- hace 4 meses
Reparto: Eufrosina García, Manuel Medel, Mario Moreno "Cantinflas", Agustín Isunza, Roberto Cañedo
Director: Carlos Villatoro
Doña Meche y su esposo Plácido son dos comerciantes de la central de abastos que anhelan presenciar uno de los carnavales más importantes de Veracruz. Desgraciadamente, no cuentan con el dinero suficiente para asistir, por lo que deciden invitar a un viejo amigo, Don Homobono, para que financie su aventura, a cambio de diversión y espectáculos con grandes artistas.
Auténtica rareza del cine mexicano, se trata de la única película dirigida por el actor Carlos Villatoro, por encargo del Gobierno del Estado de Veracruz, en la que incluye metraje del cortometraje 'Cantinflas boxeador' y material de archivo de actuaciones del famoso mimo mexicano, aparentemente sin su consentimiento.
Director: Carlos Villatoro
Doña Meche y su esposo Plácido son dos comerciantes de la central de abastos que anhelan presenciar uno de los carnavales más importantes de Veracruz. Desgraciadamente, no cuentan con el dinero suficiente para asistir, por lo que deciden invitar a un viejo amigo, Don Homobono, para que financie su aventura, a cambio de diversión y espectáculos con grandes artistas.
Auténtica rareza del cine mexicano, se trata de la única película dirigida por el actor Carlos Villatoro, por encargo del Gobierno del Estado de Veracruz, en la que incluye metraje del cortometraje 'Cantinflas boxeador' y material de archivo de actuaciones del famoso mimo mexicano, aparentemente sin su consentimiento.
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CortometrajesTranscripción
00:00:00Thank you!
00:00:30Thank you!
00:01:00Let's laugh, let's enjoy, great entertainment for the Veracruz carnival.
00:01:07Here they also talk about the carnival that takes place in Jalapa, with dances, masquerades, floats and regional foods.
00:01:18These holidays are going to be so awesome! Shall we go?
00:01:22No, man! And where do we get the money?
00:01:24Where do we get the money? We have an account with Don Omobono!
00:01:28No! That miser! We already owe that miser a fortune!
00:01:32Don Seferino, give me some chilies.
00:01:34Oh, of course! Here's a little fistful, they're finally free.
00:01:39What do you mean you're going to give them to them for free?
00:01:41Oh, woman!
00:01:42No, sir, we can't give away anything here, let's see.
00:01:45But marchantita, the other day I owed them because I didn't have any.
00:01:48Well, this damned guy fell asleep and didn't go to mercy, not for chilies, not for anything.
00:01:54Well, we count them.
00:01:55Well, we count them.
00:01:56Well then, first we take them out and then we count them, all because of this one.
00:02:03You don't even cover it anymore!
00:02:04As the saying goes.
00:02:08One, two, three, four, five and a half in bonus.
00:02:13Count chilies!
00:02:14Look, old man, there's Don Omobono.
00:02:18Where?
00:02:18And he's a jerk.
00:02:20It's like you don't see it.
00:02:22Very kind.
00:02:25How are you, my friends?
00:02:27Good.
00:02:28Well done, Don Omobono.
00:02:30And I'm very sorry, but there won't be any fertilizer now.
00:02:33But my dear Doña Mercedes Pestón, you work as if you were waterwheel mules.
00:02:39They have fruits, vegetables, and even merchants who buy and pay with rigorous punctuality.
00:02:45Do you think it's right for me to remain the same as the one who whistled on the hill?
00:02:48With the low returns that honestly correspond to me from an almost philanthropic loan.
00:02:56Do you think that's fair?
00:02:58Well, I'm sorry, but there's no subscription.
00:03:00No.
00:03:01No, you.
00:03:02Well, look what we have today.
00:03:04What do you think?
00:03:04Forgive me, but it's not my fault.
00:03:07Well, I'll tell him so he knows there's carnival in Veracruz and Jalapa.
00:03:12Hey, Don Omobono, it's going to be really smooth and he's going to give it his all.
00:03:16Well, yes, I would like to go.
00:03:18But I don't have any money until I get paid.
00:03:20And why don't we go to the carnival, Don Omobono?
00:03:26No carnival.
00:03:27First you two give me my subscription.
00:03:29But we are going to pay for it.
00:03:31That's what they say, but when it comes down to it, they cover each other up and I'm the one who pays the price.
00:03:37We'll see what they say about that famous carnival.
00:03:40Let's see if it's true.
00:03:43What the hell?
00:03:45Jalapa and Veracruz celebrating?
00:03:46You say you're going to be all in?
00:03:51And to take everything out?
00:03:53Of course.
00:03:54And we would have a great time.
00:03:57Look, don't even worry about the money.
00:03:59I'm going to give you the first payment right now.
00:04:02That's how you talk, Doña Meche.
00:04:03Let's see.
00:04:05Isn't it fake?
00:04:07It's not false, it's due.
00:04:09It goes into the box and is noted.
00:04:11Well, day so many, month, so many, year, so many.
00:04:18Does that seem right to you, my dear?
00:04:20Yes, that seems correct to me.
00:04:21Do I say?
00:04:21Just paying interest and we must and must.
00:04:24What are you talking about?
00:04:25You don't know anything about this.
00:04:27She is the one who understands what is debit and credit.
00:04:29Look, of course you don't know.
00:04:30But she, this woman who was your lot and whom you do not deserve,
00:04:33you should kiss the stool you stand on.
00:04:35Oh, Mr. Lomo Bono.
00:04:37I kiss your hand with which you point out what we owe you.
00:04:41because you are worth much more than anything, sir.
00:04:43Not so much, you're exaggerating.
00:04:45But we could mediate it with a little money.
00:04:47That?
00:04:47Ah, modest.
00:04:50I always was, since I was a kid.
00:04:52If you allow me.
00:04:53So what?
00:04:54What of what?
00:04:55So what, Mr. Lomo?
00:04:56Shall we all three go to the carnival?
00:04:58In a macho way?
00:04:59You write down the expenses and we then pay you.
00:05:01Including the previous loan?
00:05:03Yeah.
00:05:03Of course.
00:05:04Shall we go in?
00:05:04Yeah.
00:05:04The trip must be financially supported.
00:05:07Surely the old vegetables.
00:05:11Forced savings.
00:05:12Yeah.
00:05:13Well, but let it be known that expenses will be limited.
00:05:17exclusively to what I say
00:05:19and no getting out of the box.
00:05:22Do you agree, Mrs. Mercedes?
00:05:23Of course, Mr. Lomo Bono.
00:05:25And are you okay?
00:05:26So, you guys go bring your goats.
00:05:29No, I'm the one driving the goat.
00:05:31You go to the station, wait for me there, meet me, I buy the tickets.
00:05:36second class, of course, I camouflage the goat and surely that way I won't
00:05:40will pay the ticket, is that okay?
00:05:41You pay the expenses of the goat, we don't pay them.
