- 1 year ago
Category
🎥
Short filmTranscript
00:00:00You
00:00:30THE END
00:01:00I am not interested in your problems, Agent Karloff.
00:01:09I am only interested in getting our property back
00:01:11and getting rid of their agent permanently.
00:01:30The END
00:01:40This is Banner.
00:01:44I must meet you.
00:01:47Well, I can finish up here later.
00:01:50Sure.
00:01:51When can we meet?
00:01:52Not tomorrow.
00:01:54I've got a little side trip I've got to take first.
00:01:57The next day, then?
00:01:58I could meet you Thursday night in L.A., though.
00:02:00At the Bonaventure?
00:02:01Yeah, at the Bonaventure.
00:02:02Sure.
00:02:03Okay.
00:02:04All right, Miss Karloff.
00:02:05Eight-ish?
00:02:06Eight-ish it is, then.
00:02:08Okay.
00:02:09Sorry, Ling.
00:02:12Got to go.
00:02:13But maybe we can pick this up another time, huh?
00:02:16Or even another lifetime, darling.
00:02:20Ciao.
00:02:20Bye.
00:02:20Oh, my God.
00:02:50Oh, what a waste.
00:02:56Francois, are you coming?
00:02:57Oui, monsieur.
00:02:59At least, monsieur Banner, I got my gun off.
00:03:04God, I love this job.
00:03:06Ah, ah, ah, ah, ah, ah, ah, ah.
00:03:08Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.
00:03:20I'm living on the edge
00:03:31Without a prayer in sight
00:03:34You've got me walking on a ledge
00:03:39In the darkest part of night
00:03:44Standing at the end
00:03:47With so much left to learn
00:03:51You know that you're my only friend
00:03:55I've got nowhere left to turn
00:03:59I'm living on the edge
00:04:04Standing all alone
00:04:07I'm walking on a ledge
00:04:12With nowhere left to go
00:04:15But one day I'll be free
00:04:19And I'll step down off the ledge
00:04:23Until it's over
00:04:26I'll be living on the edge
00:04:32When I'm alone with you
00:04:40The world becomes so clear
00:04:44But then the moments are so few
00:04:48When I can have you near me
00:04:53So much time to work
00:04:57So little time to pay
00:05:00I guess it's just my love in life
00:05:05And a heavy price to pay
00:05:09I'm living on the edge
00:05:12Just standing all alone
00:05:16I'm walking on a ledge
00:05:22With nowhere left to go
00:05:25And one day I'll be free
00:05:28And I'll step down off the ledge
00:05:33Until it's over
00:05:34Until it's over
00:05:36I'll be living on the edge
00:05:42When it's over
00:05:46Truly over
00:05:50I'll be waiting for you
00:05:57When it's over
00:06:03Truly over
00:06:06Truly over
00:06:07I'll be here
00:06:10With you
00:06:14I'm living on the edge
00:06:23Just standing all alone
00:06:29I'm walking on a ledge
00:06:34With nowhere left to go
00:06:37And one day I'll be free
00:06:40And I'll step down off the ledge
00:06:45Until it's over
00:06:47I'll be living on the edge
00:06:52Where the hell is that
00:07:02Unreliable son of a bitch
00:07:04How come you can be on time
00:07:05And he can't
00:07:05He's here sir
00:07:06I saw him in his quarters
00:07:07Last night
00:07:08I'll bet you did
00:07:09I thought you'd do it through again
00:07:10Listen why don't you
00:07:11Just give this to him
00:07:12I'm sick and tired of
00:07:13Sitting around waiting
00:07:14For the great Mr. Banner
00:07:16You called?
00:07:20Well hi yo
00:07:21What the hell is she doing here?
00:07:25Well why don't you just think of me
00:07:27As your report card
00:07:28Python
00:07:28No Mr. E
00:07:30Counts on me
00:07:31To protect the special interests
00:07:33Of these special operations
00:07:35You're doing a swell job
00:07:36Chesley
00:07:37Just what I need
00:07:38A goddamn watchdog
00:07:39Just keep it up Python
00:07:44And you're a dead man
00:07:49You know Python
00:07:53It's really good
00:07:54To see our two agencies
00:07:56Working together again
00:07:57On this mission hot shot
00:08:00You're working for me
00:08:01Oh is that a fact
00:08:02Colonel
00:08:03As long as I outrank you
00:08:04It is
00:08:05Gentlemen
00:08:05I believe
00:08:06We have a job to do
00:08:07All right
00:08:09Just run it down Python
00:08:11It's pretty cut and dry
00:08:13Sonny
00:08:13But if you need me
00:08:15To explain it to you
00:08:16You've got to go someplace
00:08:17You're not supposed to be
00:08:18To take out a radar installation
00:08:20That's not supposed to exist
00:08:21And there's one more thing
00:08:23Super spy
00:08:24I want you to remember
00:08:26That it's because of you
00:08:27I lost my legs
00:08:28In the interest
00:08:30Of interagency cooperation
00:08:32Now you get the hell out of here
00:08:35Before I really get mad
00:08:37And I want you to check with me
00:08:38Every step of the way
00:08:41And if you need backup
00:08:43I'm your contact
00:08:44You understand
00:08:45Trust me
00:08:47I want you to check with me
00:09:17Okay, Banner
00:09:46It looks like the camp
00:09:47Is just a half a mile
00:09:48To the east
00:09:49We might as well
00:09:54Take it down
00:09:55Hey, did you get a good look
00:09:57At that radar unit?
00:09:58Yeah, yeah
00:09:59There's only a couple of guys around
00:10:00It looks like a piece of cake
00:10:01Well, hell, Jake
00:10:03Let's go get a piece
00:10:04Oh, please, Banner
00:10:06I can't remember
00:10:07Yeah
00:10:54Oh, Jacqueline, give me your .38, would you?
