- 4 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30In Napoli.
00:01:32Chi si muo.
00:01:33Chi si muo.
00:01:34Chi si muo.
00:01:35In questa settimana, al primo posto.
00:01:43Shit.
00:01:45Whoa.
00:01:46Camp on my wallet.
00:01:51In a un'unicabile?
00:01:52No.
00:01:53No, no, no, no, no.
00:01:55No, no, no, no.
00:01:56Somewhere.
00:01:57Maybe it's in my car.
00:02:00All right.
00:02:01She's lost her purse.
00:02:02No, no.
00:02:03She's lost her purse.
00:02:05She lost her purse.
00:02:10She was lost.
00:02:11She lost her purse.
00:02:13She lost her purse.
00:02:13She lost her purse.
00:02:14No.
00:02:16I don't have anything.
00:02:17She helped her.
00:02:18She lost her purse.
00:02:19I don't know.
00:02:20Can you just give her a minute?
00:02:21She's not sitting here.
00:02:22You know, one moment?
00:02:23I don't know.
00:02:24I don't know.
00:02:25Let's go.
00:02:26Let's go.
00:02:27Where did you have it last?
00:02:29The train station, I think?
00:02:31The exchange cruise?
00:02:33Oh, Jamie.
00:02:35I'm sorry.
00:02:37That bastard at the train station started
00:02:39when you dropped all your stuff.
00:02:41This is 170, not 70.
00:02:43Where do we need to go?
00:02:45I'm sorry.
00:02:47I'm sorry.
00:02:49I'm sorry.
00:02:51I'm sorry.
00:02:53I'm sorry.
00:02:55Where do we need to go?
00:02:57We need sevens.
00:03:09Here we go.
00:03:19Is this it?
00:03:21I think it's nice.
00:03:25It's nice.
00:03:27Yes, I have a credit card.
00:03:29The number's on file on my computer.
00:03:31Yes, I have them here.
00:03:33Okay.
00:03:355533
00:03:377645
00:03:478787
00:03:499157
00:03:51Okay.
00:03:535533
00:03:557645
00:03:578787
00:03:599157
00:04:0157
00:04:03Yeah.
00:04:05Expires 1215.
00:04:07No, she'll definitely need another card sent out immediately.
00:04:09We're here for two weeks.
00:04:11Nope, I'm working here.
00:04:13Yes, I'll hold.
00:04:15You love how they ask.
00:04:16As if I have a choice.
00:04:17Do you know what I'm gonna try to do while I'm here?
00:04:19Besides learn Italian.
00:04:21I don't know why you think that's so ridiculous.
00:04:23I don't at all.
00:04:24I don't at all.
00:04:25I admire you.
00:04:26I just think it's too late for me.
00:04:27That's not true.
00:04:29You can't teach an old dog new tricks.
00:04:31Besides, what's the point?
00:04:32The whole bloody world speaks English.
00:04:33Well, I...
00:04:34I'm going to finally transcribe the tapes.
00:04:36Yes.
00:04:37All right.
00:04:38Okay.
00:04:39Okay.
00:04:40Okay.
00:04:41Okay.
00:04:42Okay.
00:04:43Okay.
00:04:44Okay.
00:04:45Okay.
00:04:46Okay.
00:04:47Okay.
00:04:48Okay.
00:04:49Okay.
00:04:50Okay.
00:04:51Okay.
00:04:52Okay.
00:04:53Okay.
00:04:54Okay.
00:04:55Okay.
00:04:56Okay.
00:04:57Okay.
00:04:59Okay.
00:05:00Okay.
00:05:01Okay.
00:05:02Well, if I can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:08Nothing.
00:05:09Nothing.
00:05:10I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that.
00:05:18I shouldn't sound very supportive.
00:05:24You have my support.
00:05:26I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be, has been, for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:59Why do you think he killed himself?
00:06:07Who?
00:06:10David Foster Wallace.
00:06:12I don't know.
00:06:16You can't get a sense by his writing?
00:06:19You have to read it when I'm done, though.
00:06:22Do you think he recognized a blank infinity just stretching out?
00:06:33He got to this point, maybe, where it was just day after day after day.
00:06:38I really don't know.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:45Most people think life is too short, and there he was, all the talent in the world, and it wasn't...
00:06:49Jane, can I... can we not talk about this?
00:06:51Just... just a bit more, a bit.
00:07:12Love you.
