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  • 3 weeks ago
Transcript
00:00:00You
00:00:30THE END
00:01:00I am not interested in your problems, Agent Karloff.
00:01:09I am only interested in getting our property back
00:01:11and getting rid of their agent permanently.
00:01:30The END
00:01:40This is Banner.
00:01:44I must meet you.
00:01:47Well, I can finish up here later.
00:01:50Sure.
00:01:51When can we meet?
00:01:52Not tomorrow.
00:01:54I've got a little side trip I've got to take first.
00:01:57The next day, then?
00:01:58I could meet you Thursday night in L.A., though.
00:02:00At the Bonaventure?
00:02:01Yeah, at the Bonaventure.
00:02:02Sure.
00:02:03Okay.
00:02:04All right, Miss Karloff.
00:02:05Eight-ish?
00:02:06Eight-ish it is, then.
00:02:08Okay.
00:02:09Sorry, Ling.
00:02:12Got to go.
00:02:13But maybe we can pick this up another time, huh?
00:02:16Or even another lifetime, darling.
00:02:20Ciao.
00:02:20Bye.
00:02:20Oh, my God.
00:02:50Oh, what a waste.
00:02:56François, are you coming?
00:02:57Oui, monsieur.
00:02:59At least, monsieur Banner, I got my gun off.
00:03:04God, I love this job.
00:03:06I'm living on the edge
00:03:31Without a prayer inside
00:03:34You've got me walking on a land
00:03:39In the darkest part of night
00:03:44Standing at the end
00:03:47With so much left to learn
00:03:51You know that you're my only friend
00:03:55I've got nowhere left to turn
00:03:59I'm living on the end
00:04:04Standing all alone
00:04:07I'm walking on a land
00:04:12With nowhere left to go
00:04:15But one day I'll be free
00:04:19And I'll step down off the ledge
00:04:24Until it's over
00:04:26I'll be living on the end
00:04:30When I'm alone with you
00:04:40The world becomes so clear
00:04:44But then the moments are so few
00:04:48When I can have you near me
00:04:53So much time to work
00:04:56So little time to pay
00:05:00I guess it's just my love in life
00:05:05And a heavy price to pay
00:05:09I'm living on the edge
00:05:14And I'll be living on the edge
00:05:26And I'll be living on the edge
00:05:30And I'll step down off the ledge
00:05:33Until it's over
00:05:35Until it's over
00:05:36I'll be living on the edge
00:05:40When it's over
00:05:45When it's over
00:05:47Truly over
00:05:50I'll be waiting for you
00:05:56When it's over
00:06:04Truly over
00:06:06Truly over
00:06:07I'll be here
00:06:10With you
00:06:14I'm living on the edge
00:06:25Just standing all alone
00:06:29I'm walking on the edge
00:06:33With nowhere left to go
00:06:36But one day I'll be free
00:06:40And I'll step down off the ledge
00:06:45Until it's over
00:06:47I'll be living on the edge
00:06:52Where the hell is that unreliable son of a bitch?
00:07:04How come you can be on time and he can't?
00:07:05He's here, sir
00:07:06I saw him in his quarters last night
00:07:08I'll bet you did
00:07:09I thought you two were through again
00:07:10Listen, why don't you just give this to him?
00:07:13I'm sick and tired of sitting around
00:07:14Waiting for the great Mr. Banner
00:07:16Who called?
00:07:20Well, hi, y'all
00:07:21What the hell is she doing here?
00:07:25Well, why don't you just think of me
00:07:27As your report card, by the way?
00:07:29No, Mr. E counts on me
00:07:31To protect the special interests
00:07:33Of these special operations
00:07:35You're doing a swell job, Chesney
00:07:37Just what I need
00:07:38A goddamn watchdog
00:07:39Just keep it up, Python
00:07:44And you're a dead man
00:07:49You know, Python
00:07:53It's really good to see our two agencies
00:07:56Working together again
00:07:57On this mission, Hotshot
00:08:00You're working for me
00:08:01Oh, is that a fact, Colonel?
00:08:03As long as I outrank you, it is
00:08:05Gentlemen, I believe we have a job to do
00:08:08All right, just run it down, Python
00:08:11It's pretty cut and dry, Sonny
00:08:13But if you need me to explain it to you
00:08:16You've got to go someplace you're not supposed to be
00:08:18To take out a radar installation
00:08:20That's not supposed to exist
00:08:21And there's one more thing, Super Spy
00:08:24I want you to remember that it's because of you
00:08:27I lost my legs in the interest of interagency cooperation
00:08:32Now you get the hell out of here before I really get mad
00:08:37And I want you to check with me every step of the way
00:08:41And if you need backup, I'm your contact
00:08:44You understand, trust me
00:09:07I want you to check with me
00:09:37Okay, Banner, it looks like the camp is just a half a mile to the east
00:09:49We might as well take it down
00:09:55Hey, did you get a good look at that radar unit?
00:09:58Yeah, yeah, there's only a couple of guys around
00:10:00It looks like a piece of cake
00:10:01Well, hell, Jake
00:10:03Let's go get a piece
00:10:04Oh, please, Banner
00:10:06Get a piece of cake
00:10:06T início
00:10:06Where'd we go?