00:05:44Of course, I will only note down the consumption of both of them, my dear friends.
00:05:49So pull him to the station.
00:05:52Here's a ride for the bus, please don't be late.
00:05:56While I close the shop for you, okay?
00:05:59Oh, Mr. Lomo Bono!
00:06:01You are retention, daughter!
00:06:03Hey, Mr. Lomo Bono, you were serious about the goat, huh? I thought it was a joke.
00:06:16And how are we going to carry it?
00:06:17How are we going to carry it?
00:06:20Well, what haven't you seen?
00:06:22Improving on the present, the number of animals that get on the train, parakeets, turkeys, chickens,
00:06:28Petinosa dogs and the occasional mule and no one can say anything to them.
00:06:31I'm not telling you, all those animals are small.
00:06:34What do you think, old lady?
00:06:35Well, we shouldn't take it, because then they'll think it's our family.
00:06:41What if they take us off the train with the van and all?
00:06:44But how are they going to think it's from our family if it's a goat?
00:06:47Of course, if they look closely at you, there will be those who think you are nothing more and nothing less than a goat.
00:06:53Yeah? Well, I don't care.
00:06:55What worries me is that they'll kick you off the train and we'll be left without funding.
00:06:59Don't let them see it, hide it before the line runs out.
00:07:01Please don't worry anymore.
00:07:03Now I'm going to buy the tickets and then I'll camouflage it.
00:07:07Yeah.
00:07:07Trust me, everything will be fixed, okay?
00:07:09OK.
00:07:14Dear and beloved ticket seller, would you like to inform me of the price of the ticket to the beautiful city of Jalapa?
00:07:21That depends on which seat you want to occupy.
00:07:23There are first class tickets and second class tickets.
00:07:27And third?
00:07:28Second.
00:07:28Well, second-rate.
00:07:29Three pesos.
00:07:30Three pesos for each ticket?
00:07:32Chirrión.
00:07:33So, three times three is nine.
00:07:37Hey, can't you give me a little discount, my dear?
00:07:39No, sir.
00:07:40No need to charter.
00:07:41Should I sign a valet for you?
00:07:42Listen.
00:07:43And in the easy and cheap monkeys?
00:07:47No, sir.
00:07:47Here you pay in cash.
00:07:48Well.
00:07:50Well, no way.
00:07:51Five and four, nine.
00:07:52We'll start unloading the bandana.
00:07:56We are already embarked, so to speak.
00:07:57Let's see now, how is it going to be for us?
00:07:59Come on, let's go.
00:07:59Come on, old lady, pay attention.
00:08:11Lend me a hand, I'll help you.
00:08:12Yeah.
00:08:14Hey, Mr. Homo, don't let them see the goat.
00:08:16Cover it well.
00:08:17Yes, yes, yes.
00:08:18What's up?
00:08:19There it is, it's already up five.
00:08:20Plague, hurry.
00:08:21No, no, no, no, no, no.
00:08:52Annoying?
00:08:54Annoying?
00:08:55Give me your tickets.
00:08:59Annoying?
00:09:03Tickets, please.
00:09:05Tickets.
00:09:14What is he covering up?
00:09:17Well, I...
00:09:19My little Hermelinda has a cold and the doctor told me to keep her well covered.
00:09:23Don't give him a confounded look and a crooked look.
00:09:25That's why his head is covered.
00:09:27Yes, so that you don't catch pneumonia.
00:09:30And with their legs in the air.
00:09:32Let's watch it in full.
00:09:33Hermelinda, pay for a ticket.
00:09:37It's that I already bought my ticket.
00:09:39There's no way he can wear it like that.
00:09:41They are on top of each other.
00:09:42Pay ticket.
00:09:43Well, let him pay you.
00:09:44Who?
00:09:45She?
00:09:45No, you.
00:09:46But, man, my dear, why don't you pretend I'm a fat guy?
00:09:50Alright.
00:09:51I'm only going to charge you half a ticket and that's it.
00:09:55How are you, Lutertio?
00:09:56We are not in Tepito to haggle.
00:09:57Ah, no.
00:09:58Either you pay me for half the ticket or the lower part of the train.
00:10:01Hey, Mr. Driver.
00:10:02Since I already paid for the ticket for this other little animal, I don't have any left, I only have one bad one left.
00:10:06Are you referring to a coin?
00:10:07Yes, of the devalued ones.
00:10:08Yeah.
00:10:08Good.
00:10:10Alright.
00:10:10Thank you.
00:10:14Have a good trip.
00:10:27What a nice trip you had.
00:10:48Sleepyheads all the time.
00:10:50They didn't even enjoy the scenery.
00:10:51They didn't even see when the palm trees appeared.
00:10:53You snoring and I taking care of the goat.
00:10:55Don't even bother.
00:10:56What do you bring it for?
00:10:57No, because my old lady says she's going to sleep and there's no one who can wake her up.
00:11:01Well, you don't sing rancheras badly.
00:11:03Well, you tell me in what tone.
00:11:04Hey, Mr. Omobono, we're going to see the carnival.
00:11:07Of course, but first let's have some jalapeño pozole.
00:11:11Clear!
00:11:12I say, I say.
00:11:13Come on, come on.
00:11:27A flash of light from the sky that in a dizzying flight announces the storm.
00:11:46Revive for God's sake my announcement of the storm.
00:11:54Look, look, look, look.
00:12:16I can't say you'll take it very far.
00:12:25Well, look, look, look, let me get away with rape.
00:12:28It's because when I see her I get scared and I don't want to see her anymore.
00:12:46Lightning, fury of heaven
00:12:52You must take my longing
00:12:57Where you can't go
00:13:01Tell her I love her very much
00:13:11How much is your name?
00:13:16Your kisses were recreated
00:13:35Here in my mouth
00:13:42Filling with hope and passion
00:13:45My lord's most hours
00:13:56They went with you
00:14:01That is why my soul always misses
00:14:07The sweet relief
00:14:12Can I swear to you before an altar?
00:14:19My sincere love
00:14:25And I put it to everyone
00:14:29Oh, what a beautiful song
00:14:31Full throttle, right Donomo?
00:14:34Yes, it is a very romantic song
00:14:36Here in Jalapa they paint themselves to set poems inspired by the beauty of their landscape to music.
00:14:40And of its beautiful women
00:14:42And it has the best musicians from all over the region and its surroundings.
00:14:46Oh, how beautifully you speak, Donomo Bono.
00:14:49Oh, by the way
00:14:51Tell us about the dishes eaten here in Jalapa.
00:14:54Jalapeño tacos?
00:14:55Clear!
00:14:56They are delicious
00:14:57They don't know them
00:14:59Here they make a kind of Chole girl who is finger-licking good, I say.
00:15:06And then we eat a delicious ice cream
00:15:09Clear!
00:15:12But with measure
00:15:13Ah, of course
00:15:14Sorry, but I have to limit expenses.
00:15:16Because if not, what?