00:07:14Love you, too.
00:07:21Love you, too.
00:07:35Do you feel alright?
00:07:36Do you feel okay?
00:07:37Have you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:43Mm-hmm.
00:08:13Mm-hmm.
00:08:43Mm-hmm.
00:09:13Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Have a good day.
00:09:56Have a good day.
00:09:56Have a good day.
00:09:58Testing, testing.
00:10:22Okay.
00:10:25Do you have any stories for my book?
00:10:28What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:25Good night.
00:11:26Cappuccino?
00:11:26Good night.
00:11:35We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:42Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08Uh, scusi, scusi, um, the castle, castle, parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello, oreganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:35And there were all these bomb holes filled with water, and he couldn't tell which was
00:13:40the German side and which was the Allied side.
00:13:43When he came home after something like that, you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00I used to be an old...
00:14:01Where are you from?
00:14:03London.
00:14:03No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:30He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:35Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Oh, hey, have you got 50 cents?
00:16:05If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11What brought you out of here today?
00:16:36Barry?
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:39They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48Can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s,
00:17:00thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:07I don't know.
00:17:08I don't know.
00:17:09I don't know.
00:17:10I've been coming here every day, and it still gets me.
00:17:15If only we could kill off all the tourists.
00:17:18You're a tourist.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38You know, I just didn't want to go to college, and they paid for me to come over.
00:17:43Before connecting flights, it's a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:51Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01I stayed on the island because I have this awesome living situation.
00:18:06I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry, anyway, so this relative gave me the name of this great-uncle who lives on the island, so I show up.
00:18:27He answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:50It's pleased to see here.
00:18:54You're like, you're going to see.
00:18:55I'm not finding everyone who has any care.
00:18:56You're alright.
00:18:57You're lying here.
00:18:58You're lying here.
00:18:59You're lying here.
00:19:00I want to see that.
00:19:01I want to see that his last moment of pornography is over, so you need to see it soon.
00:19:03Send him a little bit of art.
00:19:04After singing another marker on the phone on the street.
00:19:07Sometimes I gusts.
00:19:09You're missing things.
00:19:11You're lying here.
00:19:12You're staying in a little bit.
00:19:14You're lying here.
00:19:15I don't want to see it.
00:19:16You're quite smart.
00:19:17I want to see that.
00:19:18Love teaches me to feed on flames and tears To turn withered hope green through desire
00:19:48To re-enslave my heart each time love frees his noble face from that heavy disdain
00:19:55Who is that?
00:19:58Vittoria Colonna
00:20:01Ah, the woman who lived here
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets you wrote to Michelangelo in English and Italian
00:20:17I thought Michelangelo was gay
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes
00:20:24But that didn't stop her from loving him
00:20:28Let's hear it then
00:20:30In Italian
00:20:32Let's hear the poem
00:20:34Come on
00:20:36I'm impressed
00:20:37I'm impressed
00:20:38I'm impressed
00:20:51Thank you
00:20:52Are you hungry?
00:20:53Why, you gonna take me out?
00:20:54Yeah
00:20:55Alright then
00:20:56Okay
00:20:57Two pastas with the house sauce
00:20:59Red
00:21:00Red
00:21:01White or red?
00:21:02Red?
00:21:03Red?
00:21:04Red?
00:21:05I'm impressed
00:21:06I'm impressed
00:21:07Thank you
00:21:08Are you hungry?
00:21:09Why, you gonna take me out?
00:21:12Yeah
00:21:13Yeah
00:21:18Alright then
00:21:19Okay
00:21:24Two pastas with the house sauce, please
00:21:27Red
00:21:28Red
00:21:29Red
00:21:30Red
00:21:31Uh-huh
00:21:32Grazie
00:21:33So you're really not gonna tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK
00:21:46There's something else
00:21:54I'm writing a book about my grandmother's experiences in rural England living through two world wars
00:22:00I recorded her for hours and hours
00:22:04But now
00:22:06I don't know
00:22:09What don't you know?
00:22:12You wanna listen?
00:22:13A little?
00:22:15Yeah
00:22:16Yeah?
