Heiress Unleashed Post-Divorce shortmintz
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Star's Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:24Three years later, I fell in love with Drake.
00:27Keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday.
00:50And instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:55You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:12Well, I think Drake's idea is great.
01:14And it could be really good for us.
01:19But the risk is way too high.
01:21Dad.
01:23Please.
01:23Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:35Think about it, Dorothy.
01:36Since you got married, has he ever even touched you?
01:39How often did he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:45That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake instead of being
01:56my late brother's widow.
01:57Ellie.
01:59Whatever happened between me and Drake is all in the past.
02:02Besides, I'm carrying Nick's baby.
02:04It's the perfect time.
02:12Oh, my God.
02:13Oh, my God.
02:14Dorothy just pushed Stephanie into the pool.
02:16What?
02:22Quick, save Stephanie.
02:24She's carrying Nick's baby.
02:28Quick, get in there.
02:30He chose Stephanie over me.
02:48My baby.
02:49My baby is gone.
02:51Why would you do this to me?
02:55How dare you?
02:56You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:00Are you happy now that Stephanie's baby's gone?
03:02I didn't do it.
03:03I know you don't want me here.
03:05I told you whatever happened between me and Drake is in the past.
03:08You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:13He didn't do it.
03:14You know me, I would never do that to Stephanie.
03:18Apologize to Stephanie.
03:20I'm not going to apologize for something I didn't do.
03:22Apologize to Stephanie right now or I will divorce you.
03:30If you apologize right now, then I'm willing to give you another chance.
03:38It's been three years, Drake.
03:45I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:50I already have a life.
03:52And right now I just want to focus on being my marital Drake.
03:56I thought you would always be by my side, but I was wrong.
04:02The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:07Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:14Fine.
04:15Let's get a divorce.
04:25There's nothing left in my heart.
04:27Drake's nothing without me.
04:31My ring!
04:33My ring is gone!
04:35Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:45We were married for three years.
04:47Were you seeing someone else?
04:49Of course she was.
04:50She'd probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So what if I was, huh?
04:57And what about you?
04:58Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:03I only look after Stephanie because she's my brother's widow.
05:07Yeah.
05:08But you actually seeing someone else?
05:10Who is he?
05:10Big talk!
05:12Don't bring me down to your level.
05:13I'm not like you.
05:16Since your sister-in-law lost her ring,
05:19why don't you take...
05:25this one?
05:29You've been waiting for this for a long time, haven't you?
05:38Bye.
05:45And so I left.
05:47This is ridiculous!
05:51We, the Bennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter and even invest it in his business.
06:00How dare that, Drake!
06:01Do this to my daughter!
06:02Look, it's actually a good thing, Dad.
06:08Now we know who he really is and he has no idea who I am.
06:12Still, you're my daughter.
06:13I can't let him do this to you.
06:15If it weren't for you, I would not have considered investing in his company.
06:19We're going to pull our investment immediately.
06:21Yes, it's time to cut him off.
06:23He doesn't deserve you.
06:25I'm over, Drake.
06:27If we withdraw the plans now,
06:30it's going to hurt the family business.
06:32He's not worth it.
06:34Honey,
06:35why don't you just take a vacation?
06:39Just put all this aside and take some time out for yourself.
06:44Yeah.
06:44I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
06:59You know, Christopher has been saying
07:01that many people want to buy the movie rights to live game.
07:05Universal, Paramount, every major studio wants this.
07:09Fire's Game.
07:13Your story on the big screen.
07:15If you're in, I'd be happy to be the one headlining you.
07:18Oh.
07:19So that's why they're making it.
07:20Because of you.
07:21I'm sorry, Christopher Santoro.
07:24See?
07:25They're not funding the film.
07:27They're funding you.
07:28Oh.
07:30They're funding the story.
07:31It's more than good.
07:33It's phenomenal.
07:35Christopher is right.
07:37I'm taking my life back.
07:39I'm going to adopt it myself.
07:46You are?
07:47Yes.
07:48I will.
07:50Good for you.
07:52I won't tell anyone I'm asking you.
08:03Congratulations to Aria Wong for winning the best director.
08:09This is my close friend from college.
08:14Aria, I need your help.
08:16I want to adopt the last game myself.
08:18And I want you to direct it.
08:21Of course.
08:23All right.
08:24Okay.
08:25There's just one thing.
08:26I want to keep my identity as the writer a secret.
08:30I don't want anyone to know.
08:33Especially not the team.
08:34SQ.
08:35Are you sure?