00:10:07Yeah, yeah, yeah
00:10:16Wow, thank you
00:10:17Ah, wow, thank you
00:10:18Take a break
00:10:22Oh, my God.
00:10:52Oh, Jacqueline, give me your .38, would you?
00:11:05What?
00:11:07Just a little extra protection for me.
00:11:13Daddy Yankee?
00:11:17Buenos dias, senorita.
00:11:18Come on, Banner.
00:11:22Let's blow this pop stand.
00:11:24This?
00:11:25I'm sure our comrades are going to bang on this one.
00:11:27Yeah, take an end to this, will you?
00:11:28They're not going to bang on this man.
00:11:36Oh, my God.
00:12:06Oh, my God.
00:12:36Oh, my God.
00:13:06Oh, my God.
00:13:36Oh, my God.
00:14:06Oh, my God.
00:14:36Oh, my God.
00:14:37Oh, my God.
00:14:38Oh, my God.
00:14:39Oh, my God.
00:14:40Oh, my God.
00:14:41Oh, my God.
00:14:42Oh, my God.
00:14:43Oh, my God.
00:14:44Oh, my God.
00:14:45Oh, my God.
00:14:46Oh, my God.
00:14:47Oh, my God.
00:14:48Oh, my God.
00:14:50Oh, my God.
00:14:51Oh, my God.
00:14:52Oh, my God.
00:14:53Oh, my God.
00:14:54Oh, my God.
00:14:55Oh, my God.
00:14:56Oh, my God.
00:14:57Oh, my God.
00:14:58What about your friend Banner? You got him spotted yet?
00:15:03No. No sign of him yet.
00:15:28No sign of him yet.
00:15:58No sign of him yet.
00:16:28Black Panther! Black Panther! What's the status of our man?
00:16:40Banner's made it into the compound where the Cubans are storing that JVQ radar jamming unit.
00:16:47Thank God for small miracles.
00:16:49You were right. It is compact. Maybe even mobile.
00:16:55Could be a very serious threat.
00:16:57The only serious threat out there is that son of a bitch Banner.
00:17:03All right, just stick to the script and get the job done.
00:17:07Yes, sir. Whatever it takes. Just as planned.
00:17:09Let's go.
00:17:17Let's go.
00:17:19Let's go.
00:17:21Let's go.
00:17:28Let's go.
00:17:30Let's go.
00:17:32Let's go.
00:17:40Let's go.
00:17:42Let's go.
00:17:44Let's go.
00:17:54Let's go.
00:17:56Let's go.
00:18:04Let's go.
00:18:06Let's go.
00:18:08Let's go.
00:18:30Let's go.
00:18:32Let's go.
00:18:41Let's go.
00:18:42Let's go.
00:18:43Let's go.
00:18:44Let's go.
00:18:48Let's go.
00:18:54Let's go.
00:18:55Let's go.
00:18:56Let's go.
00:19:02Let's go.
00:19:04Hey.
00:19:04Start this, she broke Banner, my friend.
00:19:07It's been a long time.
00:19:08Too long.
00:19:09Too bad.
00:19:10Our big visit will be short.
00:19:10Lieutenant. Yes, sir.
00:19:12Take it there's a problem.
00:19:13Yes. We might need some backup.
00:19:15I figured you as much. What's your position?
00:19:18Banner's coordinates, they're, um, 457.7 latitude, 52.8 longitude.
00:19:26He's got about 30 seconds, sir, to make a splash, or should I say a bang?
00:19:31All right, just get on with it. Play it safe and cover your ass.
00:19:35Get out of there, with or without Banner.
00:19:37Yes, sir. Yes, I know the drill.
00:19:39Hey, Jacqueline.
00:19:41Yes.
00:19:41I hope he doesn't forget what he came there for.
00:19:44Yes, I'm sure he'll take the jamming unit out.
00:19:46He can take care of himself, sir.
00:19:48Yeah. If I know him, he'll probably take himself out with it.
00:19:52And don't worry about the backup. It's on its way.
00:19:56Out.
00:20:06Yeah, this is Python. Give me the Pentagon.
00:20:09Huh? I'm surprised that your government can't do better than this.
00:20:15You know, with the budget cuts that our government's doing, I mean, it just makes our job a little harder.
00:20:28Ah!
00:20:28Ah!
00:20:37Nice. Nice.
00:20:39You know, General, time flies when you're having fun, doesn't it?
00:20:44It's not short.
00:20:45Put it, put it, put it.
00:20:46Give me that, General.
00:20:47Stick it where the sun don't shine.
00:20:49Put it, put it, put it, put it.
00:20:50Put it, put it, put it, put it, put it, put it, put it, put it, put it.
00:20:50Put it, put it, put it, put it, put it, put it, put it, put it, put it.
00:20:54Come on, get out of there, Stephen James Banner.
00:21:01Doz vidaña, General.
00:21:03Al menos.
00:21:07No lo siento.
00:21:08A por la puerta.
00:21:09Venga, venga.
00:21:10A por la puerta.
00:21:11Manda, manda.
00:21:12Sino amigo.
00:21:12Fuera, por la puerta.
00:21:14Venga, venga.
00:21:14Sí.
00:21:15Al menos.
00:21:15No lo siento.
00:21:17Homero.
00:21:19A por la puerta.
00:21:20Venga, venga.