00:15:17We'd be talking on the hill in no time.
00:15:20Come on?
00:15:22I say
00:15:22Come on
00:15:23Here it is fine
00:15:26Have a good one, madam.
00:15:28Hello good
00:15:29What's wrong with it?
00:15:30Well, I have ham and crab cakes.
00:15:32Do you have chilpacholes?
00:15:34No, not that.
00:15:35Eggs?
00:15:36I can prepare them however you like.
00:15:38With cheese, ham and a jalapeño pepper?
00:15:42Does this seem okay to you?
00:15:43Because, because there's no way we can get into a restaurant.
00:15:46Shall we go in, old lady?
00:15:47We're in!
00:15:48I'm hungry
00:15:49Hey, on second thought, let's go have a coffee.
00:15:52It is well known
00:15:54That Jalapa coffee is truly invigorating
00:15:57No, that's it.
00:15:59Do you have a picket?
00:16:04No, sir
00:16:05Well, no way.
00:16:06Health
00:16:07Greeting, no way
00:16:08Come on, little goat.
00:16:16Don't do any more good to yourself, my shoes
00:16:18How do you see us?
00:16:23Hey?
00:16:24What is this?
00:16:25Where did they get that ridiculous outfit?
00:16:27Don't tell me that you rented it and that I have to go pay.
00:16:29Man of little faith
00:16:31My old lady made it and we brought it in our little bags.
00:16:35Right, old lady?
00:16:35How are you?
00:16:37Oh yeah?
00:16:37Yeah
00:16:37I am a very good seamstress and I made it for the carnival.
00:16:40OK that's fine
00:16:41But don't scare me anymore because I could end up with a heart attack.
00:16:45Are we leaving?
00:16:46One, two, three
00:17:02One, two, three, what a cool step, what a cool step, what a cool step,
00:17:31what a cool thing, what a cool thing, what a cool thing, what a cool thing,
00:17:49Listen, this is as far as I go, I can't even take it anymore, I need a real break.
00:17:54Okay, okay, let's go see a horse.
00:18:01Thank you!
00:18:31Look at the fat man and the skinny man!
00:18:47Oh yes!
00:18:49They are the same!
00:18:50How beautiful the queen is!
00:18:55Here is the beauty of the women of Xalapa!
00:18:59Just look at the carnival queen!
00:19:00And what women, yes, sir!
00:19:02You are the collo!
00:19:03Well deserved!
00:19:05Because?
00:19:06For making comments that a tired man should make.
00:19:08You are already badly cheated, and your duty is to watch and keep quiet.
00:19:12On the other hand, I, being single, can freely comment whenever I want.
00:19:15Ah!
00:19:16And speaking of something else, look, here are the tickets for the bullfighting festival that I bought outside of resale, of course.
00:19:22What the heck!
00:19:23Let's see who's bullfighting.
00:19:24None other than Cantinflas.
00:19:25Ah, Cantinflas!
00:19:27Of course, he is the master of the bullring!
00:19:28Of course!
00:19:29I warn you that I know more about everyone than he and you!
00:19:32Don't tell me!
00:19:32Yes, I tell you!
00:19:33Of course!
00:19:35Don Omobono!
00:19:37Don't you hide the classic Villamelon face?
00:19:40Don Omobono!
00:19:41Don't get angry!
00:19:42Don't get angry!
00:19:45Yes, it's nonsense and I'm going to prove it to you in the face of facts!
00:19:48And you guys shut up, you bunch of scandalmongers!
00:19:50Let's see if he sleeps like a snore!
00:19:52Come on, come on!
00:19:52Yeah!
00:19:52No more for the fan to realize
00:20:00that I am to the bulls once I throw myself into the ring.
00:20:04That?
00:20:06Well, I can already imagine the ridiculousness he must have made with the beating he got.
00:20:09because you are not even cut out to be a bullfighter.
00:20:11Oh no, old lady!
00:20:12Not even for a picador.
00:20:13Do you have a mouse?
00:20:14Well, that's where it ends, but don't be offended.
00:20:16It's not your fault.
00:20:17God has given a few of us old people the makings of a bullfighter
00:20:20and it is not your fault that you are among them.
00:20:22He who is born to be a flowerpot never makes it past the corridor.
00:20:25Passed?
00:20:25From the breast?
00:20:26Ah, however, my little plaque, yours will dance.
00:20:29Let's see if it's true, because there will be an opportunity to check it.
00:20:32Let's see which one is more correct.
00:20:35Come on, come on!
00:20:40Here we are, surrounded by the bullfighting atmosphere.
00:20:44What good places you grabbed!
00:20:46Go all in, old lady!
00:20:47Go all out!
00:20:48Of course, that doesn't matter in the slightest to me.
00:20:50What matters here is that I was able to accommodate my goat.
00:20:56You've already got us so worked up with your little goat.
00:20:58I think I'm going to turn it into a barbecue.
00:21:00Ah, we've already disrespected each other.
00:21:02Well, go ahead and I'll tell you what I'm going to compete in.
00:21:05Don't pay attention to him, Mr. Omobono.
00:21:07It's a joke.
00:21:08I don't know exactly.
00:21:09Look at it!
00:21:14It's here!
00:21:15Do you see it?
00:21:16It's this little goat!
00:21:17What a discovery!
00:21:18I know him!
00:21:19No!
00:21:19No!
00:21:31No!
00:21:39Thanks for watching, Chato!
00:21:58Haha, Torito! Haha!
00:22:09Thanks for watching this video!
00:22:28Thanks for watching the video!
00:22:29Thanks for watching the video!
00:22:31¡A moltes amigos!
00:22:32No, no, no!
00:22:33That's my mommy bombing me with this crap!
00:22:36Tell me what you've invented!
00:22:39You shut up, leave her
00:22:42You are absolutely right.
00:22:43Let's give a lady a dirty trick
00:22:45That will fall in a place
00:22:47It's up to me
00:22:48Jalapa Public!
00:23:06The Toribios festival is coming
00:23:08I ask for respect
00:23:10And brotherhood
00:23:13Because we all have a mother who saw us born
00:23:16AND...
00:23:17That mother
00:23:22It's better not to throw missiles
00:23:27Because there is a lady present here
00:23:29My beloved chatos
00:23:34My beloved and dear audience present
00:23:37I would like
00:23:42Go ahead, man.
00:23:45I hope they can't interrupt us.
00:23:48My dear friends, I know what I'm here for.
00:23:51I thank the public of Jalapa
00:23:53All your attention
00:23:55I publicly thank
00:23:57Thank you
00:23:58Jalapa
00:23:59Because you are like the jalapeño pepper
00:24:02Thank you
00:24:03Who are you going to write it down to?
00:24:17Well, to you, my flat-faced one.
00:24:18And it goes for you, my friends.
00:24:43Thank you
00:24:46Bravo!
00:24:47Bravo!
00:24:49Thank you!
00:25:19Thank you!
00:25:49Thank you!