08:36But why keep it a secret?
08:38I just want people to focus on the story itself.
08:41Got it.
08:42Your secret's safe with me.
08:44Hey.
08:45Oh my God.
08:49Dave.
08:51It's a bit weird.
08:51Ever since news got out about our movie, my phone has not stopped ringing.
08:57Really?
09:04It's Stephanie.
09:08Yeah, just take it.
09:10Hello?
09:14Hello, Miss Wong.
09:16I've heard Liar's Game is being made into a movie.
09:18I'm interested in playing the lead.
09:20Can we arrange an audition?
09:24I'll speak to the writer and I'll let you know.
09:27Thank you, Miss Wong.
09:30What do you think?
09:31Anyone can audition, right?
09:34As long as they're right for the role.
09:38What happened between me and Stephanie is not important here, so...
09:41Okay.
09:44I'll call her back and let her know.
09:46Mm-hmm.
09:55What about me?
09:59Can I be your hero?
10:01Oh, you mean, uh, a film, right?
10:09I've never considered anyone else.
10:14I have to take this.
10:17Hi.
10:22You know, I'm not just talking about the film, Dorothy.
10:26It's okay.
10:28I can wait.
10:31I've waited this long.
10:36Well, well, well.
10:38Look who it is.
10:39Why are you here?
10:43Oh, I see.
10:45You're the production assistant.
10:47Well, do your job.
10:50Slip me a water.
10:53Stephanie.
10:55Get your own water.
10:56I'm not your PA.
10:58Look.
10:59It's my first day on set, and I want to buy coffee for the crew.
11:02Why don't you be a doll and mark down everyone's order?
11:06Are you deaf?
11:08I'm not a PA.
11:11Here's a tip.
11:12Go on.
11:13Show some respect, Stephanie.
11:15Do you know who she is?
11:20What are you doing?
11:22Oh, no.
11:23She can't know.
11:23I'm asking you.
11:24I want to keep my identity as the writer a secret.
11:30I don't want anyone to know, especially not the team.
11:37What do you mean?
11:39Who is she?
11:40No wonder she's a lower PA, I'm sure.
11:48Isn't that right?
11:49Well, actually, she's...
11:52She's...
11:54Just a PA.
11:55You're right.
11:58So why don't you show me a lower PA, your acting skills?
12:02Maybe I'll be impressed even by who the coffee's myself.
12:06Watch this.
12:10I loved you once.
12:14Or so I thought.
12:17But now I see that it was all just a lie.
12:21A beautiful...
12:22Painful lie.
12:29You took everything from me.
12:33My dreams.
12:35My future.
12:36See?
12:41There's no soul.
12:42That's not acting.
12:43It's just...
12:44Reciting lines.
12:47Why don't you show how it's done?
12:48What?
12:50Go on.
12:54Go on.
12:54Go on.
12:54I loved you once.
13:17So I thought.
13:22But now I can see.
13:24It was all a lie.
13:26A beautiful, painful lie.
13:31You took everything from me.
13:34My heart.
13:37My dreams.
13:40My future.
13:43And for what?
13:45For your own personal gains.
13:48How is that possible?
14:00Dorothy.
14:01That was perfect.
14:04The role is yours if you want it.
14:06No!
14:08This role is mine!
14:10I'm the one with the investment.
14:12Without me, there's no funding for this movie.
14:14Your investment?
14:15Do you even know who she is?
14:17Who is she?
14:24Who is she?
14:25As you know, no one but a PA.
14:28Dorothy.
14:30This movie is important to Stephanie.
14:32I mean, why are you here?
14:33You're not a real actress.
14:34What are you doing?
14:35You're trying to ruin her career.
14:36You're trying to get back at me by ruining her career.
14:38I'm not ruining anything.
14:40If she can't handle the role, that's on her, not me.
14:44You can't blame this on anyone else.
14:46You embarrassed her in front of everyone.
14:48I mean, I know what you're doing.
14:49You're the one pulling all the strings here.
14:51You're trying to make her fail so you can take her place.
14:54She's using this whole thing to get to you, Drake.
14:57She's been jealous from the start, trying to ruin my chance just to get back to you.
15:00Okay, no.
15:01I don't want to fight anymore.
15:02Well, let's just take a look at the script and maybe we can work something out.
15:07And you were just so damn selfish!
15:10You already care about yourself.
15:12Just give Stephanie her role back.
15:14You know what?
15:17I didn't want to do this.
15:19But I will.
15:20I'll take the role.
15:22I'll play the lead.
15:26I'll play the lead.