00:21:21A por la puerta.
00:21:22극äusper
00:21:35극äusper
00:21:38극äusper
00:21:43극äusper
00:21:47극äusper
00:21:50Come on!
00:21:51Come on!
00:21:52Come on!
00:22:14Come on!
00:22:15Come on!
00:22:20Come on!
00:22:50Come on!
00:22:51Get rid of it!
00:22:53Come on!
00:22:55Come on!
00:22:56Come on!
00:23:01Come on!
00:23:02Come on!
00:23:03Come on!
00:23:05Come on!
00:23:07I wonder why I am so fired.
00:23:37Code 5, Code 4, come in. Can you read?
00:23:44Yeah, I'm a little busy right now.
00:23:47I'm sorry, I lost your visual. Can you make it to the plane?
00:23:51Roger, I'm almost there. You'd better be too, Jack.
00:24:07This is Code 5, Code 5. Jacqueline, are you there? Come in.
00:24:29Tanner, what was that explosion?
00:24:31Is our ticket out of here?
00:24:33The plane? The plane's been hit?
00:24:37All right, listen. I radioed for some backup earlier.
00:24:40There should be a chopper at the rendezvous point. Any minute.
00:24:43Okay, on my way.
00:24:46You'd better be there, you son of a bitch.
00:25:03One, three, you have a train. Roger, three, you have a train.
00:25:10Roger, three, you have a train.
00:25:12Get back out of bed!
00:25:29Come on, Jack, get the hell out of here!
00:25:32That's enormous!
00:25:39Get out!
00:25:41Stop!
00:26:11Come on, buddy.
00:26:16Three's a crowd.
00:26:22Oh, Steven.
00:26:24Jack.
00:26:34Bravo Leader, this is Code 5 Commander. Do you have copy?
00:26:3823, base 3.
00:26:40All right, the target is permanently disabled.
00:26:43I repeat, permanently disabled.
00:26:46Take your troops to the pre-designated coordinates
00:26:49and destroy the remains of the camp.
00:26:51Do you understand, Bravo Leader?
00:26:55Good.
00:26:59God damn it, Banner!
00:27:01Nobody touches that camp.
00:27:03Do you copy, Bravo Leader?
00:27:05Banner, what frequency are you on?
00:27:08Switching to frequency, 1.25 X-ray.
00:27:13Charlie Company Team Leader.
00:27:14Are you in position?
00:27:18Banner.
00:27:19Can anybody hear me?
00:27:21I knew he'd do this to me.
00:27:28They're gonna have my ass for this.
00:27:31Good.
00:27:32But remember, this is the 1980s, guys, and not the Bay of Pigs.
00:27:36So just back up Bravo Company with some firepower and get your boys home.
00:27:40Is it understood, Charlie?
00:27:41Yes, sir, Captain.
00:27:42We're moving in now.
00:27:43Good luck, man.
00:27:44Out.
00:27:45Out.
00:28:04Banner!
00:28:15Glover.
00:28:16.
00:28:20.
00:28:22.
00:28:26.
00:30:36Mitzi O'Connor, high school senior, valedictorian, cheerleader and poet laureate of public school 247 in Brooklyn.
00:30:45Let's hear it for us.
00:30:46Yes, Natasha.
00:30:54I'm sorry.
00:30:56The main agent Karloff is on the phone.
00:31:01Ah, comrade Karloff, is the meeting still on?
00:31:07Yes, sir.
00:31:08I reached banner in Hong Kong.
00:31:11Thought this guy was raising hell in Cuba.
00:31:13That's the preliminary report.
00:31:16Let's see.
00:31:18Banner.
00:31:20E-A-N-N-E-R.
00:31:22Steven James, data is coming up on the screen now.
00:31:31Oh yes, number three.
00:31:34Age 32, single, high kill ratio.
00:31:39Very deadly man, this banner character.
00:31:43Sir, I don't understand what's so important about the print of that Christmas film Mr. E got from us, or why we'd even want it back.
00:31:51That film's story is not just fictitious Hollywood.
00:31:55There was only one print of that film before we destroyed the negative.
00:32:01But this film documents what one of our agents, the one Mickey Schultz, did last Christmas.
00:32:08And what his potential is for doing more damage this year.
00:32:12That footage is real, comrade.
00:32:15Partly in general, but this doesn't seem to be very important from our country's point of view.
00:32:20Just get the film away from the Americans, and drop it in the vault at our UN operations.
00:32:27Yes sir.
00:32:50Ladies and gentlemen, would you please give Mr. E your undivided attention?
00:32:59I believe you all know why you're here.
00:33:03Uh, if you will allow me sir.
00:33:05It took a great deal of effort, and interagency cooperation, in order to obtain this valuable piece of black men.
00:33:15I have personally laid my reputation on the line.
00:33:18Now, if you will, pay close attention to what you're going to see on the screen.
00:33:23The subject had no knowledge that he was being filmed.
00:33:49Suffice it to say, this is confidential.
00:33:55I trust that nothing will go beyond this room.
00:33:58Agreed?
00:33:59Thank you Mr. E.
00:34:01Roll film, please.
00:34:04Okay, right away.
00:34:35What is this, a joke?
00:34:43I assure you, it's not.
