FULL HOT MILF MOVIE
Models working for a nude magazine are being killed gruesomely. The murderer stages and photographs the victims' corpses, submitting the images for publication.
*
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Models working for a nude magazine are being killed gruesomely. The murderer stages and photographs the victims' corpses, submitting the images for publication.
*
#watchfreemovie
#watcnow
#fullmovie
#watchonlinemovie
#freestreaming
#StreamingNow
#MovieRecommendations
#MustWatch
#ClassicMovies
#Thriller
#Mystery
#WatchOnline
#TopRatedMovies
#CinemaLovers
#DramaFilm
#ForeignFilms
#AwardWinning
#MovieOfTheDay
#InstantClassic
#FeelGoodMovies
#RetroMovies
#MovieClips
#BestCinematography
#StreamingTonight
#LateNightMovies
#RomanticDrama
#Top10Movies
#PopcornTime
#MovieMarathon
#LoveStory
#romanticmovie
#WatchFree
#FreeMoviesOnline
#FilmOfTheYear
#BestMoviesEver
#Comedy
#FunnyMovie
#mustwatchmovie
#Movie
#Film
#filme
#Movies
#FullMovies
#ActionMovies
#ComedyMovies
#HorrorMovies
#DramaMovies
#RomanticMovies
#ThrillerMovies
#EuropeanFilms
#europeanmovie
#FrenchCinema
#SpanishMovies
#ItalianFilms
#GermanMovies
#EuropeanMovieClips
#EuropeanFilmFestival
#BestEuropeanMovies
#TopEuropeanFilms
#ClassicEuropeanCinema
#EuropeanDramaFilms
#EuropeanFilmAwards
#ScandinavianMovies
#EuropeanHorrorFilms
#EuropeanComedyMovies
#EuropeanArtFilms
#EuropeanIndieFilms
Category
🎥
Short filmTranscript
00:00:00The
00:01:47Kim, put your head back slowly.
00:01:50More.
00:01:51That's it.
00:01:53Now move it forward again.
00:01:58Okay.
00:01:59That's good.
00:02:00Look to your left, Kim.
00:02:01And keep laughing, all of you.
00:02:04Remember, you want to be possessed, Kim.
00:02:07Good.
00:02:08That's it.
00:02:10That's it.
00:02:11Keep laughing.
00:02:12Good.
00:02:12Sexier.
00:02:13Make it sexier.
00:02:14Just a few more, then we can stop.
00:02:23Keep it up.
00:02:24Your water nymphs.
00:02:24Have fun.
00:02:25You're drunk with desire.
00:02:26Touch your lap.
00:02:27Move around more.
00:02:27Offer yourself, Kim.
00:02:28You love it.
00:02:30You too, Christine.
00:02:31That's it.
00:02:31Good.
00:02:33More abandoned.
00:02:34Let yourself go.
00:02:36Surrender to pleasure.
00:02:37Now, Kelly, take her around.
00:02:39You think it was a bright idea?
00:02:40Were you shooting that story with Kim?
00:02:42Yeah, I think so.
00:02:44Even if it's not the same thing.
00:02:46Oh, Tommy knows his work.
00:02:48And Kim's beautiful.
00:02:50But you were something else.
00:02:52I'm getting cold in here.
00:02:53Don't show it.
00:02:54You're supposed to be hot.
00:02:55I can't believe it's been three years.
00:02:57It's more like a lifetime.
00:02:59Where's the makeup artist?
00:03:01Okay, come on out, girls.
00:03:05Evelyn!
00:03:08Evelyn!
00:03:10Where's the makeup girl?
00:03:12I don't know.
00:03:12I guess she's inside.
00:03:14What do you mean she's inside?
00:03:16Here I am.
00:03:16Oh, finally.
00:03:17I'm not paying her to sit on her ass.
00:03:19Look, the girl's makeup is running.
00:03:21Do you mind getting to work?
00:03:23How come your brother always gets a man?
00:03:24Come on, let's go.
00:03:25Look, we're losing the light.
00:03:28Here, Kim, let me help you.
00:03:30Gloria.
00:03:31Oh, hello, Mark.
00:03:32I'm watching you.
00:03:33You are?
00:03:34Yes, and I'm going crazy.
00:03:37If I told you I was playing with it,
00:03:40would you come over and help me?
00:03:42No, don't be angry.
00:03:44It's not true.
00:03:45Don't hang up.
00:03:46I just have to tell you how beautiful you are today.
00:03:48More than usual.
00:03:50Are you wearing your panties now?
00:03:54No, don't be dangerous.
00:03:54Don't hang me down your skirt.
00:03:56You don't know how much pleasure I get just watching you.
00:03:59Do you want to let me see you in the nude?
00:04:02I'd be forever grateful.
00:04:05Listen, Mark.
00:04:06You've been watching a show right under your window that isn't so bad.
00:04:10Be happy with that, huh?
00:04:11You're not like those others, Gloria.
00:04:14You could put out my fire, all right.
00:04:18You're a sex goddess.
00:04:19You make my member throb with desire.
00:04:21Who wants to penetrate your flower and explode?
00:04:23This is getting boring, Mark.
00:04:25And you're not very funny.
00:04:31Outline her upper lip a little more.
00:04:33Here.
00:04:33Do you have much more to shoot?
00:04:35Oh, a couple of hours.
00:04:37I'd say less.
00:04:40The light's going.
00:04:42Come on.
00:04:43Then I'll go inside and help Evelyn.
00:04:45You're all staying for dinner, I hope.
00:04:47Oh, quel dommage.
00:04:48Kelly and I have to catch a plane tonight.
00:04:50We have a fashion show in Paris tomorrow morning.
00:04:53Sorry, Gloria.
00:04:55Thanks, anyway.
00:04:56C'est un bon voyage.
00:04:58Au revoir.
00:05:03Okay, Kim, let's start over here.
00:05:05Tony, we're ready.
00:05:07Tony.
00:05:08Tony.
00:05:13This guy had just finished making love with a girl.
00:05:18I'm sorry, he said.
00:05:21If I'd known you were a virgin,
00:05:23I'd have taken more time.
00:05:24But, honey, she says,
00:05:27if I'd known you had more time,
00:05:29I would have taken my panties off.
