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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:02¡Gracias!
00:01:04¡Gracias!
00:01:06¡Gracias!
00:01:08La Iglesia de Jesucristo
00:01:38La Iglesia de Jesucristo
00:02:08La Iglesia de Jesucristo
00:03:07La Iglesia de Jesucristo
00:03:09La Iglesia de Jesucristo
00:03:11La Iglesia de Jesucristo
00:03:13La Iglesia de Jesucristo
00:03:15La Iglesia de Jesucristo
00:04:17La Iglesia de Jesucristo
00:05:19La Iglesia de Jesucristo
00:05:21La Iglesia de Jesucristo
00:05:23La Iglesia de Jesucristo
00:05:25La Iglesia de Jesucristo
00:05:27La Iglesia de Jesucristo
00:05:29La Iglesia de Jesucristo
00:05:31La Iglesia de Jesucristo
00:05:33La Iglesia de Jesucristo
00:06:05La Iglesia de Jesucristo
00:06:07La Iglesia de Jesucristo
00:06:09La Iglesia de Jesucristo
00:06:11La Iglesia de Jesucristo
00:06:13La Iglesia de Jesucristo
00:06:15La Iglesia de Jesucristo
00:06:17La Iglesia de Jesucristo
00:06:19La Iglesia de Jesucristo
00:06:23La Iglesia de Jesucristo
00:06:25La Iglesia de Jesucristo
00:06:27La Iglesia de Jesucristo
00:06:29La Iglesia de Jesucristo
00:06:31La Iglesia de Jesucristo
00:06:33La Iglesia de Jesucristo
00:06:35¡Te salen!
00:07:05Ernst.
00:07:07He's going to be all right, my dear.
00:07:09Now, you go home with Gene and I'll call you later.
00:07:12We'll be waiting again.
00:07:14Come on.
00:07:31Ambulance, huh?
00:07:32Uh-huh.
00:07:33Some men were shooting at you. Who were they?
00:07:36Just a few of my pals.
00:07:39How bad am I hurt?
00:07:41A few minor cuts on the scalp, that's all.
00:07:46Any pain?
00:07:48Oh, not much.
00:07:50Who's the other customer?
00:07:52The man you ran down.
00:07:54He's dying.
00:07:56Softy, huh?
00:07:59Did those guys get away?
00:08:01Yes.
00:08:02And pull the bell cord of this bus.
00:08:04This is where I get off.
00:08:05I'm going rat killing.
00:08:08Hey, I'm tied down.
00:08:09What is this, a pinch?
00:08:15Turn that thing off.
00:08:16I can't stand it.
00:08:17It's driving me crazy.
00:08:18No use, Sobeck.
00:08:32Kingsley has compound frontal and parietal fracture.
00:08:35And severe concussion of the cerebrum.
00:08:37Just a matter of hours.
00:08:39Or minutes.
00:08:52Pulse 65.
00:08:53He's in a coma.
00:09:07All right, nurse.
00:09:08You can go.
00:09:09I'll stay.
00:09:13What's the matter with me, Doc?
00:09:26Thanks.
00:09:28What's the matter with me, Doc?
00:09:31I can't feel nothing.
00:09:32My legs are there, but I can't feel them.
00:09:35Your spine is broken.
00:09:37You're paralyzed.
00:09:41Now pull me through, Doc, will you?
00:09:43Pull me through and I'll pay you anything.
00:10:00The only possible way to save George Kingsley's life is by a brain transplantation.
00:10:21An operation I performed successfully on animals.
00:10:24This is a dangerous and illegal operation.
00:10:26But a chance to make a great scientific discovery and perhaps save my friends that...
00:10:56will you?
00:10:57Ernst, how long will his head be bandaged?
00:11:00Oh, not long now.
00:11:01Dr. Sobeck.
00:11:03Yes?
00:11:05Two gentlemen want to see you.
00:11:08Who are they?
00:11:09They are detectives, I believe.
00:11:12I'll see them.
00:11:15Excuse me, please.
00:11:16I'll be right back, George.
00:11:19A miraculous recovery, Mrs. Kingsley.
00:11:22Amazing.
00:11:23It's cannon, all right.
00:11:30Well, Doctor.
00:11:32The head injuries caused death?
00:11:34And many complications.
00:11:36His spine was broken.
00:11:38We did all we could for it.
00:11:39Don't feel badly about it, Doctor.
00:11:41He wasn't worth it.
00:11:42He had nothing but the electric chair to live for.
00:11:44Did he say anything before he died?
00:11:46About money, for instance?
00:11:48Not that I know of.
00:11:50Well, I'll...
00:11:51Thanks, Doctor.
00:12:21Though you'd get me alone,
00:12:22You will trust me too.
00:12:30Oh, wonderful.
00:12:34What's going on, will you start this time?
00:12:35I'm sorry.
00:12:38Did you see you so fast?
00:12:40I should start this time.
00:12:41I stayed at work.
00:12:42Oh, Lord.
00:12:43Iron Man!
00:12:44Yes, honey.
00:12:45Thank you.
00:12:46You are very pleased.
00:12:47No, no, no, no.
00:13:18I don't think I'd be too alarmed about it, those of you.
00:13:22Well, I hope you're right.
00:13:24I think so.
00:13:26You're late today, Ernst.
00:13:28Come and sit down and talk to me. I'm feeling very low.
00:13:31Will you have some tea?
00:13:32No, thanks.
00:13:33The trouble with you is you're feeling too well.
00:13:35Too well?
00:13:36I used to think that a long period of convalescence would be like an ocean voyage.