00:22:17Yeah, I know it
00:22:18I love to listen
00:22:30Well, it's tangled up
00:22:35I don't know
00:22:36Okay
00:22:42Awful as it was
00:22:43It made you stronger
00:22:45These days people whine about all sorts of things
00:22:47And
00:22:48I'm not one of those old people who think my time had the only joy and the only problems
00:22:53We all have our own private wars every era, but
00:22:58It was nothing like
00:23:00It really brought people together the war
00:23:03We helped each other during that time
00:23:05We had to laugh
00:23:06We had to smile
00:23:08Well, if not for ourselves
00:23:10Then for the people we'd lost
00:23:12I'll shut that thing off
00:23:13Would you get it out of my face?
00:23:15Yeah
00:23:18That is like
00:23:19It's like a window in time
00:23:22The sort of thing
00:23:24Which you always did before someone died, you know?
00:23:27My husband thinks I'm never gonna finish it
00:23:30I shouldn't care what anyone thinks
00:23:32We met while I was recording her
00:23:35Bonding over granny, huh?
00:23:38Make it sound perverse
00:23:40That's what it was, right?
00:23:42Buongiorno
00:23:43Buongiorno
00:23:44Oh
00:23:53I got pregnant so we got married
00:24:01I lost the baby
00:24:05I'm sorry
00:24:14It was your degree
00:24:17Yes, thank you
00:24:18You can take it away
00:24:20Yes, thank you
00:24:21Thank you
00:24:29I didn't go back after that to the States
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have, tell me
00:24:45It's like this Asian proverb says that anyone you're destined to meet like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string
00:25:05It can be tangled or stretched, but it can never be broken
00:25:13There's this moment in the tape, I'm sitting waiting in the airport bar for my flight
00:25:25And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show World War II from a totally different perspective
00:25:36But
00:25:46I don't know if it's that interesting
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself
00:25:57Maybe
00:26:00Maybe I just want to write about nothing
00:26:03Everything is nothing
00:26:06All the best
00:26:08Grazie
00:26:09Grazie
00:26:13Make a wish
00:26:16Make it great
00:26:18Make it great
00:26:21Okay
00:26:25Bravo
00:26:26Bravo
00:26:27Hey
00:26:37What do you mean I'm ready to go?
00:26:38What?
00:26:39Grab my hand
00:26:40Wait, go, go, go
00:26:41Oh my god
00:26:42Oh my gosh
00:26:44Oh no
00:26:45What?
00:26:46What do you mean?
00:26:47Stronzo
00:26:50Stronzo
00:26:53Hey, hey, hey
00:26:55It's the carabinieri
00:26:56Hey, it's the police
00:26:57No, no, no, no
00:26:58Hey, no, no, no
00:27:00No, no, no
00:27:02Hey
00:27:04We can't go back
00:27:05We can't go back
00:27:06We can't go back
00:27:07We can't go back
00:27:08Look
00:27:09We can't do this
00:27:10We can't go back
00:27:11No, no, no
00:27:12No, no, no
00:27:14Oh my God
00:27:15I'm hear
00:27:16Hello, hi
00:27:19Hey, hi
00:27:20Hey, hi
00:27:21Hey, hey
00:27:22Hey, hey
00:27:23Hey, hey, hey
00:27:25Hey, hey, hey
00:27:27It make you feel better if I said it all day up
00:27:29Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:52I don't know why we're still running.
00:27:59I don't know why we're still running.
00:28:06Oh, my gosh.
00:28:14It went up my nose.
00:28:20We come back?
00:28:23Maybe.
00:28:26Maybe it's not a no.
00:28:28And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:53Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:22So they can park in handicapped spots.
00:29:29Oh.
00:29:32Happy birthday.
00:29:35God.
00:29:36Oh.
00:29:37I'll see you.
00:29:50I have aラっち.
00:29:50Oh.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56That's right.
00:30:58Nice.
00:31:22It was Molly who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me too.
00:31:29Jane.
00:31:41Janey.
00:31:42Got some pastries.
00:31:46You're still asleep?
00:31:54Jane.
00:31:54Janey.
00:31:55Janey.
00:31:56Janey.
00:31:58Janey.
00:31:59Janey.
00:32:00Janey.
00:32:01Janey.
00:32:02Janey.
00:32:03Janey.
00:32:04Janey.
00:32:05Janey.
00:32:06Janey.
00:32:07Janey.
00:32:08Janey.
00:32:09Janey.
00:32:10Janey.
00:32:11Janey.
00:32:12Janey.
00:32:13Janey.
00:32:14Janey.
00:32:15Janey.
00:32:16Janey.
00:32:17Janey.