00:34:46And if you'll just be patient, Lieutenant,
00:34:49we'll all be able to find out just how critical this is to our national security.
00:34:56And I'm a cop.
00:34:57I carry a badge, a gun, and bullets,
00:35:01and a nightstick, and handcuffs, and...
00:35:04And I'll see you next time.
00:35:34I'll see you next time.
00:36:05This particular incident happened over 20 years ago.
00:36:09The boy was just about eight years old then, was institutionalized, presumably for life.
00:36:17Madame Claus.
00:36:19Oh, you mean subordinate Claus.
00:36:34Hey! Mickey, look at that! Mickey, look at that!
00:36:41Oh!
00:36:42Oh!
00:36:43Oh!
00:36:59Hmm.
00:37:00Hmm.
00:37:01That, folks, was almost 20 years ago.
00:37:25That, folks, was almost 20 years ago.
00:37:44Turn on the lights.
00:37:45What's wrong with the film?
00:37:48What are you guys doing back there?
00:37:51What?
00:37:51It appears the, uh, the rest of the film is missing, sir.
00:37:57Gone.
00:37:59Find that film today.
00:38:01Put your best man on it.
00:38:03Yes, sir.
00:38:04Consider it done.
00:38:06Stephen, I'm so glad you could make dinner tonight.
00:38:24I must say, it's been a most enlightening evening.
00:38:27Why, thank you, Stephen.
00:38:30And I must say, I was certainly surprised to know you were free tonight.
00:38:34The scuttlebutt around the office since you're working on a very important project.
00:38:39Sure.
00:38:41Maybe, but that's pretty much behind us now.
00:38:44Uh, tell me, Ms. Karloff, how long have you been with our agency?
00:38:48And how would you know about my son?
00:38:51Oh, well, you certainly aren't inquisitive, little devil, aren't you?
00:38:55I almost feel as if you don't trust me, Stephen.
00:38:58No, not at all.
00:39:00This has been a long trip back from Hong Kong, that's all.
00:39:03I'm just a little tired.
00:39:05Excuse me, sir.
00:39:05You have an urgent phone call.
00:39:07Oh, God.
00:39:08Never.
00:39:09The banner here.
00:39:11Stephen, I'm glad I found you.
00:39:13How did you, uh, I won't even ask.
00:39:17I suppose it's important, don't I?
00:39:18Mr. E is livid.
00:39:21Someone inside our headquarters snatched a highly secret film that must be recovered.
00:39:26You suspect, of course, a...
00:39:28Yes, a double agent.
00:39:31Uh, right, Lieutenant.
00:39:33I think the answer might be staring me right in the face.
00:39:36What?
00:39:37Never mind.
00:39:38I'll, uh, I'll explain it all later.
00:39:41Uh, where's the meet?
00:39:41At the submarine base.
00:39:43About one hour?
00:39:44Okay.
00:39:45Sure.
00:39:47Well, it's going to be deep run, but duty does call.
00:39:52Uh, waiter, can this lovely lady have some coffee?
00:39:55Or perhaps you'd prefer a black Russian?
00:39:58Uh, waiter, can this check?
00:40:05Give me a scotch of water straight up.
00:40:07Certainly, madam.
00:40:08Oh, and this should take care of the goddamn bill.
00:40:11Mr. E is livid.
00:40:23Someone inside our headquarters snatched a highly secret film that must be recovered.
00:40:28Looking for me, Jacqueline?
00:40:49Uh, I'll do it.
00:40:51Late as usual, Banner.
00:40:53Well, don't worry.
00:40:56I've brought along some of those gizmos you guys like to play with.
00:41:01Here's your A-48 decoder.
00:41:03It'll get you into the Soviet's computer room at the U.N.
00:41:06We think the film's in the safe by the main terminal room.
00:41:12God, I love these toys.
00:41:14Knock it off. I signed for that.
00:41:16Now, here's their latest printout, cross-referenced to gain access to the main computer.
00:41:21It should open the safe. Hopefully, the film's still in there.
00:41:25What's with this film anyway, Jacqueline?
00:41:28Porno movies, right?
00:41:30Not likely, but Mr. E's bent on getting this back into our hands.
00:41:34Says it could be a real smoking gun for the Kremlin.
00:41:37So they haven't even told you.
00:41:40Rather high security, Jacqueline.
00:41:43Rather high priority, Banner.
00:41:47Touché.
00:41:54Miss Karloff, what is your location?
00:41:57I'm right outside our computer operations building.
00:42:00Steven has already gone in.
00:42:02Steven?
00:42:03Steven?
00:42:04Are you two that close?
00:42:06Please, General.
00:42:09If he's as good as his record, he might just bypass security, decode the safe, and get the film back into United States' hands.
00:42:19I agree.
00:42:20I suggest we bring in more manpower and-
00:42:22Yet, Karloff.
00:42:23I don't want anyone, not even our own people, seeing that film.
00:42:24Homrad.
00:42:25Mickey.
00:42:26That kid in the film.
00:42:27He's now an adult, and one of our agents.
00:42:28He must be protected.
00:42:29He must be protected.
00:42:30He must be protected.
00:42:36I see.
00:42:37No purpose in going on with this charrette.
00:42:38I see.
00:42:39No purpose in going on with this charrette.
00:42:42In truth.
00:42:43He must be protected.