00:13:41That I'd have a chance to read all the books I want to that I haven't time to ordinarily.
00:13:45But nothing seems to interest me.
00:13:48A boring period, convalescent.
00:13:51Yes, indeed it is.
00:13:54I'm afraid I've got to go to New York for a few days, George.
00:13:57You've got to?
00:13:57Yes, a little business for the hospital.
00:14:00Well, that's nice. I must say, what am I going to do for companionship?
00:14:04Well, why not come with me?
00:14:06Come with you?
00:14:08Oh, no, I couldn't do that. New York's too big, too noisy.
00:14:11I never have wanted to go there.
00:14:13And yet, it's the very thing you need, George.
00:14:17You've had your fill of peace and quiet.
00:14:20You'll find New York exciting, stimulating.
00:14:23Just the thing to lift you out of the doldrums.
00:14:25As my doctor, do you prescribe it?
00:14:29As your doctor, I insist on it.
00:14:32Very well.
00:14:34I'll tell Margaret to pack.
00:14:35Oh, no, George.
00:14:36Let's go alone.
00:14:38Alone?
00:14:39In New York, without Margaret?
00:14:41What you need is a radical change.
00:14:45Well, perhaps you're right, Ernst.
00:14:47I've been like a bear lately.
00:14:50I'm quite sure she'd be glad to be rid of me for a time.
00:14:54New York.
00:14:56New York, I wonder...
00:15:04I'm taking Kingsley to Red's old environment.
00:15:07In fact, to the Midtown Hotel, which Cannon used as his hideout.
00:15:23Good afternoon, Channel.
00:15:25We'd like adjoining rooms.
00:15:28Yes, yes.
00:15:30505 and 506, if they're available, are they?
00:15:33Well, yes, they're available.
00:15:35Thank you.
00:15:35Uh, you've, uh, been with us before, sir?
00:15:39Why, no, of course not.
00:15:42But I, I like a corner room with three windows and a fire escape.
00:15:45This way, gentlemen.
00:15:56This way, gentlemen.
00:15:56Well, well.
00:16:12Uh, I'm in the next room, Ernst.
00:16:29Uh, will you bring the black bag in here, please?
00:16:32You sure picked a room with a history, Mr. Kingsley.
00:16:35Oh, really?
00:16:36But you see, history's not my subject.
00:16:38I don't mean that.
00:16:40I'm talking about Red Cannon.
00:16:44He hid out in these rooms for nearly six months from cops,
00:16:45G-men and his own gang.
00:16:47Nobody in the hotel suspected him, but his gang got wise and Red tried to run out.
00:16:51They caught up to him in some small town in the stakes.
00:16:54Imagine when we found out who he was, and him with nearly a million bucks hidden away.
00:16:58You know, I don't know.
00:16:59I don't know.
00:17:00I don't know.
00:17:01I don't know.
00:17:02I don't know.
00:17:03I don't know.
00:17:04I don't know.
00:17:05I don't know.
00:17:06I don't know.
00:17:07I don't know.
00:17:08I don't know if is good enough.
00:17:22Um, but he's still the manager, so I guess he didn't find it.
00:17:28Anyway, I made plenty out of Cannon.
00:17:30I was the only one he allowed up here.
00:17:32I had a special way of knocking.
00:17:34¡Suscríbete al canal!
00:18:04A talkative, youngster.
00:18:07Babbles on like Tennyson's brook.
00:18:10Ernst, I'm going to freshen up a bit.
00:18:20And then let's go out.
00:18:22Let's do the town.
00:18:26You know what I mean.
00:18:28A good dinner and perhaps a bottle of wine.
00:18:32Hmm. Splendid, George.
00:18:35I'll get changed and then we'll go.
00:18:39I chatter, chatter as I flow
00:18:41to join the brimming river.
00:18:45For men may come and men may go,
00:18:49but I go on forever.
00:19:02The canon brain remembers this hotel.
00:19:12Will it also remember Red's friends?
00:19:15Miller, Kane, DeVore and Marnie.
00:19:18I'm taking Kingsley to the Club Royale
00:19:20where he'll see Sonny Rogers,
00:19:22canon's former sweetheart.
00:19:23My kisses captured your lips
00:19:29But never reached your heart
00:19:35Last night
00:19:38I thought you loved me
00:19:41Dearly
00:19:43And I
00:19:48Was
00:19:49Old-fashioned.
00:19:51George,
00:19:51I'm ready for anything.
00:19:53I can do.
00:19:54Yes, sir.
00:19:57But now
00:19:59You're as far
00:20:02As far
00:20:04As the tidiest star
00:20:07I find the singer rather interesting,
00:20:12don't you, George?
00:20:14Who is she, Ernst?
00:20:15I seem to know her.
00:20:19Could she be one of my former students?
00:20:27I really am surprised, George,
00:20:29that you're pretending to know the singer.
00:20:31Come, come, come now, Ernst.
00:20:32I'm a college professor,
00:20:34not a college boy.
00:20:35All these people here
00:20:37are on pleasure-bent.
00:20:38And pleasure brings
00:20:39as surely in her train
00:20:40remorse and sorrow
00:20:41and vindictive pain,
00:20:43as William Cooper says.
00:20:51Pardon me.
00:20:53Sure.
00:20:54Why, what's wrong, George?
00:21:11My head, Ernst.
00:21:13That pain again.
00:21:16I can't stand it.
00:21:17We'll leave instantly.
00:21:18I can't stand it.
00:21:28Yes?
00:21:29Yes, the next train leaves at noon.
00:21:31Do you wish me to make a reservation?
00:21:33Yes, please.
