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Short filmTranscript
00:00:00Transcribed by ESO, translated by —
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00:05:59This fresh herb tea is grown right here in her garden.
00:06:07I hope you realize just how lucky you are.
00:06:11She doesn't normally allow anyone to interview her.
00:06:15Well, we went to a lot of trouble just trying to find her.
00:06:19And this is quite an honor for me.
00:06:22Oh, please. Now, you said you had something special to give her?
00:06:26Ah. Well...
00:06:28You're a lucky man.
00:06:29Usually the earth has to move before she'll meet anyone.
00:06:33What did you say has to move, Mino?
00:06:35Oh, the earth, ma'am.
00:06:37I was just talking to these gentlemen about the earthquake this morning.
00:06:42My word, yes. Wasn't that something?
00:06:45You know, I thought my time had finally come.
00:06:50How do you do? I am Chiyoko.
00:06:53It's a great honor to meet you.
00:06:55I... well, this is a great and memorable day for us.
00:06:59No need to be so formal.
00:07:02Oh. Studio...
00:07:05Studio Rutasu.
00:07:06You know, the lotus?
00:07:08Oh, I love lotuses.
00:07:11I must confess, I already knew that.
00:07:14It's how the studio got its name.
00:07:16They'll soon be in bloom.
00:07:19In my garden.
00:07:21In poetry, the lotus is a symbol of...
00:07:24Purity. Yes. Simple purity.
00:07:30Well now, Mr. Takibana.
00:07:32You, uh...
00:07:34Oh, uh...
00:07:35Yes, of course.
00:07:36Forgive me.
00:07:43I...
00:07:43I kept hold of this.
00:07:46I kept hold of it, hoping...
00:07:48That eventually I might find you.
00:07:51So...
00:07:52I haven't thought about this for years.
00:08:00Was it...
00:08:01Was it the key to something important?
00:08:04Oh, yes.
00:08:06The key to the most important thing there is.
00:08:11Thank you for bringing this.
00:08:13But...
00:08:14Where did you find it, Mr. Takibana?
00:08:17Uh...
00:08:18Well, let me see now.
00:08:20I...
00:08:20That is, someone found it...
00:08:22At the old Guinea Studios, I...
00:08:24Think.
00:08:26I never thought I would hold this in my hands again.
00:08:32Ah!
00:08:33Not again!
00:08:34Oh, it would seem the Earth is telling us to get started.
00:08:46Shall we begin the interview, Mr. Takibana?
00:08:50Oh, yes, of course.
00:08:53My life has always felt tied to earthquakes.
00:08:57In fact, I came into this world during a particularly violent one.
00:09:04It was the Great Kanto Earthquake.
00:09:08My father had so wanted a child.
00:09:11But he was killed.
00:09:14It was as though his life had been taken in exchange for mine.
00:09:20My mother ran the business he had left, and...
00:09:24We were able to live comfortably enough.
00:09:31I grew up in a very dangerous world.
00:09:34One period of unrest and turmoil followed another.
00:09:39And the political ideology of the day had veered sharply to the right.
00:09:51Not that I cared much.
00:09:54Girls' magazines were more important to me back then.
00:09:57I'd gaze at the pictures for hours, dreaming of the day I should meet my prince.
00:10:04And this was around the time that the studio discovered you?
00:10:09Yes.
00:10:10Although I don't suppose I'll ever really know what the Guinea studio executive saw in a snub-nosed little girl like me.
00:10:18Madam, is there nothing I can say?
00:10:31Nothing.
00:10:32Sir, my mother believes that...
00:10:36To be an actress is to be a member of a somewhat dubious profession.
00:10:41A dubious profession?
00:10:42She called it that?
00:10:43Madam, our new film is to be set in Manchuria.
00:10:49Think what a boost it'll be to the morale of our soldiers there, and how much it will mean to the whole country.
00:10:55Surely Chiyoko would be proud to be of service to her homeland.
00:10:59I... you...
00:11:01Oh, this timid child's no actress.
00:11:03She will have more than enough to do in finding a husband, taking over the running of the store, and, of course, raising a family.
00:11:11Don't worry.
00:11:12A candy store means more than her country!
00:11:15Well, a woman can serve her country by staying at home and raising a family.
00:11:20Or am I mistaken?
00:11:24Huh.
00:11:31Oh, I like that!
00:11:43Oh, my God.
00:12:13Hey, I...
00:12:14What are we shooting?
00:12:23Keep filming.
00:12:25I feel like a stalker, man.
00:12:33I'm sorry. Are you alright?
00:12:37I was in a hurry.
00:12:43This is how it all begins.
00:12:49All I can see is your head.
00:12:55He's not here!
00:12:57Go that way!
00:12:58Oh, my God.
00:13:13Did you see a man come down this way?
00:13:16Carrying something wrapped in a cloth, perhaps?
00:13:19He ran down that way.
00:13:36Come on!
00:13:37Huh?
00:13:41Hey!
00:13:42Oh, my God.
00:14:12I want to know who that guy is.
00:14:42Could I see?
00:14:45It's nothing. Just a sketch.
00:14:48It's to help me remember so I can finish the painting when I get home.
00:14:53By which time it will be winter there.
00:14:55And so white.
00:14:58White as far as the eye can see.
00:15:00I want to set my easel up in the midst of all that snow.
00:15:06To finish the painting when I'm so cold that it hurts.
00:15:11In those pure wet surroundings you feel...
00:15:14As though you're standing on a strange and distant planet.
00:15:19I'd love to go. To see that.
