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  • 6 weeks ago

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Fun
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00:01:00Come on, come on, move your ass.
00:01:14Come on, come on, move your ass.
00:01:44And you shouldn't.
00:01:46Isn't this the place?
00:01:47So you're afraid of ghosts now?
00:01:48Come on!
00:01:49We shouldn't be here, man.
00:02:04You know what happened here, right?
00:02:15Come on, just move.
00:02:17Let's go.
00:02:20Adrian!
00:02:21Come to daddy.
00:02:36Don't let her get off.
00:02:37Don't let her get off.
00:02:37I think we should get out of here.
00:02:49We ain't going anywhere until we get what we want!
00:02:52I got you, bitch!
00:03:02Come on, Adrian!
00:03:06You're making me run.
00:03:09I don't think you're going.
00:03:28She went nowhere.
00:03:31You think you'd just steal coke from us and just walk away?
00:03:34Please.
00:03:34Please.
00:03:35I didn't mean to.
00:03:37Please.
00:03:38Here, I'll be.
00:03:38I'll pay you back.
00:03:41Oh, you'll pay us back.
00:03:43In more ways than you know.
00:03:45I don't think you're going.
00:03:48I don't think I'll pay you back.
00:03:50I don't think I'll pay you back.
00:03:51I don't think I'll pay you back.
00:03:52This ain't your business.
00:04:20You best get the hell out of here, or else you next.
00:04:50It's him?
00:04:55I'll kill her!
00:04:57I'll throw her one sec closer!
00:04:59I swear I will!
00:05:04You're a monster!
00:05:25Are you?
00:05:32What are you?
00:05:36You're a monster!
00:05:45You're a monster!
00:05:51You're a monster!
00:06:19Oh, Dexter.
00:06:22Graceful and delicate as always.
00:06:24Here, let me give you a hand.
00:06:26Careful with that one.
00:06:31I want you to strain the muscle.
00:06:32I know.
00:06:33What the hell is all this stuff for?
00:06:35It's the equipment I checked out from my documentary.
00:06:37Oh, is this that pirate man thing you were going on about in class?
00:06:40Sailor man!
00:06:41Semantics.
00:06:42I don't think you actually know what that word means.
00:06:44But does it sound like I do?
00:06:49What if I defer to pet you?
00:06:52Would you do the documentary?
00:06:53I don't know.
00:06:54I mean, it sounds a little lame.
00:06:56I'm just saying I could pay you a lot of money in like two years or something.
00:07:02Olivia!
00:07:03Oh, the infamous Olivia, huh?
00:07:08I finally get to meet the latest object of your obsessive affections.
00:07:11It's not like that.
00:07:12She's just helping me out with the documentary.
00:07:14Spare me, I've known you since the second grade.
00:07:16I know exactly what that puffy dog eyes and goofy small means.
00:07:19Alright, just don't give her a hard time, please.
00:07:22My best friend, of course I'm going to give her a hard time.
00:07:25Just don't embarrass me, okay?
00:07:27Hey, Dexter.
00:07:28Hey, Olivia.
00:07:29Oh, need a hand?
00:07:30No, I got it.
00:07:33Not embarrassing at all.
00:07:35Pardon my friend for being so rude.
00:07:37I'm Lisa.
00:07:38Olivia.
00:07:39So, Dexter roped you into helping out with his little homework assignment.
00:07:43Nothing like a night in an old dusty factory for a first date.
00:07:47Not a date.
00:07:48Yeah, like a hand blush.
00:07:51I'm actually really excited.
00:07:53I've been doing research about the urban legend of the Sailor Man.
00:07:57Uh-huh.
00:07:58They say he's still out there roaming the old docks, searching for something.
00:08:01Or someone.
00:08:02Still time to join us.
00:08:04As riveting as that sounds, it's a hard pass for me.
00:08:07I have friends.
00:08:08Doing what?
00:08:09Anything but that.
00:08:11Katie's coming.
00:08:14Seth will be there, too.
00:08:16Dexter Carter, are you trying to bribe me by dangling a piece of leg for me in front of my face?
00:08:22Is it working?
00:08:24Of course not.
00:08:25I'm completely impervious to the womanizing charms of Mr. Seth Stevens.
00:08:29I guess you're right.
00:08:30Are you lying?
00:08:32Yeah, ma'am.
00:08:33Help me in.
00:08:34If this pirate man is real, maybe Seth can protect me.
00:08:39Sailor Man!
00:08:40And we're meeting there 5 p.m. sharp.
00:08:43I thought it was just Katie coming.
00:08:45How'd you get Seth to join?
00:08:46I told him Lisa was coming.
00:08:49Thanks for doing my texts last night.
00:08:55Oh, I must have been busy.
00:09:00So, guess who got roped into the deck to a little movie?
00:09:03Really?
00:09:04Mm-hmm.
00:09:05I thought you weren't that into documentaries.
00:09:06Oh my god, of course I am.
00:09:08Maybe we should get together and make a little movie of our own.
00:09:11Maybe.
00:09:12It's not a yes.
00:09:15I think you're a little too used to hearing that word.
00:09:18Oh, come on, Lisa.
00:09:20I mean, we can both keep playing this little game,
00:09:22but I think we know exactly how this night's gonna end up.
00:09:24Really?
00:09:25And how's that?
00:09:27Well, quiet.
00:09:28Dark.
00:09:29I'll be on top of you, staring at your beautiful eyes.
00:09:33Okay.
00:09:34Maybe we're gonna be on top of you.
00:09:36That works, too.
00:09:39Pick me up in an hour.
00:09:41Pick me up in an hour.
00:09:48I'm gonna be on top of you.
00:09:52Look!
00:09:53They're kind of delicious-
00:09:57They're good, they're happy.
00:09:58They food by guests, they're on top of you.