00:21:35And send up a boy
00:21:36to help me pack, will you?
00:21:43Well, good morning, George.
00:21:44I thought you slept late.
00:21:46But my sleep
00:21:47doesn't seem to refresh me.
00:21:53Ernst,
00:21:54we're old enough friends
00:21:56that we don't have to deceive each other.
00:21:58Why do you say that?
00:21:59Then tell me.
00:22:01What is the matter with me?
00:22:03My sleep only seems to tire me.
00:22:06And I'm haunted
00:22:07by the most horrible dreams.
00:22:10A perfectly normal reaction
00:22:12to the shock of your accident, George.
00:22:15Come in.
00:22:21What do you mean
00:22:22by that ridiculous
00:22:23tap, tap, tap, tap, tap, tapping?
00:22:26Why don't you knock the door
00:22:27like anybody else?
00:22:29Anything you say, sir.
00:22:30You wanted me to pack?
00:22:32Yes.
00:22:34I don't know
00:22:35what I'm doing here anyway.
00:22:37Ernst,
00:22:39I'm going home.
00:22:41I need Margaret.
00:22:44I don't think
00:22:45I've tried to leave today, George.
00:22:48Now, you can stop the packing.
00:22:50Yes, sir.
00:22:56I don't think
00:22:57you're well enough to travel.
00:22:59Now, let's wait
00:23:00and see how you feel tomorrow.
00:23:10Red.
00:23:19Red Cannon.
00:23:21You were the leader of a gang.
00:23:25They tried to kill you.
00:23:26You came back to get revenge.
00:23:28Red, do you remember the name Marnie?
00:23:44Marnie.
00:23:46He's the one who took your place.
00:23:48Marnie, Miller, Cain, De Vaughan.
00:23:56Why did they try to kill you, Red?
00:24:00To get your money?
00:24:03They tried to kill you, Red.
00:24:04They tried to kill you, Red.
00:24:05But they didn't find it, did they?
00:24:11It's safe, just where you hid it.
00:24:14Where is it, Red?
00:24:15Marnie, Miller, Cain, De Vaughan.
00:24:45You've been ill, Red.
00:24:54I remember that, that hick town.
00:24:57You're the doc, ain't you?
00:24:58Yes.
00:25:01Say, my back's better.
00:25:05You cured me?
00:25:07Yes.
00:25:08You're perfectly well now.
00:25:10Thanks, Doc.
00:25:11I won't forget it either.
00:25:15Midtown Hotel, huh?
00:25:24How'd I get here?
00:25:25You asked me to bring you.
00:25:26I must have been out of my head.
00:25:28Like every copper in town will be looking for me.
00:25:31I've got something to tell you, Red.
00:25:36Oh, yeah?
00:25:37What?
00:25:39You were smashed up in an accident, you remember?
00:25:42I had to operate to give you another body.
00:25:44You had to do what?
00:25:47What are you talking about?
00:25:48Why did you do this to me?
00:26:11It was the only way to keep you alive.
00:26:15Oh.
00:26:21My doc, you're a genius.
00:26:24But you could have given me a better chassis.
00:26:26I never saw plastic surgery like that before.
00:26:29I used the body of the other man who was dead.
00:26:31It was the only way to save you.
00:26:33I used the body of the other men who was dead.
00:26:35Say, wait a minute.
00:26:38Nobody will know me like this.
00:26:41Why, I can do anything.
00:26:42Who was the other guy?
00:26:46He was a professor of English literature.
00:26:48English Literature?
00:26:52Well, well how are you, Prof?
00:26:56You are now Professor George Kingsley...
00:26:58and you teach in the university at Newcastle.
00:27:02What a disguise.
00:27:04What a break for red cannon.
00:27:13Come in.
00:27:18Telegram, sir.
00:27:18Thank you.
00:27:21Hey, what is...
00:27:22Next time, you do as you're told.
00:27:24When you come to my room, knock like this.
00:27:29Now scram.
00:27:31Yes, sir.
00:27:33Next time.
00:27:48Red, I think.
00:28:18Red, I think.
00:28:48Red, I think.
00:29:18Red, I think.
00:29:38Good morning, sir.
00:29:39I'll take them.
00:29:40And here's the morning paper, sir.
00:29:43Compliments of the house.
00:29:43Thank you.
00:29:44Say, you sure get around, mister.
00:29:46From the looks of those clothes last night, it would seem like you fell into a cement mixer.
00:29:49That'll be all?
00:29:50Yes, sir.
00:29:50And here's the morning paper, sir.
00:29:52Thank you.
00:29:53Thank you.
00:29:54Thank you.
00:29:54Thank you.
00:29:54Thank you.
00:29:55Thank you.
00:29:56Thank you.
00:29:56and here's the morning paper, sir.
00:30:05Thank you.
00:30:06Yeah.
00:30:06Thank you.
00:30:07Thank you.
00:30:11Thank you.
00:30:12Gracias.
00:30:42Good morning?
00:30:43Yes.
00:30:48How do you feel?
00:30:50Not very well.
00:30:52I'm afraid coming to New York was too exciting.
00:30:55I...
00:30:56I feel as if...
00:30:59as if the life were drained out of me.
00:31:01You'll be all right as soon as you've had a little rest.
00:31:04Well, perhaps so.
00:31:07Here's a curious thing, George.
00:31:12It seems that Louis DeVore, one of the Red Cannon gang...
00:31:17was found early this morning in a deserted building...
00:31:20dying from the effects of a brutal beating.
00:31:23His back had been broken.
00:31:26Good heavens, Ernst.
