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  • 5 weeks ago
Acapulco (2021) Season 4 Episode 3- Talkin' Bout a Revolution
Transcript
00:00Easy, easy, easy, easy!
00:14Paloma!
00:15Slow down.
00:16I'm not even going fast.
00:18Who taught you how to drive?
00:19Well, not my dad, so maybe he should show some support.
00:22I'm so proud of you!
00:24Look, I'm sorry.
00:29Sorry for interrupting the audition.
00:31It's just that there's a situation with Gustavo.
00:34First of all, he is very thankful that you hired him to paint a mural for the reopening.
00:38Of course.
00:40Painting something that embodies the spirit of Las Colinas seems right up his alley.
00:43Yes, yes.
00:44It's just that he has this process that I normally stay out of as his wife.
00:48But as his boss, I'm hoping you could put a foot up his ass.
00:54Paloma, whatever he painted is fine.
00:57I'm an art collector.
00:58I approach things with an open mind.
01:01Maybe he is, um, posing a question to the viewer to look within?
01:22That there's nothing there.
01:27What?
01:30I'm so...
01:31He didn't...
01:33Nope.
01:34How is this possible?
01:37He's been out here for weeks!
01:39And we're only four days away from the opening!
01:41Yep.
01:42I'm sorry!
01:44I'm blocked!
01:50This is normally where I get my best ideas, but I'm getting nothing here!
01:55He calls it cocooning.
01:57Nada!
01:58Dios mio.
01:58Maybe you could inspire him with one of your stories?
02:03Oh, Palomita.
02:05Of course!
02:06It was the winter...
02:08Without me.
02:09Oh...
02:10You want to emerge from your chrysalis so we can talk?
02:24Oh, yeah, sure.
02:26It just takes me a second to be cocooned.
02:29Uh-huh.
02:34Uh...
02:34Maybe if you flip me?
02:38Fine.
02:39Fine.
02:40How did you even get into this thing?
02:43Hey!
02:44Hey!
02:46Gustavo.
02:47Hey.
02:49Come on.
02:50Listen, Gustavo.
02:52Things might seem tough now,
02:54but you'd be surprised at what you're capable of.
02:57When your back is against the wall.
03:00Okay?
03:01Just like mine was in 1986.
03:04I could burn asleep after I let the walk out from Las Colinas.
03:08How could I?
03:09We were going on strike.
03:11¿Por qué estás despierta tan temprana?
03:12Ay, Doña Rosita estaba cantando alabanzas dormida.
03:16Tan más nido del que crees.
03:18Entonces me puse a llenar solicitudes de admisión pre-launia.
03:23¿Ese es tu calter para la huelga?
03:25Hmm?
03:25Tienes que envolver el palo con muchas cintas y no te vas a caer de ampollas.
03:28¿Y tú cómo sabes eso?
03:29Sentido común.
03:31Además, organicé la protesta en mi escuela para que pusieran Fanta en las máquinas de refrescos.
03:35Soy toda una revolucionaria.
03:36Qué tierna.
03:37Pero esto no es una marcha de refrescos.
03:39Esto es la vida real.
03:40Así que mejor quédate con tus solicitudes.
03:42¿Esta para qué se cuide la vez?
03:43No, no, no.
03:44Se va a robar la hoja.
03:45Sara was mainly applying to local colleges, but Aida had picked up an NYU application
03:51for her while she was on her college tour in the States.
03:55But she just couldn't allow herself to dream that big.
03:58Ale, ale, aleluya.
04:02Cristo es el sol de este reino.
04:05Meanwhile, because of the strike, Alejandro Vera was working with a skeleton crew.
04:12Scabs.
04:13So he had to take on extra duties that were way below his pay grade.
04:18Ah.
04:20Ha.
04:27Hey!
04:29Ha!
04:34Your drink, miss.
04:38Diane?
04:39It is John.
04:41Are you all right?
04:42You look like you've seen a ghost.
04:43Oh, is it the one in room 237?
04:45No, I'm just surprised to see you.
04:48Well, I recently had a financial windfall after selling my prized hotel to a chicken with
04:53his head cut off, so I figured I'd cash in on a long overdue vacation.