00:26:19and then sneezes like this.
00:26:21Come on, she starts it and you continue it.
00:26:24Everyone sneezes as best they can, when it's your turn.
00:26:27Let's see how it turns out for us.
00:26:28Now we're going to watch the Cantinflas show.
00:26:32And now, Cantinflas is going to crown the ugly king.
00:26:38Look.
00:26:40Well, and you, where is the scepter?
00:26:43Here I have it.
00:26:44Oh, quiet, yes.
00:26:49No, but why do we fight?
00:27:14Because you always want to be a winner, right?
00:27:17Why do you slap my head?
00:27:19Because you are from Michoacán.
00:27:21Michoacán?
00:27:22Because?
00:27:22For the gourd.
00:27:23Well.
00:27:25Now, get ready.
00:27:26I don't want arrangements and I'll talk to you.
00:27:29So what are we talking about?
00:27:30I'm going back to my punca.
00:27:31Don't put on your belt.
00:27:33You choose the safe one!
00:27:33Man!
00:27:35But Madonna, more panties!
00:27:36But the Madonna!
00:27:37But!
00:27:38Dead!
00:27:40Rice.
00:27:41This is my friend.
00:27:43How do you do, Mr. Ronch?
00:27:44This is all right.
00:27:45Ah, I'm not going to Jalapa.
00:27:46Ah, I am very good.
00:27:51I live in Jalapa very long time.
00:27:53Wonderful.
00:27:53Yes, I love it.
00:27:54Have you been here before?
00:27:55Yes, I live in Jalapa many years ago because I very well heard.
00:27:58It seems to me that that Frenchman speaks less English than I do.
00:28:03I lived in Jalapa many years ago.
00:28:33Hey, Marcelo.
00:28:53Yes tell me.
00:28:53How would you get an elephant out of a well?
00:28:55From a well?
00:28:56Yeah.
00:28:56Well, frankly, I wouldn't know.
00:28:57You would take it out completely wet.
00:28:59Ah, yes.
00:29:00Follow me.
00:29:01Well, guys.
00:29:02I think we've seen it all here.
00:29:05All?
00:29:06Everything you can see without it costing much.
00:29:09And now what do we do, Don Omo?
00:29:11What do you mean, what do we do?
00:29:12Isn't our goal the famous Veracruz carnival?
00:29:15Yeah.
00:29:16Yes, let's go to Veracruz.
00:29:18Let's go.
00:29:18Let's go!
00:29:18To arrive on time to the three times H.
00:29:36If we don't find an acquaintance here who can get us a ride, we'll be too late to arrive in Veracruz.
00:29:42Ah, because I'm not going to miss that carnival.
00:29:44An acquaintance?
00:29:45It seems to me that you are the unknown tourist.
00:29:47That's why I say if I find someone.
00:29:50Someone!
00:29:51Someone!
00:29:52Ah, that's enough, you're overworked and you don't finish them.
00:29:57H, H, H!
00:29:58What will it be like, Mr. Omo Bobo?
00:30:00Why three times H?
00:30:01Because heroic.
00:30:03It is written with H.
00:30:04My distinguished Mrs. Meche Preston.
00:30:06Ah, how well you speak words.
00:30:09It even looks like a grave.
00:30:10What do you mean grave?
00:30:11Kill donkeys!
00:30:12Commonly known as a directory.
00:30:13It is called dictionary.
00:30:15Well, well, well.
00:30:17What do they want?
00:30:17First or second?
00:30:18Hey, wherever it's cheaper.
00:30:20Do you know?
00:30:21Hey, I was saying, up there on the roof of the truck.
00:30:23If possible.
00:30:24Ah, the packages go up there.
00:30:26And they charge for what they weigh.
00:30:28Well, how much do you think we'll weigh with the goat and all?
00:30:31Hermelinda.
00:30:33Let's see, put them on the scale and weigh them as a load.
00:30:36Hahaha!
00:30:37Oh, what a burden!
00:30:39I object, Mr. Omo Bobono!
00:30:40It's the height of savings!
00:30:42What do you mean, the height of savings?
00:30:44The height of savings!
00:30:45And the one who lets go of the wool is me.
00:30:47I say.
00:30:48Let me go!
00:30:50Hey!
00:30:51They want to leave me as a sticker!
00:30:54I am a lady!
00:30:56And what a lady!
00:30:58Believe it or not!
00:31:00Let's see, those lumps up front.
00:31:05Hey, young man, how much was this treat?
00:31:08Oh, just eight pesos and eighty cents.
00:31:10Eight eighty?
00:31:11What a barbarity!
00:31:12This is a robbery, sir.
00:31:13One comes as cargo and you have to pay eight eighty.
00:31:16Here are eight.
00:31:17Nine.
00:31:18Give me my change.
00:31:20Change.
00:31:20At this rate, we won't even have enough for a cup of coffee.
00:31:23This is a robbery!
00:31:24Come on, look at me, pretty girl.
00:31:25Come.
00:31:36Does it have wheels?
00:31:37Me first!
00:31:46Be careful with the flasks, old lady.
00:31:47Oh!
00:31:48Oh!
00:31:51A little bath, sir?
00:31:53That.
00:31:54Thank you.
00:31:57Oh, watch out, Hermelinda!
00:31:58Thank you.
00:32:01Long live, long live, long live!
00:32:05Viva!
00:32:05Viva!
00:32:07Viva!
00:32:09Viva!
00:32:10Come here, say.
00:32:40Thanks for watching the video.
00:33:10Thanks for watching the video.
00:33:40Come here, say!
00:33:42Come here, say!
00:33:48Come here, say!
00:33:49Come here, say!
00:33:50Come here, say!
00:33:52Come here, say!
00:34:02Where are Veracruz dances going?
00:34:04Veracruz dances?
00:34:06Can you give us a ride?
00:34:07Get in!
00:34:08Get in!
00:34:09Come in, come in, come in!
00:34:14Hey!
00:34:15Don't leave me here in the open!
00:34:16Abusive!
00:34:17Let's see who pays!
00:34:19To dance the bamba you need a graceful seal and something else!
00:34:29To dance the bamba you need a graceful seal and something else!
00:34:43And the joke's in the other little thing!
00:34:45To dance the bamba!
00:34:47To dance the bamba you need a graceful seal and something else!
00:34:52Hey!
00:34:53Why are they so stiff?
00:34:54They have no grace at all like that.
00:34:56Then give them a food demonstration!
00:34:58Well, I'm tired, I'm tired!
00:35:00Oh!
00:35:15Why am I tired, tired!
00:35:16Then give them a bell!
00:35:17Then give them a bell of perellín!
00:35:19It's perellín!
00:35:20It's perellín!
00:35:21It's perellín!
00:35:22Once I told you!
00:35:23What thing!
00:35:24Once I told you!
00:35:25What a beautiful thing to give!
00:35:26What a face you gave me!
00:35:27That made his face blush!
00:35:29And up and up!