00:31:28Why on earth bother me with that gruesome stuff?
00:31:31Sorry, George.
00:31:37Things have taken a dangerous turn.
00:31:40Kingsley has killed DeVore.
00:31:42While in this environment, I never know when the murderous brain...
00:31:44of Red Cannon may take possession of Kingsley.
00:31:47But I will not stop my experiments.
00:31:49I must find out where the cannon money is hidden.
00:32:07I don't know if I can...
00:32:08I never know when the terror was thrown around.
00:32:09Don't come.
00:32:10No, you, don't be crazy.
00:32:12Don't come!
00:32:13Ha!
00:32:14Ah!
00:32:16Do-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da!
00:32:19¡Suscríbete al canal!
00:32:49¡Oh, Miss!
00:33:03Yes, sir.
00:33:04I wonder if you'd be kind enough to open my friend's door for me.
00:33:08I'm a little worried about him. He hasn't been very well.
00:33:11Yes, sir. I ain't been feeling so well myself lately.
00:33:19Evidently, my friend has gone out.
00:33:44You can wait for me.
00:34:03No, thank you.
00:34:09I was here the other night with a friend.
00:34:11The other middle-aged gentleman.
00:34:13That's right. Has he been here tonight?
00:34:15I don't think so.
00:34:16Oh, wait a minute. There was a gentleman that looked like him at the bar.
00:34:19At the bar?
00:34:20Oh, no, no, no. On second thought, he couldn't have been your friend.
00:34:24And besides, that man left a little while ago, sir.
00:34:26Oh.
00:34:33I don't think Sonny was pleased to see us.
00:34:36Why are we wasting time fooling around here?
00:34:38Didn't you see that newspaper picture of the boy's battered body?
00:34:42Say, maybe they'd kill us after us, too.
00:34:43A good deduction.
00:34:45But who would want us dead except some friend of Red's?
00:34:49And who would know about Red Cannon's friends better than Sonny?
00:34:53That's right.
00:34:54Tell your nerves to stop doing nip-ups.
00:34:56My nail will handle this.
00:34:57You will handle this, Kane.
00:35:00I've seen you trying to take Red's place here.
00:35:03Go on.
00:35:04I've seen you trying to take Red's place here.
00:35:34I didn't have any part of DeBoer's killing.
00:35:37Nobody said you did.
00:35:40And everything's just lovely.
00:35:42I'd like to see you at your apartment after you get through.
00:35:45Maybe if we put together what you know about Red and what I know,
00:35:48it'll add up to some money.
00:35:50Say, if I knew anything about a half a million bucks,
00:35:53do you think I'd be working in this joint?
00:35:55We'll go over all that later.
00:36:01Like it?
00:36:03Sure.
00:36:04It's yours.
00:36:07Tonight.
00:36:08Tonight.
00:36:25Hey.
00:36:26What is this?
00:36:27Get out of my car.
00:36:34What do you want?
00:36:36You ought not to have to think very hard after what happened to DeBoer.
00:36:40Who are you?
00:36:41Hello, Bill.
00:36:51Who is it?
00:36:56Who is it sent you that money to get out of that trouble in Chicago?
00:36:58Oh, Red.
00:36:59Who is it sent you that money to get out of that trouble in Chicago?
00:37:10Oh, Red.
00:37:20You're alive?
00:37:22Oh, yes.
00:37:29I'll be right up.
00:37:29I'll be right up.
00:37:32I'll be right up.
00:37:43I'll be right up.
00:37:44¿Qué?
00:37:46¡Fred!
00:37:52Bueno, de todas las...
00:37:54No se ve.
00:37:55No se ve.
00:37:57Solo me mirar.
00:38:01Es genial estar aquí, Sonny.
00:38:04¿Por qué te moviste el piano?
00:38:05Ya sabes que me gustaba en la cama.
00:38:07¿Cómo te sabías?
00:38:08No te pensaba que me olvidaba en dos meses.
00:38:11¿Hay algunas cigarras en la puerta?
00:38:13Sí.
00:38:18Te ves bien, querida.
00:38:20Vamos a ver.
00:38:22No se ve.
00:38:23No se ve.
00:38:24No se ve.
00:38:25No se ve.
00:38:27No se ve.
00:38:41No se ve.
00:38:42Bueno, aquí estamos.
00:39:09¿Cómo te gusta el trimmings?
00:39:12Pues no, no.
00:39:20Let me put it on.
00:39:32How did you get it?
00:39:36Just picked it up.
00:39:39Well, he don't seem very glad to see me.
00:39:42¿Qué?
00:39:43¿Qué?
00:39:44¿Qué?
00:39:45¿Qué?
00:39:46¿Qué?
00:39:47¿Qué?
00:39:48No.
00:39:49No.
00:39:50No.
00:40:01El gran canon must be jumping with joy in his grave,
00:40:03the way his boys are getting knocked off.
00:40:05All right, boys.
00:40:06About the DeVore and Cain murders.
00:40:10You know, they were both Cannon's men.
00:40:12We've always believed that his own gang was responsible for Ed's death.
00:40:15Can some friend of his be systematically killing off as murderers?
00:40:18A dead gangster has no friends.
00:40:20I want you to go out and find Marnie and Miller.
00:40:23Yes, sir.
00:40:24Okay.
00:40:25Take a couple of men with you and check the Ritz Manor apartments.
00:40:36All right, boys.
00:40:38I'm so sorry.
00:40:39Let me go out.
00:40:40I'll let you go out.
00:40:41I'll let you go out.
00:40:42I love them, boys.
00:40:43I would rather not understand that.
00:40:44Let's go out.
