- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Here we go.
00:04:55I can't fight.
00:04:56Yeah.
00:04:57What?
00:04:58There's what happens here at the end.
00:04:59Then we walked back in zero.
00:05:00We're making changes to the galaxy world.
00:05:0815 homosexuals.
00:05:1010 g scenes to buy a house.
00:05:12How we go back, Sandra, to danceX.
00:05:1310 g sas generally.
00:05:1511 g sas and sh
00:05:21was eating goods.
00:05:23I'll see you next time.
00:05:53Ha, ha, ha, ha.
00:06:23I thought you'd never get here.
00:06:32Seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:53I don't know.
00:07:01I don't know.
00:07:03Let's go.
00:07:33Will you place the same number, madame?
00:07:41Sure.
00:07:42Let's go.
00:07:43Let's go.
00:07:44Number 13.
00:07:49Let's go.
00:07:50Let's go.
00:07:51Let's go.
00:07:52Let's go.
00:07:53Let's go.
00:07:54Let's go.
00:07:55Let's go.
00:07:56Let's please, ladies and gentlemen.
00:08:26Hey, excuse me, have you, have you ever seen this girl?
00:08:54No, I'm sorry, never seen it before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay, here, will that do?
00:09:02Sure, keep the literature, that might help you spiritually.
00:09:16Are you trying to get me trapped?
00:09:18Well, it's not a bad idea.
00:09:20Twist my arm.
00:09:24Let's eat.
00:09:30If I'm not mistaken, that man sitting over there
00:09:32is the one you spoke to at the airport.
00:09:34So it is.
00:09:35Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:39He's looking for his fiancée, that's why he's here.
00:09:42And how did he lose her?
00:09:43It's an interesting story.
00:09:44I adore interesting stories.
00:09:45Just think, they were going to get married, and not long before the wedding, she went on holiday with some friends from work.
00:09:55And they came here, to Santo Domingo, as part of the package deal.
00:09:59When it was time to leave, she disappeared.
00:10:01Come on.
00:10:02Really?
00:10:03Mm-hmm.
00:10:04Yeah.
00:10:05Just up and deserted the others?
00:10:07Apparently.
00:10:08She never contacted anyone.
00:10:10But he's convinced she's still here somewhere.
00:10:13It's quite possible.
00:10:14The tropics can do funny things.
00:10:16Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overworked crime, pollution, traffic.
00:10:27This music can make you think again.
00:10:31And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:38You know, simple islander.
00:10:40Oh, come on.
00:10:42That's only in fiction.
00:10:44Love is everywhere.
00:10:46If it's there, it's there.
00:10:48If it's not, it's not.
00:10:50Be nice to the guy.
00:10:52Wouldn't hurt if you asked him to join us.
00:10:54I thought you'd think he'd be very lonely.
00:10:56Are you ready to talk to him?
00:10:58Okay.
00:11:01Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:10Hi, love.
00:11:13Very kind of you.
00:11:16Would you like something to drink?
00:11:18Yeah, I'll have what you're happy.
00:11:20Whatever it is.
00:11:23How's the search going?
00:11:25Do you find anything yet?
00:11:27No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:34I'm sure that sooner or later I'll find her.
00:11:36Well, I sure hope you do.
00:11:38You two carry on.
00:11:39Excuse me.
00:11:40I'll be right back.
00:11:42And where are you going?
00:11:43Oh, I have to make a telephone call to New York.
00:11:45My magazine editor wants that weekly report.
00:11:48Well, that was rather sudden, wasn't it?
00:11:57Let's dance.
00:11:58I'm not too good a dancer.
00:12:00Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:21Listen, Criela.
00:12:23Maybe we should go back to the table, huh?
00:12:26Why?
00:12:27Your dancing is...
00:12:29Great.
00:12:30Great.
00:12:35Come on, loosen up.
00:12:36Come on, loosen up.
00:12:48I feel uncomfortable.
00:12:49Well, there's no need.
00:13:02What is it?
00:13:03I don't know.
00:13:04It's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:14Let's keep dancing like this.
00:13:16Like lovers, okay?
00:13:18You mean that he...
00:13:22Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:41And I'll do anything.
