- 5 months ago
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00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Stars
00:15Movie Awards.
00:17You did it.
00:18Three years ago, I was the most sought after screenwriter.
00:24Three years later, I fell in love with Drake,
00:27giving my identity a secret for the sake of his pride.
00:31I thought we were happy until...
00:37Hi.
00:44Where the hell have you been?
00:46I told you that Stephanie was coming to help set up for my brother's birthday,
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:55Look, you know, people say that the only reason you're allowed to stay by Drake's side
00:59is because you're nothing more than a free maid.
01:02Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:08I just hid my identity for the sake of this marriage.
01:12Well, I think Drake's idea is great, and it could be really good for us.
01:18But the risk is way too high.
01:21Dad.
01:21Please.
01:25Okay.
01:26And I'm sure you don't want him to know the real reason why I'm investing.
01:34Think about it, Dorothy.
01:36Since you got married, has he ever even touched you?
01:38How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:45That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:51Everybody knows that if it weren't for her,
01:54you would be married to Drake instead of being my late brother's widow.
01:57Ellie.
01:58Whatever happened between me and Drake is one of the past.
02:01Besides, I'm carrying Nick's baby.
02:04It's the perfect time.
02:12Oh, my God.
02:12Oh, my God.
02:13So, Dorothy just pushed Stephanie into the pole.
02:15What?
02:25Quick, save Stephanie.
02:27She's carrying Nick's baby.
02:31Quick, get in there.
02:32He chose Stephanie over me.
02:51My baby.
02:52My baby is gone.
02:54Why would you do this to me?
02:57How dare you?
02:59You push Stephanie into the pole to try and kill her
03:01and her unborn baby.
03:03Are you happy now that Stephanie's baby's gone?
03:05I didn't do it.
03:06I know you don't want me here.
03:08I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to,
03:13but how could you be so cruel as to kill my unborn child?
03:16I didn't do it.
03:17You know what I mean?
03:18I would never do that to Stephanie.
03:20Apologize to Stephanie.
03:23I'm not going to apologize for something I didn't do.
03:25Apologize to Stephanie right now,
03:27or I will divorce you.
03:35Divorce?
03:36If you apologize right now,
03:39then I'm willing to give you another chance.
03:41It's been three years, Drake.
03:48I gave up everything to be your wife.
03:51I've always kept in the shadows, Dorothy.
03:53I already have a life,
03:55and right now I just want to focus on being
03:56on my marriage with Drake.
04:01I thought you would always be by my side,
04:03but I was wrong.
04:05The only reason you're allowed to stay by Drake's side
04:08is because you're nothing more than a free maid.
04:10And since you got married,
04:11has he ever even touched you?
04:13He doesn't even want to look at you.
04:17Fine.
04:19Let's get a divorce.
04:28There's nothing left in my heart.
04:31Drake's nothing without me.
04:35My ring!
04:37My ring is gone!
04:38Well, you must have taken it.
04:40Why would I take her ring?
04:42Well, look how quickly you packed your suitcase.
04:44You're probably seeing someone else.
04:46Dorothy.
04:48Yes?
04:50We were married for three years.
04:51Were you seeing someone else?
04:52Of course she was.
04:54Probably been cheating on you for a really long time.
04:56Couldn't wait for the divorce.
04:58So what if I was, huh?
05:00And what about you?
05:02Still hung up on your so-called sister-in-law?
05:04What gives you the right to talk about me?
05:07I only look after Stephanie because she's my brother's widow.
05:11Yeah.
05:12But you were actually seeing someone else.
05:13Who is he?
05:14Big talk!
05:15Don't bring me down to your level.
05:18I'm not like you.
05:20Since your sister-in-law lost her ring,
05:22Why don't you take
05:26This one.
05:35You've been waiting for this for a long time, haven't you?
05:41Bye.
05:42And so I left.
05:53This is ridiculous!
05:56We, the Fennett family,
05:57are one of the four major production companies in the world.
06:00I let him marry my daughter
06:01and even invest it in his business.
06:04How dare that Drake do this to my daughter!
06:08Look, it's actually good for Dad.
06:10Now we know who he really is
06:13and he has no idea who I am.
06:16Still, you're my daughter.
06:18I can't let him do this to you.
06:20If it weren't for you,
06:20I would not have considered investing in his company.
06:23We're going to pull our investment immediately.
06:25Yes.
06:26It's time to cut him off.
06:28He doesn't deserve you.
06:29I'm over Drake.
06:32If we withdraw the plans now,
06:34it's going to hurt the family business.
06:36He's not worth it.
06:39Honey.
06:40Why don't you just take a vacation?
06:44Oh, just put all this aside
06:46and take some time out for yourself.