00:40:45Take a couple of men with me.
00:40:46Me.
00:40:47I can't assist you here.
00:40:48I can choose you later.
00:40:49I'm a baby.
00:40:50Just take a couple of men.
00:40:51You know, l-o-o-o-o-o-o-o-o.
00:40:52I can't be a man.
00:40:53You're good.
00:40:54I'm a baby.
00:40:55I'm all good.
00:40:56I can't be a man.
00:40:57You're happy.
00:40:58I'm a man.
00:40:59I can't be a man.
00:41:00Yeah, I can be a man.
00:41:01You're a man.
00:41:02I can look for the man.
00:41:03¿Está bien?
00:41:11¿Está bien?
00:41:13¿Está bien?
00:41:19Bien.
00:41:21¿Para?
00:41:23¿Está bien?
00:41:25¿Puedo esperar?
00:41:27No.
00:41:29¿Está bien?
00:41:31No, no.
00:41:33¿Está bien?
00:41:35En un modo, estoy esperando hasta el Vladín.
00:41:37¿Está bien?
00:41:39Sí.
00:41:41¿Está bien?
00:41:43No estoy en práctica.
00:41:45¿Está bien?
00:41:47¿Estás a profesor de inglés?
00:41:49¿A la Universidad de Washington?
00:41:51¿En el profesor?
00:41:53¿Se fue killa?
00:41:55¿Está bien esto?
00:41:56¿está bien?
00:41:58¿Está bien?
00:41:59¡Gracias!
00:42:29Señoras y se nos fijan.
00:42:42Lunar.
00:42:44Marnie.
00:42:45What's the matter? Aren't we welcome?
00:42:52So Cain was here last night.
00:42:55Well I had a date with him but he didn't show up.
00:42:59The police found his body this morning strangled.
00:43:01Yeah, and his back was broken, just like the voice.
00:43:04I don't know anything about it.
00:43:05No, if Haine wasn't here, where did you get that watch?
00:43:08Well, I expected him, but somebody else came and gave me the watch.
00:43:10Who?
00:43:11He said he was Red Cannon.
00:43:14What did he drive up in? A hearse?
00:43:18Try again.
00:43:19And be a little more believable.
00:43:22I'm trying to...
00:43:22Hey, Red was here.
00:43:23Look, Red always killed his cigarettes this way.
00:43:26Now, you've got to be alive to do that.
00:43:28Red's been dead since two months.
00:43:30That's what I thought.
00:43:31But last night, this man came here, and he didn't look like Red, but...
00:43:36This is the first thing he did when he came in.
00:43:40He knew everything that only Red knew.
00:43:46He even acted and talked like Red.
00:43:48Probably somebody Red coached carefully.
00:43:52Somebody from that hick town who got close to him before he died.
00:43:55If he knows so much, he may know where Red hid the money.
00:43:57That would be his pay-off.
00:43:59He gets Red's money for killing all of us.
00:44:02Where does he live?
00:44:03I suppose you're going to say room 505 at the mid-bound...
00:44:07Who left his matches here?
00:44:09Asked of all.
00:44:11And Cain.
00:44:11Thank you.
00:44:21Any word of Professor Kingsley?
00:44:24Nothing, Doctor.
00:44:32Dad.
00:44:35Margaret was so worried.
00:44:36We talked it over and decided to come on to New York.
00:44:38Ernest, I just had to see George.
00:44:40Where is he?
00:44:40Well, he's out.
00:44:41I don't quite know where.
00:44:43But I...
00:44:44I thought you were always with him.
00:44:46I'm afraid you're not going to like this, Margaret.
00:44:48But I'm going to be quite blunt with you.
00:44:50When George was convalescing at home, you were a marvelous nurse.
00:44:54I did what I could.
00:44:55Exactly.
00:44:56When he turned his head, you were there to adjust the pillow.
00:44:58If he reached for a glass of water, you were porting it for him.
00:45:01Sorry, I couldn't have done more.
00:45:02But that was just the trouble.
00:45:03If you'd kept it up, he'd have been a permanent invalid.
00:45:07Well, why didn't you tell me?
00:45:08Well, naturally.
00:45:09I didn't want to hurt your feelings.
00:45:11And fortunately, George himself rebelled in time.
00:45:14And that's why you brought him to New York alone with you?
00:45:16Of course, my dear.
00:45:17He had to have a change.
00:45:19Has it helped?
00:45:20Is he better?
00:45:20Yes, he is.
00:45:21But we must still be careful.
00:45:24Now, I suggest that you allow him to remain here
00:45:26till he's perfectly ready to go home of his own accord.
00:45:29And don't try to see him.
00:45:30Oh, but now you and Jean go up to your rooms and get some rest
00:45:34and take the first train out for Newcastle in the morning, huh?
00:45:37Well, if it's best for him, all right.
00:45:39Believe me, it is.
00:45:41But there's George.
00:45:42Margaret, you said you wouldn't try to see him.
00:45:44Now, please, will you take her to our room?
00:45:46Oh, please, but Dad.
00:45:47Jean, I assure you, what I'm doing is for his own good.
00:45:50Now, please believe me.
00:45:57Who were the women?
00:45:57Never mind, Dad.
00:45:59Why, what's happened to your shoulder?
00:46:00I got nicked.
00:46:01Who were those women?
00:46:02My daughter and your wife.
00:46:04My, my what?
00:46:06Oh, Kingsley, sir.
00:46:08Well, get him out of here.
00:46:08I don't want any dames around here.
00:46:10Let me see.
00:46:10You've been shot.
00:46:11Yeah.
