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00:35So the photographs here cover a two-month period, a very truncated two-month period between December 1963 and January 1964.
00:45And it's the two-month lead-up to the Beatles' first trip to America.
00:50Well, I think the Beatles were low-key during this entire time, I think.
00:55They knew that their music had potential to be very, very popular.
01:00And the fandom, as we know it, really started to crop up in the summer of 1963.
01:07They began 1963 really relatively unknown outside of Liverpool and Hamburg.
01:13But that started to change as they transitioned from being supporting acts on these tours to being headliners.
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02:24It was important to Brian Epstein that the Beatles expand their base of fans, and Paris made the most sense.
02:26What's interesting about the Paris pictures is that in the early days of the residency, they were able to walk the streets really without too much fuss.
02:30a handful of fans, but they're able to kind of be out and about on their own.
02:36So the pictures were actually lost or thought to be lost for about 50 years
02:40before their emergence during the pandemic.
02:44And so Paul had taken them himself and actually some of them were used
02:47for the poster that accompanied the Beatles' White Album.
02:51But after that he sort of lost track of them.
02:54So when they reemerged a few years ago, all that was left was a few negatives,
03:01a few slides, and mostly contact sheets.
03:04So we used a mixture of high-end digital and analog processes
03:11to make the most of what was left and to digitally restore the photographs
03:19to give them this sort of analog feel.
03:21I liken what we did to remastering an original track from a master.
03:51An original track of 1983, we wanted Bill
03:53to use a 2014 instruction.
03:54We also worked for AmazingDemo to give his teaching and animals
03:56to promote own classic craft�� to make a living.
03:58And, when did the festival come on, he saw that animation,
04:00the main festival in the good he was born with 5 six...
04:01And who did us try to draw out on camera and immediacy with montre tails
04:02of the colors that will cut out within the name of the cool performance.
04:03Alright, thank you.
04:04We're all back.
04:05Into this video time everything teemors and let's see it to la onset.
04:06You can then miss摯har at the time all the time we read.
04:08Heidy and everyone летят during the期 haven
04:10This time all you need to come from blackmail than when you were all
04:15When you guys had taken a DVD of September 10,
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