00:10:00That's all Mogely-
00:10:06I'm gonna be on top of you.
00:10:08They're too rich, man.
00:10:09Wings!
00:10:10Mr. Alistair?
00:10:27You're late, Ms. Harrigan.
00:10:38I'm so sorry, Mr. Alistair. This place is a little out of my normal territory. I tried calling you.
00:10:43Well, you're here now. So what's the purpose of needing to meet with me?
00:10:47Well, as you know, my clients have drawn up plans to demolish this site for the new construction project once the deal closes.
00:10:53Yes, I saw other plans for the new waterfront condos. It'll be a nice change from this... eyesore.
00:11:00Not the sentimental type?
00:11:02This place has been rotting for 20 years. I'd be happy to see it going for good.
00:11:05Which brings us to our little meeting. See, I wanted to talk to you in person. Privately, without my clients present.
00:11:15Do they have a problem with the deal?
00:11:17Well, no. It's just more about the history of this place.
00:11:22Such as?
00:11:23Well, to start with, that contamination report that you disclosed in a sales agreement did raise some concerns.
00:11:29That report?
00:11:30Mm-hmm.
00:11:30Clearly shows there was no lasting environmental effects to the groundwater or surrounding areas.
00:11:37It's been over 20 years since that report was done. I'm curious why you haven't tried to reopen the factory.
00:11:43Hmm. It's purely a business decision. Factory had been losing money for years. Served me better as a tax write-off.
00:11:51Mm-hmm.
00:11:52Is there something else your clients are concerned with?
00:11:55Well, yeah. Let's just say that they are, you know, aware of the charming stories circulating about this place and this so-called sailor man?
00:12:04I don't believe in ghost stories, Ms. Harrigan. And if you want to get this deal done, neither should you. Am I making myself clear?
00:12:15Crystal.
00:12:18All right, well, let's just get you to sign off on some of these papers then.
00:12:26Is that pipe smoke?
00:12:29Wait here a moment.
00:12:30Well, I, no, I, uh, okay.
00:12:34Okay.
00:12:42Oh, come on.
00:12:45I don't know.
00:13:15I don't know.
00:13:45I don't know.
00:14:15I don't know.
00:14:22Oh my god.
00:14:24What the hell is going on?
00:14:28What the hell, lady?
00:14:30That's Angus.
00:14:31The security for my properties.
00:14:34Oh my god.
00:14:35Oh my god. I'm so sorry.
00:14:36I thought that he was, um...
00:14:43Are you okay?
00:14:46Yeah, I'm fine.
00:14:47I just, um...
00:14:49Maybe we should go back to my office and we can finalize these papers there?
00:14:53Yes. I will wait for you. Outside. Sorry.
00:15:03Do a full sweep of the building?
00:15:05I think there may be a vagrant hiding out in here.
00:15:08When you find him, get rid of him.
00:15:10What if they don't want to leave?
00:15:12I trust you can find a way to convince them.
00:15:17Make sure you shut the power off and lock this place up tight when you leave.
00:15:20Gotcha.
00:15:21All right.
00:15:28No.
00:15:29No.
00:15:30No.
00:15:30No.
00:15:31No.
00:15:31No.
00:15:31No.
00:15:32No.
00:15:33That's all you need to do.
00:15:35No.
00:15:36No.
00:15:37No.
00:15:38Let's go.
00:16:08Chai, I got a little present for you.
00:16:29Come out, come out, wherever you are.
00:16:38You in there?
00:17:00Come on out now, you fucking bum, and I'll take it easy on you.
00:17:03Come on, come on.
00:17:09Have it your way.
00:17:14Oh, God!
00:17:19Damn!
00:17:20What the fuck?
00:17:21Oh, Jesus.
00:17:28You've got to be shitting me.
00:17:41All right.
00:17:42Come on, you bastard.
00:18:00Son of a bitch.
00:18:01You son of a bitch.
00:18:11Look, I told you, we don't sell cheeseburgers here on IOUs.
00:18:30Get out of here.
00:18:31Yeah.
00:18:35Huh!
00:18:38Katie!
00:18:40Hey, Dexter.
00:18:42Actually, it's almost over.
00:18:43I just need to close out.
00:18:44Cool.
00:18:45And you must be Olivia.
00:18:47I'm Katie.
00:18:48Nice to meet you.
00:18:49I can't believe you let this guy drag you into this.
00:18:52Oh, I think it's a great idea.
00:18:54I'm curious, you know, about all the stories.
00:18:57Lisa's meanest there, too.
00:18:58Have you met Lisa?
00:19:00Yeah.
00:19:01Yeah, she's, um, sweet.
00:19:04Don't worry about her.
00:19:07She's just a little protective of her friends.
00:19:09What's she protective of?
00:19:12Nothing, darling.
00:19:14Just forget about it.
00:19:15I love your bracelet.
00:19:23It's beautiful.
00:19:26Of course.
00:19:28So, what's going on with this documentary?
00:19:31Why did I have to rush to take the night off instead of doing it this weekend?
00:19:34Tonight's the last night we can get inside.
00:19:36They're selling it to a developer that plans on tearing the whole place down.
00:19:39Aren't you supposed to have, like, permits and stuff for something like this?
00:19:43Permits?
00:19:44Permits are for sellouts.
00:19:50We're indie, stealing shots and creating a visceral, realistic viewing experience.
00:19:58Yeah, let me guess.
00:19:59You asked for permission and the owner said no.
00:20:01I don't like the tone of your voice when you're stating facts.
00:20:04So, tell me, Spielberg, what are you hoping to get when you were there?
00:20:08The ghost of the Sailor Man?
00:20:10He's not a ghost.
00:20:11The sailor man is real.
00:20:17And he doesn't take kindly to visitors stopping on his doorstep.
00:20:22What exactly do you know about the sailor man?