00:11:05What?
00:11:07Just a little extra protection for me.
00:11:13Daddy Yankee?
00:11:17Buenos dias, senorita.
00:11:21Come on, Banner.
00:11:22Let's blow this pop stand.
00:11:24I'm sure our comrades will get a bang out of this one.
00:11:27Here, take an end to this, will you?
00:11:28Good night.
00:11:29Good night.
00:16:49You were right back.
00:16:51It is compact.
00:16:53It is compact.
00:16:54It could be a very serious threat.
00:16:57The only serious threat out there is that son of a bitch banner.
00:17:01All right.
00:17:03All right, just stick to the script and get the job done.
00:17:06Yes, sir.
00:17:07Whatever it takes.
00:17:08Just as planned.
00:17:09All right, let's do.
00:17:15All right.
00:17:17All right.
00:17:18All right.
00:17:21Let's go.
00:17:51Let's go.
00:18:21Let's go.
00:18:27Stephen, hurry.
00:18:37Shit.
00:18:39Shit.
00:18:51It's been a long time.
00:18:56Too long.
00:18:57Too bad.
00:18:59Our visit will be short.
00:19:04American pig.
00:19:06What the hell is he to now?
00:19:10Jeez.
00:19:11Lieutenant.
00:19:11Yes, sir?
00:19:12Take it there's a problem.
00:19:13Yes.
00:19:14We might need some backup.
00:19:15I figured you as much.
00:19:16What's your position?
00:19:18Banner's coordinates.
00:19:19They're 457.7 latitude, 52.8 longitude.
00:19:26He's got about 30 seconds, sir, to make a splash, or should I say a bang?
00:19:31All right.
00:19:32Just get on with it.
00:19:32Play it safe and cover your ass.
00:19:35Get out of there with or without Banner.
00:19:37Yes, sir.
00:19:38Yes.
00:19:38I know the drill.
00:19:40Jacqueline.
00:19:41Yes.
00:19:41I hope he doesn't forget what he came there for.
00:19:44Yes.
00:19:45I'm sure he'll take the jammy unit out.
00:19:46He can take care of himself, sir.
00:19:48Yeah.
00:19:49If I know him, he'll probably take himself out with it.
00:19:52And don't worry about the backup.
00:19:54It's on its way.
00:19:56Out.
00:20:06Yeah, this is Python.
00:20:08Give me the Pentagon.
00:20:11Huh?
00:20:11I'm surprised that your government can't do better than this.
00:20:23General, you know, with the budget cuts that our government's doing, I mean, it just makes
00:20:27our job a little harder.
00:20:28Ah!
00:20:37Nice.
00:20:38Nice.
00:20:40You know, General,
00:20:40time flies when you're having fun, doesn't it?
00:20:44It's not short.
00:20:46Give me that, General.
00:20:47Stick it where the sun don't shine.
00:20:50Come on, get out of there,
00:20:55Stephen James Banner.
00:21:00It does look down there, General.
00:21:03Me.
00:21:07We should go.
00:21:09Come on!
00:21:09Come on!
00:21:10Come on!
00:21:10Move!
00:21:11Move!
00:21:12Move!
00:21:12Move!
00:21:19Move!
00:21:20Move!
00:21:21Move!
00:21:21Move!
00:21:22Now we go!
00:21:27Two! Three!
00:21:28One! Two! Three!
00:21:35Three!
00:21:39That's easy!
00:21:52Cúrate, vengana!
00:22:14Cúrate, cúrate! Dios y santa María!
00:22:22Cúrate, cúrate!
00:22:52Cúrate, cúrate!
00:22:55¿Cómo se hace?
00:22:57Gracias a vosotros por completo!
00:22:59Cúrate, cúrate!
00:23:01Cúrate!
00:23:03Es un marido de la guerra.
00:23:05Es un marido de la guerra.
00:23:06Cúrate, cúrate!
00:23:08Cúrate!
00:23:15¡Muchas gracias a vosotros!
00:23:17¡Oh, no!
00:23:19I wonder why I am so fired.
00:23:42Code 5, Code 4, come in. Can you read?
00:23:45I'm a little busy right now.
00:23:48I'm sorry, I lost your visual. Can you make it to the plane?
00:23:51Roger, I'm almost there. You'd better be too, Jack.
00:24:18I'm out of my sight. Why can't you escape?
00:24:27This is Code 5. Code 5. Jackman, how are you there? Come in.
00:24:30Tanner, what was that explosion?
00:24:32Is our ticket out of here?
00:24:34The plane? The plane's been hit?
00:24:37All right, listen. I radioed for some backups earlier.
00:24:41This should be a chopper at the run-even point.
00:24:43Any minute.
00:24:44Okay, on my way.
00:24:47You'd better be there. You son of a bitch.
00:24:50One, three, zero, three.
00:24:57Roger, very highway.
00:24:58Roger, remain straight.
00:25:00Go on three, you land, three.
00:25:04So,ить multiplication and number what?
00:25:07Okay, we'll try to run for that.
00:25:09Like you.
00:25:10But we felt 6.
00:25:12Sniper on four.
00:25:13Matt, Annaire project,
00:25:15JP,961.
00:25:17Come on, Jacqueline. Get the hell out of here.
00:25:34That's enormous.
00:25:34Get the hell out of here.
00:26:04Come on, buddy.
00:26:16Three of the crowd.
00:26:21Oh, Steven.
00:26:24Jacket.
00:26:25Bravo, Leader, this is Code 5, Commander.
00:26:36Do you have copy?
00:26:38All right, the target is permanently disabled.
00:26:43I repeat, permanently disabled.