00:05:33You're right, Roberto.
00:05:37Evelyn, as usual, the dinner was just perfect.
00:05:43What would Gloria do without you?
00:05:47You're the best at everything.
00:05:50Now, now, don't be unpleasant.
00:05:51He doesn't have to work at it.
00:05:53It's a natural gift.
00:05:57Speaking of natural gifts,
00:05:59I found a gift for you.
00:06:01To my darling, Gloria.
00:06:14They're sweet.
00:06:16Well, after that little coup de théâtre,
00:06:18I think I shall be going.
00:06:20Good night.
00:06:22Good night.
00:06:22I'm coming with you.
00:06:25The night is still young.
00:06:26Good night, Roberto.
00:06:34Don't be late, Tony.
00:06:35Tomorrow we'll have to choose the pictures.
00:06:37Okay, boss.
00:06:41Do you need a ride, Kim?
00:06:42No, thank you.
00:06:43I'll stay a while longer.
00:06:44I came with my own car.
00:06:45Hmm.
00:06:46Okay.
00:06:48Aren't you scared to go home on your own?
00:06:51You never know who you might run into.
00:06:54Just as long as he's cute.
00:06:56Listen, honey.
00:06:57There are times when you and I have the same needs.
00:06:59I'm going to bed now.
00:07:05I want to be at work early tomorrow.
00:07:11The next issue has got to be especially good,
00:07:14seeing as you're back with us.
00:07:15I'm sure it will.
00:07:17Good night.
00:07:20See you soon, Kim.
00:07:21Night.
00:07:26Has it been long since you took an interest in the magazine?
00:07:29It's over a year now,
00:07:31since the day of the accident.
00:07:33It's over a year now, since the day of the accident.
00:07:59Do you like talking about it?
00:08:15Why not?
00:08:17You know, the day you married Carlo,
00:08:19a lot of people thought you were only doing it for his money.
00:08:21Well, don't you believe it?
00:08:23I married because I was in love.
00:08:25No other reason.
00:08:30And never once did he ask me to stop posing in the mood.
00:08:33Instead, he gave me the chance to start a magazine of my own.
00:08:36I was the one who decided to stop modeling
00:08:38and put all that behind me
00:08:39because I wanted to be with him
00:08:41and have his children.
00:08:43I was afraid I wouldn't have time for work.
00:08:45Besides, there was Evelyn,
00:08:46always so efficient and ready to help.
00:08:49But maybe Carlo and I were too happy,
00:08:51and fate decided to teach us a lesson.
00:08:53I'll never forget that day he was killed,
00:08:55and a wind came up and his people turned over.
00:08:58He was like a child who was in love with a toy,
00:09:01determined to reach a record of 200 kilometers an hour.
00:09:05Well, he left me well off.
00:09:06The magazine, everything.
00:09:09And the memories of all we shared in this house.
00:09:12Now I have to start to live for myself again,
00:09:15as well as for Carlo.
00:09:16You're right, Gloria.
00:09:17I'm afraid I'd board you.
00:09:28Oh, no, on the contrary.
00:09:31If I didn't have to get up early,
00:09:32I'd stay here all night.
00:09:40You don't have to come with me.
00:09:41I know the way.
00:09:43Ah, it stopped raining.
00:09:45I'll call you tomorrow.
00:09:45Bye.
00:09:47Bye.
00:10:17Bye.
00:10:18Bye.
00:10:19Bye.
00:10:19Bye.
00:10:40Bye.
00:10:45Bye.
00:10:46Oh, my God.
00:11:16Oh, my God.
00:11:46Oh, my God.
00:12:16Hello?
00:12:18Your blonde model has just been murdered. Her body's floating in your swimming pool. Do you hear me?
00:12:24Oh, my God.
00:12:54She had long, blonde hair. Are you listening?
00:12:56Yes.
00:12:57Do you want me to call the police?
00:12:59You're not putting me on, Mark.
00:13:01Oh, no way.
00:13:03Well, shall I call the police or will you?
00:13:04No, wait. Let me go and look first.
00:13:06Listen, Gloria, you better not.
00:13:08You won't like what you see there.
00:13:09Only a wild, crazed animal could kill someone like that.
00:13:13We'd better stay in the house.
00:13:14Evelyn?
00:13:35Evelyn?
00:13:36Evelyn?
00:13:36Evelyn?
00:13:41Evelyn?
00:13:41Evelyn?
00:13:43Evelyn?
00:13:55Evelyn?
00:13:55Oh, I'm sorry. I didn't mean to scare you. I... I just went into the kitchen to get a drink.
00:14:17Mark just told me. He said that he saw Kim murdered in the poultry's mouth.
00:14:21Oh, and you believe him? That boy's sick. He's sick in the head. Don't pay any attention to him. Go back to bed and forget it. Nothing has happened, I'm sure.
00:14:31Come on. I'll bet on it. Good night, Gloria.
00:14:35Good night.
00:15:05Good night.
00:15:07Good night.
00:15:08Good night.
00:15:09Good night.
00:15:10Good night.
00:15:11Good night.
00:15:12Good night.
00:15:13Good night.
00:15:14Good night.
00:15:15Good night.
00:15:16Good night.
00:15:17Good night.
00:15:18Good night.
00:15:19Good night.
00:15:20Good night.
00:15:21Good night.
00:15:22Good night.
00:15:23Good night.
00:15:24Good night.
00:15:25Good night.
00:15:26Good night.
00:15:27Good night.
00:15:28Good night.
00:15:29Good night.
00:15:30Good night.
00:15:31Good night.
00:15:32Good night.
00:15:33Good night.
00:15:34Good night.
00:15:35Sit on you!
00:16:05Good morning, good morning, good morning, good morning, yes the lighting's good can you use that one?
00:16:22I don't know I prefer this one look yes it's got movement but so does this and I like the line of her body what do you think Gloria?
00:16:30Oh they're all good Roberto Tony I know you'll pick the right ones and Kim is marvelous
00:16:37Okay let's go with these three yeah
00:16:42Just a moment I'll connect you Oh before I forget Evelyn Kim left her lighter last night at my house
00:16:49Will you give it to her? She'll be happy to know she didn't lose it
00:16:54Why don't you go into the other office to choose the pictures?