00:15:29Why not? I'll invite you myself.
00:15:32When all this madness is over and peace has come to my homeland.
00:15:36Oh, look. The full moon.
00:15:47That's not until tomorrow.
00:15:49But I like this moon the best.
00:15:51After the full moon everything starts to wane.
00:15:56But with this penultimate moon there is still tomorrow.
00:16:01And so there is still hope.
00:16:02I have to go now.
00:16:07What? But you can't. You're hurt.
00:16:10Even now my friends fight in Manchuria.
00:16:14But a paintbrush isn't much use where they are.
00:16:18Do one thing for me.
00:16:21And take this.
00:16:24It's the key to the most important thing there is.
00:16:27What's the most important thing?
00:16:31Take a guess.
00:16:32Oh, I don't know.
00:16:37But please don't tell me.
00:16:39I bet I can guess it tomorrow.
00:16:41Is it a deal?
00:16:53So tell us everything.
00:16:54You've fallen in love with someone, haven't you?
00:16:57First love.
00:16:58I have not.
00:17:11That's just so sweet.
00:17:12Yeah, I guess you forget how hard it is to be young.
00:17:15I'm fine.
00:17:17I'm fine.
00:17:18I'm fine.
00:17:19I'm fine.
00:17:20I'm fine.
00:17:20Oh.
00:17:50Isn't that the same old key you gave her?
00:18:05He can't have gone that far. Come on, look everywhere!
00:18:18Oh, Miss Chiyoko!
00:18:21You're safe!
00:18:22Thank heavens! There was a thief hiding in the stockroom!
00:18:26It's all right. He made it to the station.
00:18:29I'm so glad that you weren't harmed, Miss.
00:18:34Way to go. Good call.
00:18:37Come on.
00:18:59Come on.
00:19:00Come on.
00:19:16Oh, man.
00:19:30This is, like, hard work, chief.
00:19:42Wait!
00:19:54I'll come.
00:19:56I will.
00:19:58I'll come to you.
00:20:00That's what I call dramatic.
00:20:08I know.
00:20:11Whoa.
00:20:12So sad.
00:20:14I cry every time I watch this scene.
00:20:18When did this become a movie?
00:20:22Right then.
00:20:24That's when I decided to become an actress.
00:20:26Yes.
00:20:27Yes, I understand.
00:20:28And how did it begin?
00:20:32Say what?
00:20:34Remember the executive?
00:20:36And what he said about the next film?
00:20:39That it was to be made in Manchuria.
00:20:43Manchuria?
00:20:44Of course.
00:20:45I can't thank you enough, Chiyoko.
00:20:49But I had a feeling you might say yes.
00:20:51You were right, sir.
00:20:53I have a duty to serve my country.
00:20:56Don't I, Mother?
00:20:57Hmm.
00:20:58Now I get it.
00:21:00You did it because you were following that man, weren't you?
00:21:04Yep.
00:21:04I really didn't care about the movies at all.
00:21:08Chiyoko!
00:21:12This is Chiyoko.
00:21:13She'll be playing the lead in this movie.
00:21:15How do you do?
00:21:17I don't need to ask if you recognize Shimao Eko.
00:21:21Not just our own, but the country's biggest star.
00:21:24What nonsense.
00:21:25Nice to meet you, Chikei.
00:21:26My, we do look pensive.
00:21:47Hey, what do you think you're doing?
00:21:51Isn't that...
00:21:53Give it back to me, please.
00:21:54It looks like Uncle did it.
00:21:56Finally found me an actress.
00:21:59Well, you certainly don't waste any time.
00:22:05Getting a grip on things.
00:22:07Chiziko, right?
00:22:09Chiyoko!
00:22:10I see.
00:22:11Well, this is Mr. Otake, the executive's dearest nephew,
00:22:14and a very promising director.
00:22:17Mr. Otake just loves auditioning actresses.
00:22:23Sorry, I shouldn't be such a tease.
00:22:26It's just someone left this with me.
00:22:29It may sound silly, but if I see him in Manchuria, I can give it back.
00:22:33We're not going there for fun, you know.
00:22:36So who is he?
00:22:38What's the guy's name?
00:22:40I'm not sure.
00:22:41So how will you find your mystery bow?
00:22:45Well, I know he paints.
00:22:46Paints what?
00:22:47I'm not sure.
00:22:49Not sure of that either?
00:22:51No, I'm not.
00:22:53But he is in Manchuria.
00:22:55I'm sure of that.
00:22:57Oh, really?
00:22:59I've never heard of a man like that.
00:23:01Yes, I remember this.
00:23:03But I'm sure that he's around here somewhere.
00:23:08Look, kid, I don't need amateurs hanging around here.
00:23:10Get it?
00:23:11You can't get rid of me.
00:23:13I won't give up that easily.
00:23:15I crossed an ocean to get here, but you don't understand.
00:23:19Now I...
00:23:20I just can't...
00:23:23Otake!
00:23:24What the hell is going on here?
00:23:26This child doesn't even know her damn lines.
00:23:29Okay, okay.
00:23:30Listen, Chiyoko.
00:23:35Just be the character.
00:23:36If you can do that, the lines will come pouring out of your mouth as though you were born to say them.
00:23:41Yes, sir.
00:23:42See, I told you.
00:23:43This is no role for an amateur.
00:23:47I just want...
00:23:48I just want to see him one more time.
00:23:53Uh...
00:23:54Beautiful.
00:23:55Beautiful!
00:23:56Let's go for a take.
00:23:57Move it, everyone.