15:28No way!
15:28You can't be serious!
15:29She's not even a real actress!
15:34Dorothy's performance was far stronger than yours.
15:36Everyone in the room can see it.
15:38I'm so glad you've agreed to do the role.
15:45Right, it's settled then.
15:46The lead roles go to Christopher and Dorothy.
15:50I will double my investment
15:52if you give Stephanie a role.
15:59I never thought I'd see the day my ex-husband would go this far
16:03for his sister-in-law.
16:06I can always count on you, right?
16:08I will double my investment
16:14if you give a role to Stephanie.
16:15You two are just such...
16:17Okay, look.
16:22If the money's on the table,
16:23there's no reason to turn it down.
16:25Let's just give her a part.
16:27We have nothing to lose.
16:29I guess that'll be fine.
16:32I'll talk to SQ.
16:38Your father's production company
16:39is already the biggest investor in your movie.
16:41So why take Drake's money?
16:43You don't...
16:44You don't still have feelings for Drake, do you?
16:47No!
16:48He's an asshole!
16:51Come on.
16:52I've got an idea.
16:53Why don't we just give her a character
16:57that'll make her miserable?
16:58Wow, Mrs. Sontaro.
17:03I feel bad now.
17:04I only wish you didn't have feelings for Drake anymore.
17:15How did she land herself the role?
17:17She's practically a nobody.
17:18No fan base, no real experience.
17:21Just one good scene.
17:23Doesn't make sense.
17:26Find out everything you can about Dorothy.
17:28I want all the dirt.
17:37Director, there must be a mistake.
17:39I'm only a side character
17:40and not even in the main scene.
17:43You wanted a role, we gave you a role.
17:46I came in with an investment.
17:49You're more than welcome to take it back
17:51and leave the set.
17:54Even a small role in SQ's film
17:56is going to do great things for your career.
17:57and now is not the time for you to be messing around.
18:02Fine.
18:09Two, take one.
18:10Action.
18:12Lily, you are my best friend.
18:13How could you do this to me?
18:14I'm sorry, but this is...
18:16What the hell are you doing?
18:20It's part of the scene!
18:25Okay, take it again from the slap.
18:27Action!
18:33Cut!
18:35Stephanie, why aren't you saying your lines?
18:37You have to keep going in the scene.
18:39I think you've had enough for today.
18:42We'll just try again tomorrow.
18:51Did you see her face?
18:54Absolute gold!
18:55I mean, she got what she wanted.
18:57She asks for a role and that's what we gave her, so...
18:59Seriously, her performance is all over the place.
19:03Maybe we should just...
19:05cut down on her screen time.
19:07And we all know the film's better without her slowing us down.
19:11You're right.
19:13I'm not going to let anyone ruin your story.
19:15What's going on with my scenes?
19:31Why have so many of them been cut?
19:32It's a collective decision.
19:34Fuck that!
19:35Let me talk to the writer.
19:36The writer is SQ and as you know, they never show their face, so their decision is final.
19:40I'll see you on set in five.
19:42The writer is SQ and as you know, they never show their face, so their decision is final.
19:50I'll see you on set in five.
20:03Now it all makes sense.
20:08Oh!
20:09Now it all makes sense. That's the head of the production company. No wonder she
20:15got the role. Let's see how John's wife feels about that.
20:28Everyone I have an announcement to make. Today will be Stephanie's last day on set.
20:39You really think I don't see through your little gaze? Somebody will be walking out
20:43that door today, but it won't be me. You really think you can get away with this?
20:49Sleeping your way up? John's wife is on her way. Let's see how you
20:56talk your way out of this one. Slut.
21:03That's enough!
21:05So were you the one who was stalking and secretly taking photos?
21:11What? Scared the truth is going to come out? Someone had to expose her for who she really
21:16is. So you admitted. You did it.
21:20Damn right I did. And I'd do it again if I had to.
21:24You don't know who you just crossed. Oh I know. Just some rich old bastard throwing
21:30a tantrum. I sent those photos to your wife too. And now your mistress is about to be exposed.
21:36Yeah. Security. Stephanie is banned from the studio. Make sure she never sets foot here again.
21:44You can't just do that. Oh this is insane. Well I have rights. I was only telling you the truth. She is a mistress. A loose woman. A lady of the night.
21:51Is it true that Dorothy is John's sugar baby? Otherwise why would he come onto the set and get me banned from the movie?
22:06That's unbelievable. And he humiliated me. He had me dragged off the set like a criminal. You should have seen it.