00:16:58Cause it's yours
00:17:00Well in there I feel like a fish out of water
00:17:02Well then put on your scuba gear
00:17:04There's a shark waiting for you
00:17:06Laura!
00:17:07I couldn't get her out
00:17:09She knew you'd come in sooner or later
00:17:11And so she waited
00:17:13She's waited in every year?
00:17:14Not quite but over an hour for sure
00:17:17Come on find an excuse
00:17:20She'll just come back another time
00:17:22Ah and I was feeling so good
00:17:24Tear her to pieces Gloria
00:17:26Otherwise she'll tear you to pieces
00:17:38Now welcome back Gloria
00:17:40And to what do I owe this pleasure?
00:17:43Are you here for the usual reason?
00:17:50I'd say suffering has enhanced your beauty my dear
00:17:53But not my willingness to deal with you
00:17:55But why don't you want to sell me your magazine?
00:17:58I know there are better things you'd like
00:18:01For example?
00:18:02To live
00:18:04You might travel you have plenty of money
00:18:06My dear when I think of how you were when I saw you for the first time
00:18:12You were so provincial and ready to do anything for money
00:18:17I had to support Tony and myself then
00:18:20And as you can see I did it
00:18:23It's funny now you're the one who needs me
00:18:25Don't you ever think of thanking those who lent you a hand in the past?
00:18:30And who should I thank?
00:18:32Me for example
00:18:34You never helped anyone for nothing Flora
00:18:37Don't give me that
00:18:38You're too selfish
00:18:39But I was the one who got you started in modeling
00:18:42Or you'd have turned into a cheap prostitute
00:18:44You and your brother Tony didn't know where your next view was coming from in those days
00:18:48Why if it hadn't been for me you'd be walking the street
00:18:51If you hadn't had the good fortune darling to have known me
00:18:54Walking the street no
00:18:56A prostitute maybe
00:18:58When there's nothing else
00:19:00Even prostitution's a way of keeping alive
00:19:02How much do you want?
00:19:03And this is funny you know
00:19:05Here I am the victor
00:19:06When you fought off all those men
00:19:08Oh my men
00:19:10They never meant anything more than a Kleenex
00:19:13Something you use and throw away
00:19:15Girls are precious though
00:19:17You know how to hit someone where it hurts most
00:19:20I do
00:19:21And you?
00:19:22When I said I wouldn't work for you any longer
00:19:25You did everything to ruin me
00:19:27You even did your best to turn my husband against me with your vile eyes
00:19:32Well I'm not selling out Flora
00:19:34You better forget it
00:19:36Now go
00:19:37Okay when you're poor again and you're too fat to make out with men
00:19:40Call me
00:19:41You still have some capital
00:19:43You know those pictures you once posed for
00:19:46I'd always be willing to buy them back again
00:19:50I'm sure that you'd realize a good profit
00:19:52Oh naturally my dear I couldn't offer the same price
00:19:56Those photographs still have some value
00:19:59But mostly as souvenirs
00:20:03There was another souvenir that you wanted from me and never got
00:20:07And that you begged for
00:20:09Be careful Gloria
00:20:11Don't make me change my feeling for you to hate
00:20:14I warn you the hate of a woman can be very bad
00:20:44dysfunctional
00:20:47I авówne
00:20:48I mean
00:20:49You say
00:20:50I시를
00:20:51It's because
00:20:52You don't居
00:20:56Actually
00:20:57You're looking pediatrician
00:20:59He's dead
00:21:02And they all
00:21:05You have
00:21:07You get
00:21:08You
00:21:09Why
00:21:10You
00:21:11You
00:21:13Oh, my God.
00:21:43Oh, my God.
00:22:13Evelyn, you know you shouldn't drink.
00:22:28It's bad for you.
00:22:29What's wrong?
00:22:33I found this under the door.
00:22:35Oh, my God.
00:22:40Oh, my God.
00:23:10Take a look at this pitchfork.
00:23:11I found it in the gardener's tool shed.
00:23:19Looks like it's never been used before.
00:23:21Yeah.
00:23:23Strange.
00:23:23I've got a sample of the pool water.
00:23:29Take it to the lab for analysis.
00:23:32Don't think they'll find anything new.
00:23:34Just playing it safe.
00:23:36For the lab, too?
00:23:37Yeah.
00:23:38Any sign of burglary?
00:23:40No, nothing.
00:23:49Did you see him?
00:23:51He looks like anything but a cop.
00:23:53Because you watch television too much.
00:23:57They always make us out to be different than we are.
00:24:05I'm sorry.
00:24:06Forget it.
00:24:07I'm used to it by now.
00:24:08Since I joined the force, my hardest job is to get people to trust me.
00:24:11They usually take me for a hood.
00:24:13Please sit down, Inspector.
00:24:17I questioned that kid, Mark.
00:24:19He didn't try to hold back.
00:24:21He told me exactly what he witnessed here last night.
00:24:24It appears absolutely certain he saw a murder.
00:24:26He's the only witness we have, but I don't think he'll be very useful.
00:24:32All we know is the murderer was blonde.
00:24:34But there are lots of blondes, both men and women, and wigs besides.
00:24:38But why send that photograph?
00:24:40And pose Kim's body in front of a poster of me?
00:24:43And why was she killed?
00:24:44Right here, at my house.
00:24:47If we had the answers to all your questions, the case would be solved now.
00:24:50But by sending that photograph of her here, it looks like it points to me.
00:24:54Why?
00:24:54I don't know.
00:24:56And that's not the only thing that's baffling.
00:25:03It's either a warning or an attempt to implicate you.
00:25:06We'll investigate the background of that model and find out who her friends were.
00:25:09Inspector Corsi.
00:25:09Excuse me.
00:25:10Can I send the men back now?
00:25:26You know you shouldn't spy on your neighbors.
00:25:54It's not very nice.
00:25:56Have you finished?
00:25:59I'll do as I like.
00:26:00Your father called from London last night.
00:26:16But you wouldn't answer.
00:26:17He said you'd call back today.
00:26:19Well, tell him I'm out.
00:26:20What about your mother?
00:26:24She's still on vacation.