04:58Okay, we both know you're up to something.
05:01But to show you I'm the bigger person, while you're here doing whatever it is you're doing,
05:05I will provide a five-star service with a smile.
05:09Oh, wonderful.
05:10I'll have the Caesar salad with exactly nine croutons.
05:14Yeah.
05:14That's one, two, three, four, five, six, seven, eight, nine.
05:16Gracias.
05:17The staff had started to assemble on the picket line, with one additional soldier I hadn't
05:29expected.
05:30Hey, what are you doing out here?
05:32I'm closing my boutique until this trick is over.
05:35In solidarity.
05:36And I already made up my mind, so don't try to change it.
05:40Julia, did you give Diane my note?
05:42Yes, I did.
05:43I gave it to her before she went to the beach this morning.
05:45Aye.
05:45She also says she misses you very much, and she mentioned something about your musk on
05:49her pillow, but I turned out after that.
05:51Ah, my queen moves back into Las Colinas the moment we go on a strike and I can't cross
05:55the picket lines to see her.
05:57Ah!
05:58It's like the gods of love are conspiring against us.
06:02How did she look, by the way?
06:03Were her lips doing that thing?
06:05I'm gonna go with a yes.
06:06Come on, let's go.
06:07Hello, everyone.
06:08Thank you all for being here today.
06:11I'm so excited to be your leader and determined to guide you to victory.
06:14Yes?
06:18Good question.
06:21I haven't thought of that.
06:22Since we can't technically go into the hotel, I think the nearest one is at the gas station,
06:27maybe one kilometer away.
06:30Oh, what's the situation on Shade?
06:33Oh, God, um, yeah, we're a little exposed out here, and maybe tomorrow we wear sunscreen?
06:41You look like that Swiss boy from Kids' Cup we had to send to the hospital.
06:45Okay, I guess we should get started.
06:48Maxi, which way should we walk?
06:51Um, another question.
06:54Uh, I'm gonna go with to the right.
06:59Uh, no, uh, my rights.
07:03You go here.
07:05Uh, you're right.
07:07Just get in circles.
07:08Circles.
07:11You know what, uh, actually, an oval, oval.
07:14While we were beginning our long journey to worker rights, Nora and Esteban were on their
07:19own quest to find the truth about what happened to our neighbor, Juan.
07:22O sea, ¿quién, quién podría escribir algo así?
07:26Es obvio.
07:27El asesino estaba jugando con Juan.
07:29Es un psicópata.
07:30Igualito que Freddy Krueger.
07:32O esa gente que quiere comprar boletos para el camión en el camión.
07:36Oh, híjole, no.
07:37¿Sabes qué?
07:38Esto ya se está poniendo demasiado peligroso.
07:40Yo creo que tenemos que llamar a la policía.
07:42No.
07:43Nosotros vamos a ser los principales sospechosos.
07:45Nuestras huellas digitales están por toda su casa.
07:47En la cocina, en el baño.
07:49Ah, es que me puse un poquito de solución.
07:51Es que ese señor tiene un olor.
07:53Ah, no, tenía.
07:55Ay, pobre.
07:58Espérate.
07:59Yo vi esto en alguna parte.
08:01Espérame.
08:04Mira, mira, mira.
08:05Cuando hicieron las obras, aquí en la cuadra pegaron en las puertas este aviso.
08:11Eso quiere decir que el asesino vive en nuestra calle.
08:14Ahora lo que tenemos que averiguar es de quién es esta letra.
08:16Ay, yo abro.
08:21Buenos días.
08:22Estoy recaudando fondos para una beneficencia muy importante.
08:27Si firma aquí su donación, puede ayudar a huérfanos ciegos.
08:30¡Claro!
08:31¡Qué buena idea!
08:32¿Entonces quiere ayudar a los huérfanos ciegos?
08:35Niño, por favor, eso no importa ahorita.
08:37Mira, la respuesta a nuestras preguntas está enfrente de nosotros.
08:40¿Estás seguro?
08:40Ajá.
08:41¿Pero cómo, Esteban?