00:35:30Aribita, my old man!
00:35:31And up and up and up I will go!
00:35:33I'm not a sailor!
00:35:34That?
00:35:35I'm not a sailor!
00:35:36Finally, I'll see!
00:35:37Finally, I'll see!
00:35:38At last!
00:35:39Have you noticed the one with the comb?
00:35:41Does he dance beautifully?
00:35:42Not only that one, but the others too.
00:35:43What do you know?
00:35:55See you later, brunette!
00:35:58After this treat, I have a big surprise in store for you.
00:36:02A scary fighter.
00:36:04Look, here I have the program.
00:36:06Cantinflas versus, which means against, the infernal angel.
00:36:09No time limit.
00:36:11So who's going to cry, come on.
00:36:25Come on, I'm going to give you instructions.
00:36:29You know, from the waist down it's a foul.
00:36:31From here down it's full.
00:36:33From here up it is a good cut.
00:36:35Let's see whose turn it is.
00:36:37Let's see.
00:36:37Well, let's see.
00:36:38Let's see whose turn it is.
00:36:39No, man, well, let's see.
00:36:41And we must not forget it.
00:36:42Two for one.
00:36:43Two minutes of fighting.
00:36:45Yes sir.
00:36:46For one.
00:36:46For one of rest.
00:36:47Or better yet, we rest today and fix it another way tomorrow.
00:36:51No, sir, by no means.
00:36:52At once.
00:36:52I'm just telling you, stand from here up, on...
00:36:58Okay, I got it.
00:37:00Made.
00:37:01Come on?
00:37:02Come on.
00:37:04Very good.
00:37:05May I have a word?
00:37:06Yes, young man.
00:37:06Have you ever boxed?
00:37:08Never, young man.
00:37:08Never.
00:37:09If that's why I told him, man, why are we going to get paid?
00:37:11Never boxed.
00:37:12No, man.
00:37:13Well, will you allow me to give you a little lesson?
00:37:15Yeah, man.
00:37:16So in good shape.
00:37:17Yeah, man.
00:37:18I'm going to be very pleased.
00:37:19May I?
00:37:20Yes, young man.
00:37:20That is to say, he says well.
00:37:21It is a defensive position.
00:37:23Of defense?
00:37:23That's what it takes, man.
00:37:25The left foot is back.
00:37:26This one over here?
00:37:27So.
00:37:27Yes, young man.
00:37:28The left hand is used for self-defense.
00:37:30And not the right hand to hit.
00:37:33To stick together.
00:37:33Exactly.
00:37:34Again.
00:37:34No, I think that's enough.
00:37:35No, no, no, again.
00:37:36Do me, yes, yes, I do me.
00:37:37Yes, do it again.
00:37:38Do me, man.
00:37:39Until you learn it.
00:37:40Yeah, I'm fine now, man.
00:37:41No, sir.
00:37:42Look carefully.
00:37:43Left foot back.
00:37:44Yes, young man.
00:37:45The left hand to defend oneself.
00:37:47And the right hand to hit.
00:37:49Again.
00:37:50Well, that's enough with that.
00:37:51And you understand, man.
00:37:53Well, well, to your places.
00:37:55No, it's from there.
00:37:56I have more advantage over him.
00:37:58Again, man.
00:37:59Let's give it to him, man.
00:38:00He already raped me, already.
00:38:01That's all I have.
00:38:03Are you going to cry?
00:38:04No no.
00:38:05I start crying, but I can manage it.
00:38:07You have no shame.
00:38:08A man as great as you.
00:38:10With beards and crying.
00:38:11And do I cry with my beard, you slob?
00:38:14What should it be?
00:38:16No, that doesn't exist.
00:38:18Everything is in good shape.
00:38:22Come on.
00:38:23Wait a minute, man.
00:38:24Come on!
00:38:24When the cymbal sounds for the first time to begin, the second time is to end.
00:38:29When the first time one starts and the second time ends...
00:38:32Yeah.
00:38:33New time.
00:38:33Time!
00:38:35Who is it?
00:38:36We're done.
00:38:36How are we done now?
00:38:37You don't say that the second one ends as it should be, man.
00:38:40Don't be so kind to me, I'm afraid of being.
00:38:43I'm tired, man, of getting into it.
00:38:44At once!
00:38:44Well, ah, okay, it won't start.
00:38:46Time!
00:38:48Come on.
00:38:49Come on.
00:38:49Just a moment, just a moment, just a moment, just a moment.
00:38:52There's a catch here, sir.
00:38:53How do I cheat?
00:38:53If we are fighting, why are they doing it to me?
00:38:55Sir, why?
00:38:56They are boxer skills.
00:38:57It's called pitching.
00:38:58Oh, is it okay to nod?
00:38:59Yes sir.
00:39:00Who is it?
00:39:00Explain to me.
00:39:02What's happening?
00:39:03This man is crazy.
00:39:04Oh!
00:39:04Oh, he's not your man!
00:39:06Don't get involved!
00:39:07Don't get involved!
00:39:07Come on, come on, come on!
00:39:09This man is crazy!
00:39:10Oh!
00:39:11Who is it?
00:39:12Ah!
00:39:13Here!
00:39:14Here!
00:39:14Come on, come on!
00:39:28What a sin, man!
00:39:29Get in!
00:39:29Get off!
00:39:30Get in!
00:39:31Well, get out of the way, man!
00:39:32Enjoy!
00:39:33Then get out of here!
00:39:35Come on!
00:39:36Let's go!
00:39:37Oh no, man!
00:39:39What are you bringing?
00:39:40What are you bringing?
00:39:41Good!
00:39:42Good!
00:39:43What are you doing, man!
00:39:46Come on, I get it!
00:39:59Up, Angel!
00:40:00Don't let yourself be!
00:40:00Oh!
00:40:04Tub!
00:40:05Tub!
00:40:06Come on!
00:40:12Come on!
00:40:12Come on!
00:40:13Come on, leito!
00:40:14Milk!
00:40:15It's coming!
00:40:16It's coming!
00:40:17It's coming!
00:40:21There!
00:40:22Hey!
00:40:22Sit down, friend!
00:40:24Careful!
00:40:25Careful!
00:40:26You can't hit a fallen person!
00:40:27And why does he hit me while sitting?
00:40:28Sitting?
00:40:28He's not going to fall and hit him!
00:40:29He's not going to hit you!
00:40:30Gosh, kid!
00:40:31Look at him!
00:40:33Look at him!
00:40:33Gosh, kid!
00:40:33Look at him!
00:40:35Look at him!
00:40:35Look at him!
00:40:36Look at him!
00:40:37Protest!
00:40:37Why are you protesting?
00:40:38Why does it fall into the serum?
00:40:40Hey?
00:40:40Why are you falling, sir?
00:40:42I'm falling from the impact!
00:40:43And I fall because I'm not stupid?
00:40:44Catch me next time!
00:40:46Close the fight!
00:40:47TRUE!