00:26:47Take your troops to the pre-designated coordinates
00:26:49and destroy the remains of the camp.
00:26:51Do you understand, Bravo, Leader?
00:26:53Banner, one, two, zero.
00:26:55Good.
00:26:59God damn it, Banner!
00:27:01Nobody touches that camp.
00:27:03Do you copy, Bravo, Leader?
00:27:06Banner, what frequency are you on?
00:27:09Switching to frequency 1.25 X-ray.
00:27:13Charlie Company, Team Leader, are you in position?
00:27:18Banner, can anybody hear me?
00:27:23I knew he'd do this to me.
00:27:28They're gonna have my ass for this.
00:27:30Good.
00:27:31But remember, this is the 1980s, guys, and not the Bay of Pigs.
00:27:35So just back up Bravo Company with some firepower
00:27:38and get your boys home.
00:27:40Is that understood, Charlie?
00:27:41Yes, sir, Captain.
00:27:42We're moving in now.
00:27:43Good luck, man.
00:27:44Out.
00:27:45Out.
00:28:04Banner!
00:28:15We'll see you guys next time.
00:28:17Bye-bye.
00:28:18We finished up tienes that road into a car.
00:28:19Welcome home this nickname.
00:28:21Boa T精ned by glycolic.
00:28:23No you are looking for a hauler into a bus 1.
00:28:24We're living inAngelohind Objectway.
00:28:25We will not be in charge of your book forerte.
00:28:26Hello?
00:28:27This is the periodic parade.
00:28:29There will be a storm thatinde's rules
00:28:30in some of the daytime.
00:28:31Goodbye.
00:28:32February 1st, when we're going to cry.
00:28:33Have a handful of food for defeat,
00:28:34have a nice feast!
00:28:35I don't work together wherever you were at these.
00:28:36I'm going to нуж 나중에.
00:28:37I will review the Maple Leaf Life Pipadows next time with many eyes.
00:28:38When you're on the teamvisionaliels.
00:28:39I'm gonna have a forертв sneeze!
00:29:40Banner!
00:30:10Banner!
00:30:11Banner!
00:30:12Banner!
00:30:13Banner!
00:30:14Banner!
00:30:15Banner!
00:30:16Banner!
00:30:17Banner!
00:30:18Banner!
00:30:19Banner!
00:30:20Banner!
00:30:21Banner!
00:30:22Banner!
00:30:23Oh, well, great.
00:30:27Well, I think it's time that we meet our guests.
00:30:30Let's meet them right now, shall we?
00:30:31We're going to be talking about sexual freedom and joining us today we have Mitzi O'Connor, high school senior, valedictorian, cheerleader and poet laureate of public school 247 in Brooklyn.
00:30:45Let's hear it for us.
00:30:46Yes, Natasha.
00:30:52I'm sorry.
00:30:53I'm sorry.
00:30:54The main agent Karloff is on the phone.
00:30:59Ah, Comrade Karloff.
00:31:06Is the meeting still on?
00:31:07Yes, sir.
00:31:08I reached Banner in Hong Kong.
00:31:10I thought this guy was raising hell in Cuba.
00:31:13That's the preliminary report.
00:31:16Let's see.
00:31:17Banner.
00:31:18B-A-N-N-E-R.
00:31:21Steven James.
00:31:23Data is coming up on the screen now.
00:31:28Oh, yes.
00:31:29Number three.
00:31:31H-32.
00:31:32Single.
00:31:33High kill ratio.
00:31:35Very deadly man, this Banner character.
00:31:42Sir, I don't understand what's so important about the print of that Christmas film Mr. E got from us, or why we'd even want it back.
00:31:51That film's story is not just fictitious Hollywood.
00:31:55There was only one print of that film before we destroyed the negative.
00:32:01But this film documents what one of our agents, the one Mickey Schultz, did last Christmas, and what his potential is for doing more damage this year.
00:32:12That footage is real, Comrade.
00:32:15Pardon me, General, but this doesn't seem to be very important from our country's point of view.
00:32:20Just get the film away from the Americans, and drop it in the vault at our UN operations.
00:32:27Yes, sir.
00:32:31Ladies and gentlemen, would you please give Mr. E your undivided attention?
00:32:58I believe you all know why you're here.
00:33:03Uh, if you will allow me, sir.
00:33:05It took a great deal of effort and interagency cooperation in order to obtain this valuable piece of blackmail.
00:33:15I have personally laid my reputation on the line.
00:33:19Now, if you will, pay close attention to what you're going to see on the screen.
00:33:23The subject had no knowledge that he was being filmed.
00:33:42Suffice it to say, this is confidential.
00:33:43I trust that nothing would go beyond this room.
00:33:44Agreed?
00:33:45Thank you, Mr. E.
00:33:48Roll film, please.
00:33:49Okay, right away.
00:33:50Okay, right away.
00:33:52Dr.
00:34:02You know me, you know what I'm supposed to do.
00:34:05Okay, right away.
00:34:32What is this, a joke?
00:34:43I assure you, it's not.
00:34:46And if you'll just be patient, Lieutenant,
00:34:49we'll all be able to find out just how critical this is to our national security.
00:34:56And I'm a cop.
00:34:58I carry a badge, a gun, and bullets.
00:35:01And a night's ticket.
00:35:03And handcuffs.
00:35:28.
00:35:45.
00:35:53now remember this particular incident happened over 20 years ago the boy was just about eight
00:36:11years old then was institutionalized presumably for life
00:36:15uh madame clause oh you mean subordinate clause
00:36:21oh
00:36:25hey
00:36:39oh
00:36:45Hmm.
00:37:15That, folks, was almost 20 years ago.
00:37:29Turn on the lights.