00:20:24I know enough to stay away from the old docks.
00:20:29Especially at night.
00:20:32He forever haunts that place, waiting for the return of his lost love.
00:20:39Just like me.
00:20:44Yeah, ignore old Bernie.
00:20:46A little too much salt water in the brain.
00:20:49Hey, there's my girl.
00:20:54Hi, baby.
00:20:55Hi, baby.
00:20:55I know you.
00:21:14I've seen you around town.
00:21:16Uh, I've been around town.
00:21:18My name's Jesse.
00:21:20That's my boy Terry.
00:21:22Jesse.
00:21:23Terry.
00:21:24We didn't catch your name.
00:21:26I didn't throw it.
00:21:27Can you please tell them to not sexually harass my new friend with their eyes?
00:21:35Guys, cool it.
00:21:38Tell me you got enough, babe.
00:21:40Joey, I told you a few days ago, I'm helping Dexter with his film project down at the docks.
00:21:44This isn't about that stupid urban legend bullshit, is it?
00:21:47Baby.
00:21:48Are you sure you told me that was tonight, babe?
00:21:51I think I would have remembered if some ratbag, homo-repressed dipshit was trying to spend the night with my girl.
00:21:57Baby, stop.
00:21:58Dexter is just a friend.
00:22:02Of course, babe.
00:22:04I guess we'll have to plan for another night, then.
00:22:09Don't worry, Joey.
00:22:10Got your two dates on standby.
00:22:14Were you trying to make a joke, Dexter?
00:22:18Failing at it, I suppose.
00:22:20No, it was good.
00:22:22Very funny.
00:22:23Tell me.
00:22:24Are you trying to fuck my girl?
00:22:25You're a little shit-stay?
00:22:26No, definitely not.
00:22:29Please, don't make a scene at my job, okay?
00:22:32I'm just looking out for what's mine.
00:22:37Joey, you're hurting me.
00:22:44Come on, guys.
00:22:45We've got to go meet the others.
00:22:54I'll call you later, babe.
00:22:55Are you okay?
00:23:23Oh, yeah.
00:23:24Just a little embarrassed.
00:23:26Joey can be intense sometimes.
00:23:30He's the one who should be embarrassed.
00:23:41God, I really should have been up to date with my tetanus shots.
00:23:45I'd be more worried about the asbestos.
00:23:47I'm sorry.
00:24:07You okay?
00:24:09Yeah, yeah.
00:24:10Fine.
00:24:10Fine.
00:24:13I'm sorry.
00:24:14I'm sorry.
00:24:14I'm sorry.
00:24:14I'm sorry.
00:24:15I'm sorry.
00:24:16I'm sorry.
00:24:16Are you okay?
00:24:16Did you actually think it would just be open?
00:24:36Would have been helpful.
00:24:38I could smash a window.
00:24:40How aggro.
00:24:42It wasn't a compliment.
00:24:44Does anyone have a nail file?
00:24:46Yeah.
00:24:59Holy hell.
00:25:02Where'd you find this one?
00:25:05You're like a girl scout.
00:25:07Or a felon.
00:25:08You gotta be?
00:25:13You.
00:25:14You.
00:25:14You.
00:25:15You.
00:25:15You.
00:25:15You.
00:25:17You.
00:25:18You.
00:25:18You.
00:25:49Ixutricondes.
00:25:51What did you say?
00:25:53What?
00:25:54Nothing.
00:25:59Here be dragons.
00:26:01It's a warning to sailors about entering uncharted waters.
00:26:07Fantastic.
00:26:13Oh, sorry guys.
00:26:19All right, let's go.
00:26:38You've got Katie.
00:26:40Leave me a message.
00:26:41She sent me to fucking voicemail.
00:26:47That's not right.
00:26:49She's probably grinding with that Dexter guy right now.
00:26:53You think so?
00:26:54You really believe her story, bro?
00:26:56That she's going down to the docks for a school project?
00:27:00That's what she said.
00:27:02Documenting the urban legend of a sailor man.
00:27:04I remember hearing those stories from my dad about a sailor man that haunts the docks while smoking a corncob pipe.
00:27:11Supposed to be crazy strong.
00:27:13I heard he could take ten minutes.
00:27:15Yeah, sounds like your ex.
00:27:18Actually, sounds more like your mom.
00:27:21Would you shut up?
00:27:23I want some stupid ghost story.
00:27:26He's not a ghost.
00:27:29A sailor man is real.
00:27:33And if you trespass in his home, he'll gut you like an old cunt.
00:27:39Shut up, Bernie.
00:27:40You're an old cunt.
00:27:41You've got Katie.
00:27:49Give me a message.
00:27:50If she's just doing some school project, then why won't she just pick the phone on her?
00:27:54Probably no cell service down there.
00:27:56The place is a dead zone.
00:27:58Yeah, that's what it is.
00:27:59What are you trying to say?
00:28:02I'm saying I think you need to trust your instincts about her, bro.
00:28:05Oh yeah?
00:28:06What should I do?
00:28:07She said they're going to be at the old canning factory, right?
00:28:09Let's go down there.
00:28:13Catch her in the act.
00:28:14Guys, I don't think that's a good idea.
00:28:17Shut the fuck up, Terry.
00:28:18Nobody asked you.
00:28:25You're driving.
00:28:27Can't get another Dewey.
00:28:39So, when did this place close down?
00:28:42Almost 20 years ago.
00:28:44It was in operation for about 70 years and employed most of the people in the area.
00:28:50A lot of history in this building.
00:28:54Does anyone have the Wi-Fi password?
00:28:55Found power here.
00:29:04What's with the screen?
00:29:05For the camera feeds.
00:29:06This place is huge.
00:29:08How are we supposed to search it all?
00:29:09We're going to split up and explore different sections.
00:29:12Report back with anything interesting you find.