00:13:48He likes to think I'm unfaithful.
00:13:49Please help me.
00:13:50Yes.
00:13:51I understand.
00:13:52You know, love can be a strange thing.
00:13:54You know, love can be a strange thing.
00:13:55You know, love can be a strange thing.
00:14:01You know, love can be a strange thing.
00:14:06You are the people, and they are the people.
00:14:36Well, the light is not the best, but...
00:14:43We shall do what we can.
00:14:48It's a beautiful island, an absolutely amazing place.
00:14:54Full of surprises.
00:14:57But you told me you'd never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:02I feel like I know it by heart.
00:15:04It's in the form of a turtle,
00:15:06a turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:13You better start praying that you don't end up reincarnated as a turtle.
00:15:19Huh, huh.
00:15:21Sometimes you're a real asshole.
00:15:26Oh, for God's sake.
00:15:29I was joking.
00:15:31Get away.
00:15:32Get away.
00:15:33What a worse.
00:15:38What's wrong?
00:15:39Are you nervous?
00:15:40Huh?
00:15:41What is it?
00:15:42Are you uptight?
00:15:43Maybe.
00:15:44I don't know.
00:15:45I feel strange.
00:15:47And this boat.
00:15:49And that man up there.
00:15:51Have you noticed he hasn't said a word since we left?
00:16:00I hired him to keep up a conversation with us, all right?
00:16:04Look at him.
00:16:05Look at him.
00:16:06The hat, his base.
00:16:08He's a pirate.
00:16:10I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Oh.
00:16:25Aww.
00:16:45Like it?
00:16:46What a place.
00:16:49Guaranteed primitive.
00:16:50Yeah.
00:16:53Hey.
00:16:54It's wide open.
00:16:56There's no key.
00:16:57Nobody locks doors here.
00:17:01Looks like Florida.
00:17:02What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:13This is two.
00:17:14Keep it.
00:17:17One's enough.
00:17:22Adios.
00:17:32Uh, is it far to the fishing village?
00:17:34500 meters.
00:17:37Down that way.
00:17:38Okay.
00:17:54I'm gonna go to the village.
00:17:55Okay.
00:17:56I prefer to stay here.
00:17:57Whatever you like.
00:18:04Mm-hmm.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08All right.
00:18:14So long now.
00:18:15Bye.
00:18:34Bye.
00:18:35Bye.
00:18:42Hi.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:18:57Hey, good morning.
00:19:04Good morning.
00:19:11No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Ah, that's it.
00:19:58Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Hmm, well, a little of both.
00:20:15I won't be long.
00:20:27Here are some models.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:20:57Mm-hmm.
00:20:58Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the nerd?
00:21:10Oh, Andy the nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:31Well, I guess I'm escaping, but don't ask me from what, because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden, I read.
00:21:59Don't you like long for New York at all?
00:22:01No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:28I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Hmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:05Mmm.
00:23:06Mmm.
00:23:07Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:31It's knowing how to start it up.
00:23:34Yeah.
00:23:35A warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53I don't know.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:23:59Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:10Esa mujer tiene el corazón duro con MFP.
00:24:22Yes, it's very at home here in this setting.
00:24:28Been here long, do you know?
00:24:28Only a few years, but it's as if he was.
00:24:33The girl arrived a few months ago.
00:24:35Huh, not bad.
00:24:54You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:12I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:15But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm going to go.
00:26:51This music's getting on my nerves.
00:27:09Sorry.
00:27:09I wasn't serious.
00:27:12I was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:33Oh, my God.
00:27:34Oh, my God.
00:27:39It's okay.
00:27:42If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:27:50It's okay.
00:27:51aman
00:28:06I'll take it.
00:28:08No.
00:28:12It's okay.
00:28:17No.
00:28:18Oh, my God.
00:28:48Oh, my God.
00:29:18Oh, my God.
00:29:48Oh, my God.
00:30:18Put me down.
00:30:20Let me go.
00:30:24Let's go.
00:30:25Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you should go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Have a drink.
00:31:30Viola?
00:31:51Viola?
00:31:51Viola?
00:31:52Viola?
00:32:02Viola?