00:23:58You were great in that.
00:24:01That was quite impressive.
00:24:03So, you can actually act.
00:24:08Hey, what's getting into you?
00:24:09You freaking out?
00:24:11Have you got any clues yet?
00:24:13About the guy who owns the key?
00:24:14Surely you're not about to give up on your adventure.
00:24:21Why don't you try a fortune teller?
00:24:26There's one quite near here.
00:24:28Really knows his stuff, so I'm told.
00:24:30Well, now, the man you are searching for is in the north.
00:24:40He's very tall, and he's a painter.
00:24:43Oh?
00:24:44Would he happen to be searching for a key?
00:24:48That's him.
00:24:49You know him?
00:24:49If it is the same man, then perhaps...
00:24:57I know it's him.
00:24:59Please tell me where I might find him.
00:25:00I'm not...
00:25:01I'm not...
00:25:01I'm not...
00:25:02I'm not...
00:25:02I'm not...
00:25:03I'm not...
00:25:03I'm not...
00:25:04I'm not...
00:25:04I'm not...
00:25:05Well, it wasn't very professional to leave the chute, huh, Chief?
00:25:17You're too young.
00:25:19You just don't understand women.
00:25:21Oh, I suppose you're the world's greatest authority?
00:25:29Whoever this guy is, he's one lucky dog.
00:25:32Having a girl like that willing to follow him this far.
00:25:35I wish I were that dog.
00:25:45Chiyoko!
00:25:46Chiyoko!
00:25:47Must be nationalists!
00:25:49Or the communists!
00:25:51Look, there!
00:25:58Chiyoko, it's Fujiwara!
00:26:01Whoa, is this really happening?
00:26:04Can you hear me?
00:26:08Speak to me, Chiyoko.
00:26:09Please speak to me.
00:26:12Forgive me.
00:26:13I'm sorry.
00:26:14Come on, Chief.
00:26:15We need to get out of here.
00:26:16Now!
00:26:16Help!
00:26:17Because of the icons.
00:26:17Help!
00:26:18Ah!
00:26:20Oh!
00:26:29Oh!
00:26:29Oh!
00:26:30Oh!
00:26:30Oh!
00:26:31Oh!
00:26:31Oh!
00:26:34Ugh!
00:26:35Oh!
00:26:35ville!
00:26:36Oh!
00:26:36Oh!
00:26:37Oh!
00:26:37Oh!
00:26:38Oh!
00:26:38Ah!
00:26:39Oh!
00:26:39Oh!
00:26:40Oh!
00:26:40Oh!
00:26:41Oh!
00:26:42What the? Hey, where'd all the bandits go?
00:26:56What is it? What's going on?
00:26:59I've been asking that question all day.
00:27:02And what the heck happened to Manchuria?
00:27:06Look out! Down!
00:27:12Your royal highness! Tell me, where is he? My lord is in the castle.
00:27:22Your highness, you mustn't!
00:27:25No!
00:27:25My lord. Oh, no. My lord.
00:27:46Why did you go, my lord? Why did you not wait for me?
00:27:55No. It's so sad.
00:27:57Hey, get a grip, chief.
00:27:59Oh, my lord.
00:28:00Oh, my lord.
00:28:01Stay your hand.
00:28:15Are you a ghost or a spirit? Why do you haunt me?
00:28:35Call me what you will, child. You do not know me, but I know all about you. I have known you all your life, since the day you were born.
00:28:47Be that as it may, why are you here before me?
00:28:51Tell me now, old hag. Have you come to help me die?
00:28:54Take this and drink it. That which you may not find in this world will most certainly be found in the next, my child.
00:29:09And if I'm to find it, I must die?
00:29:13He awaits you there.
00:29:15Oh, my lord.
00:29:45You have drunk the tea of life that will last a thousand years. You will burn forever in the flames of eternal love.
00:29:55You lied to me.
00:29:56Yes, I lied to you, you fool, because I hate you more than I can bear. And yet, I also love you more than I can bear my child.
00:30:08One day, you will understand.
00:30:11One day, you will understand.
00:30:26Uh, where are you going?
00:30:38Ah, damn it.
00:30:40Your Royal Highness, I...
00:30:42Gannemon, Marshal of Nagato, at your service, ma'am.
00:30:50Since when exactly?
00:30:51In order to save your Highness, Nagato will give up his own worthless life.
00:30:57I thank you, but I shall never leave my lord.
00:31:07Go, spirit. Go to hell.
00:31:10Highness, I regret to inform you my lord has been taken prisoner.
00:31:14Is it true? My lord is still alive?
00:31:17Highness, you must return to your land immediately.
00:31:21Now I shall save my lord.
00:31:38Keep up with us!
00:31:41Yeah? Well, it ain't that easy.
00:31:44Your Highness!
00:31:46Keep going! I must get to my lord!
00:31:51No!
00:31:53No!
00:32:06Nagato!
00:32:09Oh, Your Highness!
00:32:12No!
00:32:13No!
00:32:14Nagato!
00:32:17Your Highness!
00:32:20Nagato, I will never forget your loyalty!
00:32:23Fortune smiles on you!
00:32:30Oh, it seems like only yesterday.
00:32:36Don't mind me, I couldn't help myself.
00:32:39Oh, please don't apologize, Miss Fujiwara.
00:32:41I enjoyed it, and it was an honor just to be involved.
00:32:45You're too kind.
00:32:47Now then, I...
00:32:48Oh no, I'm sorry, it's no good.
00:32:50Where was I?
00:32:51Uh, you were breaking through the enemy.
