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Becky Sharp's journey from obscurity to high society and subsequent fall is depicted against the backdrop of Regency England and the Napoleonic Wars.


#perioddrama #costumedrama

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00:00To be continued...
00:30Ah, very good. Excellent.
00:48Um, Mrs Osborne not coming?
00:51No, monsieur. All the time she is weeping for her poor husband.
00:56Good lord.
00:57You're in for that.
01:00Perhaps she will have every need.
01:02The army of the Duke is broken, my lord.
01:05Napoleon will be here in Brussels in three days, and then...
01:08It will go very bad for any English.
01:12Nonsense.
01:14The Duke has gone to beat the Emperor.
01:16Yes, he's beaten all his generals.
01:18Give me my frog coat and cap, sir.
01:21I'll see what's what.
01:21Perhaps, Milo, I'd better not wear the military coat.
01:27I think it's two days over.
01:29Silence, sir.
01:30Mr Sedley, are you preparing to join the army?
01:48Is there to be nobody left here in Brussels to protect us poor women?
01:52No, no.
01:54Though I am tempted, ma'am.
01:57I've seen a little service in India, you know.
02:00Nothing on this grand scale.
02:02Please, sir.
02:04I beg and entreat you not to fly from us.
02:07You don't know what we women suffer.
02:09Well, I say, you know, I should like to go, but my duty keeps me here.
02:16I couldn't leave poor Annie.
02:18Do you see?
02:19That is noble of you.
02:22Yes.
02:23You have a heart after all.
02:26Yes.
02:29I was so frightened that if the worst were to before...
02:35Well, I have my barouche, ma'am.
02:42There will always be a place in it for you.
02:48But we are forgetting your poor sister.
02:52How does she bear up?
02:54Oh, ah.
02:55Not so bad considering.
02:58I must go to her.
03:05That coat is too tight for monsieur.
03:35I couldn't rest till I knew how you were.
03:48That's better.
03:52Dearest, you're not well.
03:55Are you well?
03:57I dare say you are.
03:59You don't love your husband.
04:03You wouldn't be here now if you did.
04:06But I came as your friend.
04:08My friend?
04:11Why did you come between my love and me?
04:15Emmy, I've done you no wrong.
04:17You may not have succeeded, but you tried.
04:20I knew he would come back to me.
04:25I knew you couldn't keep him from me for long.
04:28But, oh, Becky.
04:30Why did you have to make me so wretched?
04:36I'm quite innocent.
04:38And now he's gone.
04:42He was here.
04:44He sat here on this sofa.
04:48Don't touch it.
04:50I was on his knee.
04:57And my arms were around his neck.
04:59You will come back, my dear.
05:20Mrs. O'Dowd.
05:39The only way to see Mrs. Osborne.
05:41Mrs. Crawley, is it?
05:43Well, there wasn't.
05:44Was she asking for me?
05:46She's very unwell.
05:47I think there should be someone with her.
05:49Good morning to you, madam.
05:51I'm glad to see you looking for a cheerful.
05:55What are you?
05:55You'll cry your eyes out with grief, anyway.
05:57You'll cry your eyes out with grief.
06:02He's going for it.
06:04I'm glad to see you.
06:05I'm glad to see you.
06:06I'm glad to see you.
06:08I'm glad to see you.
06:09I'm glad to see you.
06:15You're amazed me.
06:17What use is a carriage without horses?
06:19Lady Berwickers compliments, ma'am.
06:42Lady Berwickers understands that Mrs Crawley has some horses at her disposal
06:47and desires to know the price of the same, ma'am.
06:51Indeed?
06:52Well, you can take Mrs Crawley's compliments to your mistress
06:55and tell her it's not Mrs Crawley's custom to transact business with ladies' maids.
07:02Off you go.
07:13What?
07:14Berwickers!
07:15Is it her ladyship who wants to escape, or the femme de chambre?
07:21Won't I do, Mrs Crawley?
07:27I'm afraid not.
07:29No, if she wants my horses, she'll have to beg for them herself.
07:34She won't like it, you know.
07:37No.
07:39I don't suppose she will.
07:40Madame la Comtesse de Barriacres, madame.
07:54So kind of you to receive me, Mrs Crawley.
07:57So good of you to wait upon me, my lady.
07:59I believe there is that degree of acquaintance between us that entitles me to...
08:07In short, madam, I understand that you have horses at your disposal.
08:11I have.
08:12I wish to purchase them.
08:13I wish to purchase them.