00:32:04Viola?
00:32:05Viola?
00:32:09Griella?
00:32:17Griella?
00:32:21Griella?
00:32:23Griella?
00:32:39Have you seen Griella?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:33:05Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:27I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:48Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:02You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:14No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you. I don't know. It's just...
00:34:24Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time. I know it.
00:34:35All you have to do is be patient. Just a little longer.
00:34:40We'll be happy again. And then...
00:34:43I'll be able to give you what you need so badly.
00:34:53I love you, someone.
00:34:56It's only a cup of gin and coffee.
00:34:58I'm sorry, lien.
00:35:00He's Hel peaks, he won't peep his head.
00:35:05He won't رأي خ 좋 primero casualties.
00:35:09If you follow up on the edge.
00:35:11Let's go.
00:35:14I'll walk back again.
00:35:16No one says a greener a sec.
00:35:19Sturry!
00:35:21Oh, my God.
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo. Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:21One day, I guess.
00:36:38Do you want a drink?
00:36:41No, not for me.
00:36:44I'll come.
00:36:45One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:24Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:45Oh, it's a broken heart.
00:37:51Yes.
00:38:13I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:34Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:43You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way.
00:39:05Bye.
00:39:06Hey, I'm always lying.
00:39:08Not true.
00:39:09How are you there?
00:39:11I'm not going to stay around talking about it.
00:39:13You're going to get to my videos.
00:39:39I'm not going to get to my videos.
00:40:07It's exactly four hours.
00:40:09What? Have we been driving around?
00:40:13Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me
00:40:19have been so... so dazzling.
00:40:21I was too busy to talk.
00:40:23You forgot to mention Criola.
00:40:27She's the real reason for this.
00:40:29Oh, you always find the truth, don't you?
00:40:31I'm desperate.
00:40:33She's changed.
00:40:35And if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:41You better hurry or you'll be too late.
00:40:43I'll take you back.
00:41:05Bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:11For a romantic novel, it's not bad.
00:41:15Is a model a fun thing to be, Criola?
00:41:19I wouldn't recommend it to my friends.
00:41:21But I'm not complaining.
00:41:23I asked because when I was a little girl
00:41:25I dreamed of being a dancer or a model.
00:41:27But I ended up with overweight tits.
00:41:31So you snuck away to live on an island.
00:41:35Well, here at least they appreciate my boobs.
00:41:39Here comes a customer.
00:41:41Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah, wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your better.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris?
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:44But why?
00:42:45You're not the one who has to leave.
00:42:47Go away.
00:42:48Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:56Leon!
00:42:57Leon!
00:42:58Leon!
00:43:00Don't go!
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:07Because I still love you.
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:17I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32I'm not leaving this island without you.
00:43:59Can I stay on board?
00:44:00I'm leaving.
00:44:01If I get this straight, this time.
00:44:17Must be forever.
00:44:22I know.
00:44:26So, stay.
00:44:39She's not a Consuelo. She's not on the beach. She's gone.
00:44:43There's no other explanation. I knew it. She's gone back to the States.
00:44:51How? Wearing a pareo?
00:44:53Andy, look! She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry. I'm sure that Creole will soon come back. Do believe me.
00:45:15I've got to be off now. So long. See you at dinner?
00:45:21Mm-hmm.
00:45:25Yeah.
00:45:51Have you seen Leon?
00:45:55Picked.
00:45:57Picked.
00:45:59Picked.
00:46:00Picked.
00:46:10Sorry. To the stern. I want a word with him.
00:46:15I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:19Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:25Iris is free to do what she wants.
00:46:27Adios.
00:46:29Uiantes.
00:46:31Less of all things are expensive.
00:46:35We need no more than nothing he wants.
00:46:37Adios.
00:46:39Here is a récit Z MORE.
00:46:41¶¶
00:47:11¶¶
00:47:21¶¶
00:47:30¶¶
00:47:35¶¶
00:47:39¶¶
00:47:43¶¶
00:47:49¶¶
00:47:51¶¶
00:47:55¶¶
00:48:01¶¶
00:48:03¶¶
00:48:08Why don't you believe me? He's with someone else now.
00:48:13It's over. Don't you understand?