00:40:47If you're the one who wants to back out, why did you catch me off guard?
00:40:50And sitting down!
00:40:51Sitting!
00:40:51Here to the garden!
00:40:52Neither!
00:40:52Rest!
00:40:53I'm already warmed up!
00:40:54In front of!
00:40:55Of course!
00:40:57Of course!
00:40:58Of course!
00:41:28Rapa, stop!
00:41:30It's not a joke!
00:41:30Don't shave me!
00:41:31Not anymore either!
00:41:32How do you do this?!
00:41:33What are you doing this?!
00:41:34Why do they fall?!
00:41:34We won't give them to me!
00:41:35We won't give them to me!
00:41:36We won't give it to you!
00:41:37We won't give them to me!
00:41:38I want free time!
00:41:40Timeless!
00:41:41Free!
00:41:41Until we win!
00:41:42Plus the lid!
00:41:43Very good!
00:41:43Ready!
00:41:44Want?
00:41:44That?
00:41:54Ready sir!
00:41:54Oh!
00:41:55Oh!
00:41:56Don't you know this is fabulous!
00:41:57Foul!
00:41:58Yes sir!
00:41:58This is fabulous!
00:41:59Why do they bite the fauble, sir!
00:42:01Let's go!
00:42:02Above Castillo Flas
00:42:32Above Castillo Flas
00:42:42Above Castillo Flas
00:42:48I already have a little one for you.
00:42:56Oh, we got his number.
00:43:02I already fell for you
00:43:08Don't fall
00:43:15One, two, three, four, five, six, seven, eight, nine, ten
00:43:39You see? It couldn't be done.
00:43:45To everyone, huh?
00:43:51My champion!
00:43:52My life!
00:43:53My champion!
00:43:54My life!
00:43:54My soul!
00:43:55My life!
00:43:55My soul!
00:43:56What a thing it is!
00:43:58What a thing it is!
00:44:00How brave you are!
00:44:03You see, you see.
00:44:03Don't hold on and pass, I've got it, man.
00:44:05How well you behaved!
00:44:07How did you manage to hit everyone?
00:44:08Well, more
00:44:09With courage and this little iron
00:44:11First round
00:44:18And to lose
00:44:19Don Roberto Soto
00:44:37Ah, yes
00:44:38The fat Soto
00:44:39I'm like everyone else
00:44:47Because my whole body
00:44:49Sings
00:44:51And laughs
00:44:52My face
00:44:53It's a cheerful rattle
00:44:55Because the bell
00:44:57It's a hood
00:44:59With you, Gabriel Ruiz
00:45:06Hey, this composer is one of the best there is.
00:45:08Very good
00:45:09Ana María González
00:45:10In my song of the sea
00:45:11Very good!
00:45:34Very good!
00:45:36Bad, he left me, he said goodbye, in your blue distance, bad, you know well, how it hurts to lose a love.
00:46:02Bad, he left me, he said goodbye, in your blue distance, bad, you know well, how it hurts to lose a love.
00:46:32I feel it coming in its sole, vague murmur of its voice, but I remain in the shadows, with my despair.
00:46:48Bad, he left me, he said goodbye, in your blue distance, bad, you know well,
00:47:18My dear friends, now let's see if you agree with my accounts.
00:47:33I have nine for the railroad, eight hundred and eighty for the truck, four hundred and fifty for bullfight tickets, and I didn't write down the goat.
00:47:42Well, how are you going to point the finger at us for the goat if you were the one who wanted to bring it? We have nothing to do with its food or anything.
00:47:48Meal?
00:47:50Yeah.
00:47:50Which food?
00:47:52If my poor little goat hasn't eaten anything but the nibbles I give her from mine, don't throw me beans.
00:47:58That's what we would like, at least beans, it doesn't give us even that, not even that.
00:48:03And the coffee the other day, and the gorditas yesterday, we told him that we were going to live in solidarity, restricted.
00:48:11We cannot be wasteful.
00:48:13No.
00:48:14Not a chance, just look at the money we've spent, on the inn, taxi, theater, etc.
00:48:19At this rate I'd have to sell my goat.
00:48:23Ah, look who's coming, Oscarito el Tanguero, let's see if we can stick with him to sneak into the theater.
00:48:28Hello Oscarito, how are you? How are you doing?
00:48:30All right, I've been hired to sing a tango, and here I am, bringing my bandoneon.
00:48:36Of course, it's essential for tango, how would we like to hear you?
00:48:39Whenever you want, come with us to the theater.
00:48:42First of all, I don't have the money to pay for the tickets, but I could do that sketch for you. Do you remember when we worked together in the tent?
00:48:50Yeah man, remember, I pulled out the gun and you laughed.
00:48:54But put away your gun, man, and come with us to the theater. I'm going to tell the manager that you're dancers, and you're going to close the party.
00:48:59Us?
00:49:00Yeah, why not, man? Go for it.
00:49:02What do you think, are you up for it?
00:49:03I'm tired, that's it.
00:49:05Yeah, come on, go for it.
00:49:06What is it, Mrs. Meche?
00:49:06You're going to give it to him.
00:49:07Fatso, follow me.
00:49:08And we'll even get a little paycheck out of it, right?
00:49:10You are a bookseller.
00:49:11I say.
00:49:12Come on, good day.
00:49:13I'm going to go screaming in the street, that you don't love me, that you don't love me.
00:49:39And my heart, read, dies for you, dies for you.
00:49:48And my cries in the street, cry out your name, cry out your name.
00:49:58And in the echo of the night, your name remains, your name remains.
00:50:08I'm dying of anxiety, because you don't love me.
00:50:16And my tears choke me, seeing that my love has been lost, has been lost.
00:50:30I'm going to go screaming in the street, that you don't love me, that you don't love me.
00:50:41And my heart, read, dies for you, dies for you.
00:50:49I'm dying of anxiety, because you don't love me.
00:51:16And my heart, once read, dies for you.
00:51:46He dies for you.
00:51:53And my heart, once read, dies for you.
00:51:55Thank you!
00:51:57Thank you!
00:52:28Thank you!
00:52:29Thank you!
00:52:30Thank you!
00:52:31Thank you!
00:52:32Thank you!
00:52:33Thank you!
00:52:34Thank you!
00:52:35Thank you!
00:52:36Thank you!
00:52:37Thank you!
00:52:38Thank you!
00:52:39Thank you!
00:52:40Thank you!
00:52:41Thank you!
00:52:42Thank you!
00:52:43Thank you!
00:52:44Thank you!
00:52:45Thank you!
00:52:46Thank you!
00:52:47Thank you!
00:52:48Thank you!
00:52:49Thank you!
00:52:50Thank you!
00:52:51Thank you!
00:52:52Thank you!
00:52:53Thank you!
00:52:54Thank you!
00:53:24Thank you!
00:53:54Thank you!
00:53:55Thank you!
00:53:56Thank you!
00:53:57Thank you!
00:53:58Thank you!