06:48Yeah.
06:51No.
06:54I've wasted too much time with Drake
06:56over the three years.
06:59You know, now I want to focus on something
07:01that actually matters.
07:02You know, Christopher has been saying
07:05that many people want to buy the movie rights
07:08to Liar's Game.
07:10Universal, Paramount,
07:11every major studio wants this.
07:16Liar's Game.
07:18Your story on the big screen.
07:20If you're in,
07:20I'd be happy to be the one headlining.
07:22Huh.
07:23So that's why they're making it.
07:25Because of you.
07:26I'm sorry, Christopher Santoro.
07:28See?
07:29They're not funding the film.
07:31They're funding you.
07:32Oh.
07:34They're funding the story.
07:35It's more than good.
07:37It's phenomenal.
07:40Christopher is right.
07:41I'm taking my life back.
07:47I'm going to adapt to myself.
07:50You are?
07:51Yes.
07:53I will.
07:54Good for you.
07:56I won't tell anyone unless you.
07:58I won't tell anyone unless you.
07:58Congratulations to Aria Wong
08:12for winning the best director.
08:19This is my close friend from college.
08:21Aria, I need your help.
08:24I want to adapt the Liar's Game myself
08:25and I want you to direct it.
08:28Of course.
08:30All right.
08:31Okay.
08:32There's just one thing.
08:33I want to keep my identity as the writer
08:36a secret.
08:37I don't want anyone to know,
08:40especially not the team.
08:41SQ.
08:42Are you sure?
08:43But why keep it a secret?
08:44I just want people to focus on the story itself.
08:48Got it.
08:49Your secret's safe with me.
08:51Hey.
08:53Why not?
08:54I don't know.
08:57Jeff.
08:58It's a bit weird.
09:00Ever since news got out about our movie,
09:02my phone has not stopped ringing.
09:05Really?
09:11It's Stephanie.
09:12Yeah, just take it.
09:21Hello?
09:22Hello, Miss Wong.
09:24I've heard Liar's Game is being made into a movie.
09:26I'm interested in playing the lead.
09:28Can we arrange an audition?
09:29I'll speak to the writer and I'll let you know.
09:35Thank you, Miss Wong.
09:38What do you think?
09:41Anyone can audition, right?
09:43As long as they're right for the role.
09:44What happened between me and Stephanie is not important here, so...
09:49Okay.
09:52I'll call her back and let her know.
09:54Mm-hmm.
09:54What about me?
10:07Can I be a hero?
10:08Oh, you mean, uh...
10:14That film, right?
10:17I've...
10:17I've never considered anyone else.
10:22I have to take this.
10:25Hi?
10:30You know, I'm not just talking about the film, Dorothy.
10:32It's okay.
10:34It's okay.
10:36I can wait.
10:39I've waited this long.
10:44Well, well, well.
10:46Look who it is.
10:51Why are you here?
10:53Oh, I see.
10:54You're the production assistant.
10:56Well, do your job.
10:59Get me a water.
11:02Stephanie.
11:04Get you on water.
11:05I'm not your PA.
11:07Look.
11:08It's my first day on set,
11:09and I want to buy coffee for the crew.
11:12Why don't you be a doll
11:13and mark down everyone's order?
11:15Are you deaf?
11:17I'm not a PA.
11:20Here's your tip.
11:21Go on.
11:23Show some respect, Stephanie.
11:25Do you know who she is?
11:29What are you doing?
11:30Oh, no.
11:32She can't know I'm as human.
11:36I want to keep my identity as the writer in a secret.
11:39I don't need anyone to know,
11:41especially not the team.
11:46What do you mean?
11:48Who is she?
11:51No one but a lower PA, I'm sure.
11:53Isn't that right?
11:58Well, actually, she's...
11:59She's...
12:03Just a PA.
12:05You're right.
12:08So why don't you show me a lower PA,
12:10your acting skills?
12:12Maybe I'll be impressed
12:13and even buy her the coffees myself.
12:16Watch this.
12:16I loved you once.
12:24Or so I thought.
12:27But now I see that it was all just a lie.
12:30A beautiful...
12:32PAINFUL LIFE.
12:38You took everything from me.
12:42My dreams.
12:45My future.
12:49See?
12:50There's no soul.
12:52That's not acting.
12:53It's just...
12:53reciting lines.
12:55Why don't you show how it's done?
12:58What?
13:00Go on.
13:04Go on.
13:05Go on.
13:05I loved you once.
13:29So I thought.
13:32But now I can see.
13:34It was all a lie.
13:37A beautiful, painful lie.
13:41You took everything from me.
13:45My heart.
13:48My dreams.
13:51My future.