22:13I'm not going to let her just ruin her reputation like this. I mean this whole mess is just making us look like fools.
22:20Dorothy's always been trouble. I mean first she goes off with a married man and now this. I don't know how you put up with her for three years. You should have got a divorce earlier.
22:35Stephanie are you 100% sure that Dorothy is John's sugar baby?
22:39It's the only explanation. She's clearly nothing but a slut. Oh.
22:45Drake. Stephanie is your sister-in-law. Now you need to take care of her and forget about Dorothy. Can't you see she's the one behind all of this?
22:56She was sleeping her way to the top. Killing Stephanie's unborn child. And John dragging her off the set. You should be sticking up for Stephanie.
23:10I'm not going to let her do this to you.
23:15Do you think you can just walk away from what you did like nothing happened?
23:29I didn't walk away from anything. You did. You chose Stephanie over me. Remember this one?
23:34Oh, she's my sister-in-law.
23:36I'm so sick of hearing this. You have feelings for her and I'm just tired of it.
23:42You're out of your mind if you think I'm going to let you get away with this.
23:45You do what you want to do. For now, get out!
23:50Why?
23:51Why?
23:52Why?
23:53Why?
23:54Why?
23:55Why?
23:56Why?
23:57Why?
23:58Why?
23:59Why?
24:00Why is there
24:02why?
24:03Why?
24:04Why?
24:05Why?
24:06Why?
24:08Why?
24:09Do you want me to go?
24:12Why?
24:13Why?
24:14Just look at yourself.
24:16You're not half the man Christopher is.
24:19Get out.
24:21Or I will call the cops.
24:24Just go!
24:33Are you okay?
24:39Dorothy?
24:41Yeah.
24:42Remember, safety first.
24:43The lifeguard's right there if you need him.
24:45Okay.
24:49Anything you need, let the AD know.
24:51Okay.
24:52Got it.
25:01Here's a coffee for you.
25:03It's still early before the shoot.
25:04Take your time.
25:11What?
25:12Please, sorry, are you okay?
25:13You're okay.
25:14Okay.
25:15Maybe.
25:16No.
25:17There.
25:18There is no time to get away from it.
25:19You're wrong.
25:20I'm looking to play with you.
25:21I love you too.
25:22Oh, god!
25:23Oh.
25:24There's a powerful weapon.
25:25I love you too.
25:26That's a powerful weapon.
25:27Okay?
25:28I love you.
25:29I love you too.
25:30I'm shocked.
25:31I love you too.
25:32I love you too.
25:33I love you too.
25:34I love you too.
25:35I love you too.
25:36I love you too.
25:37Something's wrong.
26:02That's not acting.
26:04She's in trouble.
26:07Where's the left guard?
26:16Where's the left guard?
26:17Where's the left guard?
26:17Where the fuck is the left guard?
26:39Come on, Dorothy.
26:49Why did you do that?
27:13I'll do anything for you, Dorothy.
27:20Christopher risked everything without hesitation.
27:24How could I have been so blind?
27:43I wasn't expecting that.
27:57Where were you?
27:58I'm sorry.
27:58Dorothy could have drowned.
27:59I'm sorry.
28:00I had a stomachache.
28:01I had to go to the back.
28:02Make sure it doesn't happen again.
28:03Do you think that I should call Dorothy just to make sure she's okay?
28:13Are you still hung up on her?
28:15No.
28:17It's not like that.
28:18I'm just trying to be helpful.
28:19Don't you remember, Drake?
28:21She's the one who had me kicked out of the movie.
28:25She's the one who killed my baby.
28:27Not just my baby, but Nick's baby.
28:30I know I'm just her sister-in-law.
28:32Whatever happened between us is in the past.
28:34But I have no one now.
28:37No husband.
28:39No baby.
28:40I have left as you.
28:43Can you see through Dorothy yet?
28:47She's nothing but a slump sleeping her way to the top.
28:49You don't know that.
28:52You know I'm right.
28:54Why else would John come onto the set and stand up for her?
28:57Not just John, but Christopher too.
28:59She's sleeping around with anyone she can find.
29:01She's a whore.
29:01Shut up.
29:02You want war?
29:14I'll give you war.
29:19Do it.
29:21Make sure Dorothy feels every bit of it.
29:28Breaking news.
29:29Unknown actress seduces Hollywood heartthrob.
29:32Rising star or opportunist.
29:35Actress Dorothy's shocking affair with Christopher.
29:37Christopher's new flame for a heartless gold digger.
29:40Dorothy!