00:53:59Thank you!
00:54:00Thank you!
00:54:01Thank you!
00:54:02Thank you!
00:54:03Thank you!
00:54:04Thank you!
00:54:05Thank you!
00:54:06Thank you!
00:54:07Thank you!
00:54:08Thank you!
00:54:09Thank you!
00:54:10And now, respectable public, I will have the pleasure of introducing to you a shining star of the rumba,
00:54:19which will surely cause a great sensation.
00:54:23Thank you!
00:54:24Thank you!
00:54:25Thank you!
00:54:26Thank you!
00:54:27Thank you!
00:54:28Thank you!
00:54:29Thank you!
00:54:30Thank you!
00:54:31Thank you!
00:54:32Thank you!
00:54:33Thank you!
00:54:34Thank you!
00:54:35Thank you!
00:54:36Thank you!
00:54:37Thank you!
00:54:38Thank you!
00:54:39Thank you!
00:54:40Thank you!
00:54:41Thank you!
00:54:42Thank you!
00:54:43Thank you!
00:54:44Thank you!
00:54:45Thank you!
00:54:46Thank you!
00:54:47Thank you!
00:54:48Thank you!
00:54:49Thank you!
00:54:50Thank you!
00:54:51Thank you!
00:54:52Thank you!
00:54:53Thank you!
00:54:54Thank you!
00:54:55Thank you!
00:54:56Thank you!
00:54:57Thank you!
00:54:58Thank you!
00:54:59Thank you!
00:55:00Thank you!
00:55:01Thank you!
00:55:02Thank you!
00:55:03Thank you!
00:55:04Thank you!
00:55:05Thank you!
00:55:06Thank you!
00:55:07Thank you!
00:55:08Thank you!
00:55:09Thank you!
00:55:10Thank you!
00:55:11Thank you!
00:55:12Thank you!
00:55:13Thank you!
00:55:14Thank you!
00:55:15Thank you!
00:55:16Thank you!
00:55:17Thank you!
00:55:18Thank you!
00:55:19Thank you!
00:55:20Thank you!
00:55:21Thank you!
00:55:22Thank you!
00:55:23Thank you!
00:55:24Thank you!
00:55:25Thank you!
00:55:26Thank you!
00:55:27Thank you!
00:55:28Thank you!
00:55:29Thank you!
00:55:30Thank you!
00:55:31Where are you going, old man?
00:55:32I said whatever, you joke!
00:56:01I'm not leaving!
00:56:19Wait, Mrs. Nietzsche!
00:56:26Yes? Like a man?
00:56:29Yes, wait!
00:56:31Now we are going to have the pleasure of listening to Oscar at the tower
00:56:47in an unforgettable tango.
00:56:49It's night outside and it's raining so much
00:57:09Come to my side, you told me
00:57:14Your words are like a cloak
00:57:19A pleasant blanket of friendship
00:57:23This is your cup and you filled it.
00:57:28The singer is there screaming his head off
00:57:33And these guys dare to bring in a goat
00:57:36Why don't they take it out of the theater?
00:57:38Your fine glass of champagne
00:57:43History repeats itself
00:57:51My little doll, sweet and blonde
00:57:57The same love
00:57:59The same rain
00:58:03The same, the same crazy desire
00:58:09Do you remember exactly a year ago?
00:58:14We parted without a cry
00:58:17Yeah
00:58:19Yeah?
00:58:20Of course!
00:58:21Too bad, no harm done.
00:58:24It was just a goodbye
00:58:28Intelligent
00:58:31Of the two
00:58:34Love
00:58:37San Marino
00:58:57The same, the same crazy desire
00:59:00Of course!
00:59:01Thank you!
00:59:31Thank you!
01:00:01Thank you!
01:00:31Thank you!
01:01:01Thank you!
01:01:31Thank you!
01:02:01Thank you!
01:02:31Thank you!
01:02:33Thank you!
01:02:39Thank you!
01:02:41Thank you!
01:02:43A!
01:02:45There!
01:02:47We have already arrived at the cabaret
01:03:01We're going to go in in one go.
01:03:03Let's see what's going on in there.
01:03:04In the end, I pay.
01:03:07And I do it?
01:03:08I say
01:03:09Payments?
01:03:17Hey, hey, here's some fucking pig
01:03:22Let's go
01:03:23Are we leaving now?
01:03:31Come, come, I told you to take it
01:03:33Good evening, Mr. Police Officer
01:03:49Good night
01:03:50Very good dinner, Mr. Policeman.
01:03:54We listen to a song
01:03:56Oh yeah, yeah?
01:03:57Like doves
01:04:01All my dreams flew away
01:04:08And they have already died
01:04:15My hopes
01:04:19On your skin
01:04:22That you do bass, that you dance
01:04:35Hey, waiter!
01:04:51Come here
01:04:52Hello, Mr. Lomo
01:04:53Order me a beer
01:04:55What is the favorite, then?
01:04:57What good is it to you?
01:04:59You wanted a beer, didn't you?
01:05:00Yes, but with tequila, salsa and lemon
01:05:02What does he bring with the big jug?
01:05:06Yeah
01:05:06Of three beers
01:05:08In a large jug
01:05:09That?
01:05:10And for me and my friends
01:05:11Three tequilas
01:05:12That
01:05:13But with lemon, eh?
01:05:14Ha ha ha
01:05:16Let's see, a little olive.
01:05:27Ha ha ha!
01:05:28There it is, look
01:05:30That little olive?
01:05:34Go for it!
01:05:34A gift!
01:05:36How jealous he is!
01:05:37Health!
01:05:38What do you mean, thirteen pesos?
01:05:54Thirteen pesos for three tequilas
01:05:56Three little beers
01:05:57And a miserable snack
01:05:59Apart from the snack
01:06:00The gentleman asked for a ham sandwich for himself.
01:06:02And another sausage for the lady
01:06:05I also served him a shrimp cocktail.
01:06:07In addition to the second round of submarine
01:06:09That you yourself asked him
01:06:10When I brought him the charalitos and the snails
01:06:13That you liked so much
01:06:14Do you remember?
01:06:15Well, frankly, no.
01:06:16Well, refresh your memory.
01:06:18I have nothing to refresh myself with.
01:06:21They only asked for what I asked for
01:06:23And since I'm on a diet
01:06:24Well, I don't eat anything.
01:06:24Hey, hey, don't give this kid so many explanations.
01:06:27Listen, what are you saying?
01:06:29That is bald
01:06:29What's happening?
01:06:30What's happening?
01:06:30What's happening?
01:06:30Hey, hey, hey
01:06:31What else?
01:06:32Peeled
01:06:32What's happening?
01:06:33Hey, hey, hey
01:06:34Have you seen it yet?
01:07:04We are already here in the pigsty and it's all your fault.
01:07:11I who am so peaceful and so calm
01:07:14If I wanted to pay the bill
01:07:16And all for not leaving a tip
01:07:18And what do you keep away?