08:15You may name your own price, madam.
08:17Money is no object.
08:19And, and, as a mark of my gratitude, the Earl and I would be very happy to receive you at Barriacres' house on our return to England.
08:28Yes, I'm sure you would.
08:32But I don't care to sell my horses to you, Lady Barriacres.
08:36What?
08:38You have cut me at the opera and at the ball and in the street.
08:45I wouldn't sell you my horses.
08:48Not even for those huge great diamonds your ladyship wore at the ball.
08:52I wouldn't give much of your ladyship's chances of getting them safe back to England.
08:55Woman, I will have those horses.
09:03Excuse me laughing.
09:05I just can't help it.
09:11Ah, Mrs. O'Dowd.
09:14Have you heard the news?
09:17Take no notice of the Mr. Sedley.
09:20It's more than a few hooligans to beat the British army.
09:23My sentiments exactly, ma'am.
09:25Allez-vous-en, d'accord?
09:28Oh.
09:30Marvellous.
09:33I must try to bear up, Mrs. Osborne, my dear.
09:41For he mustn't find you ill when he sends for you after the victory.
09:46Victory?
09:47Oh, I know I'm very weak.
09:51Try the soup, at least, Emmy.
09:53It looks very good.
09:56Take a little wine.
09:58You're very good and kind, Joseph.
10:01But if you please, I think I'll stay in my room today.
10:04Well, we'll not waste it, Mr. Sedley.
10:12It's what a bad dinner our poor boys will get this day.
10:16Yes, indeed.
10:17And here's to brave O'Dowd and his 130th.
10:22Er, feel Mrs. O'Dowd's glasses at all.
10:25Excuse me, sir.
10:25Give me your help!
10:26Excuse me, Lord!
10:26Excuse me, Lord!
10:27Excuse me, Lord!
10:28Excuse me, Lord!
10:29Excuse me, Lord!
10:38Excuse me, Lord!
10:44It is all over, my Lord.
10:46What?
10:47Me Lord Duke is a prisoner.
10:52This man is the only one to escape...
10:57...the cavalry shot to pieces by the French guns at Quatre Blanc.
11:06And the 130th?
11:09All dead, Monsieur Siffini?
11:13Dead?
11:14Oh, God!
11:18Oh, la pauvre madame!
11:21I don't believe a word of it.
11:23I think this fella took to his heels at the sound of the first shot.
11:28If it is it, Ophir, fetch me some horses and set them by carriage.
11:31We must leave for the coast immediately!
11:35If the French are broken through,
11:37how come we've seen none of the devils in town yet?
11:41Is it off? Is it off?
11:44Rise of France!
11:59Rise of France!
12:03Rise of France!
12:08Did you get any?
12:17Alas, Milor, je suis désolé.
12:20No horses to be found, so we have to stay here.
12:23Oh, good God, man, you're useless.
12:30I'll find some myself.
12:32We must fly or die.
12:34If Milor goes out en chapeau militaire with the whiskers,
12:42they will take you for an English officer, Milor.
12:46I suppose.
12:51Oh, Lord.
12:53I wish I never...
12:57Coupé.
12:59Coupé-moi.
13:01Is it door?
13:03Vite, vite!
13:04Coupé-moi.
13:05Coupé-moi.
13:19Vive la force!
13:21Métor Poléos!
13:23Vite, Métor Poléos!
13:25Vite, Métor Poléos!
13:27We will use this couple to maybe one person to keep it.
13:31What do you mean?
13:33Excuse me.
13:35I'm going to return.
13:37She's very good.
13:39She's very good.
13:41She's very good.
13:43She's very good.
13:45She's very good.
13:47She's very good.
13:49She's very good.
13:51She's very good.
13:53She's very good.
13:55She's very good.
13:57She's very good.
13:59She's very good.
14:01She's very good.
14:03She's very good.
14:05She's very good.
14:07She's very good.
14:09She's very good.
14:11I've got some horses.
14:13Oh, dear Mrs. Crawley.
14:17How can I ever thank you?