08:42Pues si estás cieguito.
08:43¿Qué?
08:43Ah, no, no, no.
08:45Mira, tenemos que organizar una recolección de firmas
08:47y luego comparamos la letra de nuestros vecinos con la nota.
08:51¡Ándale!
08:51Sí, verdad.
08:52Muy buena idea.
08:53Yo no estoy ciego.
08:54¿Quieren donar o no?
08:56Ah, este, sí, claro, mijo.
08:58Dale algo, dale algo.
09:00Está chacándome.
09:06Perdón, me tenía que asegurar.
09:08Gracias, mijo.
09:09Perdón, me tenía que asegurar.
09:39No, no, no.
09:39No, no, no, no, no.
09:40No, no, no, no, no.
09:40No, no, no, no, no, no, no.
09:41No, no, no, no.
09:42No, no, no, no, no, no.
09:43No, no, no, no, no.
09:45Ahora sabemos lo que no hacer.
09:51Back en el pecado line,
09:53things were slowly deteriorating
09:55like the skin on my hands.
09:57Guys, keep in line and watch out for cars.
10:04We want them to come for us, not at us.
10:07When the nurse called, what did she say?
10:10Any special instructions for our first sonogram?
10:12All she said was to not smoke the date before
10:16and be ready to cry.
10:17Retire, we're going to see your baby for the first time.
10:21I don't want little love.
10:23I just want to remember how exciting this moment is
10:26when I make months in and can't even walk.
10:28Which reminds me,
10:29I should probably get my exercise in now while I can.
10:31Okay?
10:32Yeah, okay.
10:32Be safe, please.
10:33You guys are so cute.
10:37And as your big sister, I have to say,
10:40I'm very inspired by the both of you.
10:42Oh, thank you, Dulce.
10:44But why?
10:46I mean, you know, with the strike,
10:48if I were you, I would be in full-on panic mode
10:51because there's no telling how long we'll be out here
10:53and you need to start buying baby clothes now.
10:56We already bought some clothes
10:57and if we need more, we'll just get some hand-me-downs.
11:00What about formula, diapers, wipes?
11:02You can't hand those down.
11:05Anyway, I need to go plant some booby traps
11:07I need for Veta.
11:09¿Veta?
11:10¿Le estás cobrando?
11:12Este es el colmo.
11:13¿Cómo te aprovechas de un hombre moribundo?
11:16Veta tiene razón, Lupe.
11:17No puedes aprovecharte y lucrar
11:19con los trabajadores en huelga.
11:21Mis amiguitos,
11:22oferta y demanda no están de acuerdo.
11:25Agua!
11:26Cigarros!
11:28Copaluz!
11:31Paco.
11:32¿Estás bien?
11:33Vengo del baño.
11:35Está bien lejos.
11:36Tengo que ir otra vez.
11:40Things on the strike line
11:41were starting to spiral out of control.
11:44I needed to boost morale.
11:45Fast.
11:46Hey, chum!
11:48I know you've been working on some chance for the line.
11:51Have anything yet?
11:52Absolutely.
11:53Hey!
11:54Hey!
11:54Ho!
11:55Ho!
11:55Alejandro Vérez
11:56got to leave the premises immediately!
11:58Um, um, maybe something simpler?
12:03Like a color and response?
12:03Oh, got it, yeah.
12:06What do we want?
12:07¡Eso!
12:10¡My woman!
12:13What do we want?
12:18No sé qué queremos.
12:20Y todos me voltan a ver para que les dé respuestas.
12:22Además, mira mis manos.
12:23Nunca voy a poder aplaudir otra vez.
12:25Ay, ya sabía que vas a regresar arrastrándote.
12:29¿Empezamos?
12:29¿Qué hacemos en el depa del vecino muerto?
12:37Este es nuestro...
12:39War Room.
12:40Ah.
12:42¿Qué es un War Room?
12:43Es un lugar abandonado
12:45donde revolucionarios discuten estrategia
12:48y toman café.
12:51Y...
12:52No sé.
12:54Pues eso es lo que sale en todas las películas.
12:56¿Por qué no empezamos con tu lista de peticiones
13:00para Alejandro Vera?