00:26:26Enjoying herself.
00:26:28Anyway, I don't give a good damn about either of them.
00:26:33Oh, thanks.
00:26:33Holy God.
00:27:00The beautiful model's corpse was found this morning in a garbage bin on Via Calderolo.
00:27:06Now, you are the news vendor who discovered Kim's body, whose picture appears on the cover of this magazine.
00:27:11Tell us in your own words how it happened.
00:27:13Well, I just finished wrapping new issues of Pussycat and was going to put the plastic in the trash bin when I saw her, poor girl.
00:27:18Well, then what did you do?
00:27:20I called the police.
00:27:22And how did you feel?
00:27:23What was your reaction?
00:27:24Why, I was shocked.
00:27:26I got sick almost.
00:27:27To see her like that, eyes staring at me, bright blood all over her dress.
00:27:31Especially after seeing her so pretty and sexy on that cover picture.
00:27:33What?
00:27:34Hello?
00:27:35You heard of thanks of murderer, huh?
00:27:37Mark, how can you say that?
00:27:39The one who killed her did you a favor.
00:27:41Your magazine's going to sell like hotcakes now with her picture on the cover.
00:27:45Isn't it?
00:27:45The three years of age and unmarried police declined further comment at this moment.
00:27:50Now, back to our studio for the rest of the news on the Good Morning Village.
00:27:55A favor.
00:27:57Hmm.
00:27:58Only a sick kid like him could come up with an idea like that.
00:28:03Why do you talk to him?
00:28:06It's just that I pity the kid.
00:28:12Who are you calling, Evelyn?
00:28:13The printer.
00:28:15Oh, Ruggiero, is that you?
00:28:17Good.
00:28:18I was afraid you'd already left.
00:28:20Listen, I want another press run.
00:28:23Oh, you'd already figured we'd need one.
00:28:24Good.
00:28:25Yes, that should do it.
00:28:27I'll talk to you later.
00:28:29My God, Evelyn, do you think we should be exploiting her murder?
00:28:32Gloria, you're a publisher.
00:28:33You can't afford to pass up this chance.
00:28:35No, it's a mistake, Evelyn.
00:28:37Gloria, I'm always trying to increase our circulation.
00:28:40And now's the perfect chance.
00:28:41I want you to call Ruggiero back and cancel it.
00:28:43What for?
00:28:45By doing that, do you think it would bring Kim back?
00:28:47You know it wouldn't.
00:28:49So why?
00:28:50Yeah.
00:28:50I think Evelyn's right.
00:28:54Even though the killer didn't mean to do you a favor.
00:28:57How many copies are they printing?
00:29:03Well, come on.
00:29:04Here it is.
00:29:05The printer told me how many they ordered a little while ago.
00:29:08Oh, this is awful.
00:29:16Pour me a martini.
00:29:23Oh, forgive me, Lily.
00:29:24Isn't it a little early to be drinking?
00:29:31It's not quite 9.30 yet.
00:29:33Oh, well, my liver's about to explode anyway.
00:29:44The photographer said he should be finished with him by noon.
00:29:48And you say that Sabrina says she won't be coming back.
00:29:51That's right.
00:29:54She signed an exclusive contract with Pussycat.
00:29:57At double the salary that we offered her.
00:30:01That bitch is getting the best we have.
00:30:12Sometimes you just hit on the right idea by accident.
00:30:15Come on, I'll show you the studio.
00:30:17Fine, I'm curious.
00:30:18Here's the set.
00:30:42Well, what do you think of it?
00:30:44You like it?
00:30:45I think it's fantastic.
00:30:46And this is where I see Sabrina.
00:30:49Lost and alone in a world out of time.
00:30:51Haunted by surreal nightmares.
00:30:54Well, what do you say?
00:30:55It'll cost me a fortune.
00:30:57But how can I say no to you?
00:30:58I knew you'd like it.
00:31:03If you'd brought Evelyn,
00:31:05it wouldn't have been so easy.
00:31:07That's the reason.
00:31:09I only brought you along.
00:31:15Oh, I've got to talk to the set designer.
00:31:17Do you mind waiting?
00:31:18How long will you be?
00:31:2015 minutes.
00:31:21Okay, I'll have a look around.
00:31:22Hey, Johnny, you shouldn't scare the girls like that.
00:31:43Yeah, I suppose you're right.
00:31:44But if she's seen you without your makeup,
00:31:47she'd have probably faded.
00:31:48When you see the chief of the other tribe,
00:31:58you pick up your sword.
00:31:58Yeah, but don't forget the last shot.
00:31:59I had the sword like Gloria.
00:32:03Alex.
00:32:04How are you?
00:32:05Fine, and you?
00:32:06Okay, let me look at you.
00:32:08Ah, you're prettier than ever.
00:32:12Oh, listen, I've got a ten-minute break.
00:32:13Oh, good.
00:32:14Do you want to talk for a while?
00:32:14Do you mind?
00:32:15Why not?
00:32:15I didn't recognize you dressed like this.
00:32:23I know.
00:32:24How long has it been?
00:32:26Over three years, hmm?
00:32:27Yeah.
00:32:28And it was my fault.
00:32:30I don't want to rake over the past,
00:32:31but I want you to know that deep down,
00:32:33I knew you were the right girl for me,
00:32:34and that if we kept going together,
00:32:36it would have ended in marriage.
00:32:39And the very thought of marriage really scared me.
00:32:42You're born free, eh?
00:32:44There's a right time for everything.
00:32:48And what frightens you today, for example,
00:32:50tomorrow might seem a good possibility.
00:32:53You mean you're saying you're a changed man, you?
00:32:55I could.
00:32:57Ah, you'll never change.
00:32:58You'll be a villain till the day you die.
00:33:02Am I really that bad?
00:33:03No, but it's very disturbing for the girl you're with.
00:33:08I guess with Carlo it was different.
00:33:11Oh, I'm sorry.
00:33:12I didn't mean to talk about him.
00:33:13I don't mind.
00:33:15After all, if we hadn't broken up,
00:33:17I would never have known Carlo.
00:33:18I guess I owe you one, Alex.
00:33:22Well, hang on.
00:33:23I'm about to make you a proposition.
00:33:28Come on, Alex.