00:42:44He must be protected.
00:42:45He must be protected.
00:42:49He must be protected.
00:42:50He must be protected.
00:42:51I see.
00:42:52No purpose in going on with this charrette.
00:43:06In truth, he's no agent.
00:43:16He's my grandson.
00:43:18A psychopathic killer, whose identity, if known to the rest, could prove very embarrassing to our government.
00:43:26And definitely, the end of my career.
00:43:30But sir, I thought that-
00:43:32Enough said, comrade.
00:43:34Just recover that film, and deliver it directly to me.
00:43:39Yes, sir.
00:43:40Consider it done.
00:43:41End communication.
00:43:47Goodbye, Carla.
00:43:58And good luck.
00:45:09Do you want to play a game?
00:45:12Uh, no, computer.
00:45:14I do not want to play a game.
00:45:16Oh.
00:45:17Please enter your security code then.
00:45:32I acknowledge your authority.
00:45:33Let us begin.
00:45:34By all means.
00:45:35I'd like to know, computer, where the movie film that was recently deposited here is being kept.
00:45:49The motion picture film is being kept in the master safe in the east part of this room.
00:45:56Good.
00:45:57Computer, just what is on that film that's so damn important?
00:46:02Apparently, one of our Moscow-based generals had a son who is a psychopathic killer.
00:46:11One Christmas Eve, he hacked up his mother and his father.
00:46:15Enough.
00:46:16His father.
00:46:17What the hell?
00:46:18Sir?
00:46:19Nothing, computer.
00:46:20Begin sequencing the combination of the airlock safe.
00:46:33The sequencing to open the master safe has been done.
00:46:40Okay.
00:46:41Thank you, computer.
00:46:42Only ten seconds now until you will have access to the vault.
00:46:47Continue.
00:46:51Countdown.
00:46:53Five, four, three, two, and open.
00:47:03You know how to read us.
00:47:08Good job, oh boy.
00:47:13Dammit, I thought.
00:47:15We can run, we can hide, but there is in your eyes, you recognize,
00:47:37we can run in our eyes, we can't fight, we can't fight, we can't fight, we can't fight,
00:47:55you hear me? I can't fight, you hear me, what can you do?
00:48:37Fight for your life, fight.
00:48:44You turn my rules with everything else.
00:48:49Fight, fight, fight.
00:48:53Fight, fight.
00:48:55You've got to be alone.
00:48:57You're all you say.
00:48:59Fight.
00:49:00Fight.
00:49:01Fight.
00:49:03Fight.
00:49:07Fight.
00:49:15Fight.
00:49:18Fight.
00:49:23Fight.
00:49:28Fight.
00:49:33Ah!
00:49:35Ah!
00:49:58You gonna look old boy?
00:50:01Ah, Mr. E.
00:50:03Good timing. Hit it, driver.
00:50:23This is Banner. Catch me through the aerial surveillance.
00:50:27Yeah, this is field agent Banner.
00:50:30It's getting some aerial surveillance on target heading south on 101.
00:50:43Can you get the target inside?
00:50:47Yeah, it is a motorcycle.
00:50:49Right.
00:50:52Just keep the distance and be ready to fire if necessary.
00:50:56Faster, driver.
00:51:01Answer my questions.
00:51:05Don't take away.
00:51:06We're ready.
00:51:07We're ready.
00:51:08All right.
00:51:09We're ready.
00:51:22That was close.
00:51:23Could we be all right?
00:51:24That was close.
00:51:26It'll be all right.
00:51:31Oh, you gotta forget that.
00:51:51No, no, hold your fire.
00:51:52I think you're OK.
00:51:54Off the screen?
00:52:04I'm good.
00:52:12That's good.
00:52:15Follow him, driver.
00:52:19Oh, my God!
00:52:21Well, I'm afraid we've lost this matter.
00:52:33Well, maybe not.
00:52:38You know that film I've been here to die, you son of a bitch!
00:52:54You, chief son of a bitch!
00:52:56That's what you get for sticking me with a check!
00:52:59Not so fast, Karloff.
00:53:02You asshole!
00:53:06Of course, now that the film is gone, we could say we just did our part for detente,
00:53:23huh?
00:53:24Ciao.
00:53:25But, Banner, I don't know how to land this thing!
00:53:31Oh, damn you!
00:53:34Oh, it does have a nice ass, though.
00:53:41Okay.
00:53:42Yes?
00:53:43What?
00:53:44Put it on the screen!
00:53:49How close is our sub?
00:53:56And the Americans?
00:53:59Get our divers in the water!
00:54:00Now!
00:54:01I want that film!
00:54:06Now!
00:54:07I want that film!
00:54:13Oh!
00:54:14Oh!
00:54:15Oh!
00:54:16Oh!
00:54:17Oh!
00:54:18Oh!
00:54:19Oh!
00:54:26Oh!
00:54:31Permission to come aboard, Corporal.
00:54:36Oh, yes, sir.
00:54:37Yes, sir, Captain Banner.
00:54:39It's Mr. Corporal, ma'am.
00:54:41Nice of you to drop in like this.
00:54:42I hope you didn't dress up on my account.
00:54:45Well, gee.
00:54:47Uh, Lieutenant.
00:54:50I've been running around a lot today.