00:46:12Fix it up, will you?
00:46:12How'd you get it?
00:46:13The coppers shot me.
00:46:14It's only a scratch.
00:46:15How'd you get it?
00:46:16Well, don't ride me.
00:46:17It's your fault anyway.
00:46:18Mine?
00:46:18Yeah.
00:46:19You told me to use this Kingsley gag.
00:46:20Well, I pulled it and it didn't work.
00:46:22Where were you?
00:46:23In Marnie's apartment.
00:46:24They tried to question Professor Kingsley and I wouldn't stand for it.
00:46:27You killed them?
00:46:28Well, what do you think?
00:46:28Come on, get to work.
00:46:29You fool.
00:46:30They'll catch you before we get the money and you.
00:46:34What money?
00:46:38What do you know about the money?
00:46:39Why, I...
00:46:39You know too much, Doc.
00:46:43Just a minute, Red.
00:46:45You kill me, what becomes of you?
00:46:49You think you're Red Cannon, don't you?
00:46:51But whose body are you wearing?
00:46:52Well, you told me.
00:46:53Exactly.
00:46:54George Kingsley's.
00:46:55Professor of English Literature at Newcastle.
00:46:58How'd you like to be George Kingsley for good?
00:47:00What do you mean?
00:47:01You're walking around in Kingsley's body, all right.
00:47:04But part of your brain is his and you can't control it.
00:47:07That's not true.
00:47:08You killed the war.
00:47:10Last night, you murdered Kane in his car outside the club.
00:47:13I saw it.
00:47:14Remember?
00:47:15But do you remember how you woke up in this very room?
00:47:20You woke as Kingsley, complaining of nightmares,
00:47:23not knowing why you were here.
00:47:24I can't think.
00:47:26What's happened to my brain, I can't remember.
00:47:27Of course you can't.
00:47:29And if I hadn't forced you back into Red Cannon,
00:47:31you'd have gone to Newcastle as Kingsley
00:47:33for the rest of your life.
00:47:33Stop it.
00:47:34I can make you forget you ever were, Red Cannon.
00:47:37Stop it, I tell you.
00:47:43I'll cut you in on the door.
00:47:46You'll get your share.
00:47:47From now on, you do exactly as I say.
00:47:53Okay, Doc.
00:47:59Now I'll fix that shoulder.
00:48:05It's no use, Jean.
00:48:07I'm not going home in the morning,
00:48:08not unless George goes with me.
00:48:09But you told Dad...
00:48:10I don't care what I said.
00:48:11When George came in,
00:48:12your father practically ran me out of the room.
00:48:14He's trying to conceal something.
00:48:16No, Margaret.
00:48:17I'm going to see George now.
00:48:18And if Ernst tries to stop me,
00:48:20I'll call a New York doctor.
00:48:21Margaret, I'm sure you're worrying over nothing.
00:48:23But I'll go talk to Dad.
00:48:28There you are.
00:48:29Okay, nice job, Doc.
00:48:32It's not safe to stay here too long.
00:48:34You get that money tonight.
00:48:35Maybe you're right.
00:48:36I'll get going right away.
00:48:38You...
00:48:39Professor King...
00:48:41Dad!
00:48:42Dad!
00:48:42Dad!
00:48:43He didn't even know who I was.
00:48:45Oh, nonsense, Jean.
00:48:47And the way he looked.
00:48:48He was like Professor Kingsley, and yet...
00:48:51Dad, what is back of all this?
00:48:53Haven't you guessed?
00:48:55The operation I performed was a brain transplantation.
00:49:00Then his brain...
00:49:02Is partly the brain of Red Cannon.
00:49:06Dad.
00:49:07Your best friend.
00:49:08Oh, you couldn't.
00:49:09I saved his life, didn't I?
00:49:10Well, what's the good of that if you've turned him into a criminal?
00:49:12My only thought was to keep him alive.
00:49:13I swear it.
00:49:14But when I saw signs of the gradual awakening of the Cannon brain,
00:49:18I knew I'd made a great discovery for science.
00:49:20Cannon's a gangster, a murderer.
00:49:21All right!
00:49:22But in the meantime, I've proved what I always knew to be true.
00:49:25Transplanted human brain cells will live and function.
00:49:28What a triumph!
00:49:29Think of it!
00:49:30I'm not a scientist, Father.
00:49:32I can only see you destroying your best friend.
00:49:35I can only see you destroying your best friend.
00:49:38I've never seen it.
00:49:39I've never seen it.
00:49:40I've never seen it.
00:49:41I've never seen it.
00:49:42I've never seen it.
00:49:43I've never seen it.
00:49:44I've never seen it.
00:49:45I've never seen it.
00:49:46I've never seen it.
00:49:47You're destroying your best friend.
00:49:48Oh, it's too late to think of that.
00:49:49But you must.
00:49:50Think what you're doing to him and Margaret.
00:49:52Oh, he'll be all right.
00:49:53As soon as I get him back to Newcastle, he'll forget all about this.
00:49:57But I can't do that until...
00:49:59Until what?
00:50:02Until the experiment is completed.
00:50:04You've got to take him home tomorrow.
00:50:07Why?
00:50:08Because it's the only human thing to do.
00:50:12Margaret is suspicious.
00:50:14She threatens to call in a New York doctor, then the truth is bound to come out.
00:50:19Don't forget that.
00:50:20You had no legal right to operate.
00:50:22It means prison.
00:50:23And every chance you might have had for a career in this country is lost.
00:50:31Very well.
00:50:33Tell Margaret we'll go back to Newcastle in the morning.
00:50:40I'll tell her.