00:33:29You've got me on pins and needles.
00:33:31What's the proposition?
00:33:32Am I supposed to believe
00:33:34that a leopard can change his spots?
00:33:37Yeah, why not?
00:33:38A big bat will have been changed
00:33:40into a lamb by a very sexy Bo Peep.
00:33:42Oh, Alex.
00:34:09Now, change your expression to one of pleasure.
00:34:11That's it.
00:34:13Good.
00:34:15Thanks.
00:34:16Tony just called.
00:34:18He said the pictures are going to be great.
00:34:20I want you to have a look at the proofs
00:34:21for the next issue.
00:34:23Has Alex called me?
00:34:25Here?
00:34:25No.
00:34:26He's been gone more than a week
00:34:27and he hasn't even called the house yet.
00:34:29Maybe he's having trouble with the phones in Yugoslavia.
00:34:31I know the problems Alex has.
00:34:34They're either blondes or brumettes.
00:34:36Didn't you say it changed?
00:34:38Yes, but I don't know how much.
00:34:40Look.
00:34:41On page one, a photo of Sabrina.
00:34:43On page three, answers to Gloria's letters.
00:34:46Anne Wolf says she's almost finished writing them.
00:34:48And then...
00:34:48Of course you call me.
00:34:51Please don't mention his name.
00:34:53Or we might come back again.
00:34:54He spent days in here
00:34:55asking us all kinds of questions.
00:34:57Come on.
00:34:59Can we go on?
00:35:00Roberto, I'm going with Sabrina.
00:35:07Hmm.
00:35:09I could see she's the kind of girl
00:35:11who's not exactly lacking initiative.
00:35:14I'll see you later.
00:35:20Tony.
00:35:20Yeah, what?
00:35:25You're going to take her back to our studio?
00:35:27I don't know.
00:35:30Enjoy yourself.
00:35:31It's so hot in here, I can't breathe.
00:35:41The windows are all open.
00:35:43In fact, I'm beginning to feel chilly.
00:35:45Come on, darling.
00:35:53Don't take it so badly.
00:35:56You know, it happens to a lot of men sometimes.
00:35:58Yeah?
00:36:01You must be an expert.
00:36:03You don't have to be insulting
00:36:05just because you're angry.
00:36:06Better to just laugh it off.
00:36:10Yeah, you're right.
00:36:10I should.
00:36:12Guess I work too hard.
00:36:13Hello?
00:36:33Spalato?
00:36:35Hotel Croacia?
00:36:36Oh, good evening.
00:36:37I'd like to speak with Senor Alex Worth.
00:36:40He's an actor. He's shooting a motion picture there.
00:36:47Oh, there's no one shooting a film there now.
00:36:50I'm sorry. Thank you. You're back.
00:36:54Let me know if you need me to pose or for anything else.
00:36:57Yeah, sure.
00:37:05Ciao.
00:37:07Ciao.
00:37:10Ciao.
00:37:40Ciao.
00:37:41Ciao.
00:37:42Ciao.
00:37:43Ciao.
00:37:44Ciao.
00:37:45Ciao.
00:37:46Ciao.
00:37:47Ciao.
00:37:48Ciao.
00:37:49Ciao.
00:37:50Ciao.
00:37:51Ciao.
00:37:52Ciao.
00:37:53Ciao.
00:37:54Ciao.
00:37:55Ciao.
00:37:56Ciao.
00:37:57Ciao.
00:37:58Ciao.
00:37:59Ciao.
00:38:00Ciao.
00:38:01Ciao.
00:38:02Ciao.
00:38:03Ciao.
00:38:04Ciao.
00:38:05Ciao.
00:38:06Ciao.
00:38:07Ciao.
00:38:08Ciao.
00:38:09Ciao.
00:38:10Ciao.
00:38:11Ciao.
00:38:12Ciao.
00:38:13Ciao.
00:38:14Ciao.
00:38:15Ciao.
00:38:16Ciao.
00:38:17Ciao.
00:38:18Ciao.
00:38:19Ciao.
00:38:20Ciao.
00:38:21Ciao.
00:38:22Ciao.
00:38:23Ciao.
00:38:24Ciao.
00:38:25Ciao.
00:38:26Ciao.
00:38:27Ciao.
00:38:28Ciao.
00:38:29Ciao.
00:38:30Ciao.
00:38:31I don't know.
00:39:01Good morning, Tony.
00:39:15Hi. I hear sales are booming.
00:39:17They should. Thanks to all the work you've done.
00:39:27I've been calling Sabrina for days.
00:39:29She's probably gone out of town. Perhaps on a job.
00:39:33Just like that?
00:39:34Oh, come on. You know how models are?
00:39:36Yeah, I know.
00:39:37But I find it strange because she was expecting a call from me the next day
00:39:41to let her know how the pictures came out.
00:39:43If she was leaving the next morning, why would she ask me to call?
00:39:48What you're saying is that she asked you to call the night you slept together.
00:39:51Is that it?
00:39:53Oh! Oh, no!
00:40:10Not again.
00:40:11She was found this morning by some children.
00:40:23She was in a pond.
00:40:25The coroner says she's been dead a few days.
00:40:27I was probably the last one to see her alive.
00:40:31The last one, no. You're beginning to kill her.
00:40:33What's that strong odor of perfume I smelled on her? It's strange.
00:40:42That perfume helped kill her.
00:40:44Essence of tuberose.
00:40:46You mind explaining, Inspector?
00:40:48How could perfume kill her?
00:40:49It attracts bees.
00:40:51They must have been infuriated first.
00:40:53Then, attracted to the odor on the model's body, they began to sting her.
00:40:57It's certainly a devilish way to murder.
00:41:01What about that photo?
00:41:05You've convinced yourself the killer's real target is you, right?
00:41:08It seems to be obvious now.
00:41:11Look, try not to worry.
00:41:12And don't look for motives, because that's our work.
00:41:15I think from those photos, it's obvious I'm going to be the next victim.
00:41:18And when I asked Corsi, he said not to worry.
00:41:20He'll find the motive, he said.
00:41:22It's my picture with those dead girls.
00:41:24If it's not for that, for what?
00:41:25It's a threat, that's for sure.