00:37:45What's wrong with the film?
00:37:48What are you guys doing back there?
00:37:50What?
00:37:52It appears the, uh, the rest of the film is missing, sir.
00:37:56Gone.
00:37:58Find that film today.
00:38:01Put your best man on it.
00:38:02Yes, sir.
00:38:04Consider it done.
00:38:20Steven, I'm so glad you could make dinner tonight.
00:38:24I must say, it's been a most enlightening evening.
00:38:27Why, thank you, Steven.
00:38:29And I must say, I was certainly surprised to know you were free tonight.
00:38:33The scuttlebutt around the office since you're working on a very important project.
00:38:39Sure.
00:38:40Maybe, but that's pretty much behind us now.
00:38:43Uh, tell me, Miss Karloff, how long have you been with our agency?
00:38:48And how did you know about my son?
00:38:50Oh, well, you certainly aren't inquisitive, little devil, aren't you?
00:38:54No.
00:38:55I almost feel as if you don't trust me, Steven.
00:38:58No, not at all.
00:39:00This has been a long trip back from Hong Kong.
00:39:02That's all.
00:39:03I'm just a little tired.
00:39:04Excuse me, sir.
00:39:05You may have an urgent phone call.
00:39:06Oh, God.
00:39:07Never ends.
00:39:08Banner here.
00:39:10Steven, I'm glad I found you.
00:39:12How did you, uh, I won't even ask.
00:39:16I suppose it's important, don't I?
00:39:18Mr. E is livid.
00:39:20Someone inside our headquarters snatched a highly secret film that must be recovered.
00:39:25You suspect, of course, a...
00:39:27Yes, a double agent.
00:39:29Uh, right, Lieutenant.
00:39:32I think the answer might be staring me right in the face.
00:39:35What?
00:39:36Never mind.
00:39:37I'll, uh, I'll explain it all later.
00:39:39Uh, where's the meet?
00:39:41At the submarine base.
00:39:42About one hour.
00:39:43Okay.
00:39:44Sure.
00:39:45Well...
00:39:46I need to eat and run, but duty does call.
00:39:51Uh, waiter, can this lovely lady have some coffee?
00:39:54Or...
00:39:55Perhaps you'd prefer, uh, black Russian.
00:40:02Again, a check!
00:40:04Give me a scotch of water straight off.
00:40:06Certainly, madam.
00:40:07Oh, and this should take care of the goddamn bill.
00:40:15Uh...
00:40:16Oh, and this should take care, huh?
00:40:17There's a really nice stormy.
00:40:19Um...
00:40:20Mr. E is livid.
00:40:22Someone inside.
00:40:23Our headquarters snatched a highly secret film that must be recovered.
00:40:26All right.
00:40:27Uh...
00:40:28I'm sorry.
00:40:32Uh...
00:40:33Uh...
00:40:34Uh...
00:40:35Uh...
00:40:36Uh...
00:40:37Uh...
00:40:38Um...
00:40:39Uh...
00:40:40Uh...
00:40:41Uh...
00:40:42Uh...
00:40:43Uh...
00:40:44Looking for me, Jacqueline?
00:40:51Late as usual, Banner.
00:40:53Well, don't worry.
00:40:56I've brought along some of those gizmos you guys like to play with.
00:41:01Here's your A-48 decoder.
00:41:03It'll get you into the Soviet's computer room at the U.N.
00:41:06We think the film's in the safe by the main terminal room.
00:41:12God, I love these toys.
00:41:14Knock it off. I signed for that.
00:41:17Now, here's their latest printout, cross-referenced to gain access to the main computer.
00:41:21It should open the safe.
00:41:23Hopefully, the film's still in there.
00:41:25What's with this film anyway, Jacqueline?
00:41:29Porno movies, right?
00:41:30Not likely, but Mr. E's bent on getting this back into our hands.
00:41:34Says it could be a real smoking gun for the Kremlin.
00:41:37So they haven't even told you.
00:41:40Rather high security, Jacqueline.
00:41:42Rather high priority, Banner.
00:41:47Touche.
00:41:54Miss Karloff, what is your location?
00:41:56I'm right outside our computer operations building.
00:42:00Stephen has already gone in.
00:42:03Stephen?
00:42:04Are you two that close?
00:42:07Please, General.
00:42:08If he's as good as his record, he might just bypass security, decode the safe, and get the film back into United States' hands.
00:42:19I agree.
00:42:20I suggest we bring in more manpower and...
00:42:26Yet, Karloff.
00:42:28Karloff, I don't want anyone, not even our own people, seeing that film.
00:42:34Homrad, Mickey, that kid in the film, he's now an adult and one of our agents.
00:42:41He must be protected.
00:42:46I see no purpose in going on with this charade.
00:43:06But, in truth, he's no agent.
00:43:14He's my grandson.
00:43:18A psychopathic killer whose identity, if known to the rest, could prove very embarrassing to our government.
00:43:25And, definitely, the end of my career.
00:43:31But, sir, I thought that...
00:43:32Enough said, comrade.
00:43:34Just recover that film and deliver it directly to me.
00:43:40Yes, sir. Consider it done.
00:43:42End communication.
00:43:48Goodbye, Karloff.
00:43:49And good luck.
00:44:19Bye, Karloff.
00:44:49Do you want to play a game?
00:45:11Uh, no, computer. I do not want to play a game.
00:45:16Oh, please enter your security code, then.
00:45:20I acknowledge your authority. Let us begin.
00:45:42By all means.
00:45:43I'd like to know, computer, where the movie film that was recently deposited here is being kept.
00:45:50The motion picture film is being kept in the master safe in the east part of this room.
00:45:57Good.
00:45:58Computer, just what is on that film that's so damn important?