00:32:54Like where Nagato gets horribly wounded?
00:32:57Oh yes.
00:32:59Yes, and of course they had a prisoner.
00:33:03Well, I had to help him somehow.
00:33:11Shh.
00:33:34What's going on?
00:33:35What's going on?
00:33:36Ambos!
00:33:36Ambos!
00:33:37Oh my God, the prisoner!
00:33:39Don't let him escape!
00:33:42It's me.
00:33:43Don't worry, you're safe now.
00:33:46Think you can outwit me, girl?
00:33:48Well, think again!
00:33:56Did the princess really do that?
00:33:59Ha!
00:33:59Behind you, Chiyoko.
00:34:19Put an end to this.
00:34:20Finish her.
00:34:21Not so fast.
00:34:24What?
00:34:25Who are you?
00:34:26Answer me!
00:34:26Oh boy, not again.
00:34:33My name is of no importance, samurai.
00:34:37Every time I turn around, you're there.
00:34:41Kill the interloper!
00:34:51Sorry, but I am not yet ready to die.
00:34:54But why are you looking out for me like this?
00:34:57That I'm afraid I cannot help.
00:35:00Just as you could not help but come to the rescue of that young man,
00:35:04it's the same with me.
00:35:07Yes, but I'm...
00:35:08I'm in love with that man.
00:35:10There is nothing more to say.
00:35:13Go now, you can leave the rest to me.
00:35:16Go at once.
00:35:17I do not want your thanks.
00:35:19To die for the woman I love.
00:35:24Yes, it has always been my desire.
00:35:27Yeah, and it's my desire to get you some therapy.
00:35:31Ha!
00:35:31Face me!
00:35:32One at a time or all together.
00:35:35Wait!
00:35:36Look!
00:35:36Reinforcements are coming!
00:35:37Ha!
00:35:38Ha!
00:35:38Ha!
00:35:38Ha!
00:35:38Ha!
00:35:38Ha!
00:35:39Ha!
00:35:39Ha!
00:35:39Ha!
00:35:39Ha!
00:35:40Ha!
00:35:40Ha!
00:35:41Ha!
00:35:41Ha!
00:35:42Ha!
00:35:42Ha!
00:35:43Ha!
00:35:43Ha!
00:35:44Ha!
00:35:45Ha!
00:35:45Ha!
00:35:46Ha!
00:35:46Ha!
00:35:47Ha!
00:35:47Ha!
00:35:48Ha!
00:35:48Ha!
00:35:49Ha!
00:35:49Ha!
00:35:50Ha!
00:35:51Ha!
00:35:52Ha!
00:35:53Ha!
00:35:54Ha!
00:35:55Ha!
00:35:56Ha!
00:35:57Ha!
00:35:58Now where is he?
00:35:59Tell me!
00:36:00Ha!
00:36:01Ha!
00:36:02They weren't so tough.
00:36:03Ha!
00:36:04Ha!
00:36:05Wait for me, Chiyoko!
00:36:07Ha!
00:36:08Wait!
00:36:09I'm coming!
00:36:10By now, child, his head will already be on display in the Capitol.
00:36:13In Kyoto?
00:36:14No!
00:36:15It's all over for him, and now, it's time for you!
00:36:19Kyoto!
00:36:20Ha!
00:36:21Ha!
00:36:22Ha!
00:36:23Ha!
00:36:24Ha!
00:36:25Kyoto!
00:36:26He's in Kyoto!
00:36:32Lies, have pity!
00:36:33no pity I will not let you see him but I'll come back I promise I just want to
00:36:40visit him once to see him once and give him what is his why should he see you a
00:36:45man about to be executed is not in need of anything or maybe you want to see
00:36:50him just to gloat you poor little fool yes child you may pursue him all over
00:36:58the world follow him for as long as it takes but you cannot escape your fate
00:37:02there's no escape not for you or for her don't just stand there gawping you fools
00:37:12take her away come on you so now we're in Kyoto hey faster
00:37:28than a speeding bullet train in another age too oh love in the outfits guys
00:37:34uh where where is she huh where where is choco now you know chief you're not
00:37:43dressed for this period
00:37:46don't you stare at me like that I taught you everything you know and you have
00:38:00brought shame upon me you will listen to reason what a little fool making aiko
00:38:07lose her temper like that she got what she deserved she's too stuck up she
00:38:12doesn't know her place just because a few men like her she thinks she's a geisha
00:38:16watch her oh and make sure she doesn't run away again yes ma'am
00:38:23wasn't this supposed to be a documentary oh love the hair by the way damn right it is boy and it's
00:38:34called the seven specters the legend of chiyoko Fujiwara
00:38:40great you old guys are so dramatic
00:38:45are you feeling all right miss I'm fine really thank you now you must leave
00:38:57everything to me well this way come on oh now from what I understand he's in the city
00:39:08oh surely you don't think I'd leave you locked up here thank you I shall never forget what you've
00:39:16done for me oh when you first came here I felt that I knew you already I hoped one day that I could
00:39:23help you never since that time Chiyoko ever since that fateful moment when I first set eyes on your
00:39:30I have felt oh Chiyoko I really should pay attention
00:39:39did you hear it was a jailbreak yes some of those rebel samurai got away
00:39:50oh
00:39:52oh
00:39:53oh
00:39:57oh I'm so sorry
00:40:15but it's me do you not remember oh you must it was a winter's day much like this that we first met
00:40:29I want to oh I've been searching for you everywhere
00:40:37I wanted to give this back to you
00:40:44over here
00:40:46wait your key
00:40:49come back I have it here
00:40:51keep it until we meet again
00:40:58over here hurry
00:41:05a samurai ran down this way I think that you saw him
00:41:15you will tell me where he went
00:41:19the man that you want ran in that direction
00:41:24one moment
00:41:28I've seen you before
00:41:30there's something you're not telling me something you're trying to hide
00:41:40tell me now it could be your last chance which way did he go
00:41:45have no fear miss I am here to protect you
00:41:52right here in the nick of time to rescue us all
00:41:57you scum you're one of those anti-government rebels and you're the kind of fool who doesn't
00:42:03don't realize when his time has come
00:42:15climb aboard and leave them to me
00:42:20I guess she took me at my word
00:42:33want
00:42:35help
00:42:36me
00:42:44cap
00:42:50Hey, be careful down there.