29:42Liar!
29:42Happy!
29:45This is getting out of hand.
29:48Maybe we should just reveal her real identity.
29:51Let everyone know she's not just some random actress.
29:58No.
29:59Dorothy, once we tell them who you are,
30:01there's no reason for them to attack you.
30:02There's someone behind us.
30:05And whoever they are, I'll make them hang.
30:08You do.
30:13Fuck off.
30:21This can't be right.
30:22I die in the second scene.
30:28This must be Dorothy and John forcing S.Q. to cut me out.
30:33They won't get away with this.
30:34Trey, can you believe this?
30:41They've completely written me out of the script.
30:44Do you remember when Nick was lying in that hospital bed?
30:47You promised him you'd look after me.
30:49I've already lost my husband and my baby.
30:52I can't lose my career too.
30:53Don't worry.
30:55I'll get you your character back.
30:56There's a tape of a documentary that apparently S.Q. has always wanted.
31:17So, we win this bid and we gift it to them.
31:20Should be able to get you your role back.
31:25Up next, a rare gem.
31:27The original film documentary chronicling the creative journey of none other than herself.
31:33Legendary screenwriter, Margaret Lane.
31:36$50,000.
31:39What's she doing here?
31:42I don't know.
31:44I'm not going to let her win this.
31:46$60,000.
31:51$70,000.
31:54$100,000.
31:58This is my grandmother's documentary.
32:00It's her legacy.
32:02She's the one who inspired me to become a screenwriter.
32:04I can't let her fall into the wrong hands.
32:09$500,000.
32:19$500,000.
32:23I'm trying to get you your role back.
32:25Don't worry.
32:26I've got it covered.
32:27Ladies and gentlemen, we are down to the final bid.
32:31Standing at a whopping $500,000.
32:35$500,000 going once.
32:39$500,000 going twice.
32:42Sold.
32:42To the lady in the blue dress.
32:52I can't believe this.
32:53You have no right
32:55to take that film reel with you.
33:01You have no right to take that film reel with you.
33:06What's going on?
33:07Ladies and gentlemen,
33:15I've just been informed
33:16that Miss Dorothy
33:17is in fact not
33:18an invited guest.
33:20Therefore,
33:21as per our rules,
33:23this documentary reel
33:24will not be released
33:26to Miss Dorothy.
33:27This is ridiculous.
33:28I was invited.
33:29Well, in that case,
33:31may I see your invitation?
33:33I did have it, I swear.
33:40I'm sorry, Miss Dorothy.
33:41If you do not have
33:42the invitation at hand,
33:43the documentary reel
33:44has to go to the second highest bidder.
33:46This is the protocol.
33:47No, you don't understand.
33:48I'm sorry.
33:49I'm sorry.
34:03These are the rules.
34:10The documentary reel
34:11will go to the honourable couple.
34:32Stephanie, wait.
34:33Just sell it to me.
34:36Name your price.
34:37I'll pay you anything you want.
34:38It's really important to me, please.
34:40Why are you doing this?
34:43Are you just trying to get my attention
34:44by going after something
34:45that Stephanie wants?
34:47No, you don't understand.
34:49Just let me buy this.
34:52Whatever it takes.
34:54Dorothy.
34:55You think this is about money?
34:57Please.
34:58This isn't something you can just buy.
35:01Dorothy,
35:02what the hell are you doing?
35:03Why do you always have to go against her like that?
35:05This reel is important to Stephanie.
35:07She can use this to help her career.
35:09Her career?
35:12Is this about your role being cut from the air?
35:15Is that why you're doing this?
35:17I'm the writer.
35:20I'm going to fix this.
35:22I'm going to write the story
35:23and bring your character back.
35:25Just...
35:25Just let me have the real place.
35:28You're the writer.
35:30Are you telling me that you're SQ?
35:32You.
35:35You.
35:36The writer-esque you.
35:38Can you give us a break?
35:39Look.
35:40This reel is important to Stephanie.
35:43End it.
35:44Don't make this harder than it has to be.
35:47You've been with Dorothy for so long
35:49and you don't even know her.
35:50Oh, and you do.
35:52A hell of a lot more than you.
35:53What the fuck do you think you are?
35:54Both of you, calm down.
35:55Scratched all over.
36:10It's ruined.
36:11Not even fit to be a gift anymore.
36:13I can fix this.
36:15Stephanie, I know someone who can restore it.
36:16Just sell it to me, please.
36:18Just name your price.
36:22Even if I had no use for it,
36:24I'd never give it to you.