00:46:03Apparently, one of our Moscow-based generals had a son who is a psychopathic killer.
00:46:13One Christmas Eve, he hacked up his mother and his father.
00:46:17Enough.
00:46:17What the hell?
00:46:19What the hell?
00:46:23Sir?
00:46:24Uh, nothing, computer.
00:46:28Begin sequencing the combination of the airlock safe.
00:46:31The sequencing to open the master safe has been done.
00:46:40Okay.
00:46:41Thank you, computer.
00:46:42Only 10 seconds now until you will have access to the vault.
00:46:47Continue.
00:46:48Countdown.
00:46:51Countdown.
00:46:53Five.
00:46:55Four.
00:46:56Three.
00:46:57Two.
00:46:58And open.
00:47:05You now have two minutes.
00:47:08You got two, uh, good job, oh boy.
00:47:13Damn it, I want.
00:47:18You can't run, you can't hide, but there is in your eyes, you recognize, you're alive.
00:47:39You're trying to get to die, you're trying to fight, you're trying to fight.
00:47:46You can't fight.
00:47:54You can't try it.
00:48:00You're trying to be brave.
00:48:02What can you do?
00:48:13Oooh!
00:48:14Oh, yeah!
00:48:22Fight, fight!
00:48:23Fight for your rights!
00:48:25Oh, yeah!
00:48:26Oh, yeah!
00:48:27Oh, yeah!
00:48:28We got faith in you!
00:48:31Fight, fight!
00:48:33Fight!
00:48:35Fight!
00:48:36We got to shoot!
00:48:37Oh, yeah!
00:48:38Oh, yeah!
00:48:39Oh, yeah!
00:48:40Oh, yeah!
00:48:41Fight!
00:48:42Fight!
00:48:43For your rights!
00:48:44Fight!
00:48:45You cut my loose
00:48:47We got faith in you!
00:48:50Fight!
00:48:51Fight!
00:48:52For your rights!
00:48:54We got to shoot!
00:48:56I got to shoot!
00:48:57I got to shoot!
00:48:58I got to shoot!
00:49:00Fight!
00:49:02Fight!
00:49:04Fight!
00:49:05Wrecking the
00:49:10Now it's 3
00:49:11Oh, no!
00:49:12We beat up!
00:49:13I got to shoot!
00:49:14I got to shoot!
00:49:16I got to shoot!
00:49:17Wa hey,
00:49:32Oh, boy.
00:49:58You gonna look old, boy?
00:50:02Ah, Mr. Reedy.
00:50:03Good timing.
00:50:04Hit it, driver.
00:50:23This is Banner.
00:50:24Catch me through the aerial surveillance.
00:50:27Yeah, this is field agent Banner.
00:50:29Um, get some aerial surveillance on target heading south on 101.
00:50:43Can you get the target inside?
00:50:47Yeah, it is a motorcycle.
00:50:49Right.
00:50:50That's right.
00:50:52Just keep the distance and be ready to fire if necessary.
00:50:56Faster, driver.
00:50:57There's nothing that you say.
00:51:01Answer my questions.
00:51:04Don't take me away.
00:51:07Come on.
00:51:08Come on.
00:51:09Come on.
00:51:10Come on.
00:51:11Come on.
00:51:12Come on.
00:51:13Come on.
00:51:14Come on.
00:51:15Come on.
00:51:16Come on.
00:51:17Come on.
00:51:18Come on.
00:51:19Come on.
00:51:20Come on.
00:51:21Come on.
00:51:22Come on.
00:51:23Come on.
00:51:24Come on.
00:51:25That was close.
00:51:26It'll be all right.
00:51:31Oh, you got it.
00:51:32You got it.
00:51:33You got it.
00:51:34Come on.
00:51:35You got it.
00:51:38You got it.
00:51:39You got it.
00:51:40You got it.
00:51:41You got it.
00:51:42You got it.
00:51:44You got it.
00:51:46No, no.
00:51:47Hold your fire.
00:51:49I think we're okay.
00:51:55Off the screen.
00:51:56Oh, my gosh, sorry, man.
00:52:04All right.
00:52:05Good.
00:52:12That's good.
00:52:15Follow him, driver.
00:52:27Well, I'm afraid we've lost this matter.
00:52:36Well, maybe not.
00:52:53Bitch!
00:52:54You, cheap son of a bitch!
00:52:56That's what you get for sticking me with a check!
00:52:59Oh!
00:53:00Not so fast, Karloff.
00:53:02Ah!
00:53:04You asshole!
00:53:17Of course, now that the film is gone,
00:53:20we could say we just did our part for detente, huh?
00:53:27Ciao.
00:53:29But, Fanner!
00:53:30I don't know how to land this thing!
00:53:33Oh, damn you!
00:53:37It does have a nice ass, though.
00:53:39it does not have control as quickly as possible!
00:53:41No!
00:53:42No!
00:53:43What's this?
00:53:47Okay.
00:53:49Yes?
00:53:51What?
00:53:53Put it on the screen!
00:53:55How close is our sub?
00:53:59What is this?
00:54:00Turn the screen!
00:54:07How close is our sub?
00:54:10And the Americans?
00:54:13Get our divers in the water!
00:54:16Now! I want that film!
00:54:30Permission to come aboard, Corporal?
00:54:36Oh, yes, sir.
00:54:37Yes, sir. Captain Banner.
00:54:39It's Mr. Corporal, ma'am.
00:54:40Nice of you to drop in like this.
00:54:42I hope you didn't dress up on my account.
00:54:45Well, gee.
00:54:47Uh, Lieutenant.
00:54:49I've been running around a lot today.
00:54:52Rush the sub, close your fence on target, ma'am.
00:54:54Thank you, Corporal.