00:43:14You're going to strain something.
00:43:16You show such kindness to a humble man.
00:43:20It's an honor to serve someone with such compassion, someone who...
00:43:24And what do you think you're doing skipping school, miss?
00:43:48Off to meet some young man, some human rights agitator maybe.
00:43:53I...
00:43:54Please, I don't understand.
00:43:56We have proof, girl.
00:43:58It would seem this man left you a little memento on your storeroom wall.
00:44:03He did that?
00:44:04I mean...
00:44:05What?
00:44:06So you do know him.
00:44:09That's all I need.
00:44:10Hmph.
00:44:11We'll continue this at this station.
00:44:13You can tell us the whole story there.
00:44:15You really are a stubborn little girl, aren't you?
00:44:36Why couldn't you just tell them what they wanted to know?
00:44:43I can't tell them anything because I don't know anything.
00:44:51And even if I did know something, I wouldn't tell them.
00:44:56I never betray him.
00:44:59Really?
00:45:01Hmph.
00:45:02Listen to the little fool.
00:45:04Sure, you say that right now.
00:45:07But wait and see, my girl.
00:45:09Your feelings will change given enough time.
00:45:11I'll never change.
00:45:12You'll never understand.
00:45:14I love him more every day.
00:45:16Hmph.
00:45:18They're all the same.
00:45:20They're all men.
00:45:22Well, she would say that.
00:45:25I hear she gave her man all the money she'd ever earned.
00:45:28That's right.
00:45:29Then the swine ran off with someone else.
00:45:31Really?
00:45:32I could do with a woman like that with money.
00:45:38Huh?
00:45:39Is that you, Chief?
00:45:44Now what?
00:45:49No, no, no.
00:45:50Don't tell me.
00:45:51I have come to take you to safety.
00:45:55Who are you?
00:45:57Have you forgotten?
00:45:59Nagato, a humble rickshaw man.
00:46:02And I'm here as I promised.
00:46:04Here to repay your kindness.
00:46:09So is this...
00:46:17Am I really going to be released?
00:46:20Didn't I tell you you would be?
00:46:22Let's go.
00:46:23Yeah, go.
00:46:25We don't need you anymore.
00:46:26We caught him anyway.
00:46:27Huh?
00:46:43Wait!
00:46:44Please!
00:46:45Wait!
00:46:46Listen to me!
00:46:47You can't!
00:46:48Stop!
00:46:49You can't!
00:46:51Open the door!
00:46:52Open the door!
00:46:53Open the door!
00:46:54I just want to see him!
00:46:55You can't leave me like this!
00:46:57I'm begging you, please open the door!
00:47:09Let me see him!
00:47:11I must see him!
00:47:12I must see him!
00:47:13I must see him!
00:47:14I must see him!
00:47:18Please!
00:47:19Oh!
00:47:20Oh!
00:47:28Now where are we going?
00:47:29To what's this, Syfy?
00:47:57You idiot!
00:47:58Is this your idea of gratitude?
00:48:07But the storehouse!
00:48:09It's on fire!
00:48:10I must go!
00:48:11Oh!
00:48:13You little idiot!
00:48:15What are you thinking?
00:48:16That you can just throw your life away?
00:48:18Chiyoko!
00:48:19Chiyoko!
00:48:20Chiyoko!
00:48:21Chiyoko!
00:48:22Hurry, Chiyoko!
00:48:23Come back here!
00:48:24Chiyoko!
00:48:25Hurry, please!
00:48:26Chiyoko!
00:48:27Hurry!
00:48:28Come with me!
00:48:48Chiyoko!
00:48:49He is the one who has ever been in for this,
00:48:50Our delicious dinner!
00:48:51The food sweetness is so popular!
00:48:52We go beyond the food,
00:48:54We go beyond the food!
00:48:55Your delicious dinner!
00:48:56You can't eat now!
00:48:57The food!
00:48:58You can eat all that.
00:48:59The food at night!
00:49:00The food!
00:49:01The food!
00:49:02Chiyoko!
00:49:03The food!
00:49:04The food!
00:49:05The food!
00:49:06The food!
00:49:07The food!
00:49:08The food!
00:49:08The food!
00:49:09The food!
00:49:10I don't know.
00:49:40Ah, what is that?
00:50:10I don't know.
00:50:40Chiyoko!
00:50:42This isn't good.
00:50:45Chiyoko.
00:50:47Chiyoko, speak to me.
00:50:49I think she's...
00:50:53Chiyoko!
00:50:54You cannot escape!
00:51:11You cannot escape!
00:51:13Ha ha ha ha ha ha ha!
00:51:17Ha ha ha ha ha!
00:51:21Are you all right?
00:51:37I'm really sorry.