00:50:42Gang killer slays two detectives.
00:50:46You'd think the police would catch that killer by now.
00:50:48A guy like that must be a lunatic.
00:50:50If I got one look at him, I could tell his type.
00:50:56Same, sir.
00:50:58Oh, hello, darling.
00:50:59I sent you a message.
00:51:00I was coming back to your dressing room.
00:51:01I went home and packed.
00:51:02Pack?
00:51:03Where are we going?
00:51:04South America, for a starter.
00:51:05Have we, um, money enough?
00:51:06No.
00:51:07No.
00:51:08No.
00:51:09No.
00:51:10No.
00:51:11No.
00:51:12No.
00:51:13No.
00:51:14No.
00:51:15No.
00:51:16No.
00:51:17No.
00:51:18No.
00:51:19No.
00:51:20No.
00:51:21No.
00:51:22No.
00:51:23No.
00:51:24No.
00:51:25No.
00:51:26No.
00:51:27No.
00:51:28No.
00:51:29That would be, um, money enough.
00:51:30All the money in the world.
00:51:31Understand?
00:51:32All the money in the world.
00:51:33Yes.
00:51:36Let me have the keys to your car.
00:51:38I don't want any taxi drivers hanging around.
00:51:40Yes, sure.
00:51:41You'll hear from me in an hour and I'll have everything we need.
00:51:45Be ready.
00:51:46What do you think?
00:51:47¿Qué piensas?
00:52:03Me quiere salir con él.
00:52:05Se va a comprar el dinero ahora.
00:52:07Muy bien.
00:52:08Me sabía que, más tarde...
00:52:10se va a conseguirlo.
00:52:12Y dividirlo tres veces.
00:52:13Bueno, está bien conmigo.
00:52:15Voy a ir a mi casa.
00:52:21Ahí está, está el bar.
00:52:23Just está en el bar.
00:52:27Está tomando mi carro.
00:52:29Es debería ser fácil de ir.
00:52:45Conmigo.
00:52:47No.
00:52:48No.
00:52:49No.
00:52:50No.
00:52:52No.
00:52:53No.
00:52:54No.
00:52:55No.
00:52:56No.
00:52:57No.
00:52:58No, no, no, no.
00:53:00Y si no lo ha dicho, no lo ha dicho.
00:53:02Me ha dicho que es un par de millones de dólares.
00:53:28¡Gracias!
00:53:58Música
00:54:28We'll take that box
00:54:37Go ahead and shoot
00:54:41If you want to dive 200 feet for it
00:54:43The money is what we want
00:54:45Hand it over
00:54:47We'll give you a break
00:54:48Okay
00:54:50Come and get it
00:54:52Keep him covered
00:54:54Come and get it
00:55:24You never saw the day
00:55:47I couldn't break you apart, Miller
00:55:49Come and get it
00:56:19What happened
00:56:30Where's Miller
00:56:33Get me something to open this
00:56:34Hurry
00:56:36Go get me a drink
00:56:47Then we're on our way
00:56:49Sonny
00:56:50Split on this now
00:56:52Is two ways
00:56:54Get in there
00:57:12Get in there
00:57:14Get in there
00:57:27You're late
00:57:33Where's Marnie
00:57:37I don't know
00:57:38I haven't seen him
00:57:39Why is the bar open?
00:57:45I was getting a drink
00:57:46I was almost packed
00:57:47And just waiting for you
00:57:49Why are you staring at me?
00:57:53What's happened to you?
00:57:54Marnie and Miller followed me from the nightclub
00:57:56Now I know why you didn't want me to come back to your dressing room
00:58:00They were there
00:58:02Red, what are you looking for?
00:58:11Don't you believe me?
00:58:12I haven't seen Marnie for six months
00:58:14Fred, look at me
00:58:21There's never been anybody but you
00:58:23Believe me
00:58:25What were you saying?
00:58:41Let me out!
00:59:11I'll tell you where the money is
00:59:12I hear it
00:59:13I hear it is in the oven, Red
00:59:15It's in the oven
00:59:16Let me out!
00:59:18I'll tell you where the money is
00:59:19It's in the oven!
00:59:23Let me out!
00:59:24Let me out!
00:59:27There's no help!
00:59:34Let me out!
00:59:38Let me out!
00:59:38He's too good
00:59:39He's too good
00:59:41So let me out!
00:59:44He's too good
00:59:45He's too good
00:59:47He's too good
00:59:49¿Qué pasa?
00:59:53¿Por qué?
00:59:54¿Por qué?
00:59:55Sí, señora.
00:59:56Perdón por your...
01:00:00A hot driver que trabaja all night shouldn't have kids.
01:00:03All night you work your heart out for the little woman and the little darling.
01:00:06All day long while you're trying to snatch 40 winks,
01:00:09the old lady slams the doors.
01:00:11The kids chase each other in out of the room.
01:00:13One kid jumps up on the bed, hops on your stomach.
01:00:16Daddy, tell me a story.
01:00:18Tell me a funny story.
01:00:20I knock him out of the bed.
01:00:21He screams.
01:00:22Your lady calls me a tramp.
01:00:23Home sweet home.
01:00:25I'll kill him.
01:00:26Shut up.
01:00:27I don't like gabby taxi drivers.
01:00:48I'll kill you.
01:01:18I'll kill you.
01:01:22Drive me to the Midtown Hotel.
01:01:25Midtown Hotel.
01:01:27It's a crazy business, but it's a living.
01:01:38Midtown Hotel.
01:01:40480.
01:01:43Thank you.
01:01:45Keep the change.