00:54:55Come on, Steven. Your gear is down in the torpedo room.
00:54:58This way, sir.
00:55:00Captain Living Bridge. Dive! Dive!
00:55:14I'm Scott.
00:55:18Jacqueline, just what the hell is going on with this film?
00:55:21I've been going around here like...
00:55:23Steven, I'll explain everything later.
00:55:25The Russians have to be stopped at any cost.
00:55:27Understood?
00:55:28Yes, yes.
00:55:29Yes.
00:55:30Captain, understood.
00:55:31Yes, ma'am.
00:55:32Yes, ma'am.
00:55:33Sorry, Steven. Just be careful, okay?
00:55:36Those guys are acting real serious.
00:55:39Oh, you're looking real serious.
00:55:40Oh, you're looking real serious.
00:55:44Oh, God, would you look at that picture?
00:56:09What year was that taking, anyway?
00:56:11Still hiding your eyes in front of whining us, don't you, Stephen?
00:56:17Oh, Jacqueline, I didn't know I could trust you, but this whole hand...
00:56:22Besides, I've always been able to see right through you anyway.
00:56:26You don't pull me.
00:56:281983, Kyle.
00:56:31What?
00:56:32Oh, the picture, remember?
00:56:34Operation Karnak, I believe.
00:56:37Oh, yeah.
00:56:39Well, we sure got around, didn't we?
00:56:41How did I ever let myself get involved with you, Stephen?
00:56:50We can get into the rules.
00:56:51Oh, rules, rules.
00:56:53No interpersonal relationships between agents, that's...
00:56:57Well, Banner, those are the rules, you know.
00:56:59I know.
00:57:00The agency's rules, Jacqueline.
00:57:03Why do you think they call our unit S-O-V?
00:57:06The hell of them.
00:57:07The hell of Mr. E.
00:57:08May I have this step?
00:57:10Stephen!
00:57:11Oh!
00:57:11Oh, my goodness!
00:57:12Yeah!
00:57:15Oh!
00:57:15Oh!
00:57:15Oh!
00:57:16Oh!
00:57:16Oh!
00:57:17Oh!
00:57:17Oh!
00:57:17Oh!
00:57:18Oh!
00:57:18Oh!
00:57:18Oh!
00:57:19Oh!
00:57:19Oh!
00:57:19Oh!
00:57:20Oh!
00:57:20Oh!
00:57:21Oh!
00:57:21Oh!
00:57:22Oh!
00:57:22Oh!
00:57:23Oh!
00:57:23Oh!
00:57:24It was really nice on you, Stephen.
00:57:25Do you really like it?
00:57:26Of course I do!
00:57:27I love it!
00:57:29It'll be my good luck job.
00:57:31Kind of like, uh, gold dog t Rogers.
00:57:35It'll be me.
00:57:35Oh, that's the thanks I get for it.
00:57:37Can you imagine Jacqueline, I don't know why you always
00:57:40want to pick a fight when I gotta leave.
00:57:42Maybe it pisses me off.
00:57:44Well, I never could compete with all your women then.
00:57:47You are what you are and it feels like I'm just holding you back
00:58:05I'm so proud of you
00:58:17I'm so proud of you
00:58:21What? To New Zealand?
00:58:23I'm afraid not babe
00:58:25I sure won't miss you though
00:58:27I'll always miss you
00:58:37Steven, I can watch you fight and I can watch you win
00:58:41But I will never watch you die
00:58:43And that is the reality of you
00:58:47That sometimes, some place in the world
00:58:49When you let your guard down
00:58:51Some faceless assassin will kill you
00:58:53And I think I'd rather not be there for that scene
00:58:57If you don't mind darling
00:58:59And I'll...
00:59:03And I'll...
00:59:05...
00:59:06...
00:59:07...
00:59:09...
00:59:11...
00:59:13...
00:59:15...
00:59:17...
00:59:19...
00:59:21...
00:59:23...
00:59:25...
00:59:27...
00:59:29...
00:59:31...
00:59:33...
00:59:35...
00:59:41...
00:59:43...
00:59:45...
00:59:47...
00:59:49...
00:59:51...
00:59:53...
00:59:55Oh, shit.
01:00:06Oh, shit.
01:00:09Oh, shit.
01:00:16Let's go.
01:00:46Let's go.
01:01:16Ladies and gentlemen, we have at great cost recover the film that Mr. E here so desperately wanted.
01:01:39Why, thank you, Captain Banner.
01:01:41I assure you, sir, your efforts will not go unrecognized.
01:01:45After viewing it, though, sir, I must say that this snuff movie Detective Brody obtained appears at first glance to be nothing more than one of those awful holiday horror movies we see in the theaters.
01:01:56But, of course, as all of us know in this room, the murders are real.
01:02:00Well, certainly it does reveal the identity of a very sick little boy, and mainly that the killer is the grandson of one of Russia's most premier generals.
01:02:10A very damaging piece of blackmail.
01:02:13But if you want my opinion, Mr. E, and I'm sure that you do, I think in the spirit of glasnost and the friendship that we're now experiencing between our two countries, you should destroy this little film and put our agency to better use next time.
01:02:27That's enough, Captain.
01:02:28Banner, that's just not your call.
01:02:31All right, well, if you'll excuse me, I do have a plane to catch.
01:02:35Oh, and I hope you're amused at this clever little piece of satire.
01:02:39But think hard about what you're going to do with this film.
01:02:43It was up to me.
01:02:44Quite frankly, I would burn it.
01:02:47Good day, gentlemen, ladies, detective, Mr. E.
01:02:54Enjoy.
01:02:58If you all remember, in the opening segment of this film, the young boy had just killed his mother and her lover.
01:03:07And that was in 1965.