00:41:28But maybe he just wants to scare you.
00:41:30But do you think that someone who's already killed two women only wants to scare me?
00:41:35To commit crimes like that, he must be paranoid.
00:41:38One can't guess what he's thinking.
00:41:44But there's something else.
00:41:47There's some detail I seem to have forgotten.
00:41:52Madam, may I go now?
00:41:53Yes, thank you.
00:41:54What were you saying?
00:41:56That poster of me with the dead girls.
00:41:57It's an old picture, and only one person could have the negative.
00:42:01Who?
00:42:02Roberto.
00:42:02I gave him all those old negatives to hold that I got back from Flora.
00:42:06You have to tell Corsi.
00:42:07I better not.
00:42:08Why?
00:42:09The police would suspect him at once.
00:42:12They'd slap him in jail right away.
00:42:14Two girls, both were models, and he's gay besides.
00:42:17He probably doesn't have any alibis for either of those murders.
00:42:22How would you know that?
00:42:24I'm guessing.
00:42:25You know, he spends his night going around looking for men.
00:42:30I didn't want to tell you stupidly.
00:42:36A lot of those negatives, and a lot of valuable other stuff, was stolen from my place.
00:42:46I'd invited around a couple of kids.
00:42:51Roberto, are you trying to tell me those negatives are in the hands of the murderer now?
00:42:54Probably.
00:42:57Probably.
00:42:58But not necessarily.
00:43:01It's not absolutely certain that the negatives the murderer has are the original ones, Gloria.
00:43:06That big poster of you and the shots with the bodies could have been made from a dupe.
00:43:09I'm sorry, I don't understand, Roberto.
00:43:13Technically, there's no problem.
00:43:15All you've got to do is take a photograph of a photograph.
00:43:19You've got as many negatives as you like.
00:43:21Obviously, when you print them, the quality becomes more grainy.
00:43:26But once you've blown it up to six feet by six feet, it's impossible to tell the difference.
00:43:32Then we're back to where we started from again.
00:43:34I hope you're not too disappointed to find out that I'm not the murderer.
00:43:43Oh, no.
00:43:44No, don't think that.
00:43:45I never believed it with you.
00:43:46No.
00:43:46Don't turn the light on.
00:44:14I want to admire you, Gloria.
00:44:27I want to admire you, Gloria.
00:44:27I want to admire you, Gloria.
00:44:57I want to know you, Gloria.
00:44:59I want to admire you.
00:44:59No!
00:45:03I love you, Gloria.
00:45:05Shut up.
00:45:05Don't force me to murder you.
00:45:13You want it?
00:45:23Yo, Mi, let me go.
00:45:25Stop winning.
00:45:25I want to know you, Europie.
00:45:26I want to know you, right?
00:45:27Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:45:42Gloria.
00:45:43Gloria, it's OK.
00:45:45It's OK.
00:45:46Nothing's happened.
00:45:47It's just a bad dream.
00:45:48Oh, God, it's terrible.
00:45:57Dr. Lorenz is here.
00:46:00You may go.
00:46:01Hello, Mark.
00:46:07What are you doing?
00:46:09I'm taking my daily walk.
00:46:11Just stretching my legs, Doc.
00:46:18Keep on treating it as a joke.
00:46:20And you'll never get out of that chair, my boy.
00:46:23You quack.
00:46:25You think I'm enjoying myself being nailed to this chair day after day?
00:46:28No, I know how much you're suffering.
00:46:30But I also know that your paralysis doesn't have any physical cause.
00:46:34That's what you say.
00:46:36My father, my mother, that's what you all like to think.
00:46:39You say there's no damage to my spine, eh?
00:46:42So you figure all that's wrong is right here in my brain, huh?
00:46:47So, it's simply my fault that I'm crippled.
00:46:56Sounds like you enjoy playing the victim.
00:46:59Yeah, sure.
00:47:01I like being that.
00:47:03You know, doctor, you're pretty smart after all.
00:47:08The truth is you don't want to walk.
00:47:11You have a mental block because you feel responsible for Jinzia's death.
00:47:16Yes, you're right.
00:47:18If she hadn't been in my car,
00:47:20Jinzia might still be alive.
00:47:23And I'd be walking.
00:47:27And we'd even have been married.
00:47:32Oh, my God.
00:47:40No.
00:47:41No.
00:47:42No.
00:47:43Oh, God.
00:47:45No, please.
00:47:46No, please.
00:47:48Oh, no, please.
00:47:50Oh, God.
00:47:51No.
00:47:52Oh, God.
00:47:57She work in blue films, Olsen?
00:47:58Only this one.
00:48:00No.
00:48:01But the public seem, too, so, God.
00:48:03Oh, God.
00:48:04Oh, God.
00:48:05Glory is quite respectable now.
00:48:07Oh, God.
00:48:08Oh.
00:48:09Oh.
00:48:11Oh, God.
00:48:14Oh, God.
00:48:16Oh, God.
00:48:17anymore leave it alone and sit down
00:48:29good morning this must be important if you call this all here I've decided to
00:48:35accept for us offer you want to sell the magazine I have no intention of
00:48:44working any longer here after all that's happened it seems the best solution but
00:48:48it's not as though you killed them but my pictures with those dead girls are you
00:48:52forgetting that or doesn't it worry you well it won't help selling the magazine
00:48:56if the killer wants you it won't help the problem or you're gonna go somewhere
00:49:02and hide throwing away all your work and hours won't stop that crazy but if I
00:49:08stay here she should have killed me
00:49:14oh
00:49:16oh
00:49:18oh
00:49:20oh
00:49:22oh
00:49:24oh
00:49:26oh
00:49:28oh
00:49:30oh
00:49:34oh
00:49:38oh
00:49:40oh
00:49:42oh
00:49:44oh
00:49:46oh
00:49:48oh
00:49:54oh
00:49:58oh
00:50:02oh
00:50:04oh
00:50:12oh
00:50:14I don't know.
00:50:44Oh!
00:51:14Hey, what's your hurry?
00:51:27Oh, what other night?
00:51:29Say, what are you doing here?
00:51:32I came to get you.
00:51:34Our apartment, remember?
00:51:36That girlfriend of mine is expecting us.