13:04Sí tienes una lista, ¿no?
13:07100% he enlistado varias palabras en mi mente.
13:11Tengo tanto que enseñarte.
13:15Para lograr su meta,
13:17van a tener que hacer varias cosas.
13:19A la medianoche
13:23Pedía más, más, más
13:26Primero,
13:27te caguen en el sitio.
13:29Más, más, más
13:32Pónganse ropa adecuada.
13:35Más, más, más
13:38Un grito rebelde
13:41Más, más, más
13:43Más, más, más
13:44Más, más
13:46Mánden un mensaje claro.
13:47No nos dejaremos
13:49Ni nos venceremos
13:51¡La hora!
13:52¡La hora!
13:54¿Le gustaría firmar la petición
13:56para que pongan el top aquí afuera?
13:58Sí, finalmente algo de justicia.
14:00¿Y una fotito?
14:01Es para nuestros registros.
14:03¿Sonría?
14:03Te trajo a mi amor
14:05No te vayas de mí
14:09Te necesito aquí
14:11Mi amor
14:13A la medianoche
14:15Pedía más, más
14:17Proyecten seguridad
14:18Ante la indiferencia
14:21Ante la indiferencia
14:21I'll get back to you
14:23Más, ¿no le parece
14:25que pasan los carros
14:26muy rápido aquí?
14:27¿No le gustaría que fuche?
14:31Siempre dele seguimiento
14:33a su progreso
14:34Y pase lo que pase
14:41Que no se les olvide
14:42celebrar sus victorias
14:44Más, más, más
14:47Never saw this
14:59when I was the owner
15:00I can tell you that
15:01Oh, thank you so much
15:03Sure
15:03I hope it wasn't
15:04too complicated of an order
15:06Oh, not at all
15:07Turns out it's very easy
15:08to infuse tequila
15:08with the embers of Palo Santo
15:10Well, not to be a fuss
15:12but other guests
15:13need your attention too
15:14Cabana 4 is still
15:15waiting on their drinks
15:16and I don't think
15:17Phyllis here ever
15:18got her fries
15:19Did you, Phyllis?
15:20Still waiting
15:20Also, Kids Club
15:22is feeling a bit
15:23lard of the flies
15:25Oh!
15:27Over here!
15:27Hey, give me that!
15:29Hey, come on!
15:30Hey, over here!
15:31Oh!
15:35Johnny, Scoops
15:36I need a little help!
15:39Help!
15:41Help!
15:43Hello?
15:44Don't worry
15:46The kid got out
15:47After a while
15:49Listen
15:49You and I both know
15:50you can't do this forever
15:51Eventually the hotel
15:52will go down
15:53and take you with it
15:54Unless there was someone
15:56to take it off your hands
15:57Even if I sold it back
16:00to you, Diane
16:00the workers
16:01would still be on strike
16:02Not for long
16:03They love me
16:04and I love them
16:04So sell it back to me
16:06and the strike stops immediately
16:07You can walk away
16:08and never think about
16:09Las Colinas
16:10or me again
16:12Vera hated that he was
16:14considering her offer
16:15But the idea of leaving
16:16his mess behind
16:17was very tempting
16:18Wow
16:22You want this, Phyllis?
16:25We will fight
16:26all your attacks
16:27Want to cut our pay?
16:28Worry to the match?
16:30Huh?
16:31My dearest Diane
16:33Though I am separated
16:35from your love
16:36across enemy lines
16:38I throw John
16:40powered only
16:41by the memory
16:41of your bosom
16:42Your
16:44healing
16:45bosom
16:46Hey folks
17:00I know it's been a long week
17:02but you should all be proud
17:04because the line
17:04is holding strong
17:06It'll be even stronger
17:07once I'm done with this
17:08Can someone please
17:10take that away from Dulce?