00:32:18Janey.
00:32:19Janey.
00:32:20Janey.
00:32:21Janey.
00:32:22Janey.
00:32:23Janey.
00:32:24Janey.
00:32:25Janey.
00:32:26Janey.
00:32:27Janey.
00:32:28Janey.
00:32:29Janey.
00:32:30Janey.
00:32:31Janey.
00:32:32Janey.
00:32:33Janey.
00:32:34Janey.
00:32:35Janey.
00:32:36Janey.
00:32:37Janey.
00:32:38Janey.
00:32:39Janey.
00:32:40Janey.
00:32:41Janey.
00:32:42Janey.
00:32:43Janey.
00:32:44Janey.
00:32:45Janey.
00:32:46Janey.
00:32:47Janey.
00:32:48Janey.
00:32:49Janey.
00:32:50Janey.
00:32:51Janey.
00:32:52Janey.
00:32:53Janey.
00:32:54You know when you were 19 and the world just felt so open and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:05You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then. Not at all.
00:33:11Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:15You're not old, Jane.
00:33:18We ran out on the bill.
00:33:20You just ran out? What do you mean you ran out on the bill?
00:33:23Perhaps I'm not explaining it well. It was...
00:33:27It was fun.
00:33:29It was just fun.
00:33:40How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:50I'd like that.
00:33:53Jane?
00:33:56Jane?
00:33:59Oh, my God.
00:34:01This is Caleb.
00:34:03Hi. No, no, we were just talking about you.
00:34:04We were? That's so weird.
00:34:07Sit, please. Sit down. Join us.
00:34:08Yeah.
00:34:10What?
00:34:11We're going to have a chance of a wrap.
00:34:13I know, right?
00:34:14I'm off to you when I get back pretty soon.
00:34:17That's okay. I already ate so I'll just grab a coffee or something.
00:34:20Can I have the check, please?
00:34:21In a cafe, play, play?
00:34:22Oh, no thank you.
00:34:25Jane?
00:34:26Jane?
00:34:27Jane?
00:34:28You don't smoke.
00:34:29You don't smoke.
00:34:30You don't smoke.
00:34:31You don't smoke.
00:34:32You don't smoke.
00:34:33No, no, no.
00:34:34You don't smoke.
00:34:35You don't smoke.
00:34:36Yes, I do.
00:34:37Sometimes.
00:34:38At parties.
00:34:39You didn't know that.
00:34:40Well, I don't do it a lot.
00:34:41Like that.
00:34:42You don't, I don't.
00:34:43Why?
00:34:44Well, I don't do it a lot.
00:34:45Betty?
00:34:46I gotcha.
00:34:47We'll come!
00:34:48Hey!
00:34:49Part two.
00:34:50Gallagher!
00:34:51All that's in the movie?
00:34:52'll prevail.
00:34:53Over to me, it's in the morning.
00:34:54Little UP!
00:34:55All day.
00:34:56Well, guy.
00:34:57Bill, you forgot me I did.
00:34:58Josh, please.
00:35:00Oh, my God!
00:35:01Hi.
00:35:02Oh, my God.
00:35:03You don't smoke.
00:35:05Yes, I do.
00:35:06Sometimes.
00:35:08Oh, my God.
00:35:09so overrated. I love it. There's no variety. English food on the other hand. Say what you
00:35:17like about it. There's nothing like a good steak and kidney pie. I went to this party
00:35:22the other day in this villa owned by this old drunk expat. They had like a private chef
00:35:29and everything and they were serving this like loaf of meat covered in sauce with all
00:35:34these other loaves. This girl came over to me and said it was cat. No. No joke like a
00:35:41roasted mommy cat and her kittens. That is disgusting. True story. Why don't you tell Leonard one
00:35:54of your viola jokes. Come on. I'm selling my aunt. Come on. Let's hear one.
00:36:04What is the definition of perfect pitch? What? When you throw a viola into the dumpster without
00:36:23hitting the rim. You didn't just make that up. I did. It's too good. I did. Well I'm impressed
00:36:30and I'm stealing it. You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb? This and that, you know.
00:36:44Shall we?
00:36:46What time to go? Already?
00:36:49Yeah. I'm going to get back to work.
00:36:50What's next on your agenda, Caleb? I'm thinking Tibet. Oh, Tibet. Really? Yeah, there's this thing
00:37:08called the Shantan Festival at the end of the summer. Yeah, I've heard about that. That's
00:37:11where the Buddhist monks unroll all the tapestries on the hill, right? The monks, the monks, the monks.