00:51:39But how did you know I'd be coming here today?
00:51:41I know everything.
00:51:45And what I don't know, I imagine.
00:51:48Isn't today the anniversary of Carlo's death?
00:51:51Yes.
00:52:11There we are.
00:52:45Put your blood.
00:52:45Do you know what you want to do?
00:52:52are you really sure you want to do this well since i haven't sold the magazine yet i thought i'd
00:53:09model again that's in the old days hey i haven't got anything against the idea i think it's great
00:53:15i'm coming sorry hi tony susan this is my sister gloria i'm glad to meet you finally
00:53:26tony's always talking about you oh what does he say oh you think you're the greatest the most
00:53:32beautiful the most hey hey come on now tony always exaggerate
00:53:46yeah this place is perfect what's over there children's club
00:53:53gee i didn't know it was so big hey be careful
00:54:00frankly tony i think you're asking a lot of personal customer service
00:54:04how could i refuse tony anything he's filled the house with flowers and candy
00:54:08uh yes phone calls caviar champagne you have a very persuasive brother
00:54:18what do you think if i posed with just this wind jacket on uh-huh good idea
00:54:24or maybe better yet nude on skis
00:54:30well modestly wearing a scarf would you like to visit the other floors now oh yes i would
00:54:38have a very good shot this is the men's department
00:54:55this is still men's clothing men's sportswear shirts sweaters underwear
00:55:00flags you name it they're as stylish as our clothes now aren't they
00:55:03yes we do everything we can to please the ladies they're all becoming more vain than we are
00:55:09oh you're just jealous come here
00:55:12tony please listen what are you doing with you we could have dinner okay but calm down
00:55:18oh you come on strong don't you
00:55:23hey hey come on it's beautiful up here
00:55:33tony susan come on you can play with fire later you want to leave me alone here huh
00:55:57uh huh come on up now tony
00:56:06oh no
00:56:10now it's your turn gloria
00:56:12oh
00:56:16you can't be okay
00:56:26it's your turn to die
00:56:42Susan?
00:57:12Susan, where are you?
00:57:32Susan!
00:57:42Susan, where are you?
00:57:56Susan, where are you?
00:58:02Susan, where are you?
00:58:18Susan, where are you?
00:58:26Susan, where are you?
00:58:45Susan, where are you?
01:00:22Now it's your turn, Gloria.
01:00:36You can't escape.
01:00:52When we went to the department store, there was no trace of either Tony or his girlfriend.
01:01:01They'll probably turn up in a few days, but who knows where.
01:01:22No.
01:01:23No.
01:01:25No.
01:01:27No.
01:01:29No.
01:01:30No.
01:01:36No.
01:01:37No.
01:01:38No.
01:01:39No.
01:01:40Oh, my God.
01:02:10Gloria, drink it.
01:02:35Evelyn, would you open the curtains?
01:02:37It's so dark in here.
01:02:40It's so dark in here.
01:02:53Is that better?
01:02:55Hmm.
01:02:58It wasn't a nightmare this time, was it?
01:03:00You have to fight it, Gloria.
01:03:02We all have to.
01:03:03I know I have to, Evelyn.
01:03:08I have to go on living.
01:03:10I'll go get your pills.
01:03:11I won't be long.
01:03:13If you need anything, there's the maid.
01:03:15I'll be right back.
01:03:16I'll be right back.
01:03:46Oh, my God.
01:03:55Oh, my God.
01:04:07Oh, my God.
01:04:07Oh, my God.
01:04:16Oh, my God.
01:04:18Oh, my God.
01:04:19Oh, my God.
01:04:20Oh, my God.
01:04:20Oh, my God.
01:04:20Oh, my God.
01:04:20Oh, my God.
01:04:21Oh, my God.
01:04:22Oh, my God.
01:04:22Oh, my God.
01:04:23Oh, my God.
01:04:24Oh, my God.
01:04:24Oh, my God.
01:04:25Oh, my God.
01:04:26Oh, my God.
01:04:27Oh, my God.
01:04:28Oh, my God.
01:04:28Oh, my God.
01:04:29Oh, my God.
01:04:30Oh, my God.
01:04:30Oh, my God.
01:04:30Oh, my God.
01:04:30Oh, my God.
01:04:31Oh, my God.
01:04:32Oh, my God.
01:04:32Oh, my God.
01:04:33Oh, my God.
01:04:34I wonder where we'll find the other body.
01:04:47Yeah, I wonder too.
01:04:51Hey, wait.
01:05:01All right.
01:05:04Looks like the same killer, all right.
01:05:06Yeah, I'd say so.
01:05:07What do you think, Inspector?
01:05:36Am I going to be the next victim?
01:05:45Yes, hello?
01:05:46Hi, Gloria.
01:05:47It's me, Alex.
01:05:49Alex!
01:05:50How are you?
01:05:52Oh, I'm so glad you called.
01:05:54You finished your film?
01:05:55You back?
01:05:56No, baby, I'm sorry.
01:05:57But I'll be in Rome Monday.
01:06:02Gloria, I miss you.
01:06:05Yeah.
01:06:06I'm so glad.
01:06:07Yeah.
01:06:14Oh, yeah.
01:06:17Oh, yeah.
01:09:48Hello, who's speaking?
01:09:51This is Inspector Corsi.
01:09:52Stay away from that photographer, Roberto.
01:09:54But do you suspect him?
01:09:56You mean he's the murderer?
01:09:57I haven't time to explain now.
01:09:59Just do what I say, and don't open your door to him.
01:10:01We're coming right over.
01:10:02Gloria, let me in.
01:10:07Gloria, let me in.
01:10:08I have to see you.
01:10:11Evelyn!
01:10:12Evelyn!
01:10:12Evelyn!
01:10:14Evelyn!
01:10:15Evelyn!
01:10:16Gloria!
01:10:17I'm...
01:10:18Gloria!
01:10:20Wait!
01:10:22Gloria!
01:10:22Wait!
01:10:22Gloria!
01:10:24Gloria!
01:10:26Wait!
01:10:27Oh
01:10:33Gloria
01:10:35Gloria
01:10:43Gloria wait
01:10:45Oh
01:10:52Why are you running away?