01:07:21If you were the first to start the mess
01:07:23I?
01:07:24Yes sir, don't do it.
01:07:25Of course, who was the one who said that about the miserable snack?
01:07:28After we had already swallowed everything
01:07:30What, have you forgotten?
01:07:31Well, I'm not very sure, I thought it was you.
01:07:33Don't act like a small mouth, I already know you.
01:07:36Well, I already know you and your old lady too.
01:07:39Do I say?
01:07:40Well, if you already know us, we are trustworthy.
01:07:42Is anyone coming? Is anyone coming?
01:07:51Who could it be? This smells fishy to me.
01:07:52Hey, come closer.
01:07:57Have you seen who's coming?
01:07:59No sir, but I can imagine, you were the one who got us in here
01:08:02To my wife and me
01:08:03No, go ahead, event
01:08:04In this mess
01:08:04And above all, let me speak alone so you don't make another mistake.
01:08:09Ah, well that's good.
01:08:10Hey, open up for me.
01:08:11Let's see, those criminals are coming with me.
01:08:14So where does it take them?
01:08:16I don't have to give you explanations.
01:08:17Oh, gee
01:08:18Fast!
01:08:20Move!
01:08:22Bring Hermelinda
01:08:23Yeah
01:08:23Don't worry, I know the laws.
01:08:25Go ahead!
01:08:25That's it and walk!
01:08:27And you too
01:08:28Oh, yes, for good, yes
01:08:29For better or for worse, but pull it
01:08:31Your Honor, here are the troublemakers.
01:08:38They look more like terrorists.
01:08:40That's what it looks like
01:08:41Discover yourself
01:08:43Let's see, what are they accused of?
01:08:47They refused to pay the restaurant bill, Your Honor.
01:08:50Is the charge true?
01:08:52Please don't use bad words.
01:08:54We are poor, but decent, right?
01:08:56Yeah
01:08:56Okay, did they pay or not pay, officer?
01:08:59The waiter states that this individual rudely refused to pay
01:09:03And furthermore, it disturbed public order
01:09:05Come on, that's not true!
01:09:06Seconded by his two accomplices who also mocked the lady authority
01:09:11Ah, yes
01:09:11That's not it, sir.
01:09:12I have never made fun of anyone
01:09:14I swear, I swear
01:09:16That goes against my principles.
01:09:18I hold back, but I don't make fun of it.
01:09:19What happened is that I'm on a diet because I want to be a bullfighter.
01:09:22And this one can testify to me anywhere
01:09:24And why me?
01:09:25I don't pay
01:09:26Don't interrupt me, I'm talking.
01:09:27Well, how is it?
01:09:27He eats more than me
01:09:28Let's see, who's going to pay here, huh?
01:09:29What I want to explain to you is that to fight bulls you have to have an empty stomach.
01:09:33Enough
01:09:34You're not going to tell me that when you eat you don't pay for what you eat.
01:09:36Because in this city you always pay for what you eat
01:09:39And it's a fine
01:09:40A fine?
01:09:41Did you understand?
01:09:42Understood
01:09:43Yes that's how it is
01:09:44I do not agree
01:09:45Yes
01:09:45Don't spit on me
01:09:46Let's see, who's going to pay the bill for the three of us?
01:09:49Look, Your Honor.
01:09:50When I feel hungry, I eat very little.
01:09:53And you?
01:09:54I'll settle for a little steak a la tampicaña with its enchilada and beans and then off to fly.
01:09:57Good service
01:10:00But I pay for it
01:10:01Do I have to pay?
01:10:0315 pesos
01:10:04The rush?
01:10:08No, what's the rush?
01:10:10Safe, private
01:10:11Hey, is it almost enough for you?
01:10:16Well, it's all over now.
01:10:18It doesn't grind, we're going to kill
01:10:19Your receipt
01:10:20Agüeque nor that I will never see them again
01:10:24No, well, in the end I didn't even want to.
01:10:25They left us clean
01:10:29As they say, without any money
01:10:31I don't know what we're going to do.
01:10:32Because this receipt and Ambrosio's rifle
01:10:35They do not even serve us their coming
01:10:37Neither his coming, nor his returning
01:10:38Because eyes that saw you go
01:10:40According to this
01:10:47They owe me a sum of money
01:10:50Whose sum is higher than the peak of Orizaba
01:10:53Wow
01:10:54Everything is written down here
01:10:56Railroad, truck, food, their costumes, drink
01:11:01I didn't notice the cabaret bill
01:11:04But why?
01:11:05We were just onlookers.
01:11:06Hey
01:11:08Well, I didn't know that just looking
01:11:10One could put such a firecracker
01:11:12Oh, just a little bit.
01:11:13The truth
01:11:14I don't know how we managed to grab such a rocket.
01:11:17But we didn't pay anything in that cabaret.
01:11:20I don't remember anything
01:11:23Oh, except me.
01:11:24That?
01:11:26So we just walked out without paying and still owing the bill?
01:11:29Well, if they take them back to the same judge
01:11:31Now they lock them up for the rest of their dirty days.
01:11:34I say
01:11:35Oh no
01:11:36And to life imprisonment
01:11:38We have to take the route to Villa Diego and get out of here as soon as possible.
01:11:42And to start with
01:11:43Do you see these debts I pointed out to you?
01:11:46Well, let it be known
01:11:47All this pile of pesos and cents that we spend carnival-like
01:11:51We blew them to bits
01:11:54So that the wind of oblivion takes us away
01:11:57And so that our friendship never breaks like I break these damn papers.
01:12:02Kill them!
01:12:03It's from my friend Don Lomo Bono!
01:12:04Out with the papers!
01:12:04Out with the papers!
01:12:05Kill them!
01:12:05Hahaha!
01:12:07Ha ha ha!
01:12:07Ha ha ha!
01:12:08Oh, oh, oh, oh, oh!
01:12:09And now we have no choice but to go to Mexico.
01:12:13And on the San Fernando horse
01:12:15Sometimes on foot and sometimes walking
01:12:17And as my uncle Joaquín said
01:12:18At the stroke of a sock
01:12:19Ah, let's hitchhike.
01:12:21The truth is that is very difficult
01:12:23Very difficult, but why?
01:12:25Once I asked for a ride they told me
01:12:26Throw me his sister!
01:12:27Ah, but you couldn't have kept quiet, could you?
01:12:31No
01:12:31I was about to get off with a guy much bigger than me
01:12:35Ah, you backed out because you were afraid of getting beaten up.
01:12:38Or not?
01:12:39Ah, I remembered that God in his wise intelligence
01:12:41No sister had sent me
01:12:43No, you told him that I didn't want to fight for free.
01:12:45I told him that maybe his mom did have a sister.
01:12:47Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
01:12:55Those chilandos
01:13:00Pay the bill you owe at the little pony
01:13:03We're all going to run
01:13:03See me!
01:13:05See me!
01:13:05Thanks for watching the video.
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