17:12There's no need
17:12for violence of any kind
17:14when the tides are turning
17:15Speaking of
17:16At the advice of my
17:17revolutionary training
17:18we have contacted
17:20Red Nacional 7
17:21who will be sending
17:23a reporter
17:23to the picket line tomorrow
17:24This is really gonna
17:26put the pressure on Vera
17:27So it's only a matter of time
17:28before he caves
17:30Wait
17:30Sorry, sorry
17:32Excuse me
17:33Wait, wait, wait
17:34Wait
17:35Are we talking like
17:36two days matter of time
17:37or like
17:38my baby will be forced
17:39to drink agua
17:40because his father
17:41won't be able to afford
17:41formula matter of time
17:42Memo
17:43I know you're worried
17:44about baby stuff
17:45Of course I'm worried
17:46about baby stuff
17:47And can you blame me?
17:48Look, I get it
17:49But I have to do
17:50what is best for everyone
17:51which means sticking
17:52to our demands
17:53We want our benefits back
17:54Along with lunch
17:56overtime
17:57We aren't just cocks on a wheel
17:59We are human beings
18:00who deserve respect
18:02I had been on the outs
18:09with the staff for so long
18:10It was nice to be back
18:12in everyone's good graces
18:13It felt like they believed
18:15in me again
18:15And no
18:17I don't remember
18:17if they actually lifted me
18:19in the air
18:19But I'm gonna go with it
18:21The next day
18:22on the picket line
18:23I carry that feeling
18:24with me
18:25¡Fuerza!
18:26¡Fuerza!
18:26¡Fuerza!
18:27¡Fuerza!
18:27¡Fuerza!
18:28Add at a point
18:29to when you start
18:30and try on the picket line
18:30On the picket line
18:30keep track
18:31No difference
18:31You want to be a robot
18:32people who want
18:32strength
18:33and authenticity
18:33When a الد
18:48Tivi
18:49and also the brave people of the NASA.
18:513, 2, 1.
18:54Good afternoon.
18:55I'm Minerva Luz Cruz,
18:56reporting live from Las Colinas,
18:59where the hotel's employees are closed.
19:02It's Máximo Gallardo,
19:04chief of operations of the resort.
19:06Mr. Gallardo,
19:07how do you feel of the workers?
19:09We feel blessed.
19:11The sun is out of here,
19:13but within us,
19:15the flames of change are also burning.
19:19Well done,
19:22but they are facing a powerful corporation.
19:25Are you sure they have the temple
19:27to carry out this fight
19:28to their last consequences?
19:30Of course, we have the temple,
19:32because we have the ones to each other.
19:34And we're not going to let us intimidate
19:38by a owner
19:39who doesn't care about their employees.
19:46Ah, no,
19:47it's clearly necessary.
19:49This is the answer
19:50of the Mr. Vera
19:51to your demands.
19:52Do you consider
19:53that he can comply with
19:54the majority of his actions?
19:57It was the moment
19:58we've been waiting for.
20:01And with all eyes on me,
20:02I knew there was only one way
20:04to respond to his response.
20:06The majority of our demands?
20:07I don't agree with that.
20:08Woo!
20:09Where'd you go, Maxi?
20:10What a hell!
20:11You wear like Zapata leading the charge
20:12against the government fascist.
20:13Check it out.
20:15Uh...
20:16Well, listen.
20:17You're a great artist.
20:18Uh...
20:19I mean...
20:20You got me dead wrong in this picture.
20:21I look nothing like this.
20:22Really?
20:23Not even when you were younger?
20:24Especially when I was younger.
20:25Yeah.
20:26Okay.
20:27Before you go all in on this idea
20:28for the mural,
20:29you should know that my colleagues
20:30had a lesson
20:32about the way to make this
20:33and understand
20:34that I was on a job.
20:35I was like,
20:36You should see it.
20:37I got me dead wrong in this picture.
20:38I was like,
20:39I could see it.
20:40What?
20:41No, no, no.
20:42No, no.
20:43No, no.
20:44No, no.
20:45No, no.
20:46No, no.
20:47No.
20:48No, no, no.
20:49No.
20:50No, no.
20:51No, no.
20:52No, no.
20:53No, no.
20:54No, no.
20:55No.
20:56Had a less enthusiastic reaction that day.
21:26But we are not able to achieve everything we want.
21:29We only have to keep united.