00:37:17It's so pretty. How do you support yourself? You know, a bit of this, a bit of that.
00:37:28Oh, all right then. I'll walk you. Does anybody have a pen? You got a pen? Yeah, I have a pen.
00:37:35I have a piece of paper. You guys should definitely come over to the island. I'll take you somewhere fun,
00:37:54you know. Don't knock on the front door. Come around the side. I need Regina, Lucia. There you go.
00:38:04Thank you. And thanks again for yesterday. Oh, no problem.
00:38:11Okay. Ciao.
00:38:13How stoned are you? Come on, man. We should tell him to pop. It's not a big deal.
00:38:27So you're saying you smoke back at her? Occasionally.
00:38:32Hey, can we do something fun tonight? Sure.
00:38:35I'm fine from here. Okay. See you after work. Yep. I'll be waiting.
00:38:56Hey. God, you scared me. Are you following me? Maybe. Is that weird? Yeah.
00:39:26I couldn't sleep last night.
00:39:37You told me you were staying near the port, so I got the first ferry this morning.
00:39:41I came looking for you. And I can't believe I found you.
00:39:56It's just a little bit weird.
00:40:01But what do you want to do, I got the first ferry, so I'm trying to get it.
00:40:03Right.
00:40:05You sure can't drive the trip over here?
00:40:08You know what I mean?
00:40:09Oh, no.
00:40:10You know what I mean?
00:40:11You know what I mean?
00:40:12I guess you could drive.
00:40:13I guess you could drive the trip, so I'm looking for it.
00:40:15Too fast, too fast.
00:40:17I can't believe in the ship.
00:40:19You know how much water and a bed.
00:40:21Like the perfect day is me.
00:40:23You know what I mean?
00:40:24What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy and beautiful.
00:40:54I can't do this.
00:41:08What?
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:12Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:39Don't follow me.
00:41:42What?
00:41:43Do you do?
00:41:44Is this what?
00:41:48Do you please?
00:41:50Is this what you can use while you're dealing with?
00:41:54Do you know how much you'll answer that?
00:41:57Oh, yeah, I got it.
00:42:01Ah, let's go!
00:42:05Choose Options
00:42:07atière easy and easy to answer.
00:43:10Love at first sight?
00:43:14Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just make my husband?
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:26I don't know.
00:44:56Can we talk?
00:45:27Say cheese.
00:45:33You should kind of be in the middle.
00:45:36Alright.
00:45:38Hold on a second.
00:45:50That's what our living room is missing.
00:45:56What did you do?
00:45:57Put my hand over my mouth.
00:45:58You did?
00:45:59What did you do?
00:46:00Just wave.
00:46:26Let's go!
00:46:48Say cheese.
00:46:50Say cheese.
00:46:52Say cheese.
00:46:53ORCHESTRA PLAYS
00:47:23ORCHESTRA PLAYS
00:47:53ORCHESTRA PLAYS
00:48:23ORCHESTRA PLAYS
00:48:53ORCHESTRA PLAYS
00:48:55ORCHESTRA PLAYS
00:49:01ORCHESTRA PLAYS
00:49:17I don't know.
00:49:47I don't know.
00:50:17I don't know.
00:50:47I don't know.
00:51:17I don't know.
00:51:47I don't know.
00:52:17I don't know.
00:52:47Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:33You want a drink?
00:53:47You want a drink?
00:53:49You want a drink?
00:53:53You want a drink?
00:53:58I don't know.
00:54:00Is that him?
00:54:11Yeah.
00:54:12I just shuffled around all night.
00:54:17Must be lonely.
00:54:42I just shuffled around all night.
00:55:12Again and again and again, again and again, again and again, once I was single, my pocket
00:55:38single, I wish I was single again, again and again and again, once I was single, my pocket
00:55:56single, I wish I was single again.
00:56:08I didn't sleep at all last night, where have you been?
00:56:15Just walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here, I had to plug it in.
00:56:25We need to talk, Leonard.
00:56:28I have to go to work.
00:56:31Can you be late?
00:56:34No, I can't be late.
00:56:37I know it.
00:56:39Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me.
00:56:47I have to go to work.
00:56:52Okay.
00:56:57I've got to go to work.
00:56:58No, I can't be.