01:03:10A detective, Brody, here had put him away.
01:03:13In the next portion, you'll see that young Mickey is back in action.
01:03:17Only now he's quite grown up.
01:03:21And very, very deadly.
01:03:26Just roll the film, Brody.
01:03:28Hi, Janie.
01:03:48You're just in time.
01:03:51Bobby's over here.
01:03:53Look, Bobby, Janie's here.
01:03:55I know.
01:03:56Hi, Bobby.
01:03:56Hi.
01:03:57Gosh, Mrs. Brown, what a beautiful tree.
01:04:00This here looks like Christmas in here.
01:04:02Thanks, Janie.
01:04:03Look, here's 20 bucks for pizza in case you get hungry.
01:04:07That should cover a tip, too.
01:04:09I'll be out real late tonight.
01:04:10And see that he doesn't get into his presence, okay?
01:04:14I know.
01:04:15No problem, Mrs. Brown.
01:04:16Bobby and I will be just fine.
01:04:18Bobby, now don't make a mess.
01:04:20I just had the place cleaned.
01:04:21I know.
01:04:23Ciao, everyone.
01:04:23Sorry.
01:04:31Sorry.
01:04:34No, baby.
01:04:39How is that?
01:04:41Stop.
01:04:41Stop.
01:04:42I think I got a move.
01:04:43I don't know.
01:04:44Yeah, it's okay.
01:04:46Come on, I can't turn.
01:04:47No, I can't turn.
01:04:47You want some next baby?
01:04:49Relax.
01:04:49Hi.
01:04:49Relax.
01:04:50Don't get so bent out of shape.
01:04:51No, I just love him so much.
01:04:54They said that he wasn't even you.
01:04:56Sure, just when I thought it was safe to come back into this apartment.
01:04:59Yeah, I knew you were going to say this.
01:05:01I'm sure you did.
01:05:03I had this really freaky dream about this big red moon,
01:05:06and it was just bleeding all over me.
01:05:08It was so corrupt.
01:05:10You know, I get crazy when there's a phone moving.
01:05:13You mean a phone would get crazy?
01:05:15You're nuts anyway.
01:05:17I got it.
01:05:18I got a word that's just going to kill you.
01:05:20Oh, yeah?
01:05:20Yeah, try it.
01:05:22How do you spell fornicate?
01:05:24Fornicate?
01:05:24That's easy.
01:05:26F, you got that?
01:05:28O, U, Q.
01:05:33But, Katie, I'm not sleepy.
01:05:35Shh, Bobby.
01:05:37Now you just close your eyes and get some rest.
01:05:40I'll try to get these people out of here as soon as I can.
01:05:43Remember, Santa's coming tonight.
01:05:45I need help.
01:05:46As strange and amusing as this might appear,
01:05:54keep in mind that every murder you see on this film is real.
01:05:58Rumors have it that a series of so-called snuff films were made
01:06:02using easily manipulated mental patients to commit actual murders.
01:06:07This particular film our experts have documented is absolutely authentic.
01:06:14And more important, the identity of this killer is what is of interest to us.
01:06:21Great interest.
01:06:23The killer is a killer.
01:06:24The killer is a killer.
01:06:24The killer is a killer.
01:06:25The killer is a killer.
01:06:25The killer is a killer.
01:06:25The killer is a killer.
01:06:26The killer is a killer.
01:06:27The killer is a killer.
01:06:27The killer is a killer.
01:06:28The killer is a killer.
01:06:28The killer is a killer.
01:06:29The killer is a killer.
01:06:31The killer is a killer.
01:06:32The killer is a killer.
01:06:32The killer is a killer.
01:06:33The killer is a killer.
01:06:34The killer is a killer.
01:06:36The killer is a killer.
01:06:37The killer is a killer.
01:06:38The killer is a killer.
01:06:39The killer is a killer.
01:06:40The killer is a killer.
01:06:41The killer is a killer.
01:06:42The killer is a killer.
01:06:43The killer is a killer.
01:06:44The killer is a killer.
01:06:45The killer is a killer.
01:06:45Oh! Oh! Oh! Oh! Oh!
01:06:50Oh! Oh! Oh! Oh!
01:06:54He's a modifier!
01:06:57I can't recognize a humanplay!
01:07:02Figures!
01:07:15Who is it?
01:07:38Who is there?
01:07:45Attention all units, this is an all-points bulletin for a heavy-set man reportedly dressed
01:08:09in a red suit, black boots, white beard, and possibly armed a-
01:08:14And eight tiny reindeer.
01:08:16A suspect escaped tonight from Sunnydale Sanitarium.
01:08:20His name is Mickey Schultz, uh, his alias.
01:08:24Get this, gang, it's Kris Kringle.
01:08:29So he's back in town, huh?
01:08:31A real nut.
01:08:34You know what, Anderson?
01:08:36What, Brody?
01:08:38About 20 years ago, he killed his mother and his old man with a butcher knife on Christmas Eve.
01:08:45I never saw so much blood in my life, and I'll never forget it either.
01:08:50Watch it, Brody, a red light.
01:08:52Fuck, um, I'm a cop.
01:08:55Anyway, we went in, and we found the two of them laying there, cacked up like a side of beef.
01:09:03And that little monster's standing there with a knife in his hands.
01:09:08My partner, Kelly, he started puking.
01:09:11He started puking his guts out all over the place.
01:09:14Uh, excuse me, Brody.
01:09:16I think we should acknowledge that A.P.P.
01:09:19Don't worry about it, Anderson.
01:09:21I got my own way of finding this.
01:09:24One looking to his dead black eyes, and I'll know him.
01:09:31He's a stone nut.
01:09:32Ever since he saw his mama kissing Santa Claus, he's been crazy ever since.