21:31Ah, and do you think this is the best way for him to be?
21:33Sure, we have it in the hand of the hand.
21:36For tomorrow, he will pray for us to come back.
21:39I couldn't have been more wrong.
21:44Because the next day,
21:45I better call my bluff and hire workers to replace us.
21:48It's TAPA's best.
21:50And when I say replace us, I mean literally.
21:52This was a second-rate Hector,
21:54Beto,
21:58Memo,
22:01and even...
22:06Ah, Chirrión.
22:07Esa soy yo.
22:09Any other great ideas, Máximo?
22:18Memo didn't even have time to process his anger,
22:21since it was time for Lorena's sonogram.
22:23Recuerden that at this height,
22:25his baby is the size of a lemon.
22:27Okay.
22:33Is that the head of our son?
22:37Oh, son.
22:38We won't know if the sex is on his next date.
22:41I don't care what it is.
22:43I love our little lemon.
22:46No, no, no.
22:52Nuestro bebé va a estar tan orgulloso de nosotros.
22:56O sea, vinimos directo de la huelga de pelear por nuestros derechos.
23:01Ay, cuánto drama.
23:03Sí, aunque no nos alcance para comprarle las cosas que necesita, ¿no?
23:08Ay, qué importa.
23:11En vez de una cuna, el bebé puede dormir con nosotros en la cama y podemos conseguir que nos hereden una ropita.
23:18¿Y quién necesita una silla de bebé para el carro? ¿Para eso está el tablero?
23:22No, no lo había pensado así.
23:24Claro, es una superficie plana en el coche, es perfecta para...
23:28No, no, no, no, no.
23:30A lo que me refiero es que no me había dado cuenta que esta huelga, pues, haga sentir orgulloso al bebé.
23:40Obvio.
23:42Obvio.
23:43No estamos marchando por hoy.
23:46Estamos marchando por su futuro.
23:49Su futuro.
24:01Tenemos la firma de todos los vecinos menos uno.
24:05Ay, pues, sí, pero qué tan probable es que el señor Cabrera sea un monstruo.
24:09Sí, sí era un monstruo.
24:12Cuando vivía yo en el otro departamento, siempre lo escuchaba gritarles a los vecinos.
24:18¿Qué sí de la basura? ¿Qué sí de la música muy fuerte?
24:22¿Y siempre se andaba peleando con un tipo algo como sensación?
24:27¿Con Juan? ¿Nuestro vecino muerto?
24:31Sí, ese mero. Diario se estaba peleando por un lugar de estacionamiento.
24:36Un día, el señor Cabrera le puso a Juan una sorpresita en su coche.
24:42Sí saben a qué me refiero.
24:45¿Se peleaba con Juan y no quiso firmar la petición?
24:48Es nuestro sospechoso.
24:50Ay, Estevita, sí.
24:51Pero, a ver, el señor Cabrera ya está muy mayor.
24:54O sea, ¿tú crees que va a tener fuerza para pegarle a Juan en...
24:57¿Eh? En la posada.
25:16Era caca.
25:30Puedo creer que Vera nos reemplazara.
25:33Como si no fuéramos nada.
25:35¿En serio?
25:37Perdóname.
25:40Estaba intentando ayudarle, pero creo que te llevé por el camino equivocado.
25:44No, Sarape.
25:45Esto es culpa mía.
25:47Emo tenía razón.
25:49Hice la huelga sobre mí en vez de tomar en cuenta a todos.
25:54Supongo que a una parte de mí le gustó que el Stark me volviera a querer.
25:59¿Y qué vamos a hacer?
26:00Lo único que podemos hacer...
26:03Preguntarle a Vera si su oferta sigue en pie.
26:07Trajo empleados de fuera. Eso debe de costarle mucho dinero.
26:11Tal vez podemos hacerle un gran razón.
26:14Aunque tengamos que ceder en ciertas cosas.
26:17Nunca nos vamos a rendir.
26:19Memo.
26:21¿Qué haces aquí?
26:22Hemos sacrificado sangre, sudor, lágrimas.
26:26No nos podemos echar para atrás.
26:28Ni ahora ni nunca.