13:53And for what?
13:55For your own personal gains.
13:58Thanks.
14:04How is that possible?
14:11Dorothy.
14:11That was perfect.
14:14The role is yours if you want it.
14:17No!
14:18This rubble is mine!
14:21I'm the one with the investment.
14:22Without me, there's no funding for this movie.
14:24Do you want investment?
14:26Do you even know who she is?
14:29Who is she?
14:29Who is she?
14:36As you know, no one but a PA.
14:40Dorothy.
14:41This movie is important to Stephanie.
14:43Why are you here?
14:44You're not a real actress.
14:45What are you doing?
14:46You're trying to ruin her career.
14:47You're trying to get back at me by ruining her career.
14:49I'm not ruining anything.
14:51If she can't handle the role, that's on her, not me.
14:55You can't blame this on anyone else.
14:57You embarrassed her in front of everyone.
14:59I mean, I know what you're doing.
15:01You're the one pulling all the strings here.
15:02You're trying to make her fail so you can take her place.
15:05She's using this whole thing to get to you, Drake.
15:08She's been jealous from the start, trying to ruin my chances to get back to you.
15:12I know.
15:12I don't want to fight anymore.
15:13Well, let's just take a look at this crap so maybe we can work something out.
15:17You are just so damn selfish.
15:21You only care about yourself.
15:23Just give Stephanie her role back.
15:26You know what?
15:28I don't want to do this, but I will.
15:31I'll take the role.
15:33I'll play the lead.
15:38I'll play the lead.
15:39No way.
15:40You can't be serious.
15:41She's not even a real actress.
15:43Dorothy's performance was far stronger than yours.
15:48Everyone in the room can see it.
15:52I'm so glad you've agreed to do the role.
15:56Right.
15:57It's settled then.
15:58The lead roles go to Christopher and Dorothy.
16:02I will double my investment
16:04if you give Stephanie a role.
16:08I never thought I'd see the day my ex-husband would go this far
16:15for his sister-in-law.
16:17I can always count on you, right?
16:24I will double my investment if you give a role to Stephanie.
16:28You two are just such...
16:29Okay, look.
16:34If the money's on the table,
16:36there's no reason to turn it down.
16:37Let's just give her a part.
16:40We have nothing to lose.
16:41I guess that'll be fine.
16:44I'll talk to SQ.
16:51Your father's production company
16:52is already the biggest investor in your movie.
16:54So why take Drake's money?
16:55Don't instill our feelings for Drake.
16:58No.
17:01He's a nurse off.
17:03Come on.
17:05I've got an idea.
17:08Why don't we just give her a character
17:09that'll make her miserable?
17:14Wow, Mrs. Sontaro.
17:15I feel bad now.
17:22I only wish you didn't have feelings for Drake anymore.
17:25How did she learn herself the role?
17:29She's practically a nobody.
17:31The fan base, the real experience.
17:33Just one good scene.
17:35It doesn't make sense.
17:39Find out everything you can about Dorothy.
17:41I want all the dirt.
17:50Director, there must be a mistake.
17:52I'm only a side character and not even in the main scene.
17:56You wanted a role.
17:57We gave you a role.
17:58I came in with an investment.
18:02Well, you're more than welcome to take it back and leave the set.
18:08Even a small role in SQ's film is going to do great things for your career.
18:11Now is not the time for you to be messing around.
18:12Fine.
18:22Two, take one.
18:23Action.
18:25Lily, you are my best friend.
18:26How could you do this to me?
18:27I'm sorry, but this is...
18:29What the hell are you doing?
18:33Report the scene.
18:39Okay, take it again from this lap.
18:42Action.
18:42Oh!
18:47Cut!
18:48Stephanie, why aren't you saying your lines?
18:51You have to keep going in the scene.
18:54I think you've had enough for today.
18:56We'll just try again tomorrow.
19:04Did you see her face?
19:07So cold.
19:09I mean, she got what she wanted.
19:10She asked for a role, and that's what we gave.
19:12So...
19:13Seriously, her performance is all over the place.
19:17Maybe we should just cut down on her screen time.
19:20And we all know the film's better without her slowing us down.
19:24You're right.
19:25You're right.
19:25I'm not going to let anyone ruin your story.
19:28So if you can just give me something that's a bit more...
19:33If you can just give me something that's a bit more...
19:36Tell me about her job.
19:39What's going on with my scenes?
19:46Why have so many of them been cut?
19:48It's a collective decision.
19:50It's a collective decision.
19:52Fuck that.
19:53Let me talk to the writer.
19:55The writer is less cute, and as you know, they never show their face, so their decision
19:59is final.
20:00I will see you on set in five.
20:04I will see you on set in five.