00:51:39I had no idea that you were ill.
00:51:41Oh, I'm fine.
00:51:43Never listen to doctors.
00:51:45They think that old people are always sick.
00:51:50We'll come back another day if that's more convenient.
00:51:54Please stay.
00:51:55Come another day.
00:51:56I may not remember anything.
00:51:59So, anyway, after the war had ended, it was all we could do to survive.
00:52:12We had no food and no clothes.
00:52:17The desire to make good films was often all that kept us going, kept us sane.
00:52:23Every single day.
00:52:25Every single day was busy.
00:52:32But I always believed that I would meet my love again someday.
00:52:36The world had changed, of course, and I had absolutely no idea how to find him.
00:52:47What could I do?
00:52:50I guess there was always the chance he'd see one of my films.
00:52:56That's right.
00:52:57In the mid-fifties, you were at the absolute peak of your career.
00:53:01Huh?
00:53:02No, I don't believe it.
00:53:05It's you.
00:53:06My secret's out.
00:53:10You mean that you yourself were at Guinea in Otaki's unit?
00:53:16Well, yes.
00:53:18But in much too minor a position for you to have even noticed me.
00:53:22Why the secrecy?
00:53:23Oh, you should have told me.
00:53:25I...
00:53:26Well, you know, I...
00:53:27It's not like I was a director or even one of the crew chiefs.
00:53:32Besides, I was always making Mr. Otaki angry.
00:53:36Genya Takebana, at your service, sir.
00:53:46Just don't screw up, okay?
00:53:49Miss Eiko, this is Genya, the new apprentice.
00:53:51I've long been a great admirer of the scenes between you and Shioko Fujiwara.
00:53:57Yes, she's learned a lot from me.
00:53:59Don't ever mention Shioko in front of her, idiot.
00:54:08Remember one thing, kid.
00:54:10In this business that we call show, we flatter both the audiences and the actresses, see?
00:54:17One of these days, I'll show you how.
00:54:19Right, thanks.
00:54:21Catch.
00:54:21Got it.
00:54:27Well, I certainly fell for it, didn't I?
00:54:30Otaki.
00:54:31In movies, the director is a lot like a painter.
00:54:51A painter may look for a color.
00:54:53Something which he uses to create beauty, affection.
00:54:58I've been lucky to find an astonishing color for my canvas.
00:55:03And that color is you, Shioko.
00:55:12Ha!
00:55:12Well, look at him.
00:55:15Trying to seduce her with an old line like that.
00:55:18Yeah, I should give it a try.
00:55:32Oh.
00:55:38I'm sorry.
00:55:39I'm sorry.
00:55:48Why, you dirty, rotten, little...
00:55:53Excuse me.
00:56:11I'm home.
00:56:34I thought I told you to say no to all of them.
00:56:37Now, look, you can't be everybody's princess forever, you know.
00:56:40A woman's happiness only comes from making a home.
00:56:44Your mind is in the clouds.
00:56:45You need to come back to Earth.
00:56:47But, Mother, I've got to...
00:56:49You realize all the anti-government rebels were set free a long time ago.
00:56:55And he hasn't thought about you, has he?
00:56:58That's not true.
00:56:59I'm going to find him.
00:57:00How?
00:57:00When you don't even know if he's dead or alive.
00:57:05He's alive.
00:57:06I know he's alive.
00:57:07You won't be young forever.
00:57:09But we promised that we would meet someday.
00:57:13You're too old to have the same dreams you had as a girl.
00:57:26Cut!
00:57:27All right, what's wrong?
00:57:34Oh, dear, not again.
00:57:37Well, this old woman needs to take a break, gentlemen.
00:57:41Okay, everybody, take five.
00:57:43The key's gone.
00:58:02Yes, of course.
00:58:04Today is the day that it happened.
00:58:08Miss Aiko?
00:58:10Miss Aiko?
00:58:10Miss Aiko?
00:58:10Miss Aiko?
00:58:10Miss Aiko?
00:58:10Miss Aiko?
00:58:13Is it time for lunch?
00:58:14No, not quite yet, little soldier.
00:58:17Genya, get out onto the set, would you?
00:58:19We can't have our precious princess upset, can we?
00:58:23Please, look everywhere for it.
00:58:26I have to find it.
00:58:27It has to be around here somewhere.
00:58:29Genya, don't just stand there.
00:58:32Go and help look for this thing.
00:58:36Yes, sir, right away.
00:58:40What are we looking for?
00:58:42We're looking for Chiyoko's key.
00:58:44Okay, okay.
00:58:48So Aiko stole Chiyoko's key.
00:58:51Bummer.
00:58:51But we didn't know that at the time.
00:58:55And in the end, the key was nowhere to be found.
00:58:59It couldn't just get up and walk.
00:59:01It must be here somewhere.
00:59:04Hey, Chiyoko.
00:59:05What exactly is it the key to?
00:59:07Yeah, tell us.
00:59:08We have to know.
00:59:09Yeah, what was it for?
00:59:10Tell us, miss.
00:59:11Very well.
00:59:12Somebody I once knew.
00:59:16Somebody very dear to me gave it to me to keep for them.
00:59:21Oh, miss, was it your boyfriend?
00:59:23Her steady.
00:59:24What's he look like?
00:59:25What was he like?
00:59:26Was he nice?
00:59:28What did he look like?
00:59:29Yeah, miss, tell us.
00:59:30Oh, who did he look like?
00:59:31Yeah, please, miss, tell us.
00:59:32Like a famous actor?
00:59:34Did he...