36:25I want to be a writer like you, Grandma.
36:54I want to make movies like you do.
36:58This reel
36:59has more than pictures and sound on it.
37:03Really?
37:04An entire world I've captured.
37:07But it's just one way of seeing things.
37:10The magic is creating it yourself.
37:13Someday you will.
37:14Dorothy, I need you to go apologize to Stephanie
37:29and give her her rollback.
37:32Apologize?
37:32To her?
37:34She destroyed the reel.
37:35Yeah, she wouldn't have done that
37:36if you hadn't pushed her.
37:42So go apologize or I'm pulling my funding.
37:45Look, Dorothy,
37:47let's be real here.
37:49Without Stephanie,
37:51Paris couldn't invest.
37:51I mean, even the production company
37:54will call out if they hear
37:55that she's not involved anymore.
37:56Her name carries weight.
37:58Let's not pretend that your reputation
37:59is exactly stellar right now.
38:02Christopher's fans hate you.
38:03Stephanie's fans hate you.
38:04Even if you actually make this film,
38:07no one's going to support it.
38:09You will be buried.
38:12But if you apologize to Stephanie now,
38:15I can help you.
38:18I can control the press.
38:20I can control the narrative.
38:22I can actually give you a chance.
38:26What's so funny?
38:29What's so funny?
38:31Do your fun day?
38:33Do it.
38:34You'll see it does nothing
38:35for the movie.
38:36Okay.
38:37So what if I tell the production head
38:39to pull his funding too?
38:41Didn't I tell you
38:42that I know Mr. Bennett?
38:43No.
38:45Go ahead.
38:46Quiet.
38:47You want me to call?
38:48Mm-hmm.
38:50Hi.
38:55Hi, Mr. Bennett.
38:56It's Drake.
38:57Drake Mossbacher.
38:58Yeah, I'm pulling my funding
38:59from Liars Game
39:00and I suggest that you do
39:01the same thing.
39:01I've seen it
39:02and it's a sinking ship.
39:03Ha ha ha ha ha ha.
39:05You're pulling out?
39:07Great.
39:07I'll take full control
39:08of the investment.
39:09Not a problem.
39:16So you're sat with it?
39:20That's why he's supporting you,
39:21isn't it?
39:22Is this how you see me?
39:26The type of woman
39:27who would use her body
39:27to get what she wants?
39:29What other explanation
39:29do you have?
39:32You know nothing
39:32about Dorothy.
39:37Apologize to Stephanie,
39:38cut ties with Mr. Bennett
39:39and end this.
39:40Dorothy, come back to me.
39:41Whatever he's offering you
39:42will match it.
39:43I'll double it.
39:43You must be able
39:45to hear fucking minds.
39:47What makes you think
39:48I would ever go back
39:50to that living hell?
39:51Living hell?
39:52You heard me.
39:53Being married to you
39:54was a fucking nightmare.
39:57You made me believe
39:58you loved me.
40:00And then you had me
40:01waiting in vain
40:02for three years, Drake.
40:04You said you always protect me,
40:06but then when I need you the most,
40:09you just turned your back on me.
40:10You chose your sister-in-law
40:12over your wife.
40:16We've had enough, Drake.
40:18You were my prison.
40:20So just go back
40:21to your precious Stephanie.
40:27Let's just go.
40:37Why are you hurt?
40:38Are you okay?
40:40What are you...
40:46Steph, what are you doing?
40:47Well, you want me, don't you?
40:49Just kiss me.
40:49I'm all yours.
40:50Steph!
40:51You're Nick's wife.
40:52I've always thought of you
40:53like a sister.
40:55Sister?
40:57Funny.
40:58Don't you remember
40:58when you came to me
40:59the night Nick and I got married?
41:01Don't you remember
41:01what you said?
41:04Remember this?
41:05Yeah.
41:06Why not marry Stephanie?
41:08God.
41:08You were practically begging me
41:10not to marry Nick.
41:11No, I shouldn't have said that.
41:12I shouldn't have said that.
41:12I don't see that.
41:16What's that?
41:17Oh, it's nothing.
41:19What is that?
41:19No, Drake, no.
41:20Please.
41:23You lied about this.
41:27You lied about this.
41:28You said that Dorothy
41:32pushed you into the water,
41:34but this shows you
41:34shoving her in.
41:36It's a glitch.
41:38A glitch.
41:39So, do you actually
41:40expect me to believe that?
41:42What's this?
41:45Buying pills off
41:46the black market?
41:48Tell me I hit your pregnancy.