00:29:14You did not just say split up in an abandoned factory supposedly haunted by a murderous ghost?
00:29:18If someone is killing you, just scream.
00:29:21We'll come find you.
00:29:22Thanks.
00:29:23That makes me feel so much better.
00:29:24I mean, come with me.
00:29:26I'll protect you.
00:29:28Bye.
00:29:37Someone needs to stay behind to make sure the monitor is working while I find a good spot for the camera.
00:29:41Yeah, I'll do it.
00:29:43No, you shouldn't have to hang out here by yourself.
00:29:46I've been on my feet all day.
00:29:47I can use a break.
00:29:49You two should go together.
00:29:52We won't be long.
00:29:54As soon as I find a spot for the remote camera, we'll come back and check on you.
00:29:56Take your time.
00:29:58I'll be watching.
00:29:59I'll be watching.
00:29:59What is that smell?
00:30:07What is that smell?
00:30:25Oh, damn.
00:30:33Oh, damn.
00:30:35I was hungry, too.
00:30:38Oh, gross.
00:30:44Check out this next room.
00:30:48Lead the way, Troglodyte.
00:30:50What do we do?
00:31:07We'll get the hell out of here.
00:31:10Good plan.
00:31:10Oh, you totally thought that was the sailor man.
00:31:25Excuse me, sir.
00:31:26You're the one who needs to bleach his underwear right now.
00:31:28Oh, come on.
00:31:28If that was the sailor man, I could have totally taken him.
00:31:31I would hit him the bow flag.
00:31:32Oh, do you actually believe that?
00:31:34I had confidence.
00:31:35It's more important than reality.
00:31:37That helps you sleep at night.
00:31:40I don't know something that would help me sleep a whole lot better.
00:31:42Oh, really?
00:31:43What's that?
00:31:46How gross is that for me?
00:31:49Just one problem.
00:31:51What's that?
00:31:52I'm on a no-meat diet.
00:31:55You're such a tease.
00:31:56Let's go, Romeo.
00:31:57Let's go, Romeo.
00:32:26Don't get too far ahead of me.
00:32:29Just taking it all in.
00:32:31That is my trusty collaborator.
00:32:34She is a genius.
00:32:37I'm going to say genius.
00:32:39I've been hearing about this factory for a really long time.
00:32:45It's kind of forbidden as a kid.
00:32:48Yeah, lots of ghost stories.
00:32:50Yeah.
00:32:51You think that they're real?
00:32:52Oh, my God.
00:32:59I don't know yet.
00:33:01There's got to be some truth to it.
00:33:10Wow.
00:33:11This is amazing.
00:33:18Yeah.
00:33:19You could definitely get lost in a place like this.
00:33:22Hey.
00:33:28Is everything okay?
00:33:31Yeah.
00:33:32Fine.
00:33:36Let's keep exploring.
00:33:37This looks like a good spot.
00:33:57All set?
00:33:59Looks like some office is up here.
00:34:01Worth checking out.
00:34:01You did.
00:34:12Jason?
00:34:13No.
00:34:13I?
00:34:14I don't want to see friends.
00:34:15It looks like some office is up there.
00:34:16You can see.
00:34:27I don't know.
00:34:57Hello, anyone here?
00:35:12Angus, you here?
00:35:23Where are the boys?
00:35:25Where are you?
00:35:26Where are you?
00:35:27There you are.
00:35:49Let's get you signed.
00:35:51Then we can boulders the shit out of this place.
00:35:54Hmm.
00:35:55Hmm.
00:35:56Hmm.
00:35:58Hmm.
00:36:00Hmm.
00:36:02Hmm.
00:36:04Hmm.
00:36:06Hmm.
00:36:07Hmm.
00:36:08Hmm.
00:36:12Hmm.
00:36:14Hmm.
00:36:16Hmm.
00:36:18Hmm.
00:36:20Hmm.
00:36:25Hmm.
00:36:30Oh, my God.
00:36:31Hmm.
00:36:32Hmm.
00:36:34Oh, my God.
00:36:36Oh, my God.
00:36:38Hmm.
00:36:39Hmm.
00:36:40Hmm.
00:36:42Hmm.
00:36:43Oh, no, no, no, no, no, no.
00:37:13Oh, no, no, no, no, no, no, no, no.
00:37:32Oh, no.
00:37:41Help me!
00:37:55Help me!
00:38:11Help me!
00:38:41Help me!
00:38:43Help me!
00:39:11Help!
00:39:13Help anyone!
00:39:41Help me!
00:39:53Anything?
00:39:54Just some old end places. Nothing worthy of a plot twist.
00:40:02I really appreciate all your help and research with the project.
00:40:06You didn't have to do that.
00:40:08I don't do anything I don't want to do.
00:40:11Besides, it's nice to hang out with people, you know?
00:40:15Make friends.
00:40:18Friends?
00:40:19Yeah, like you and me. We're friends.
00:40:24Aren't we?
00:40:26Yeah, of course.
00:40:30Sure you have plenty of friends from your last school or high school?
00:40:37I didn't finish high school.
00:40:41After bouncing around a few foster homes, school just kind of fell by the wayside.
00:40:47But I got my GED, found a college up the coast, and got the hell out of this town as soon as I could.
00:40:53What made you move back?
00:40:55What made you move back?
00:40:57Some stuff came up about my real family.
00:40:59Things that needed to be taken care of.
00:41:02I hope everything's good now.
00:41:05I'm working on it.
00:41:06Actually, working on this project has helped out a lot more than you know.
00:41:17I'm glad.
00:41:18I was thinking maybe after we wrap this weekend if we wanted to go for like a celebratory dinner.
00:41:29Yeah, of course.
00:41:30I mean, I'd love to hang out with you guys again.
00:41:34Right.
00:41:35All of us.
00:41:37Big group thing.