00:48:17He'll get tired of her quickly. It's already happened other times.
00:48:24I know him. It's me he loves. I'll wait.
00:48:33Oh, Christ!
00:48:38I know him.
00:48:42He's with us.
00:48:46I know him.
00:48:49I know him.
00:48:55I know him.
00:48:59I know him.
00:49:03Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself. My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess. I proposed it to her.
00:49:46I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:56She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:47I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Now, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:07Okay.
00:51:07Okay.
00:51:07Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26Okay.
00:51:26Don't go.
00:51:56You're hurting me.
00:52:02You're hurting me.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:56뎅.
00:52:57I know he's been a little by you.
00:53:00I have to.
00:53:07He's been to an zostan Tina Kirschley.
00:53:10You've been to an leaking ship that was full of enthusiasm.
00:53:13He can't.
00:53:13He can't see miles.
00:53:17You're hurting me.
00:53:18You're hurting me.
00:53:22I know he's been to...
00:53:22Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:52Hey, what are you doing here?
00:54:20Criola.
00:54:20Criola.
00:54:21Criola.
00:54:22Criola.
00:54:23Criola.
00:54:24What do you want?
00:54:25I've come to get her.
00:54:26Leon!
00:54:27No, what are you doing?
00:54:28Criola.
00:54:29I never thought it would come to this.
00:54:30Please.
00:54:31I know it's all my fault, but please don't humiliate yourself like this.
00:54:33It's too late.
00:54:34It's too late.
00:54:35It's too late.
00:54:36It's too late.
00:54:37It's not too late.
00:54:38It's not.
00:54:39It's too late.
00:54:40It's too late.
00:54:41It's not.
00:54:42It's too late.
00:54:43It's too late.
00:54:44It's not.
00:54:45It's too late.
00:54:46It's not.
00:54:47It's too late, Andy.
00:54:48It's too late.
00:54:49It's too late.
00:54:50It's not.
00:54:51Please, we must begin again.
00:54:54I can't.
00:54:55No.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola.
00:55:00With a bastard like that.
00:55:02I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:09You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:13It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:17It's finished.
00:55:19With Leon, I'm alive.
00:55:20He satisfies me.
00:55:21No.
00:55:22No.
00:55:23I don't believe it.
00:55:26I'm terribly sorry, Andy.
00:55:29Really.
00:55:30It's ridiculous.
00:55:33Ridiculous.
00:55:35My life is meaningless without you.
00:55:53I'm sorry.
00:56:03I didn't mean to disturb you, but I just wanted something to drink.
00:56:09No problem.
00:56:10Really.
00:56:11I don't mind having a break.
00:56:13Why don't you stick around?
00:56:16You might even keep us company if you like.
00:56:18Thanks.
00:56:19But not tonight.
00:56:21Maybe some other time.
00:56:22I'm not in the best of moods.
00:56:35I'm going to do this.
00:56:37I call it gin balling.
00:56:39I'm going to do this. I call it gin-balling.
00:56:42It's a very silly game.
00:56:44Hmm? For what?
00:56:47Serves to calm the nerves. Try it.
00:56:49Okay.
00:56:55Okay. Tell Mother everything.
00:56:59I'm all ears.
00:57:01Look, I have no intention of fighting with you.
00:57:06You're a kind, sweet patient.
00:57:08Get to the point. The question is, will she tire of that dope?
00:57:13That's what you want to know. Is that it?
00:57:16She's bound to tire of it. She always does.
00:57:23This place...
00:57:25Plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:32I surely don't need to prove it, do I?
00:57:35You're up against an example, and you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:49God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they've found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Mm-hmm. A Puritan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:18But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:26Please.
00:58:27Right, let's not say any more.
00:58:30You want to sit here all night?
00:58:39Right.
00:58:57That's not going to do any good.
00:59:01Hey, what's the matter? You've suddenly developed morals?
00:59:06I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night, it's way past my bedtime.
00:59:27Is it ready?
00:59:37Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:57All right, let's go.
01:00:02I'm ready, but I have a moment.
01:00:03I feel like I've been going to come around.
01:00:04I'm ready.
01:00:05Let's go first.
