was so sure about her.
01:00:24Oh, and she married the Iceman, yeah.
01:00:27And Mama always said nothing would ever happen with her,
01:00:30with her pimples and her bare nose and eyes.
01:00:34Ah, and there's Mama.
01:00:37Oh, how gorgeous she was.
01:00:42And who is this beauty?
01:00:45Oh, my God, it's me.
01:00:53Hello, my God, it's me.
01:01:58Ah, shit, man. I got no more time left for this bullshit, and that's all it is. It's all a bunch of bullshit.
01:02:03Listen, mother. We just got to get it together. A couple of jams ain't nothing.
01:02:08This world ain't gonna drop its drawers easy for you, just like you think I'm gonna do for you.
01:02:13And I've been playing easy games bringing you along slow.
01:02:16But seeing as how you don't know a friend when you seize one, let's see the kind of balls you got for a real man's game.
01:02:24Okay, creep?
01:02:26You're on, nigga.
01:02:27Excuse me, ladies. Anyone seen Angelo Caglioli around?
01:02:47He's resting in here, Shorty. You wanna rest, too?
01:02:50I got the business with Angelo only.
01:02:54I understand your problem, Angie, and I wish to help you.
01:03:03You take the contract?
01:03:05I understand you, Angie.
01:03:08Have you brought the gun?
01:03:10It's at home.
01:03:11Get dressed and let's get it.
01:03:13Get dressed and let's get dressed.
01:03:43Hey, what the hell's going on here?
01:04:00You've been fussing around with your clothes for eight minutes.
01:04:03Shit, man. I ain't got all night.
01:04:05And seeing as how you get paid by the hour, broad, I want my money to go a long way.
01:04:09Boy, I ain't stalling, honey. I got a psychological problem with you.
01:04:15Yeah, you're psychological, all right.
01:04:17Well, the truth of it is, you remind me of an old boyfriend I had a bad experience with.
01:04:23Shit.
01:04:24His name is Michael.
01:04:26Michael!
01:04:29Hey, what's going on?
01:04:30Him!
01:04:31Oh, fucking no one!
01:04:33Oh, I'm a kid!
01:04:34You're a dead man, you're a bull bitch!
01:04:36Get him, let him get him!
01:04:37I got him!
01:04:54You did it, honey.
01:05:07Let's go.
01:05:10How do you like the balls now?
01:05:12You're ready.
01:05:13Goddamn, bro, I did it.
01:05:26We won.
01:05:37Look, I want you to take good care of it.
01:05:39I picked it up in Burley and took it off an MP.
01:05:41I won't be back till it's finished.
01:05:53Well, look, Molly.
01:05:59No, you don't have a degenerate cripple.
01:06:02You got no legs?
01:06:03You want to try for no fun?
01:06:11No, you don't have a degenerate cripple.
01:06:12You're the son of a bitch!
01:06:13You don't have to swear for no fun?
01:06:15No.
01:06:15My ass?
01:06:17152- excess.
01:06:18No!
01:06:18No!
01:06:19No!
01:06:20Come here!
01:06:20Yeah!
01:06:21No!
01:06:21Let's go.
01:06:51Let's go.
01:07:21Let's go.
01:07:51Let's go.
01:07:52Let's go.
01:07:53Let's go.
01:07:54Let's go.
01:07:55Let's go.
01:07:57Shit.
01:07:59Goddamn lost again.
01:08:03Goddamn lost again.
01:08:05Let's go.
01:08:15Let's go.
01:08:16Let's go.
01:08:17Let's go.
01:08:18Let's go.
01:08:19Let's go.
01:08:20Let's go.
01:08:21Let's go.
01:08:22Let's go.
01:08:23Let's go.
01:08:24Let's go.
01:08:25Let's go.
01:08:26Let's go.
01:08:27Let's go.
01:08:28Let's go.
01:08:29Let's go.
01:08:30Let's go.
01:08:31Let's go.
01:08:32Let's go.
01:08:33Let's go.
01:08:34Let's go.
01:08:35Let's go.
01:08:36Let's go.
01:08:37Let's go.
01:08:38Let's go.
01:08:39Let's go.
01:08:40Let's go.
01:08:41Let's go.
01:08:42Let's go.
01:08:43Let's go.
01:08:44Let's go.
01:08:45Now that you'd has a little crack.
01:08:48Let's go.
01:08:49Let's go.
01:08:50Forward!
01:08:51Let's go.
01:08:52Let's go.
01:08:53Now that you had a little crack.
01:08:55Essentially, let's go.
01:08:56Or let's go!
01:09:05Are you going to cloud world fair?
01:09:09Before the stage rolls Version Time.
01:09:13Remember me to the one who's there
01:09:17Here in this pleasant true love of mine
01:09:30Are you going to stop her affair
01:09:34Parsley, sage, rosemary and thyme
01:09:38Remember me to the one who's there
01:09:44I'm sorry, yeah!
01:09:47Look! You'll get to it!
01:09:58Hi, Carol.
01:10:00What the hell are you staring at, pygmy?
01:10:04Have you ever seen a lady before?
01:10:10Carol?
01:10:30He went over a little.
01:10:32I'm gonna be trying to find a dog
01:10:34He had to find another dog
01:10:35He was a little girl
01:10:36And the girl and the girl
01:10:37And the girl that was a very weird
01:10:39He had to find a girl
01:10:40He would never две
01:10:41But he or he would never know
01:10:42You don't have to find a woman
01:10:43Can you just lay one?
01:10:44Come on, love
01:10:45I'm sorry, I'm sorry
01:10:46I'm sorry
01:10:48Get three
01:10:49I'm sorry
01:10:50I'm sorry
01:10:51I'm sorry
01:10:52I'm sorry
01:10:53I'm sorry
01:10:54I'm sorry
01:10:55I'm sorry
01:10:56Come on, Angie, just lay up on me just a little.
01:11:00Come on, come on, you're messing me up.
01:11:03Come on, Angie, you're so big, you're strong and handsome.
01:11:07Hey, come on.
01:11:20Bullshit!
01:11:26Carol!
01:11:3084th and Columbus.
01:11:34Sorry, wrong chick.
01:11:35What do you mean, wrong chick? Come on!
01:11:38Okay, let's go.
01:11:51Hi, Carol.
01:11:56Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:11:59Were you going to swallow things?
01:12:02Was the safe roseberry time?
01:12:07Remember me to the one who did that year
01:12:12Who once was a true love of mine?
01:12:16Is this a good process of going on?
01:12:18Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:12:24Would you rather have to a classroom?
01:12:26No, no, no, no, oh, oh.
01:12:31By the way, on the way, off the catalog x-ray,
01:12:33While I was an emperor, or with fiction,
01:12:36But only one will never Hess, the gloomy of mine.
01:12:39But I did a thrill of surprising and hath.
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