26:31Porque eso...
26:33es el futuro para nuestros limoncitos.
26:39Guau.
26:41No lo pude haber dicho mejor.
26:43Por eso tienes que venir conmigo.
26:44Oh, I'm glad you're here.
26:56We'll be doing the talking.
26:58I mean, if you're ready.
27:00Whatever, I'm ready.
27:02So here goes.
27:04I would normally give you a big speech with lots of fancy words.
27:06But instead, I'm gonna shut up.
27:08And let Memo tell you about the kind of people we are at Las Colinas.
27:15Señor Vera.
27:16Here, we lift each other up when we're down.
27:24We stick to what we believe in.
27:26We work until we can't.
27:32And then we work some more.
27:35No matter how tired or beaten down we are, we always bring joy to what we do.
27:42So you can hire whoever you want to work in this hotel.
27:48Just know they will never be us.
27:51And you will be reminded of that every day when you see us out there on the picket lines.
27:56Um, do you want me to say it again?
28:03Oh, no, no, no.
28:04Please, Harry, I lost years of my life listening to that.
28:08Well, you will get your demands.
28:12All of them.
28:14Oh, wow.
28:15Really?
28:16Can you throw in a 10% raise on top?
28:18Don't push it.
28:19We won't.
28:20I'm gonna go tell everyone.
28:21We won't.
28:35Not that I'm not extremely happy, but...
28:39What just happened?
28:42This?
28:44For the first time in 10 years, Las Colinas got knocked off the top spot on Leisure Magazine's Best Hotels in Acapulco.
28:51That's why I need you and your team back, because you know this place better than I do.
28:56And, turns out that Ixtapa's best happens to be Las Colinas' worst.
29:01They are rude, they are late, and they broke into my good tequila.
29:07This was a gift from Gene Wilder.
29:12I can't believe this.
29:15Alma del Mar is number one.
29:22Oh!
29:24Sorry.
29:25Don't mind me just doing some light reading.
29:28Ah.
29:29Ah.
29:30You must have seen the list.
29:31Well, it's hard not to when it's a big, bold print.
29:37Alejandro, my offer still stands.
29:40Diane, no matter how bad it gets, even if we are the last hotel in the world on that list, I promise you, I will never sell this place back to you.
29:53Mi amor, the clouds have lifted.
29:59We can be together again.
30:01Though Diane was realizing that her dreams of owning the hotel were officially over,
30:09Sarah was beginning to realize that her dreams were more possible than ever.
30:16Because fighting for people wasn't just something she was good at.
30:23It was a passion.
30:26A flame.
30:29And it needed to be fanned.
30:32Orale.
30:34That was a really good ending.
30:36Ah.
30:38Nobody wants a pilot who can't land the plane.
30:41What?
30:46I think I know what I'm gonna paint for our mural.
30:49I just hope it makes you proud.
31:03Is that what this is about, Gustavo?
31:07Listen, I only gave you this job because I trust you.
31:11I mean, you married my daughter in secret, but you make her happy.
31:16And you were there for her all of those years that I wasn't.
31:21So, you don't need to impress me.
31:24You've already done that.
31:26In spades.
31:31Thank you, thank you, thank you.
31:33You're gonna love what I'm gonna do.
31:35It's gonna be amazing.
31:38You're gonna love it, Maximo.
31:40Gustavo!
31:42You're not gonna tell me what it is?
31:44Gustavo!
31:47It's fabulous.
31:50It's fantastic.
31:52It's dynamic.
31:53It's very explosive.
31:55It's economic.
31:56It's automatic.
31:58It's romantic.
32:00Very, very sexy.
32:02It's fabul chicks.
32:04It's fantastic.
32:06It's dynamic.
32:08It's very explosive.
32:10It's romantic, very, very sexy.
32:13Sí, güey, oh, oh, conoce Fabulosti.
32:19Sí, güey, sí, sí, te mueves mejor.
32:26Sí, güey, oh, oh, esto es Fabulosti.
32:32Sí, güey, sí, sí, te mueves mejor.
32:40Sí, güey, sí, te mueves mejor.
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