00:41:38Big group think so...
00:41:41Huh?
00:41:42Uh, were you asking to have dinner with just me?
00:41:48Asking.
00:41:50Hoping.
00:41:51Sir, I just need to take everything that's new slowly, okay?
00:41:55Just one step at a time.
00:41:59I'm still trying to find my place in this world.
00:42:04Give me some time.
00:42:07So you're saying I still have a shot?
00:42:17Uh-oh, Scoop.
00:42:18I think we found something.
00:42:20You think there's something inside?
00:42:22You don't put a lock on something unless you're trying to keep prying eyes away.
00:42:27Huh.
00:42:47Is now a good time to ask how you acquired your lockpicking skills?
00:42:49Sorry for another time.
00:42:52Right now, we have a lot to read through.
00:42:54Christ, look at the size of this place.
00:43:01The legend says this is where he lives and that he roams the docks looking for his next victim.
00:43:06Yeah.
00:43:07Take this.
00:43:07Just in case the sailing man wants a little bit of teary ass.
00:43:11Looks like there's a party going on.
00:43:12Or an orange juice.
00:43:13It's not a fucking joke, bro.
00:43:14Kitty's been my girl since high school.
00:43:18Ever since she's been hanging with these college pricks.
00:43:19It's like she's been drifting.
00:43:19You know what I mean?
00:43:20I'm like fucking losing her to that cocksucker.
00:43:21I'm like fucking losing her to that cocksucker.
00:43:25Just in case the sailing man wants a little bit of teary ass.
00:43:30Looks like there's a party going on.
00:43:33Or an orgy.
00:43:34It's not a fucking joke, bro.
00:43:37Katie's been my girl since high school.
00:43:40Ever since she's been hanging with these college pricks, it's like she's been drifting.
00:43:45You know what I mean?
00:43:47I'm not fucking losing her to that cocksucker.
00:43:51What do we do if we find someone with it?
00:43:55I'm going to fuck some people up.
00:43:58Let's get out of here.
00:44:01Let's go.
00:44:21Holy shit.
00:44:22What?
00:44:23Do you know where the factory closed down 20 years?
00:44:25The only thing I could dig up were some reports about dangerous working conditions.
00:44:31There was a spinach contamination.
00:44:34What?
00:44:35This is an internal report talking about some kind of neurological infection.
00:44:39I mean, look at the findings.
00:44:41Faulty equipment.
00:44:43Unsanitary materials.
00:44:44Just a bunch of cost-cutting measures all contributing to dangerous levels of bacteria in the food.
00:44:49How was none of this made public?
00:44:50I didn't find anything about this when I searched through the newspaper's archives.
00:44:55I guess with enough money, you can just make anything disappear.
00:44:58Even in a small town like this where everyone talks?
00:45:00I'd say especially in a small town like this.
00:45:06The owner's name is Lex Alistair.
00:45:10Alistair.
00:45:12As in Alistair Holdings.
00:45:14They own half this town.
00:45:17Including Anchor Bay's only newspaper.
00:45:19Shit!
00:45:20We got ourselves a real cover up here!
00:45:30Sundance, here we come.
00:45:33What?
00:45:35You know, you're kind of cute when you get excited.
00:45:38Oh, get a room!
00:45:52No, you're not interrupting anything.
00:45:54Thanks for asking.
00:45:55Sorry, I didn't see you there standing in the friend zone.
00:45:59You guys find anything?
00:46:01No.
00:46:02Just a bunch of spinach cans.
00:46:05You guys didn't eat any of it, did you?
00:46:08What?
00:46:08Ew.
00:46:09No, gross.
00:46:11Hey, do you guys smell that?
00:46:13Hey, it wasn't me.
00:46:15No, she's...
00:46:16Right, it's smoke.
00:46:17Like...
00:46:19From a pipe?
00:46:23Come on.
00:46:38So, what exactly did you interrupt back there?
00:46:52Nothing.
00:46:54Nothing?
00:46:54Friends don't lie to each other, sweetie.
00:46:56We're friends now.
00:46:57And here I was under the impression you didn't really like me.
00:47:03Symantex.
00:47:04I'm just looking out for my friend, Dexter.
00:47:07He's one of the good ones.
00:47:08I just want this film stuff to work out for him, you know.
00:47:12He really wants to make a difference.
00:47:15He is one of the good ones.
00:47:17Well, what's your story?
00:47:18You just show up here out of nowhere.
00:47:21Mysterious past.
00:47:22No friends.
00:47:24Just sounds a little sus if you ask me.
00:47:27It's a good thing I didn't ask you, then.
00:47:29Well, I might have underestimated you.
00:47:32Guess I'm full of surprises.
00:47:33Well, what the hell is this?
00:47:54When you smell the smoke from his pipe, he is near.
00:47:58He will kill you if you show fear.
00:48:06He gets his strength from a spinach can.
00:48:12He is Popeye the Sailor Man.
00:48:17Every kid that's grown up in this town knows that rhyme.
00:48:21A cautionary tale told to kids to keep them away from the old docks.
00:48:28Yeah, what are you doing?
00:48:30I am setting up a trail cam to catch anyone, or anything, that comes through here.
00:48:42Yes, Dexter, I see you.
00:48:44I see you.
00:48:58I see you.
00:49:12I mor buying.
00:49:14I see you.
00:49:16I see you.
00:49:16I see you.
00:49:17I see you.
00:49:17Oh, my God.
00:49:47He's fucking real.
00:50:10What are you doing here?
00:50:14Tell me, Katie.
00:50:16You really come here to fuck that little faggot or what?
00:50:18No.
00:50:18No, we have to go.
00:50:19What's going on?
00:50:20Who?
00:50:21The sailing man.
00:50:23She's fucking playing you, bro.
00:50:25No, please.
00:50:26We have to call for help.