00:57:09I know it.
00:57:12Look at me.
00:57:13I got to play your way.
00:57:15if it wasn't the war it would have been something else
00:57:29there's always something else isn't there that's the thing that's the thing about struggle
00:57:45I'm gonna make some tea do you want some? I'm alright
00:58:00you go out like that again just tell me don't worry
00:58:05okay
00:58:08I can't seem to figure out what's going on in your head
00:58:15do you think everything we've been through actually does us any good in the long run?
00:58:35do we just make out struggle to be something meaningful because that's all most of us have
00:58:43I'll tell you next time we come to Italy to get a proper kitchen
00:58:56I don't know what you want me to say Jane
00:59:07one little thing had changed in my grandmother's life I might not be here
00:59:20sometimes I worry I'm not honoring her
00:59:35sometimes I worry I'm not honoring her
00:59:42the book?
00:59:48no with my life
00:59:50this is it you know it ends with me
01:00:03in the harvest time we all went to the field where they were cutting the corn
01:00:09everyone was chasing rabbits and then we had our tea in the harvest fields
01:00:16the horses
01:00:22the horses back then they were kept beautifully
01:00:32dad used to dress them all up brass things and little horseshoes
01:00:37he put braids on them
01:00:39they used to be gorgeous
01:00:41what are your plans for tomorrow?
01:00:44there was one
01:00:47Duke
01:00:48he was a Clydesdale
01:00:50I used to ride down to the marshes
01:00:52every night when he finished working
01:00:55they were lovely days really
01:01:01they're gone for me
01:01:10Jane
01:01:11but not for you
01:01:14Jane
01:01:15you know it's different for you
01:01:17in some ways it's easier
01:01:19you haven't got the war
01:01:21people don't die as much as they did back then
01:01:23but in some ways
01:01:25it's more disjointed
01:01:27you've got to make your own life
01:01:32one that you love
01:01:34and you can't be afraid of the
01:01:36of the time
01:01:38time is shiftable
01:01:50there are moments in my life that I would trade 60 years to have back again
01:01:55that's the truth
01:01:57you'll know the truth when you find it
01:02:00it'll come to you like something you've known before
01:02:02rather than something you're learning for the first time
01:02:10sorry
01:02:11ah
01:02:12ah
01:02:13what is it?
01:02:14ah
01:02:15ah
01:02:17ah
01:02:18you
01:02:19ah
01:02:20you alright?
01:02:21ah
01:02:22you okay?
01:02:23yeah
01:02:24I stoned my toe
01:02:25ah
01:02:26ah
01:02:27it's bleeding
01:02:28ah
01:02:29it's fine
01:02:30it's fine
01:02:31it's fine
01:02:32it's fine
01:02:33it's fine
01:02:34you finishing it?
01:02:35yes
01:02:36oh
01:02:37fuck
01:02:39ah
01:02:40ah
01:02:41ah
01:02:42ah
01:02:43ah
01:02:44ah
01:02:45ah
01:02:46I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:16Waiting for me.
01:03:38Hi.
01:04:05Hi.
01:04:06Hi.
01:04:08Hi.
01:04:09How are you?
01:04:10I'm lacking.
01:04:11Long day.
01:04:12God, when are they not?
01:04:15I don't think I'm chomped at doing another stint like this.
01:04:21How's the writing going?
01:04:26I'm feeling inspired.
01:04:29It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:41Are you listening?
01:04:45You found the key to finishing this project.
01:04:52But the water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:03Oh, Jane.
01:05:04Have you?
01:05:05Can we not?
01:05:06Have you?
01:05:07Absolutely not.
01:05:08Why did you take such a long time to answer that?
01:05:15Because I'm sick.
01:05:16Of what, Leonard?
01:05:17Of it being so hard?
01:05:18Yes.
01:05:19Tedious?
01:05:20I hate talking about sex with you.
01:05:26Is that what we're talking about?
01:05:27Normal people talk about sex, Leonard.
01:05:28Then we don't.
01:05:29There's just huge vacant lots that we don't discuss.
01:05:34Like what?
01:05:35Is there anything you want to ask me?
01:05:36Why?
01:05:37Is there anything you want to tell me?
01:05:38I just want to connect.
01:05:40Leonard. And we don't? There's just huge vacant lots that we don't discuss. Like
01:05:49what? Is there anything you want to ask me? Why is there anything you want to tell me?