14:21but are you really going to flee I thought you were champion of all the ladies
14:29I'm not a military man you know but Amelia surely you wouldn't desert her
14:40well no of course not but you see I've I've heard that the enemy will spare the women
14:49but they've taken a vow to give no quarter to the men dastardly cowards that that that that they are
14:58cowards indeed yes so you have horses uh is it or we'll bring them up to the carriage immediately
15:08my horses were never in harness bullfinch would kick the carriage to pieces
15:13ah is he quiet to ride um would he be up to my weight do you think
15:23he'd think he had a feather on his back I'll take him
15:29I'm afraid I'm going to have to charge you rather a lot
15:35anything anything money is nothing to me ma'am my horses are all I have in the world you see
15:43yes yes I understand perfectly that's good
15:50six hundred pounds
15:56each
16:20yes
16:27yes
16:32yes
16:35yes
16:39yes
16:43Mr. Sedley, are you there?
17:13Who are you?
17:19What do you want?
17:22Oswon and Dovid said I was to be taken in here.
17:27It was a desperate action.
17:31but I was never in battle before and I never knew...
17:32I never imagined it.
17:35They carried the colours, you know.
17:38They said I did well, but we thought we'd lost her.
17:43lost her dad but it was only his horse was killed i saw him mom he was sitting on the carcass
17:48drinking brandy from his flask well that's all doubt and captain osborne quite unhurt
17:54not to scratch mom well captain dobbin took a cut to the shoulder not too bad for he carried me all
18:02the way to the surgeon made me promise to tell you mom that captain osborne is well
18:06and we won the day well then it's all over they're all coming home
18:10oh no mom well now they go on to meet napoleon's main force
18:19under the emperor himself at waterloo
18:24i can't stand this anymore i won't stand it you must you must come with me i bought your horse
18:40keep mind at what price uh but you must get dressed and come with me you can ride behind
18:45isidore mr sedley do i hear you right do you intend to run away i must think of my sister's safety
18:52mom and my own god forgive me mr sedley you're nothing better than a coward
18:59you won't leave me will you miss is our dad no i bet never you fear
19:07i don't budge till i get the word from mick
19:10pretty figure i'd look wouldn't i stuck behind that chap on a pillion
19:14i don't ask her i don't ask that that irish woman
19:21i'm asking you amelia now will you come
19:25without my husband joseph
19:31goodbye then
19:39all right i'm up let's go
19:53when you look at him go
20:01oh god be with our brave boys today
20:13fire
20:15fire
20:27fire
20:31fire
20:33fire
20:37fire
20:41fire
20:43fire
20:45fire
20:47fire
20:49fire
20:51fire
20:53fire
20:55fire
20:57fire
20:59fire
21:01fire
21:03fire
21:05fire
21:07fire
21:09fire
21:10fire
21:11Come on!
21:13Come on!
21:15Come on!
21:21Hey!
21:41Come on!
21:43Come on!
21:45Come on!
22:01Show!
22:15Come on!
22:20Yeah!
22:31Let's go!
27:47Yes.
27:48Well, she'd damn her.
27:51Surely you wouldn't make the child suffer for the father's offence.
27:58Don't take her lying with me sir.
28:01No father in all England could be more generous than me.
28:07It was his fault.
28:10And now he must bear the consequence for it.
28:17I bid you good day, sir.
28:47And so, my dear aunt, I remain your most dutiful and affectionate nephew, Rorden Crawley.
28:57Dutiful and affectionate. Stuff and nonsense.
29:01He could have allied himself with one of the best families in England.
29:06Or he could have had half my money. Or his children could.
29:11Instead of that, he's a doomed pauper.
29:14With a dancing girl. A wife.
29:17But he was mentioned in dispatches, ma'am, as a very gallant officer.
29:25And I believe he truly is... It is a most affectionate letter.
29:31Briggs, you're a goose. She wrote the letter. The spelling's too good for Rorden.
29:39He mentions a certain interesting event which is impending. What could that be?
29:45Lord save us. She's going to have a child, you ninny.
29:49Oh, what joy!
29:51They see it as an occasion for getting money out of me.
29:54That's all you think of, all of you.
29:56But, Mum...
29:57My dear aunt, allow me to introduce my fiancée...
30:03...Lady Jane Sheepshanks, daughter of the late Earl of Southdown.
30:08Very good of you, my dear, to come and console a poor, sick, lonely old woman.
30:12So...
30:13You're getting fat.
30:19How's your father?
30:21Bearing up, aunt. Bearing up.
30:23Bearing up, aunt. Bearing up.
30:26I hear he drinks himself silly every night with his butler Horrocks...
30:31...and offers God knows what indecencies to Horrocks' girl, which he's glad enough to put up with.
30:37Aunt, please.
30:39Oh, just so long as he doesn't marry her and rob you of your inheritance, eh?
30:43I'm sure young Pitt here has told you he'll inherit Queen's Crawley.