00:50:27You're not calling anyone.
00:50:28Fuck this bullshit.
00:50:29You're my girl.
00:50:30You understand?
00:50:31Let go of me.
00:50:32You think you can make a fucking fall out of me, huh?
00:50:35You're hurting me.
00:50:37You're really hurting me too, Gabe.
00:50:40You know?
00:50:43It's him.
00:50:43Who the fuck is this guy?
00:50:52It's the sailor man.
00:50:55Yeah?
00:50:56Let's find out if a ghost can bleed.
00:51:01Step back, motherfucker.
00:51:03I'll cut your fucking balls off.
00:51:14Uh...
00:51:15Guys?
00:51:16Is that Kitty?
00:51:39Come on.
00:51:40Come on.
00:51:40I'm sorry, Kitty.
00:51:56Hey!
00:52:05Hey!
00:52:06Hey!
00:52:10Fuck this.
00:52:14Joey!
00:52:15Get back here!
00:52:16Kitty?
00:52:41What happened to her?
00:52:42Oh, damn it.
00:52:48We need to split up.
00:52:49You two go upstairs.
00:52:49We'll go down.
00:52:50Again?
00:52:50We'll be splitting up?
00:52:51There's no time to debate this.
00:52:52Katie might be in trouble.
00:52:53Let's go.
00:52:55Come on.
00:53:04Katie.
00:53:04Sorry.
00:53:05No, this is an important thing.
00:53:06I don't know.
00:53:06You're going to be...
00:53:07I don't know.
00:53:13I don't know.
00:53:25Maybe.
00:53:26It's like you got me.
00:53:27You're going to be...
00:53:28You're going to be...
00:53:28Oh, they're going to be...
00:53:29I don't know.
00:53:30I don't know.
00:53:31I don't know.
00:53:31You're going to be...
00:53:32I don't want to fucking come here!
00:53:59Yes!
00:54:02Come on!
00:54:08Dammit!
00:54:08Oh, shit!
00:54:23Come on!
00:54:29Fuck!
00:54:31Fuck!
00:54:32Katie, baby.
00:55:02Oh, my God.
00:55:32Oh, my God.
00:56:02Oh, my God.
00:56:32Oh, my God.
00:57:02Who the hell is that?
00:57:14I don't know.
00:57:15Is he dead?
00:57:26Barry.
00:57:29You don't think?
00:57:30I don't want to sit around and find out.
00:57:35Let's get out of here.
00:57:36No, no, no, no, no, no, no, no.
00:58:06No, no, no, no, no, no, no.
00:58:07Shit.
00:58:08Baby, I'm sorry.
00:58:09I'm sorry.
00:58:09I don't even...
00:58:10Let me see.
00:58:11Let me see.
00:58:13Oh, my God.
00:58:15I'm sorry.
00:58:16Fuck.
00:58:16You're going to be okay.
00:58:18I'm so sorry.
00:58:19He's coming.
00:58:23We have to go.
00:58:24I'm sorry.
00:58:24I'm sorry.
00:58:33Fuck.
00:58:34Fuck.
00:58:35Baby, I have to go.
00:58:36Please, we're going.
00:58:36I'm sorry.
00:58:37I'm sorry.
00:58:37I'm sorry.
00:58:37I'm sorry.
00:58:37I'm sorry.
00:58:38I'm sorry.
00:58:38This doesn't look like Katie again.
00:58:59Okay, this is crazy.
00:59:00We have no idea who else is in here with us.
00:59:02We need to get out of here and find the police.
00:59:04You just want to leave right here?
00:59:05I mean, our phones are dead.
00:59:07There's a dead body.
00:59:08We have no choice.
00:59:09But Katie!
00:59:10We're not going to be able to help anyone if we're dead.
00:59:13You're right, okay.
00:59:16No, we're trapped.
00:59:18Shane, shut.
00:59:19Okay, okay, okay, okay, okay.
00:59:21If we can get to the roof, we should be able to get a signal.
00:59:29It's him.
00:59:33All this shit.
00:59:35Okay, let's go.
00:59:37Let's go.
00:59:37Let's go.
00:59:45Oh, God.
00:59:46No.
00:59:47No.
00:59:48It's Katie's.
01:00:02Lydia!
01:00:03Let's go.
01:00:05What are we going to do?
01:00:17Okay, okay, okay, okay.
01:00:18If I can just get across.
01:00:25I think I can get to the roof.
01:00:27No, that's too far.
01:00:29No, please be careful.
01:00:30Okay, okay, okay.
01:00:33I think I can just appreciate it.
01:00:38I think I can just appreciate it.
01:00:42Sam!
01:00:43Oh
01:01:13Are you okay
01:01:22It's not my finest moment
01:01:26Poor thing
01:01:28Yeah, I think you're beautiful
01:01:43Yeah, I think you're beautiful
01:02:13Yeah, I think you're beautiful
01:02:43Joey, shut the fuck up
01:02:45Joey, what are you trying to do?
01:02:46Scare me to death
01:02:47See, the man is real
01:02:49He killed Seth
01:02:50I know he killed Katie
01:02:51Oh God, I'm Katie too
01:02:53He's gonna kill all of us
01:02:55Not me
01:02:57Please, we have to get out of here
01:02:59We have to get help
01:03:00What are you doing?
01:03:03I'm gonna pull that motherfucker's brains out
01:03:05You're just gonna leave me here?
01:03:09Maybe man for themselves
01:03:10Asshole
01:03:14Why do I feel like we keep running in circles?
01:03:22This building is like a maze
01:03:23Let's keep moving
01:03:25Look
01:03:27I don't know
01:03:41I don't know
01:03:46You're gonna have to push away
01:03:47It's all right
01:03:47You're gonna have to make a stink
01:04:17I can't. I can't.
01:04:37Oh, God.