01:01:48Hey, you forgot your box.
01:02:01A thousand books.
01:02:13George.
01:02:16Ernst.
01:02:17George, something's happened to my mind.
01:02:23I found myself in a taxi.
01:02:26And I don't know how I got there.
01:02:40Ernst.
01:02:41Just a minute, George.
01:02:42You know, Margaret and Jean are here.
01:02:49Margaret?
01:02:50Here?
01:02:52Yes.
01:02:53Now drink this.
01:02:55I want you to get some rest before you see them.
01:03:08Now don't worry about a thing.
01:03:11Tomorrow, everything will be all right.
01:03:15I hope you enjoyed your visit, Mr. Kingsley.
01:03:32I hope you enjoyed your visit, Mr. Kingsley.
01:03:44Yes, very much indeed, thank you.
01:03:45May I have the bill?
01:03:46Oh, no, George, allow me.
01:03:48It was understood you to be my guest, you know.
01:03:50Mr. Kingsley?
01:03:52Yes, that's my name.
01:03:54The chief of police would like to see you.
01:03:56Oh, really?
01:03:56But I don't even know him.
01:03:57We'll introduce you.
01:03:59What can the chief of police possibly want?
01:04:00Well, there can't be any charge against Professor Kingsley, surely.
01:04:03The chief will explain all that.
01:04:05Who are you?
01:04:06I'm his doctor.
01:04:07He's just recovering from an extremely serious illness.
01:04:10Come along.
01:04:11I'd like to go, too, if you don't mind.
01:04:13All right.
01:04:13Come on.
01:04:14Well, you go ahead to the station, dear.
01:04:17Yes, but George.
01:04:17No, no, no, it's all right.
01:04:18We'll meet you there.
01:04:20Goodbye.
01:04:26This is Mr. Kingsley, chief, and he's a doctor.
01:04:29Sit down, gentlemen.
01:04:31Oh, thank you very much.
01:04:33A cab driver tried to change this at the bank.
01:04:35The circumstances are so unusual, we're holding him for investigation.
01:04:38A thousand dollars?
01:04:41Look, Ernst, a thousand dollar bill.
01:04:43They really exist.
01:04:44The cab driver said you gave him that for a tip.
01:04:46The cab driver's?
01:04:49That's a kingly gesture, I'm sure.
01:04:51You honor me, but a thousand dollars, why, that's almost six months' salary.
01:04:54Bring the driver in.
01:04:56What's your occupation, Mr. Kingsley?
01:04:59I'm a professor of English literature,
01:05:02and I might add a very underpaid professor.
01:05:05Come on.
01:05:06I've got to get out of here.
01:05:07I tell you, I've got to get out of here.
01:05:08My wife, you will like having me stay in the jail.
01:05:12Is this the man that gave you that thousand dollar bill?
01:05:17How do you do?
01:05:21Him?
01:05:23Does he look like a grand note to you?
01:05:25The guy I was talking about was a gangster
01:05:28who pushed me in the face.
01:05:31Can you imagine him pushing me in the face?
01:05:34Oh, no.
01:05:37That's all, Mr. Kingsley.
01:05:39Sorry to have inconvenienced you.
01:05:40Thanks for coming in.
01:05:42Thank you.
01:05:42We've barely time to catch the train, George.
01:05:45Yes.
01:05:45Yes.
01:05:48Back in Newcastle,
01:05:50the red cannon brain has become completely dormant.
01:05:53Kingsley has returned to his classroom.
01:05:55Now I can actually bring to a realization my plans for a great laboratory
01:06:00and give the world the benefit of my scientific knowledge.
01:06:05Thus, you see, the Elizabethan novel was a minor passing form
01:06:09and fed the drama of the period,
01:06:11which, I might add, devoured it avidly.
01:06:13I'm going to let you go a little early this afternoon.
01:06:17Early, but not immediately.
01:06:20And I'm quite sure you'll all be glad to hear
01:06:23that tomorrow we're going to have a quiz on the past two weeks' work.
01:06:27That's it.
01:06:30I must apologize for not giving you your full hour this afternoon,
01:06:34but my closest friend, Dr. Sovak, is leaving Newcastle.
01:06:37What was that?
01:06:46What is it? What's that noise?
01:06:50What is it? Why don't you answer me?
01:06:52It's a siren.
01:06:53Probably an ambulance or a police car.
01:06:55Come on, sir. We can help you. What can we do?
01:07:08Come on, sir. We can help you. What can we do?
01:07:13Ah!
01:07:25Here you are.
01:07:28Thank you, dear.
01:07:30Gosh, Dad, I hate to leave this place.
01:07:33Seems so much like home to me.
01:07:35I know, Jane, but at least I'm going to a better position.
01:07:37Of course, then.
01:07:38I'll pack the rest of the books.
01:07:41Oh, Dad, I've packed all your instruments.
01:07:44Good girl, Jane.
01:07:52Oh, I per...
01:07:54Where is he?
01:07:56Where's the doc?
01:07:58I want my dough. Where is it?
01:08:00You know where it is. You're sneaking away with it.
01:08:01What do you mean?
01:08:02Yes, you know.
01:08:03Tell me where it is.
01:08:03Dad!
01:08:04Stop it.
01:08:05Dad!
01:08:08Red!
01:08:08Red!
01:08:24Ernst.
01:08:35Why?
01:08:36Why did you do it?
01:08:38Why, Ernst?
01:08:41I think you know the answer now, George.
01:08:44I pronounced this man dead.
01:09:06I think you know the answer...
01:09:23I think you know the answer...
01:09:26¡Gracias por ver el video!
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