20:06I will see you on set in five.
20:07I will see you on set in five.
20:08Now it all makes sense.
20:18Yeah.
20:19Now it all makes sense.
20:26That's the head of the production company.
20:29No wonder she got the role.
20:32Let's see how John's wife feels about that.
20:38Everyone, I have an announcement to make.
20:46Today will be Stephanie's last day on set.
20:53You really think I don't see through your little gate?
20:56Somebody will be walking out that door today, but it won't be me.
21:01You really think you can get away with this?
21:04Sleeping your way up?
21:08John's wife is on her way.
21:10Let's see how you talk your way out of this one.
21:13Slut.
21:19That's it, though!
21:23So were you the one who was stalking and secretly taking photos?
21:27What?
21:27Scared the truth is going to come out?
21:30Someone had to expose her for who she really is.
21:33So you admitted.
21:34You did it.
21:35Damn right I did.
21:36And I'd do it again if I had to.
21:40You don't know who you just crossed!
21:43Oh, I know.
21:44Just some rich old bastard throwing a tantrum.
21:47I sent those photos to your wife, too.
21:49And now your mistress is about to be exposed.
21:53Yeah.
21:54Security.
21:56Stephanie is banned from the studio.
21:58Make sure she never sets foot here again.
22:00You can't just do that!
22:01Oh, this is insane!
22:03Well, I'm right!
22:04I'm not going to tell you the truth!
22:06She's a mistress!
22:07A loose woman!
22:08A lady of the night!
22:17Is it true that Dorothy is John's sugar baby?
22:19Otherwise, why would he come onto the set and get me banned from the movie?
22:24That's unbelievable.
22:25And he humiliated me.
22:27He had me dragged off the set like a criminal.
22:29You should have seen it!
22:31I'm not going to let her just ruin our reputation like this.
22:35I mean, this whole message is making us look like fools.
22:37Dorothy's always been trouble.
22:41I mean, first she goes off with a married man, and now this.
22:45Don't know how you put up with her for three years.
22:48You should have got a divorce earlier.
22:52Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:56It's the only explanation!
22:58She's clearly nothing but a slut!
23:02Drake, Stephanie is your sister-in-law.
23:06Now, you need to take care of her and forget about Dorothy.
23:09Can't you see she's the one behind all of this?
23:12She was sleeping her way to the top,
23:15killing Stephanie's unborn child.
23:18And John dragging her off the set.
23:21You should be sticking up for Stephanie.
23:26I'm not going to let her do this to you.
23:36Do you think you can just walk away from what you did like nothing happened?
23:46I didn't walk away from anything.
23:47You did.
23:49You chose Stephanie over me.
23:50Remember this one?
23:51Oh, she's my sister-in-law.
23:52I'm so sick of hearing this.
23:56You have feelings for her, and I'm just tired of it.
23:59You're out of your mind if you think I'm going to let you get away with this.
24:02You do what you want to do.
24:04But for now, get out!
24:07Why?
24:08We were married for three years.
24:16We never...
24:16Oh, you're out of your fucking mind.
24:17Let go of me!
24:28No wonder you want me to go.
24:31Just look at yourself.
24:33You're not half the man Christopher is.
24:35Get out.
24:38Or I will call the cops.
24:41Just go!
24:50Are you okay?
24:57Dorothy?
24:59Remember, safety first.
25:01The lifeguard's right there if you need him.
25:05Anything you need, let the AD know.
25:08Okay.
25:09Got it.
25:10Got it.
25:10Yeah?
25:18Here's a coffee for you.
25:20It's still early before the shoot.
25:22Take your time.
25:23It's still early before the shoot.
25:3130 flip
25:43It's still late.
25:44You're welcome.
25:44Well...
25:45There's...
25:46You're welcome.
25:48Something's wrong.
26:18That's not acting.
26:21She's in trouble.
26:28Where's the left guard?
26:34Where's the left guard?
26:48Where the fuck is the left guard?
27:04Come on, Dorothy.
27:07Why did you do that?
27:31I'll do anything for you, Dorothy.
27:37Christopher risked everything without hesitation.
27:42How could I have been so blind?
27:43I wasn't expecting that.
28:08What could I have been so blind?
28:10What could I have been so blind?
28:11Who would be very blind?
28:12I was not mistaken.
28:13I was not scared.
28:16I was afraid I had something.
28:17I was just weak.
28:19I was afraid she could be.
28:20And the only thing that I was watching I was out.
28:22What would I have seen before am I being around me?
28:25What do I have seen before am I being out?
28:27I am not about to say anything to me about you.
28:29I am not about to say anything.
28:31I am not going to be my wife.
28:32I am not about to say anything.
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