01:04:47Oh, God.
01:05:17He don't think.
01:05:23This is where he lives.
01:05:25It's a sailor man.
01:05:46Looks like he was a real sailor.
01:05:54My God, what happened to him?
01:05:56It's his family.
01:06:08She's beautiful.
01:06:11You really think so?
01:06:13Yeah.
01:06:14I mean, you're much prettier, though.
01:06:16I think she's beautiful, too.
01:06:19I think she's beautiful, too.
01:06:19I think she's beautiful, too.
01:06:36Olive oil.
01:06:50It's his wife's name.
01:06:52She must have worked here.
01:07:02Looks like she was a whistleblower about this place.
01:07:06After she talks to the paper about the factory, she goes missing.
01:07:19Part of the cover-up?
01:07:21You think they killed her?
01:07:24I hope not.
01:07:29All these years, he's been down here.
01:07:32He's going mad.
01:07:36What is it?
01:07:42Do you smell that?
01:07:49Pipe smoke.
01:07:53Get out of here.
01:07:54Get out of here.
01:07:56Get out of here.
01:07:57Get out of here.
01:07:58Get out of here.
01:07:59Get out of here.
01:08:00Get out of here.
01:08:01Get out of here.
01:08:02Get out of here.
01:08:03Get out of here.
01:08:04Get out of here.
01:08:05Get out of here.
01:08:06Get out of here.
01:08:07Get out of here.
01:08:08Get out of here.
01:08:09Get out of here.
01:08:10Get out of here.
01:08:11Get out of here.
01:08:12Get out of here.
01:08:13Get out of here.
01:08:14Get out of here.
01:08:15Get out of here.
01:08:16Get out of here.
01:08:17Get out of here.
01:08:18Get out of here.
01:08:19Get out of here.
01:08:20Get out of here.
01:08:21Get out of here.
01:08:22I don't know.
01:08:52I don't know.
01:09:22I don't know.
01:09:52I don't know.
01:10:22I thought we were dead for sure.
01:10:26Look.
01:10:27We have to find the others and get out of here.
01:10:35All right, all right.
01:10:36Issa, Seth, where are you guys?
01:10:44We need to get out of here.
01:10:58We need to expose the fuck out of this place.
01:11:02We need to tell everyone that the silly man is real.
01:11:10He's a goddamn psychopath.
01:11:12Don't you see?
01:11:14It's a spinach.
01:11:15It's turned him into that.
01:11:16It's toxic.
01:11:17Where are you, you freak?
01:11:34I can smell your pipe smoke.
01:11:40I'm gonna kill you.
01:11:42You fuck.
01:11:50What do you think?
01:11:51This might be how he travels in and out of the factory.
01:11:59Then it should lead to an exit.
01:12:00You think he's down there?
01:12:13You think he's down there?
01:12:17If you smell his pipe smoke, he's near.
01:12:20Me neither.
01:12:26Me neither.
01:12:29Me neither.
01:12:39Over here.
01:12:56We made it.
01:12:59Oh, let's run!
01:13:00I'll hold him up!
01:13:02Dad, you're dead!
01:13:09Let him go!
01:13:20Get up!
01:13:24Come on!
01:13:26How bad is it?
01:13:56I've seen worse.
01:14:01Really?
01:14:02No, not really.
01:14:03Oh.
01:14:16Take this.
01:14:17What for?
01:14:18Bite down on it.
01:14:19Why?
01:14:20Trust me.
01:14:21This will be over in a second.
01:14:23It actually doesn't hurt that bad.
01:14:26Maybe just leave it until we get to the hospital.
01:14:28Your blood flow might be compromised.
01:14:30I need to reset the bone.
01:14:32But have you ever done this before?
01:14:34Trust me.
01:14:37Open.
01:14:45Hey, have I ever told you I thought you were cute?
01:14:49Hmm?
01:14:50Hmm?
01:15:01Really?
01:15:14Did I pass out?
01:15:16Briefly.
01:15:17Did I cry?
01:15:20Just a little.
01:15:23I'm not feeling so hot right now.
01:15:24You're not looking so hot either.
01:15:30Hey, just relax a little, okay?
01:15:34We're stuck in here.
01:15:37If we try to get to an exit, we'll be waiting for us.
01:15:40Maybe we should just wait out until morning.
01:15:44Help might come.
01:15:46Not to add to your stress, but you have a compound fracture.
01:15:50Resetting the bone bought us some time, but we need to get you to a hospital as soon as possible.
01:15:55What if we run into him again?
01:15:57I know this sounds crazy, but I don't think he wants to hurt us.
01:16:03He's just protecting his home.
01:16:08He's protecting what's his.
01:16:09This is all my fault.
01:16:12We shouldn't have come here.
01:16:15He's crazy.
01:16:18It's the spinach.
01:16:21Whatever that contamination is, it changed him.
01:16:24Mutated him.
01:16:26Our best bet is to try to make another run for it.
01:16:28But how do you know he won't attack us again?
01:16:31Just a feeling I have.
01:16:33I looked into his eye.
01:16:35There's humanity there.
01:16:37Is there something you're not telling me?
01:16:41What do you mean?
01:16:43He listened to you.
01:16:45You told him to let me go.
01:16:47And he did.
01:16:49Why?
01:16:51I don't know.
01:16:52That picture?
01:16:54The one with the wife and kid?
01:16:56Looked like you knew her.
01:16:57Like you remembered her.
01:16:58You don't know me, Dexter.
01:17:00You don't know anything about me.
01:17:02Tell me. Please.
01:17:04Let me know you.
01:17:06I'm gonna worry about getting you out of here alive first.
01:17:09Let's go.
01:17:11Now.
01:17:27What exactly are we looking for?
01:17:31There have to be more ways out of this building.
01:17:32I need a second.
01:17:34Just a little woozy, you know.