01:09:37You know what, Anderson?
01:09:40When the doctors examined the kid's head, they found dog shit for brains.
01:09:45Thank you, Detective, for that illuminating and tasteful description of the murder.
01:09:52Shall we proceed?
01:09:54The next brutal murder takes place here.
01:09:56Hey, man. What's going on?
01:09:57Shoot, I'll check it.
01:09:58I gotta do everything myself.
01:10:01Hey, man. What's going on?
01:10:06Shoot, I'll check it.
01:10:07I gotta do everything myself.
01:10:08Hey, man. What's going on?
01:10:10Shoot, I'll check it.
01:10:12I gotta do everything myself.
01:10:14I'm living myself.
01:10:44I'm living myself.
01:11:14I'm living myself.
01:11:18Well, I guess that's graphic enough to give us the general idea.
01:11:22Obviously, our murderer is quite mad.
01:11:26And he continues killing until there's only one girl left.
01:11:38Mmm. Want some?
01:11:40Mmm, yeah.
01:11:42Oh, in a minute. I gotta pee.
01:11:44Hey, watch your mouth.
01:11:46You're gonna have to learn how to talk more like a lady.
01:11:58Hey, Sherry! Get a load of this!
01:12:00Far out.
01:12:06My baby does it. Okay.
01:12:16My baby does it. Okay.
01:12:20Swish splash.
01:12:22Hey.
01:12:26Hey.
01:12:28Hey.
01:12:30Hey.
01:12:32Hey.
01:12:34Hey.
01:12:36Hey.
01:12:38Hey.
01:12:54John, what's all the racket going on?
01:12:56Tom, what's all the racket going on?
01:13:00Oh, the tub.
01:13:26Billy, did you hear that?
01:13:39Oh, it's probably just Sherry.
01:13:41She's a moaner.
01:13:42Yeah, how would you know?
01:13:45Billy, hurry.
01:13:46I think you better go see what's wrong.
01:13:47No way, Jose.
01:13:48Please.
01:13:56I better call the police.
01:14:22Oh, my God, the phone's dead.
01:14:26So am I.
01:14:32I'll just fast forward this to get to the end.
01:14:37Now, the point is, is that these murders are real,
01:14:41and the cycle they use to commit them
01:14:44is none other than the grandson of General Alexey Grossoff
01:14:49of the USSR secret police.
01:14:52And he knows that we know all about it
01:14:57and won't hesitate to use it against him.
01:15:00To the steht.
01:15:01.
01:15:02.
01:15:07Oh, my God.
01:15:37Oh, my God.
01:16:07Oh, my God.
01:16:37Oh, my God.
01:16:38Oh, my God.
01:16:39Oh, my God.
01:16:40Oh, my God.
01:16:41Oh, my God.
01:16:42Oh, my God.
01:16:43Oh, my God.
01:16:44Oh, my God.
01:16:45Oh, my God.
01:16:46Oh, my God.
01:16:47Oh, my God.
01:16:49Oh, my God.
01:16:50Oh, my God.
01:16:51Oh, my God.
01:16:52Oh, my God.
01:16:53Oh, my God.
01:16:54Oh, my God.
01:16:55Oh, my God.
01:16:56Oh, my God.
01:16:57Oh, my God.
01:16:58Oh, my God.
01:16:59Oh, my God.
01:17:00Oh, my God.
01:17:01Oh, my God.
01:17:03Oh, my God.
01:17:04Oh, my God.
01:17:05Oh, my God.
01:17:06Oh, my God.
01:17:07Oh, my God.
01:17:08Oh, my God.
01:17:09Oh, my God.
01:17:10Oh, my God.
01:17:11Oh, my God.
01:17:12Oh, my God.
01:17:13Oh, my God.
01:17:14Oh, my God.
01:17:15sick man. The last part is, he's still out there.
01:17:45You're really very good, Stephen James Banner. You know, having this picnic was a great idea.
01:18:06I'm just full of great ideas, Fanchella. Such as man? Such as a little more champagne.
01:18:13Please, that crazy story you were telling me about that Mickey character, is it really true?
01:18:19Classified, darling. In fact, I really shouldn't say no more about it.
01:18:23What if he was still alive? Wouldn't you be in danger? I mean, you were responsible for his papa's death.
01:18:29Well, I suppose I do have to take that chance, don't I?
01:18:35Get down, Fanchella. Jesus.
01:18:37Franchella, it's only... Jack on.
01:18:45Just saving your ass again. And it is such a nice ass, Stephen.
01:18:50That little Franchella of yours just happens to be working at the Soviet Embassy down here at the islands.
01:18:55I thought you'd be back in Washington by now, Lieutenant.
01:19:00Stephen, work is in everything, you know. People do change.
01:19:07Oh, you're not kidding.
01:19:09Stephen, it's so good to see you again.
01:19:19But darling, I thought you and me, this wasn't supposed to happen.
01:19:23Oh, shut up and kiss me.
01:19:24I thought that was my life, guys.
01:19:27Oh, say it with me.
01:19:30Living on the edge
01:19:34Without a prayer in sight
01:19:37You've got me walking on a ledge
01:19:42In the darkest part of night
01:19:46Standing at the edge
01:19:50With so much laughter
01:19:53Moon, and the wind
01:19:55You're welcome
01:19:56Let me pay down
01:19:58To the light
01:20:00And notice
01:20:02That never
01:20:03At the center
01:20:04I put whatever
01:20:05You're welcome
01:20:06To the light
01:20:08Of the light
01:20:09And notice
01:20:10And notice
01:20:13You're welcome
01:20:14To the light
01:20:15To the light
01:20:16Of the light
01:20:18And notice
01:20:19That there's no way