41:51It's you.
41:51This time when you
41:52blamed Dorothy
41:53like some sort of scapegoat
41:54and she was innocent
41:55the whole time.
41:56Please, no,
41:57you have to believe me.
41:58I didn't...
41:59Do you know what?
41:59I've always thought
41:59of you like a sister.
42:02I've always taken care of you.
42:03I even thought
42:03that I loved you once,
42:04but that was before
42:04you were Nick's wife.
42:08You changed.
42:12You changed.
42:12You're not the person
42:15I thought you were.
42:18I only looked after you
42:19because I thought
42:20it was my duty
42:20as Nick's brother
42:21to look after his widow.
42:23I guess there's no need
42:25to look after you anymore,
42:26huh?
42:27But what does that mean?
42:29You're just going
42:29to throw me away?
42:31I'm not going to
42:31throw you away,
42:33but this is my house.
42:36When I'm back,
42:37I hope you'll be gone.
42:39But you can't just
42:40walk away from me like that.
42:41I've said everything
42:41that I need to say.
42:43Now I'm going to go find
42:43the person that I
42:44actually care about.
42:50Dorothy,
42:51this is all your fault.
42:56Let's take this bitch down.
43:10Dorothy,
43:11please.
43:15No.
43:17I was wrong.
43:20I misunderstood everything
43:22about you and about us.
43:27Can you please just hear me out?
43:29You think you can just come here
43:31and apologize?
43:33After everything?
43:34I didn't mean to hurt you.
43:37Look, I understand what I did,
43:38but it was just because
43:39it was just because of Stephanie
43:39and anyone.
43:40Can you please just forgive me?
43:43I don't need your apology,
43:45Drake.
43:46You let me down.
43:47You abandoned me
43:49when I needed you the most.
43:52You used me,
43:54manipulated me,
43:55and now you beg
43:56for my forgiveness.
43:57Oh, my God,
43:58please,
43:59please, just don't show me out.
44:00I can fix this.
44:01I can fix it.
44:02I can do anything, Dorothy,
44:04please.
44:05No.
44:05You were never the person
44:09who thought you were.
44:10And I'm not either.
44:13I've moved on.
44:15I don't need you.
44:17Not like I used to.
44:22Just hope that.
44:24After everything.
44:25Yeah, that's it.
44:38I deserve better than this.
44:40I deserve better than this.
44:47Before you all celebrate this movie,
45:08there's something you should know.
45:10Dorothy is nothing but a homewrecker.
45:13What's going on?
45:15A glorified mistress
45:16who's been playing the part
45:17of a wonderful actress
45:18when all she's really done
45:20is ruin lives.
45:24This is true, Dorothy.
45:25You're involved with a married man.
45:26What's your response
45:27to Stephanie's claim?
45:31This is ridiculous.
45:33Let's talk about
45:34how she got here, shall we?
45:37She didn't get here
45:38off her talent.
45:38Oh, no.
45:40She got here
45:40by clinging to powerful men.
45:43No real experience.
45:45No skill.
45:46Just a man's name
45:47and a man's money.
45:49Security!
45:50Get her out of here.
45:51Wait.
45:52If she has something to say,
45:53let's hear it.
45:55Dorothy,
45:55it's a trap.
45:57I'm not afraid of the truth.
45:59Let's hear what she's got.
46:04What's going on?
46:05So tell us, Dorothy.
46:07How did you get here?
46:09Did you use your relationship
46:11with John Bennett
46:12to land the part?
46:13Did you use your relationship
46:14with John Bennett
46:14to land the part?
46:15A homework, are you saying?
46:30Is there something wrong
46:32with me appearing
46:32with my own dad?
46:34You're the one
46:34who sent me this photo, right?
46:36How about you take another one?
46:38This time,
46:39of my lovely family of three.
46:41Dorothy, Dorothy, Dorothy.
46:42Hey, are you really
46:43John Bennett's daughter?
46:44Yes.
46:45I bet you never
46:46ask my last name.
46:47It's Bennett,
46:48by the way.
46:50So, Dorothy
46:51is the producer's daughter.
46:54Dorothy,
46:55so,
46:55did you use your father
46:56to get the part?
46:57So, it's just nepotism,
47:00then?
47:04Well, even if she didn't
47:05fuck her way to the top,
47:06she still only got here
47:07through her connections.
47:08Whether you like it or not,
47:10my performance speaks for itself.
47:11And everyone here
47:13saw it.
47:14She was actually really good.
47:15Yeah, she handled the mortgage.