01:17:35As we get outside, the fresh air will help you.
01:17:37Not much further now.
01:17:38Oh shit!
01:17:39Wait.
01:17:40What are you doing?
01:17:41It's okay.
01:17:42I don't think he wants to hurt us.
01:17:43We're not here to hurt you.
01:17:44You...
01:17:45You...
01:17:46You recognize me, don't you?
01:17:47You know who I am.
01:17:48Daddy?
01:17:49Daddy?
01:17:50What are you doing?
01:17:51What are you doing?
01:17:52What are you doing?
01:17:53It's okay.
01:17:54I don't think he wants to hurt us.
01:17:55We're not here to hurt you.
01:17:56You...
01:17:57You recognize me, don't you?
01:17:58You know who I am.
01:17:59Daddy?
01:18:00My...
01:18:01My...
01:18:02My...
01:18:03My...
01:18:04Sweet...
01:18:05Peaks...
01:18:06No!
01:18:07I need you.
01:18:08I need you to hurt us.
01:18:09It's okay.
01:18:10I need you to hurt you.
01:18:12You need you to hurt us.
01:18:14We're not here to hurt you.
01:18:17You...
01:18:18You recognize me, don't you?
01:18:20You know who I am.
01:18:21Daddy?
01:18:22My...
01:18:23My...
01:18:24Sweet...
01:18:25Peaks...
01:18:26No!
01:18:28No!
01:18:31Where are you going, Snellervoy?
01:18:33I got another one for you!
01:18:35Joey, no!
01:18:38You fucking killed Lady.
01:18:40I'm gonna fucking kill him.
01:18:42No, let's just get out of here while we can.
01:18:44He won't stop us.
01:18:45Not a chance.
01:18:46He's mine.
01:18:48Hey, wait.
01:18:49Look, now's our chance to get out of here.
01:18:51I'm sorry, Dexter.
01:18:53No one else is dying tonight.
01:18:57Oh, come on.
01:19:01Leave him alone.
01:19:02It's not his fault.
01:19:04You're in your fucking mind.
01:19:05Get off me.
01:19:06It's not him.
01:19:07It's the spinach.
01:19:08Don't fucking crazy, you Snell.
01:19:10No, Joey, she's telling the truth.
01:19:11This place is full of contamination.
01:19:13We need to just get out of here.
01:19:14I say get off me.
01:19:17Don't fucking move.
01:19:19I'll shoot you both.
01:19:27It's me you want, not anyone else.
01:19:32They didn't know they were disturbing your home.
01:19:35I'm sorry I didn't come sooner.
01:19:38I didn't find out until last year.
01:19:40It's the spinach.
01:19:41You have to stop eating it.
01:19:43It's destroying your mind.
01:19:45I can help you get better.
01:19:47And then we can look for Mom.
01:19:51Together.
01:19:51Joey, no!
01:19:53No!
01:19:53No!
01:19:57Back up, you freak!
01:20:16Don't do this, Joey.
01:20:18Shut up.
01:20:20I heard what you said before.
01:20:23He's your daddy.
01:20:24Huh?
01:20:25Is that why the guard always could wear?
01:20:27So I could kill him?
01:20:28It's not like that.
01:20:31I'm going to kill him.
01:20:32I think you should be next.
01:20:43Get out.
01:20:45I'll come back for you.
01:20:47I promise.
01:20:47I promise.
01:20:48I promise.
01:20:57I will pack my sono.
01:21:19I'll come back for you.
01:21:22I'm going back.
01:21:54Oh, Katie.
01:21:57Are you okay?
01:21:59You guys made it out.
01:22:01This dude always shot me.
01:22:04He's always been a lousy shot, so I don't think he did anything important.
01:22:10Did he make it out?
01:22:16No.
01:22:18I can mourn that asshole later.
01:22:20Let's go meet the cavalry.
01:22:26Yeah.
01:22:36You're gonna be okay.
01:22:37You're in good hands, okay?
01:22:38Okay.
01:22:55Okay, so you said this crazy man that attacked you and your friends flat on foot?
01:22:59Yeah, last we saw he was headed for the docks.
01:23:01So we swept the building.
01:23:04No sign of the sailor man.
01:23:06The sailor man?
01:23:08I like the slayer man.
01:23:11Keep your focus on the marina.
01:23:13And check out those old boats.
01:23:17I'll come by the hospital later and finish getting your statements.
01:23:19We'll come back for him.
01:23:33Get help.
01:23:39That's a promise.
01:23:40Nine bodies?
01:23:48Jesus, this place is fucking cursed.
01:23:53No!
01:23:54They backed out of the deal.
01:23:56They want nothing to do with the property.
01:23:57Listen to me.
01:24:01I don't care what it costs.
01:24:03I am going to personally blow this place into oblivion
01:24:06if it means putting an end to these bullshit stories of the sailor man
01:24:09once and for all!
01:24:10Oh!
01:24:11Get your filthy paws off me, you freak!
01:24:36I am what I am.
01:24:38I am what I am.
01:24:41I am what I am.
01:24:43I am what I am.
01:24:43How dare we be.
01:25:01Eat the poison
01:25:03from the lid sharp edge
01:25:07now he's broken
01:25:08His mind's a prison, the rage inside you
01:25:14As you're all alone, intoxicated, contaminated
01:25:20I run, I hide, but I can't escape
01:25:26Your eyes, they burn, it's way too much to take
01:25:32I've seen men that's somewhere deep
01:25:34A part of you that still can't sleep
01:25:37A fact that we forget my grief
01:25:40That there's love and lost us pain
01:25:42From the heroic saver to slander
01:25:46Breakthrough, breakthrough
01:25:50With 94, he is who he is
01:25:56Oh no, it's true, yeah, it's true
01:26:04We'll be right back
01:26:06We'll be right back
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