00:59:35I can't...
00:59:38I can't remember.
00:59:42Not even his face.
00:59:55I loved him so much.
00:59:59And I can't even remember his face.
01:00:12Oh, I'm sorry.
01:00:14Oh, no.
01:00:15No, not at all.
01:00:17This tea has a wonderful aroma.
01:00:20It's herbal tea.
01:00:22Grown in my own garden.
01:00:27Well, I think I'm ready to continue.
01:00:30Of course.
01:00:31Soon after the key disappeared,
01:00:34you went off and got married.
01:00:37Yes.
01:00:38I married Otaki.
01:00:41It was as though I'd lost part of my heart with that key.
01:00:46And I was too old to just carry on dreaming, so...
01:00:49Yesterday, at exactly 11.47 PM, Kathleen and I,
01:01:00seven American astronauts were launched into space,
01:01:03based here at Cape Navajo.
01:01:06You're on watch for the rocket.
01:01:08Everything goes well.
01:01:11Mission.
01:01:12Damn it.
01:01:19Oh, my God.
01:01:49Well, at least now she knows.
01:02:07Knows what, Eiko? Would you like to explain?
01:02:11It was a farce, my dear.
01:02:13By a so-called great director who wanted to win a popular actress.
01:02:18And I was stupid enough to agree to take the role of thief.
01:02:23And yet, where you were concerned, my conscience has plagued me with guilt.
01:02:29And the fortune teller, well, it was a particularly dirty trick.
01:02:34Whoa.
01:02:35It was wrong. I know it was wrong.
01:02:38But back then, I would have done anything to get rid of you.
01:02:42Did you know where he was, Eiko?
01:02:43How could I have known anything but someone, I'm sure someone, found out about my little deception.
01:02:52But, but why?
01:02:58What had I ever done to you to deserve it?
01:03:01I was jealous, okay?
01:03:03Jealous of your youth?
01:03:05And jealous of how your love for one man kept you young?
01:03:09Whereas I, I got stuck playing the older woman.
01:03:13The one that you'd always come up against.
01:03:17But I'm too old and I'm too tired.
01:03:19I can't hate you anymore.
01:03:21Hey, come on. This is all buried in the past, right?
01:03:24Uh, excuse me?
01:03:31Look, can't you see we're in a meeting? Come back later.
01:03:35Yes, but there's somebody here.
01:03:38They want to see Miss Chiyoko.
01:03:40You are Miss Chiyoko Fujiwara, aren't you?
01:03:59What do you want this time?
01:04:00I'm so sorry.
01:04:07You know who I am, don't you?
01:04:10Get lost, creep!
01:04:16I don't blame you for hating me.
01:04:19I was evil.
01:04:20As evil as those I served and helped sustain in their views of power.
01:04:25And now I am on a journey of atonement.
01:04:28For the sins that I committed before the war,
01:04:32a dissident artist that we held once had left us for you.
01:04:37He said he was in your debt and he wanted to thank you.
01:04:42Please forgive me.
01:04:47I am most truly sorry.
01:04:58Chiyoko, wait.
01:05:10Wait.
01:05:10Hey!
01:05:28It bothers me that I wasn't able to thank you for your kindness.
01:05:34I want to see you, more than anything.
01:05:38But the war grows more intense by the day.
01:05:43When at last this war is over and real peace is finally here,
01:05:48I'll go home to Hokkaido and finish that painting.
01:05:53And someday I'd like to show you that starry sky and the pure, pure whiteness of the snow.
01:06:03Just as I promised you I did.
01:06:06And you'll agree.
01:06:08It's like a strange and distant planet.
01:06:15This, it's the key to the most important thing there is.
01:06:19The most important thing?
01:06:23Is it a deal?
01:06:26Is it a deal?
01:06:28Last call for the Snow and Sky Express, now boarding on Platform 12.
01:06:58So tell us everything.
01:07:02You've fallen in love with someone, haven't you?
01:07:05First love.
01:07:08Look, the full moon.
01:07:11After the full moon, everything starts to wane.
01:07:14But with this penultimate moon, there is still tomorrow.
01:07:18And so there is still hope.
01:07:22Oh, not bandits again.
01:07:29Attention all passengers.
01:07:31Apologize for the delay which has been caused by a rock slide just in front of us.
01:07:36Please remain seated.
01:07:39Open the door!
01:07:42The buses are on their way.
01:07:48Staff will conduct all passengers to the main road.
01:07:51Everybody has to be calm!
01:07:53You poor fool!
01:08:07You cannot escape your fate.
01:08:10You will burn forever in the flames of eternal love.
01:08:16He's in Kyoto!
01:08:19I must get to my lord!
01:08:21Where?
01:08:27Keep it until we meet again.
01:08:29Have pity!
01:08:40He's alive!
01:08:41I know he's alive!
01:08:43You'll never understand.
01:08:45I love him more every day.
01:08:47You don't look like you're out for a walk.
01:09:05Climb aboard!
01:09:06At last, the role you were born to play.
01:09:09Just leave it to me.
01:09:11Here we go, kids!
01:09:12It's Hokkaido or bust!
01:09:17It's dangerous!
01:09:19You can't go!
01:09:20I have to!
01:09:21He's waiting for me!
01:09:22No!
01:09:23No!
01:09:24No!
01:09:25No!
01:09:26No!
01:09:27No!
01:09:28No!
01:09:29No!
01:09:30No!
01:09:31No!
01:09:32No!
01:09:33No!
01:09:34No!
01:09:35No!
01:09:36No!