00:54:52Rush the sub, close your fence on target, ma'am.
00:54:54Thank you, Corporal.
00:54:55Come on, Stephen.
00:54:56Your gear is down in the torpedo room.
00:54:58This way, sir.
00:55:00Captain Leading Bridge.
00:55:01Dive, dive.
00:55:14I'm Scott.
00:55:17Jacqueline, just what the hell is going on with this film?
00:55:21I've been going around here like...
00:55:22Stephen, I'll explain everything later.
00:55:24The Russians have to be stopped at any cost.
00:55:27Understood?
00:55:28Yes, yes.
00:55:29Captain, understood.
00:55:32I am, yes, ma'am.
00:55:35Sorry, Stephen.
00:55:36Just be careful, okay?
00:55:38Those guys are acting real serious.
00:55:40Would you look at that picture?
00:55:54What year is that taking, anyway?
00:56:07Still hiding your eyes and be kind of whining us, don't you, Stephen?
00:56:10Oh, Jacqueline.
00:56:11Oh, Jacqueline.
00:56:13I didn't know I didn't trust you, but...
00:56:15This whole hand...
00:56:16Besides, I've always been able to see right through me, anyway.
00:56:21You're so happy.
00:56:22Besides, I've always been able to see rights for you anyway.
00:56:26You don't fool me.
00:56:281983.
00:56:30Coyote.
00:56:31What?
00:56:32Oh, the picture, remember?
00:56:34Operation Coyote, I believe.
00:56:37Oh, yeah.
00:56:39Well, we sure got around, didn't we?
00:56:46How did I ever let myself get involved with you, Stephen?
00:56:49We didn't know the rules.
00:56:51Oh, rules, rules.
00:56:53No interpersonal relationships between agents, that's...
00:56:57Well, Banner, those are the rules, you know.
00:56:59I know.
00:57:00The agency's rules, Jack.
00:57:02Why do you think they call our unit S-O-V?
00:57:06The hell of them?
00:57:07The hell of Mr. E.
00:57:08May I have this?
00:57:10Stephen!
00:57:11Stephen, Guget!
00:57:12The locket looks really nice on you, Stephen.
00:57:25Do you really like it?
00:57:27Of course I do.
00:57:28I love it.
00:57:30They'll be my good luck job.
00:57:31Kind of like a gold dog tattoo, you know.
00:57:35Oh, that's the thanks I get for...
00:57:37Damn it, Jacqueline.
00:57:39I don't know why you always want to pick a fight when I gotta leave.
00:57:42Maybe it pisses me off.
00:57:44Well, I never could compete with all your women.
00:57:47Hey, there never was a contest.
00:57:51Especially me when you're done.
00:57:54Look, Stephen.
00:57:55You are what you are.
00:57:56And it feels like I'm just holding you back.
00:57:59Just holding, Jacqueline.
00:58:05I'm so proud of you, Stephen James, Ben.
00:58:08You're a long time.
00:58:10I'm always so strong.
00:58:12Tell that to my heart, George.
00:58:15I think if the moment is breaking,
00:58:18make sure you can't come, Jacqueline.
00:58:21What?
00:58:22To New Zealand?
00:58:23I'm afraid not, babe.
00:58:25I sure won't miss you, though.
00:58:28I'll always miss you.
00:58:37Stephen, I can watch you fight,
00:58:40and I can watch you win,
00:58:42but I will never watch you die.
00:58:45And that is the reality of you.
00:58:47That sometimes, some place in the world,
00:58:50when you let your guard down,
00:58:52some faces assassinated for you.
00:58:55And I think I'd rather not be there for that scene,
00:58:58if you don't mind, darling.
00:59:03And I...
00:59:05You have permission to fire, I can.
00:59:15Weapons time, you have permission to fire.
00:59:19Weapons time, you have permission to fire.
00:59:31Weapons time, you have permission to fire.
00:59:31You don't want...
00:59:33Fire.
00:59:34One.
00:59:34One.
00:59:49One.
00:59:50Let's go!
01:00:20Let's go.
01:00:50Let's go.
01:01:20Ladies and gentlemen, we have at great cost recover the film that Mr. E here so desperately wanted.
01:01:39Why, thank you, Captain Banner.
01:01:41I assure you, sir, your efforts will not go unrecognized.
01:01:45After viewing it, though, sir, I must say that this snuff movie Detective Brody obtained appears at first glance to be nothing more than one of those awful holiday horror movies we see in the theaters.
01:01:56But, of course, as all of us know in this room, the murders are real.
01:02:01Certainly, it does reveal the identity of a very sick little boy.
01:02:04And mainly that the killer is the grandson of one of Russia's most premier generals.
01:02:11Very damaging piece of blackmail.
01:02:13But if you want my opinion, Mr. E, and I'm sure that you do, I think in the spirit of glasnost and the friendship that we're now experiencing between our two countries, you should destroy this little film and put our agency to better use next time.
01:02:27That's enough, Captain.
01:02:28Banner, that's just not your call.
01:02:31All right.
01:02:31Well, if you'll excuse me, I do have a plane to catch.
01:02:35Oh, and I hope you're amused at this clever little piece of satire.
01:02:39But think hard about what you're going to do with this film.
01:02:43It was up to me.
01:02:44Quite frankly, I would burn it.