01:10:56Gloria, I have to talk with you. It's me Robert
01:11:05Stop wait
01:11:15Oh
01:11:21I'm sorry
01:11:37I can't understand any of this Roberto obviously must have hated women
01:11:41And especially you Gloria, and why did he kill Tony? He liked him. It's difficult to know a killer's mind
01:11:48But in the department store what I clearly remember had a woman's voice. No, it wasn't a girl
01:11:54The voice you heard at that moment might have sounded like the girl's voice
01:11:58Assuming you're right
01:12:01Why doesn't the rest of it make sense that car that killed him for example, why didn't it stop?
01:12:05Oh
01:12:08I've got to blot it out or I'll go mad too
01:12:22Who is it?
01:12:23This is Mark. I see the police are there again. What kid?
01:12:27How does it feel to be surrounded by death?
01:12:29Stop calling you fool
01:12:35Oh
01:12:56Our battle seems to have finished
01:12:58Though you certainly were a tough adversary. I'm sorry my dear. I'm putting you out to pasture
01:13:05You know
01:13:17You know, I suppose I really ought to thank you
01:13:20I'm getting rid of a lot of bad memories
01:13:22It's a shame you're so insensitive Flora. I would have given it to you for the asking
01:13:30Are you so proud of yourself now?
01:13:35Do you think I just wanted to printhety
01:13:44Do you think you're as stupid as a fan on me?
01:13:45I think you were very excited
01:13:46They didn't want to hear. They were afraid of you
01:13:47I don't know
01:13:49The truth is a fact that I'm afraid of
01:13:50I don't know
01:13:52I'm afraid to be one of them
01:13:53I don't know
01:13:53I do know
01:13:55This man can't lie
01:13:55And this man
01:13:56Is it?
01:13:57I don't know
01:13:58I don't know
01:13:59I don't know
01:13:59I don't know
01:14:00For the fact that the truth
01:14:02Evelyn, Evelyn, Keele, where's Miss Evelyn?
01:14:18She's gone, madam.
01:14:19She took all her things.
01:14:21She left this letter for you.
01:14:27Gloria, forgive me for leaving like this, but I worked for you, not the magazine.
01:14:31So what sense would it make for me to stay on, regretting what we no longer have?
01:14:35Good luck.
01:14:37She must think I have a will of iron.
01:14:39She wanted me to go on with the magazine after all of those killings.
01:15:01Yes, hello.
01:15:08Hello?
01:15:09Hello?
01:15:09I'll see you next time.
01:15:39I'll see you next time.
01:16:09Oh, dear God, no.
01:16:39Now it's your turn, Gloria.
01:17:00Gloria, you can't escape.
01:17:11It's your turn to die.
01:17:14Come out.
01:17:15Show yourself.
01:17:16Kill me if you must.
01:17:17I can't take anymore.
01:17:19It's your turn, Gloria.
01:17:21Now it's your turn, Gloria.
01:17:32You can't escape.
01:17:39It's your turn, Gloria.
01:17:47How would you like to die?
01:17:48The police took the pitchfork I used to kill Kim, and I didn't have time to get more killer bees that liked Sabrina so much.
01:17:58But I'll think of something.
01:18:01Maybe on the order of how I did Susan.
01:18:03I'll see you next time.
01:18:33Don't you like me?
01:18:36Oh, no.
01:18:40I haven't become a transvestite.
01:18:42I'm not even very good at that.
01:18:46But why, Tony?
01:18:48But why?
01:18:50You should know, Gloria.
01:18:52You're the only one I love.
01:18:54I've always loved you.
01:18:57Since we were kids.
01:19:00Tony, you killed those poor girls.
01:19:01What made you do that?
01:19:03You ought to thank me.
01:19:05Yeah.
01:19:06That bitch.
01:19:07Kim, we're trying to take your place as a model.
01:19:10And Sabrina, your place in bed.
01:19:12And I didn't want that.
01:19:13And that little salesgirl, Susan, was trying to trap me.
01:19:17Even Roberto wanted to betray me.
01:19:20No, Tony, no.
01:19:21I'm dead, Gloria.
01:19:23Everyone thinks I'm dead.
01:19:25I could have run away.
01:19:28But I figured, while you're alive, I'll never be free.
01:19:36But first, I want to see you naked one more time.
01:19:40No, no, no, no.
01:19:45No, no.
01:19:47Tony, stop.
01:19:51No, help, help.
01:19:59No, no.
01:20:01Oh
01:20:24No, don't please don't ask me that
01:20:31Shh
01:20:33No
01:20:35You know what you're doing
01:20:37Oh, yes, I do
01:20:39You belong to me, only me
01:20:49Go on
01:20:51I've always loved you, Gloria
01:20:59Every part of you
01:21:05Your lips
01:21:15And your tongue
01:21:17And the curve of your white throat
01:21:27That leads to the valley between those rose-capped hills
01:21:31Those rose-capped hills
01:21:47Now I want to see them
01:21:49No
01:21:56Nobody else will ever caress your body again, Gloria
01:22:06No
01:22:07Oh, no
01:22:09No, no, no
01:22:10Now this
01:22:11Take this off, too
01:22:13No
01:22:15I said take them off
01:22:16Get them off
01:22:20Tony
01:22:40Is my brother alive?
01:22:41Yes, he'll make it
01:22:43Though I'm afraid he'll need a wheelchair the rest of his life
01:22:47I'm sorry, Inspector
01:22:48She's still in shock
01:22:49She has to sleep
01:22:50Yes, I'm going
01:22:53I hope that from now on life will be better for you
01:22:56We'll see
01:23:02Get well soon
01:23:05You must try to sleep now
01:23:07Call me if you need me
01:23:08Call me if you need me
01:24:39Did I frighten you? I'm sorry.
01:24:42I just had to see you.
01:24:50Here.
01:24:51Thanks.
01:24:52Gloria, you won't mind if I phone to tell you that you're beautiful. More beautiful.
01:24:57Of course you can, Mark.
01:25:00Do you know that I'm getting better? I'm beginning to walk a little now.
01:25:05I'm so glad. It's good to see you again.
01:25:08And you... you get better, huh?
01:25:10Yes.
01:25:10Don't forget me now. Promise?
01:25:20I won't.
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