01:09:37No!
01:09:38No!
01:09:39No!
01:09:40No!
01:09:41No!
01:09:42No!
01:09:43No!
01:09:44No!
01:09:45No!
01:09:46No!
01:09:47No!
01:09:48No!
01:09:49What?
01:09:50No!
01:09:51No!
01:10:13I'm coming!
01:10:15In those pure wet surroundings, you feel as though you're standing on a strange and distant planet.
01:10:45Turn back, Dr. Chiyoko! Turn back!
01:10:50Doctor, please!
01:10:53I have to give him this key.
01:11:15Doctor, please!
01:11:45No, wait! Please, wait! Don't go! Oh no, why won't you wait?
01:12:03Please, wait.
01:12:09I'll come to you!
01:12:37I'll come to you! Wherever I must go!
01:13:07Are you sure you want to do this?
01:13:19I promised. It's the only thing I can do. Please understand. I have to. Now.
01:13:29You can't! You'll never make it back alive!
01:13:33No, Chiyoko! No! Chiyoko! I've always cared for you, Chiyoko!
01:13:41Six, five, four, three, two, one, zero!
01:13:53Earthquake! And it's a big one!
01:13:55And it's a big one!
01:14:09Look out, Chiyoko! No!
01:14:11Run, Chiyoko! Run, now!
01:14:23Chiyoko!
01:14:27Are you alright?
01:14:29Come on, let's move that stuff!
01:14:31We're coming, Chiyoko!
01:14:33Quick! Come on!
01:14:35Everybody lend a hand here!
01:14:43She's here! So's Genya!
01:14:45Chiyoko? Are you alright?
01:14:47Are you the one who saved me?
01:15:01Uh, yeah.
01:15:03Way to go, Genya!
01:15:05I hate you more than I can bear!
01:15:09And yet, child, I love you more than I can bear!
01:15:15Hey, what's wrong?
01:15:17What's the matter?
01:15:18Come on, Chiyoko!
01:15:19Get it!
01:15:23Okay, Genya, what did you do to her?
01:15:25Hm? I did nothing!
01:15:27I'm sorry. I really am unforgivable.
01:15:43Forgetting somebody who saved my life.
01:15:46Oh, well. I mean, well, I look quite a bit different now.
01:15:50Oh, it's been thirty years.
01:15:53I've lived quietly and alone since then.
01:15:57But why did you do that?
01:15:59I've never understood it.
01:16:03After you vanished in Hokkaido, you came back.
01:16:06But after the studio accident, nobody there ever saw you again.
01:16:12After all you've been through, why did you choose to go into hiding?
01:16:20I never thought I would ever see him again.
01:16:39Even though I had resolved, in my heart, to follow him absolutely anywhere.
01:16:46That doesn't explain why.
01:16:49After the accident, I... I realized something then.
01:16:53It was too late.
01:16:55I was no longer the little girl he would remember anymore.
01:17:01I hate you more than I can bear.
01:17:05Yes, more than I can bear.
01:17:10The truth is, I didn't want him to see me as an old woman.
01:17:19Don't look at the power!
01:17:35Uh? Uhhh?jyoko?
01:17:37This is a big one.
01:17:45Chiyoko!
01:17:56Once again, my friend, you are there to protect me.
01:18:03Chiyoko? Chiyoko!
01:18:07Chiyoko!
01:18:33Chiyoko!
01:18:34So, in the end, she never did get to meet the guy who gave her the key.
01:18:39That's a shame.
01:18:42That old policeman.
01:18:48The artist.
01:18:50He...
01:18:50He refused to talk right to the end.
01:18:54Wouldn't say a word to any of us.
01:18:56He didn't leave me any choice, and so I tortured him.
01:19:01And after that, I killed him.
01:19:04Wow, that's really heavy.
01:19:09Kyoko spent her life just chasing a shadow.
01:19:13Kyoko.
01:19:14Kyoko.
01:19:15Kyoko.
01:19:16Kyoko.
01:19:16Kyoko.
01:19:17Kyoko.
01:19:18Kyoko.
01:19:19Kyoko.
01:19:20Kyoko.
01:19:21Kyoko.
01:19:22Kyoko.
01:19:23Kyoko.
01:19:24Kyoko.
01:19:25Kyoko.
01:19:26Kyoko.
01:19:27Kyoko.
01:19:28Kyoko.
01:19:29Kyoko.
01:19:30Kyoko.
01:19:31Kyoko.
01:19:32Kyoko.
01:19:33Kyoko.
01:19:34Hello. I'm sorry, we asked too much of you. It's all my fault.
01:19:50No, not at all. I enjoyed it all very much. Really, I did.
01:19:56But now, I think we both know it's goodbye.
01:19:59Goodbye? But the doctor just said you're gonna be fine.
01:20:02It's all right. You're a lousy liar.
01:20:09Please don't be sad for me. After all, once again, I'll be searching for my one and only true love.
01:20:20You see? Thanks to you, I have the key again. It's opened the door to my memories of him.
01:20:27Listen to me. It's almost as if while I've been talking to you, the girl I once was came back to life again for a while.
01:20:41Go after him. And I'm sure that this time, you will find him.
01:20:49Perhaps so. But then, maybe it doesn't matter anyway.
01:20:54After all. After all.
01:21:01You see?
01:21:02Oh, my God.
01:21:02You see?
01:21:04Yes.
01:21:05You see?
01:21:05No.
01:21:05You see?
01:21:06No.
01:21:07You see?
01:21:07I don't know.
01:21:07No.
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