30:53So he's hoping he'll get my fortune, too.
30:56And he'll be able to set the old house to rights and cut a fine figure in court.
31:03But I expect he's told you all this, has he not?
31:08Well, no.
31:09Well, I mean, he has, er...
31:16Oh, never mind.
31:19It's just he's such a dull dog.
31:21Don't even play piquet.
31:24You know, I long for a few hands of piquet.
31:32Er, Miss Crawley.
31:34Hmm?
31:35I play a little.
31:36I used to play a little with poor dear Papa.
31:40Oh!
31:41Come and kiss me!
31:44Come and kiss me this instant, you dear, good little soul!
31:53Now, let me whisper you a secret.
31:56I've made a new will in Pitt's favour after all.
32:02He's going to get the lot.
32:05Look at his face.
32:07Oh!
32:09Oh!
32:11Some...
32:12Cherry bread!
32:21Be careful, Mum.
32:23Oh!
32:24Oh!
32:25Oh!
32:26Oh!
32:27Oh!
32:28Oh!
32:29Oh!
32:30Oh!
32:31Oh!
32:32Oh!
32:33Oh!
32:34Oh!
32:40Perhaps we should send for a physician?
32:42Oh!
32:51Oh!
32:57Oh!
33:10Oh!
33:10One hundred pounds.
33:25That's less than I might win or lose in a single evening.
33:29And Briggs pensioned off with six hundred a year.
33:33That mealy-mouth pit.
33:36Must have reeled us somehow.
33:40I'd like to give that fella a darn good rating.
33:45Oh, I'm sorry, little fella.
33:48Come here.
33:49That's it.
33:51Little Ruddy.
33:53Your pa's a pauper.
33:57Yeah, Ma will think of something.
34:06How shall we manage, Peg?
34:11There are ways.
34:27What a fine, strong boy you are, little Georgie.
34:29Wasn't he?
34:32That's your godfather, Georgie, and you must always be good for his sake.
34:40Shall you be away for very long?
34:42Well, the regiment quarters in Calcutta for I don't know how long.
34:46But you will write to me there, won't you?
34:51Yes, of course. I'll write to you about Georgie.
34:57Dear William.
34:59How kind you have been to him and to me.
35:00Amelia.
35:12If you need anything, please don't hesitate.
35:17The post is slow, but one word with my sister.
35:19Oh, yes, I should be most happy to assist in any way.
35:23No necessity for that, sir. We said Lys are not paupers yet.
35:26My son, the collector of Bogliwalla, takes care of that.
35:30Oh, my dear sir, I didn't mean...
35:32And I myself am now an accredited agent for the supply of coals and fine Madeira wines.
35:37If you wish to be of service, you might avail yourself of the opportunity to introduce the same to your military acquaintance.
35:41I fear there's not the demand for coals in India, sir.
35:47But fine Madeira wine, perhaps.
35:50Well, I ask no favours, Major Dobbin.
35:53Please, John.
35:55Major Dobbin will do what he can, I'm sure.
35:58I'll say goodbye, then.
36:14God bless you, William.
36:17God bless you, Amelia.
36:23Can't be a nice spore, eh?
36:26I'm looking on the little fella.
36:36Roddy, what do you think nursemaids are for?
36:43I handed off Blackstone in the billiard room.
36:46God damn me, Crawley, you said.
36:49I shall never fathom how luck always turns your way on the very last ball.
36:55Man's a fool.
36:58I saw you a little green in the card room.
37:01Yeah, it's 150.
37:02He had to take his I.I.U., mate.
37:04His father had better be good for all them blackballed.
37:09Oh, thank you.
37:11You know, Carruthers wouldn't play.
37:14Hey, Crawley, you're nothing but a...
37:17Then he stopped.
37:19I'd have called him out and shot him he knew it to.
37:21Open up in the name of the law!
37:24You go next door, I'll get rid of them.
37:27You're our only source of income, Lord, and I'll take care of it.
37:32It will have to force at night.
37:34Trust me.
37:35Trust me.
37:43Gentlemen.
37:46It's the Colonel we're after, Mum.
37:49I'm sure you wouldn't mind dealing with me.
37:51You're not getting any easier, is it, Bec?
38:08Time to take stock, my love.
38:11Your talents are too well known in military circles.
38:14Hm.
38:19I think you must sell out of the guards, Rory.
38:27Sell out?
38:32I've just been made Colonel.
38:34You could still be Colonel Crawley on half pay.