01:02:48Good day, gentlemen, ladies, detective, Mr. E.
01:02:54Enjoy.
01:02:58If you all remember, in the opening segment of this film, the young boy had just killed his mother and her lover.
01:03:07And that was in 1965.
01:03:10A detective, Brody, here had put him away.
01:03:13In the next portion, you'll see that young Mickey is back in action.
01:03:17Only now he's quite grown up.
01:03:21And very, very deadly.
01:03:26Just roll the film, Brody.
01:03:28Hi, Janie.
01:03:48You're just in time.
01:03:51Bobby's over here.
01:03:53Look, Bobby, Janie's here.
01:03:55I know.
01:03:56Hi, Bobby.
01:03:56Hi.
01:03:58Gosh, Mrs. Brown, what a beautiful tree.
01:04:00This year looks like Christmas in here.
01:04:02Thanks, Janie.
01:04:03Look, here's 20 bucks for pizza in case you get hungry.
01:04:07That should cover a tip, too.
01:04:09I'll be out real late tonight.
01:04:10And see that he doesn't get into his presents, okay?
01:04:14I know.
01:04:15No problem, Mrs. Brown.
01:04:16Bobby and I will be just fine.
01:04:18Bobby, now don't make a mess.
01:04:20I just had the place cleaned.
01:04:21I know.
01:04:23Ciao, everyone.
01:04:23I'm sorry.
01:04:28Sorry.
01:04:30Sorry.
01:04:32No, baby.
01:04:37Oh, God.
01:04:41Stop.
01:04:41Stop.
01:04:42I think I got him.
01:04:43I don't know.
01:04:44I don't know.
01:04:45It's okay.
01:04:46Come on.
01:04:47Thanks, Karen.
01:04:47I don't know.
01:04:48I don't know.
01:04:48I don't know.
01:04:48I don't know.
01:04:49I don't know.
01:04:49I don't know.
01:04:50Max, don't get so bent out of shape.
01:04:52No, I just love him so much.
01:04:54They said that he wasn't even you.
01:04:56Sure, just then I thought it was safe to come back into this apartment.
01:04:59Yeah, I knew you were going to say this.
01:05:01Sure you did.
01:05:02I had this really freaky dream about this big red moon,
01:05:06and it was just bleeding all over me.
01:05:08It was so corrupt.
01:05:10You know, I get crazy when there's a full moon.
01:05:13You mean, you mean you get crazy?
01:05:15You're nuts anyway.
01:05:17I got it.
01:05:18I got a word that's just going to kill you.
01:05:20Oh, yeah?
01:05:21Yeah.
01:05:21Try it.
01:05:22How do you spell fornicate?
01:05:24Fornicate?
01:05:25That's easy.
01:05:26F, you got that?
01:05:28Yeah.
01:05:28O, U, Q.
01:05:30You got that.
01:05:33But, Katie, I'm not sleepy.
01:05:35Shh, Bobby.
01:05:36Now you just close your eyes and get some rest.
01:05:39I'll try to get these people out of here as soon as I can.
01:05:43Remember, Santa's coming tonight.
01:05:45I need help.
01:05:50As strange and amusing as this might appear,
01:05:54keep in mind that every murder you see on this film is real.
01:05:58Rumors have it that a series of so-called snuff films were made
01:06:02using easily manipulated mental patients to commit actual murders.
01:06:07This particular film our experts have documented is absolutely authentic.
01:06:14And more important, the identity of this killer is what is of interest to us.
01:06:21Great interest.
01:06:53Oh, fuck.
01:06:53Oh, fuck.
01:06:54I didn't understand.
01:06:55I didn't understand.
01:06:56I didn't understand.
01:06:57I didn't understand.
01:06:58I didn't understand.
01:07:00Let me start off with you too.
01:07:02Figures.
01:07:23There we are.
01:07:37Lizzie.
01:07:39Oh, it was there.
01:07:53Attention, attention to all units, this is an all points bulletin for a heavy set man reportedly
01:08:08dressed in a red suit, black boots, white beard, and possibly a reindeer.
01:08:14And a tiny reindeer.
01:08:16The suspect escaped tonight from Sunnydale Sanitarium.
01:08:21His name is Mickey Schultz, uh, his alias.
01:08:25Get this gag.
01:08:26It's Kris Kringle.
01:08:29So he's back in town now.
01:08:31A real nut.
01:08:35You know what, Anderson?
01:08:36What, Brody?
01:08:38About 20 years ago, he killed his mother and his old man with a butcher knife on Christmas
01:08:44Eve.
01:08:45I never saw so much blood in my life.
01:08:48And I'll never forget it either.
01:08:50Watch it, Brody.
01:08:51A red light.
01:08:52Ah.
01:08:53Fuck him.
01:08:54I'm a cop.
01:08:55Anyway, we went in and we found the two of them layin' there cacked up like a side of beef.
01:09:03And that little monster's standin' there with a knife in his hands.
01:09:08My partner, Kelly?
01:09:09My partner, Kelly?
01:09:10He started pukin'.
01:09:11He started pukin' his guts out all over the place.
01:09:14Uh, excuse me, Brody.
01:09:15I think we should acknowledge that APB.
01:09:18Don't worry about it, Anderson.
01:09:19I got my own way of finding this one.