01:05:55I just want to connect. So you don't feel that we're connected? Do you? I love you.
01:06:10I get it, Leonard. I get it. It's always been this big, serious, grave thing for us. Sex
01:06:20has consequences, life and death, mostly death. Jane, please. Let me guess. You don't want
01:06:25to talk about it? No, that's not what I'm saying. You're just... Do you want to have
01:06:29children, Leonard? Of course I did. Not did. Do you want to have children? So did you, but...
01:06:40say it. Jane. Say it. I can't have children, Leonard. I never will. And if we keep trying,
01:06:52they keep dying again and again and again. Please, Jane. Please.
01:06:59How does that make you feel? It's not your fault. How does it make you feel, Leonard? How
01:07:08does it make you feel you will never be a father? We can adopt. That's not what you want, is it?
01:07:19Is that what you want? Hmm? Because I think about it all the time. That the one thing you
01:07:28always wanted, I will never be able to give you. What are you trying to do, Jane? I just
01:07:43want to know that there's a reason for it all. You're not curious about me, Leonard. Not
01:07:59really. What do you want me to know? You shouldn't have to ask. I feel as if you want me to be someone
01:08:07I'm not. Someone that I've never been. I'm leaving you. I've been seeing someone else.
01:08:22See you. Caleb. That kid. Yes. That kid? That child? That kid you've known for two days? It's been longer
01:08:34than that. Please tell me you're joking. Time is shiftable. I don't get it. Leonard. I don't
01:08:41get it. He's asked me to travel with him. Are you sleeping with him? What do you think?
01:08:53I kept waiting for you to see it. To smell it. To sense it. So what? I failed your test?
01:09:00I failed your test? You don't see me!
01:09:07I'm sorry. For what? I'm sorry. For what? I shouldn't have done that. No. I'm losing my temper. I shouldn't have done that. You had every right to lose your temper. No, no, no, no. If you think that this is what's going to make you feel better than you are going to be
01:09:14you should go. You should go with him. You've been through a terrible, terrible thing, Jane. No, that's the bad thing. So, it's better. It's better than you're losing your temper.
01:09:24For what? No. I should have done that. I shouldn't have done that. You had every right to lose your temper. No, no, no. If you think that this is what's gonna make you feel better than you should go. You should go with him. You've been through a terrible, terrible thing, Jane. No. That's not fair.
01:09:41I've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:47You don't love me anymore, Leonard!
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:53This is your ticket.
01:09:55The day after my performance,
01:09:57meet me at the train station.
01:10:01Our train is at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:11And then come back to me.
01:10:16No questions asked.
01:10:18No guilt.
01:10:22This is good.
01:10:41Oh, put me in the new area.
01:10:44Until we do.
01:10:45All of a sudden,
01:10:48the sea,
01:10:49no problem.
01:10:50Excuse me.
01:10:51If we can,
01:10:52see you.
01:10:54This is for you,
01:10:56the șeasr
01:10:59and the reality chapter 3.
01:11:01atos.
01:11:32Hi.
01:11:48Hi.
01:11:53You want some?
01:12:02Oh, thanks.
01:12:32Frank and Elsa coming over in a couple hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:13Yeah.
01:13:15Yeah.
01:13:17Yeah.
01:13:19Yeah.
01:13:21Yeah.
01:13:23Yeah.
01:13:24Yeah.
01:13:25Yeah.
01:13:26Yeah.
01:13:27Yeah.
01:13:33Yeah.
01:13:35ORGAN PLAYS
01:14:05Ciao, buona fortuna
01:14:10Ciao
01:14:35Jase
01:14:42You've got to come over to this side
01:14:59Train's going to be here in a minute
01:15:01It's four in the morning
01:15:28The end of December
01:15:31I'm riding you now just to see if you're there
01:15:37New York is cold but I like where I'm living
01:15:43There's music on Clinton Street all through the evening
01:15:49I hear that you're building
01:15:54Your house deep in the desert
01:16:00Are you living for nothing now?
01:16:06Hope you're keeping some kind of record
01:16:11Yes
01:16:13And Jane came by with a lock of your hair
01:16:21She said that you gave it to her
01:16:27That night when you planned to go clear
01:16:33I wouldn't want to live to be 100
01:16:35Why not?
01:16:37I'm not telling you why not
01:16:39Did you ever go clear
01:16:41Now shut that thing off
01:16:44On the last
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