47:17Oh, are you saying
47:18that everyone here is wrong?
47:19You think you're so clever,
47:21don't you?
47:22Fine.
47:23You can act a little bit,
47:24but let's be real.
47:26You didn't land
47:27this role on your own.
47:28You just snapped
47:29your bony little fingers
47:30and let Daddy
47:31give you a role.
47:32How else
47:32would a nobody like you
47:34have landed yourself
47:34the lead otherwise?
47:36Dorothy isn't just a nobody.
47:40She wrote Liar's Game.
47:43She is SQ.
47:48Dorothy is SQ.
47:50How can that be possible?
47:52Liar's Game is a masterpiece.
47:53There's no way
47:54you could have written it.
47:55You don't have to believe me.
47:57Just let the credit
47:58speak for itself.
48:02How can this be true?
48:07I'm not gonna have you.
48:10Dorothy Bennett,
48:10you're the daughter
48:11of the producer
48:12and the famous writer SQ.
48:13Why did you keep
48:14your identity a secret
48:15so long?
48:18Why did you keep
48:19your identity a secret
48:20so long?
48:20Stephanie Marsbecker,
48:22Linda Marsbecker
48:23and Ellie Marsbecker,
48:24I'm arresting you
48:24on suspicion of defamation.
48:26No, no, no, no.
48:27I didn't do anything wrong.
48:28This was all Stephanie's idea.
48:29I didn't do anything.
48:31This whole time
48:38she was actually
48:39telling the truth.
48:41Dorothy's SQ.
48:43She's genius.
48:44That's why she always
48:47had a book in her hand.
48:50Always writing something
48:51on her laptop
48:52always lost in her thoughts.
48:56Didn't even see her.
48:59Guess I was blind all along.
49:02I don't deserve that.
49:04I've missed this place.
49:25Don't you remember?
49:27Of course I do.
49:28We saw so many films here.
49:30We would just
49:31stay in our seats
49:33and talk
49:34about life
49:35and everything.
49:38But you just made me feel
49:39like I could face
49:40more anything really.
49:45God, I used to be so nervous
49:46back then
49:47about everything
49:49of the future.
49:52But you just made me feel
49:54like I could face
49:54more anything really.
49:56Someone had to be there
50:00to make sure
50:00you didn't overthink
50:01everything.
50:02I remember you used to
50:03unpick every little detail
50:05like it was a life
50:06or death situation.
50:11You know, Dorothy.
50:15Life's not been the same
50:16without you.
50:20Even when we parted ways
50:21I...
50:22I always knew
50:24that we would find
50:24each other again.
50:26I don't care
50:28what we've been through.
50:30I don't care
50:31what's happened.
50:32All I know
50:32is that I need you now.
50:38More than ever.
50:39And the award
50:54for Best Adapted Screenplay
50:56goes to
50:57Dorothy Bennett
50:58with Liar's Game.
51:03Wow.
51:04Best screenplay.
51:06What, shall I start
51:07calling you
51:07Your Majesty?
51:09I think that's
51:09a great idea.
51:11Why don't I start now?
51:13You deserve this.
51:15Your Majesty.
51:17Every bit of it.
51:19Now,
51:20since you won,
51:23I think this calls
51:23for a reward.
51:25Oh, yeah?
51:28And what would that be?
51:31Me.
51:32Me.
51:32Me.
51:32Me.
51:32Me.
51:32Me.
51:33Me.
51:33Me.
51:34Me.
51:34Me.
51:34Me.
51:34Me.
51:35Me.
51:36Me.
51:36Me.
51:36Me.
51:37Me.
51:37Me.
51:37Me.
51:38Me.
51:38Me.
51:38Me.
51:38Me.
51:39Me.
51:39Me.
51:39Me.
51:39Me.
51:40Me.
51:40Me.
51:40Me.
51:40Me.
51:40Me.
51:40Me.
51:41Me.
51:41Me.
51:41Me.
51:42Me.
51:42Me.
51:42Me.
51:42Me.
51:42Me.
51:43Me.
51:43Me.
51:43Me.
51:44Me.
51:44Me.
51:44Me.
51:44Me.
51:45Me.
51:45Me.
51:45Me.
51:45Me.
51:45Me.
51:46Me.
51:46Me.
51:46Me.
51:46Me.
51:46Me.
51:46Me.
51:48Me.
51:48Me.
51:48Me.
51:49Me.
51:49Me.
51:50Me.
51:50Me.
51:50Me.
51:50Me.
51:50Me.
51:51Me.
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