01:09:21One look into his dead black eyes, and I'll know him.
01:09:25He's a stone nut.
01:09:26Ever since he saw his mama kissin' Santa Claus, he's been crazy ever since.
01:09:31You know what, Anderson?
01:09:32When the doctors examined the kid's head, they found dog shit for brains.
01:09:34Thank you, Detective, for that illuminating and tasteful description of the murder.
01:09:51Shall we proceed?
01:09:53The next brutal murder takes place here.
01:09:57Hey, man.
01:10:07What's goin' on?
01:10:09Shoot, I'll check it.
01:10:12I gotta do everything myself.
01:10:27I gotta do everything myself.
01:10:28Please do everything my money is and downsize me.
01:10:31It's good to be so이나 for you.
01:10:32That's all my life.
01:10:33I'll come back and come back.
01:10:34Bye, man.
01:10:35I love you.
01:10:36But you know what, you know what it is.
01:10:37I love you.
01:10:38I love you.
01:10:39I love you.
01:10:40I love you.
01:10:41I love you.
01:10:43I love you.
01:10:44I love you.
01:10:45I love you.
01:10:46I love you.
01:10:47It's nice to be around the world.
01:10:48It's nice to be around.
01:10:50I love you.
01:10:51I love you.
01:10:52I love you.
01:10:53You love you.
01:10:54I love you.
01:10:55Could you like me?
01:10:56Well, I guess that's graphic enough
01:11:20to give us the general idea.
01:11:23Obviously, our murderer is quite mad.
01:11:26And he continues killing
01:11:27until there's only one girl left.
01:11:38Mmm.
01:11:39Want some?
01:11:40Mmm, yeah.
01:11:42Oh, in a minute.
01:11:44I gotta pee.
01:11:45Hey, watch your mouth.
01:11:46You're gonna have to learn how to talk more like a lady.
01:11:56Hey, Sherry.
01:11:59Get a load of this.
01:12:07Far out.
01:12:08My baby does it.
01:12:18Okay.
01:12:21Squish splash.
01:12:22Are you looking?
01:12:36John, what's all the racket going on?
01:13:00Oh, the tub.
01:13:04Oh, the tub.
01:13:04Oh, the tub.
01:13:18Oh, the tub.
01:13:22Oh, the tub.
01:13:24Oh, the tub.
01:13:26Billy, did you hear that?
01:13:39Oh, it's probably just Sherry.
01:13:41She's a moaner.
01:13:42Yeah, how would you know?
01:13:45Billy, hurry.
01:13:46I think you better go see what's wrong.
01:13:47No way, Jose.
01:13:49Please.
01:13:56I better call the police.
01:14:22Oh, my God, the phone's dead.
01:14:26So am I.
01:14:31I'll just fast forward this to get to the end.
01:14:37Now, the point is, is that these murders are real.
01:14:41And the cycle they use to commit them is none other than the grandson of General Alexey Grossoff of the USSR Secret Police.
01:14:52And he knows that we know all about it and won't hesitate to use it against him.
01:15:00And they know all about it.
01:15:01It's very interesting.
01:15:06Oh, my gosh.
01:15:07Oh, my God.
01:15:10Tell me.
01:15:10Oh, my God.
01:15:18Oh, my God.
01:15:19Oh, my God.
01:15:20Oh, my God.
01:15:21Oh, my God.
01:15:22Oh, my God.
01:15:22Oh, my God.
01:15:23Oh, my God.
01:15:24Oh, my God.
01:15:25Unh.
01:15:37Unh.
01:15:39Nobody.
01:15:41Unh.
01:15:46Unh.
01:15:52Unh.
01:15:55it's okay miss brody's in charge now oh no you're not detective
01:16:22as a matter of fact with this film in the hands of SOB we are very clearly in charge
01:16:31it is our intention to leak the information to the KGB and let them take care of their own
01:16:38it keeps our hands clean of all that messy business and
01:16:42gets rid of an adversary at the same time
01:16:52now you know why it was so important to obtain this evidence
01:16:59right mr. now you know soon the whole world will know that my grandson
01:17:11grew up to be a very sick man the worst part is he's still out there
01:17:22so
01:17:29so
01:17:37you're really very good Stephen James banner you know having this picnic is a
01:18:05great idea I'm just full of great ideas financial such as man a little more
01:18:12champagne please that crazy story you were telling me about that Mickey
01:18:17character is it really true in fact I really should be in danger I mean you
01:18:27are responsible for his papa's death I suppose I do have to take that chance don't I get down Franchella
01:18:36Franchella it's only
01:18:43just saving your ass again and it is such a nice ass Steven that little Franchella of yours just
01:18:53happens to be working at the Soviet embassy down here at the islands that should be back in
01:18:58Washington by now a tent Steven work is in everything you know people do change
01:19:05you're not kidding
01:19:09Steven it's so good to see you again but darling I thought you and me this was supposed to happen
01:19:23oh shut up and kiss me
01:19:25hey I thought that was my life guys
01:19:27same to me
01:19:30living on the edge without a prayer inside you got me walking on a ledge in the darkest part of night
01:19:47standing at the edge with so much laughter
01:19:53I thought that was my life I thought I probably thought that was my life
01:20:04but I have to take that check out a little bit of joy I thought that was my life
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