01:00:07You're ready.
01:00:09You're ready to go to the measurements.
01:00:10You're ready to go?
01:00:11I'm ready.
01:00:13You're ready to go to the prepare.
01:00:14I'm ready.
01:00:16You're ready.
01:00:17You're ready.
01:00:19I'm ready to go.
01:00:22The prepare for your problems.
01:00:25I'm ready to go.
01:00:26Oh, my God.
01:00:56The other night I was waiting for the rain for two hours,
01:01:14a thousand hours, like a dog,
01:01:18and when you came and looked at me, you told me,
01:01:22you know, you know, I don't want you.
01:01:27It's cold, I'm lejos from home,
01:01:31it's time that I'm sitting on this stone,
01:01:35I ask myself, why do you serve me?
01:01:39I have a blanket in my pantalons,
01:01:42you are cold, like the rain around me,
01:01:46you are white, I don't know what to do.
01:01:51The other night I was waiting for the rain for two hours,
01:01:55a thousand hours, like a dog,
01:01:59and when you came and looked at me, you told me,
01:02:02you are cold, I don't want you.
01:02:07I don't know anymore, Iris.
01:02:12How can you humiliate yourself this way?
01:02:22How can you accept all this?
01:02:24Because I love him like I never loved anyone.
01:02:29How about us then?
01:02:30Don't I count for anything?
01:02:32Perhaps you've forgotten that we were supposed to get married in a month.
01:02:35You don't understand, Marco.
01:02:37I'm not able to leave Leona.
01:02:38My God.
01:02:39How is this possible?
01:02:40Go away from here.
01:02:41It's useless.
01:02:42I'll never give Leona.
01:02:43For any reason.
01:02:44I'll never give Leona.
01:02:45For any reason.
01:02:46And when you came, you looked at me and told me to be crazy.
01:02:49You're not a fool.
01:02:50You've forgotten that we were supposed to get married in a month.
01:02:51You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:53My God.
01:02:54How is this possible?
01:02:55Go away from here.
01:02:56It's useless.
01:02:57I'll never give Leona.
01:02:58For a all respect.
01:02:59Go away from here.
01:03:00It's useless.
01:03:01I'll never give Leona.
01:03:02For any reason.
01:03:03What about Leona?
01:03:27Like a beer?
01:03:41Sure.
01:03:44It's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:06If only we had any guts, we'd do something about it.
01:04:09Hello?
01:04:23Hello?
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:23Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Oh, my God.
01:07:21Oh, my God.
01:07:51I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:35Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:09:05Let me in on it.
01:09:35Shit.
01:10:03Shit.
01:10:05Shit.
01:10:17There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:35Come on. Let's go.
01:10:50Come on, let's go.
01:11:20Consuelo?
01:11:26Have you seen Iris?
01:11:28She and Cruella were very upset. They left.
01:11:30Cruella?
01:11:33What the hell's going on?
01:11:35Nothing.
01:11:46Iris!
01:11:50Iris!
01:12:20Stop it!
01:12:27You've got no call.
01:12:29Exactly what are you trying to do to me?
01:12:32Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:42Marco didn't really mean to kill you.
01:12:45It was pure desperation. Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:54No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06Leon.
01:13:18They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:21I don't think they're meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:27I never thought he would go that far.
01:13:30You're wrong about Andy.
01:13:32He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:39You think so?
01:13:44You see, my dear, it's my duty to try and open your eyes.
01:13:48But my eyes are wide open.
01:13:51Thanks.
01:13:53Joanne.
01:13:56Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:06You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:38So you need courage.
01:14:48Hello, Andy.
01:14:49Hello, Andy.
01:14:56We thought...
01:15:00We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12You were right, Jack.
01:15:13There's magic everywhere here.
01:15:15Kiss me.
01:15:17It's in the very air.
01:15:19Can't you feel it?
01:15:20I know that if we stay here long, something wonderful will happen to us.
01:15:21Right.
01:15:22They say these islands cast a spell on lovers.
01:15:23We're getting...
01:15:24We're getting...
01:15:25We're getting...
01:15:26We're getting...
01:15:27It's in the very air. Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:51We get...
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