38:37I think it's time for us to take our place in high society.
38:41Move out of this kennel and take a nice little house in Mayfair.
38:45On what?
38:47Lots of people live well or nothing a year, Rory.
38:51Why shouldn't we?
38:53Very honoured, Colonel.
38:55Very honoured, ma'am.
38:57A very great pleasure to be of service to the family.
39:00You've done very well for yourself, Mr Wrangles.
39:03I always thought of this more of an investment.
39:07I've always been more comfortable below stairs, sir.
39:12So when your good lady said you was looking for a place to rent...
39:16We'll need new furniture, Mr Wrangles.
39:19We will, madam.
39:22Yes, yes, of course, as your ladyship chooses.
39:28How can a man be such a fool, eh?
39:30All men are fools one way or the other.
39:35Except you, Rory, my love.
39:37Wrangles is the sort of fool who loves to serve great folk.
39:41The longer he has to wait for his rent, the more he'll admire us.
39:45And soon he'll have sunk so much money and hope in us, he'll have to hang on.
39:50And best of all, we have a house where we can invite people.
39:54People of influence.
39:55People like Lord Stain.
39:58A man and a woman are the fox and the bird
40:02But the woman is the fox, I beg, perhaps you haven't heard
40:06The man it is who chirps and chirps but never does a thing
40:10While a woman is the crafty one
40:13She's a damn fine woman.
40:15My Lord Stain certainly thinks she is.
40:17She could have any man in the room.
40:20The stain wouldn't stand for him.
40:22To say nothing of the husband.
40:24Well, Crawley's in on the game, ain't he?
40:27Why don't you ask him?
40:30And risk a horse with him or a bullet in the heart.
40:34No thanks, old woman.
40:36Some mysteries are best left unsolved.
40:38La dee da da da da da da
40:41La dee da da da da da
40:43La dee da da da da da
40:46La dee da da da da da da
40:49La dee da da da da da da
40:51My name is to your queen, sir. And the rubber.
40:56Bravo! Bravo! Delightful!
40:59Your wife's quite captivating, Colonel Crawley.
41:09Becky always sings well, sir.
41:11May we prevail upon you?
41:15One more.
41:17Please.
41:25This cold, flinty heart, it is you
41:29I've been swarmed
41:34You wakened my passions, my senses have charmed
41:42Rordie, why are you out of bed?
41:45Turn that up to bed.
41:47There's no place for you.
41:55You're treating very hard, Becky.
41:57Some women aren't as motherly as others, Rorden.
42:07Don't be angry.
42:09It's taken so long to get staying here.
42:12We need him.
42:14If you want Rordie to be spoiled, you must spoil him yourself.
42:17Head up, back straight. Give his hands still.
42:27Colonel-in-chief of the light cavalry, what?
42:31Go on, keep it going.
42:37That's it Rordie, look.
42:39That's about the young chap.
42:41I'll wager anything he'd like to be in your shoes.
42:53Mrs. Osborne?
43:04How do you do?
43:05Pleasure to clap eyes on you.
43:07I'm surprised Rordie and I haven't seen you here before.
43:09Yes, yes, we were often here.
43:11This must be the young Colonel.
43:13And how's he?
43:14Very well, ma'am.
43:17This young gentleman looks about Rordie's age.
43:19I say, would the young fellow like a ride on the pony?
43:22Eh? Would you lad?
43:23I should say.
43:24May I, ma?
43:26Go on.
43:30Now hold tight. Round the waist.
43:32That's it.
43:34Ha, ha, ha.
43:35Okay, you got him?
43:46A widower?
43:48Oh, no.
43:50He's married to someone who used to be my best friend.
43:55I haven't seen her for some years.
43:57That's who I saw in the park today.
44:03Rorden.
44:04Mrs. George Osborne and her son.
44:05He's just like his father.
44:06Rorden.
44:07Cockney dandy.
44:09Your father's ill.
44:11Oh, good God.
44:27Horrocks.
44:32Horrocks?
44:34As if it was, sir.
44:38My daughter, sir.
44:40Miss Horrocks.
44:41We call her.
44:44This way, sir, madam.
44:46This way.
44:57Is there a place?
44:58It's going to be a place.
44:59It's like a beautiful place.
45:00I'm not going to die.
45:01Look how it's going.
45:02Your husband is going to die.
45:04He's my mother.
45:05There's a place.
45:06There's a place.
45:07And I'm going to die a place.
45:08A place.
45:10The church.
45:11No?
45:13You're small.
45:15You're small.
45:16You're small.
45:18You're small.
45:20You're very small.
45:22You're little.
45:24You're small.
45:25Come on.
45:26Well, Pet, I'm not dead yet.
45:37Not quite.
45:44That'll do, my dear.
45:47Come and give old Pet a kiss.
45:50Like a good little gal.
45:56Oh, well, that'll do.
46:26What are you staring at?
46:29Go and get a glass of my arms and a cake for Lady Jane.
46:33Go on.
46:42They're bleeding me, right, them two.
46:46Sucking me like maggots.
46:48Yes.
46:52Here.
46:54I'll give you something pretty to go to court in.
47:00Yeah, take that.
47:02It belongs to my mother.
47:04That's one thing she won't get put in the way.
47:06Quick.
47:07Thank you, sir.
47:09Quick, quick, before she sees me.
47:12That's the way.
47:12I'm getting very old.
47:33I shan't be here much longer.
47:35I shan't be here much longer.
47:35I shan't be here much longer.
47:39I shan't be here much longer.
47:42I'm glad you came.
47:51You'll get what you want soon enough, Pet.
48:12There are a great many improvements to be made, and I shall make them.
48:20It is my intention that Queen's Crawley shall be a model for all and a gentleman to follow.
48:29And as I am head of the family now, it is my intention to behave in a generous and forgiving way to all my relatives.
48:37I intend to invite my brother,
48:39I intend to invite my brother,
48:41I intend to invite my brother, Rorden, to Queen's Crawley.
48:44And...
48:45And...
48:47And...
48:48Mrs. Rorden?
48:50Mrs. Rorden?
48:51Mrs. Rorden must, of course, be asked.
48:53Mrs. Rorden must, of course, be asked.
48:59So, my dear, if...
49:00If you would.
49:01My dear brother, the melancholy intelligence, which it was my duty to convey to my family, must have long been anticipated by your good self.
49:27It seems an age since I was last in this carriage.
49:35Just a little governess on my first journey into the world.
49:40It can't be Polly Tallboys, can it?
49:45The mangy little urchin she used to be.
49:48Damn fine girl.
49:51Hello.
49:52Hello, there's old mother Locke.
49:53How do you do, Mrs. Locke?
49:55Blast me.
49:57How these old birds last, eh?
49:59She was 100 when I was your age.
50:10Rorden.
50:12Good to see you again.
50:17And Mrs. Crawley, too.
50:18It's a long time since I was here.
50:22I remember your Pamphlodon malt ever so well.
50:26Really?
50:30Lady Jane?
50:32You're very welcome, Rebecca.
50:36And is this little Rorden?
50:38What a fine boy.
50:40Very like his father.
50:41Colonel Crawley?
50:42Colonel Crawley?
50:44Oh, Rorden.
50:45Please.
50:47We're all family now.
50:49So.
50:52There.
51:01Mrs. Bute is looking at me in a most particular way and I can't get why.
51:05Millie?
51:07But I forgive her.
51:11I forgive you all.
51:13And as to the money.
51:15Between the two of us, I think you'll make far better use of it than Rorden ever could.
51:20Well, that's very...
51:22That's very good.
51:26My friend, Lord Steyne, has a very high opinion of Sir Pitt Crawley.
51:30He looks for great things from you in Parliament, he says.
51:34You know Lord Steyne?
51:36Very well.
51:37And I know he's eager to know you very well, Sir Pitt.
51:40Really?
51:43Well, Rebecca, may I help you to a small bird?
51:53I hope you intend to open up the old house in Great Corn Street.
51:57If you're in town, I should be able to see you so much more often.
52:04Yes.
52:06And Lady Jane, of course.
52:08Such a sweet, good woman.
52:10I love her dearly already.
52:14And how do you like Queen's Crawley, my little man?
52:17I like it very well, Sir.
52:19Why is that for you?
52:20Well, because I have to eat in the kitchen when I'm at home.
52:27Oh, you little fibber.
52:30Come here this minute and kiss your mother, Sir.
52:43Mind your tongue, you little fool. Now go back to your place.
52:47What would we women be without our children?
52:51Oh!
53:16Oh!
53:19Oh!
53:21j&t
53:22oh'
53:23Oh!
53:24Oh!
53:26Oh!
53:28Oh!
53:30glasses
53:32see you,
53:33see you.
53:35See you.
53:38Oh!
53:39Is there any one,
53:42oh!
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