00:00What is the name of Kashmir Files, which is Bengals Files?
00:05Do you think all of these films do you think that Nalele of War is a part of the art form?
00:15What is the purpose of art and purpose?
00:18If you can see the art of entertainment,
00:22the purpose of art, the culture, the religion, the religion,
00:27which is our cultural heritage, which is our culture,
00:30it is to reflect and show a point of view,
00:32which you could not show in a normal way.
00:35This is the purpose of art.
00:37The history we have been showing you,
00:39as many of us have been here and know this.
00:41I have asked for a more time.
00:43I have a speech in my mind,
00:45because there is no answer to that.
00:46I'll tell you,
00:48in the world where the partitioned from,
00:50the world of India was a part of the world.
00:52People say that it was in Punjab,
00:54How many people know about Direct Action Day?
00:58Today's film is about Direct Action Day.
01:02Who is going to go to Gopal Mukherjee and Gopal Patra?
01:05Our film is about Nauakhali.
01:08The work of the film is to bring it in front of the film.
01:12This is what Parlami Ji told us.
01:14This is what we tried to do in the three films.
01:17Sir, where are you?
01:20Sir, my name is Shibli and Yustal Express.
01:23Sir, you have made the first film.
01:25Kashmir Files, Tashkent Files and Gwanghaal Files.
01:28In our mind, people have made a special purpose of the film.
01:34So, it seems that it is a negative one.
01:37The purpose of the film will be made and how the film will be made.
01:40Before, you have made a good film.
01:42So, when the film started the film,
01:44people would like to see it.
01:46We would like to see a lot of people.
01:48They would like to see it.
01:50They would like to see it.
01:52They would like to see it in the same way.
01:54We would like to see it in the same way.
01:55What happens would we have to see it in the same way?
01:57When the film comes to the film,
01:59including this film?
02:01When you make a film,
02:02one wants to know that it will be done in others.
02:05In the same way,
02:07...
02:20Sir please, it's all.
02:21That's why, I'm going to give him a question.
02:24What's the question?
02:25Pastor, please ask the question about the film that was not seen before...
02:29...
02:29...
02:30...
02:32...
02:33...
02:35...
02:35...
02:35...
02:36...
02:37I want to thank you for your support.
02:39First, let's see.
02:41If something happens in the world, how is it?
02:45First of all, I want to thank you very much,
02:47because you have all your hopes.
02:49I'm not a filmmaker of a professor of India.
02:55I'm asking you questions.
02:59I want to thank you very much.
03:01I want to thank you very much.
03:03I want to thank you very much.
03:05I know that in the whole film industry
03:08where I have little two-three hundred directors,
03:10I've thought that I am a director
03:12that I can make a film in Hinduism.
03:15I want to thank you very much.
03:17So first, I will ask you a question.
03:19You have to ask me questions.
03:21Yes, I have to ask you.
03:23I will never let you know what I had.
03:25I have to thank you.
03:27I have a filmmaker in Bharrat.
03:29I have been in the stories of the past.
03:31You have made me,
03:33foreign
03:43foreign
03:51foreign
03:57foreign
04:01I don't understand that I will make a film of Islamic history or Christian history.
04:05What do you want to say about this question?
04:09There are many of them made films like Kashmir.
04:13The Islamic history of Kashmir is on the top of Mani Ratnam.
04:18Michel Bahraduah, Heather.
04:21You've never asked this question.
04:23You've never asked this question.
04:24Amir Khan or Fiza.
04:28All of these films have been made with Kashmir.
04:30He has been made with Vidhu Binon Chopra, Mohan Director.
04:32You've never asked this question.
04:34You've never asked this question.
04:36But you've never asked this question.
04:38You've never asked that Kashmir's history.
04:41This question is never asked.
04:43Now, if you have a film of Islamic history,
04:50you've never asked that question.
04:54But you've asked this question.
04:56This means that all of us, in our mind, we have to sit down
04:59that there is Hindu history in Hinduism.
05:03When we have the war,
05:05we have asked ourselves,
05:07that all of us have been working with Hinduism,
05:09and all of us have been working with Hinduism,
05:11and all of us have been working with intellectuals,
05:13and all of us have been working with Hinduism.
05:16But I understand that I have been hoping that I will show both.
05:19I will try to do that.
05:21I have not been so much,
05:23that all of us have been so hard,
05:24that the whole world will be able to take care of it, but I will try to do it.
05:54I can't tell you, I don't mean it.
05:56If I keep you in front of the press conference,
05:59if I tell you,
06:01I don't know why I'm going to tell you.
06:04This is politics, you have a video,
06:07but you can do it.
06:09I'm going to tell you,
06:11I'm going to tell you,
06:13but I'm not going to tell you.
06:15There are many people who have asked you,
06:19and you have asked me to tell you
06:21about the stories you have sent.
06:26You have asked me,
06:28I'm going to tell you,
06:30that as soon as you started making film a book,
06:35that basically,
06:38whenever there were elections,
06:43the parties given me,
06:46and the parties given me,
06:48No, no, one second, you have asked questions, so you are a journalist, so you will have some facts.
06:56So, when did I tell you when released a tax grant file?
07:00No, you have three files.
07:02I also want to talk about Kashmir's file and Bangal's file.
07:062-4 months later, there is an election of Bangal's file, and at that time you took the Bangal's file.
07:13And now you are press conference, and you feel like you are more than the press conference in the world.
07:23Why do you feel like this?
07:24No, I will answer the question.
07:26I will answer the question again.
07:27I will answer the question again.
07:28Can I answer the question again?
07:29No.
07:30So, you have no question.
07:32First, you have a question.
07:34Which person is the question?
07:36Who is the question?
07:37I am not asking.
07:39I am not asking.
07:40I am asking.
07:41I am asking.
07:42Some people say, they are the most useful thing.
07:44Which people say.
07:45I have seen one thing in the world.
07:47I am showing you who say, who say?
07:49Which people say, you are the journalist.
07:52You are the journalist.
07:53You are the fact check.
07:54It is the fact files.
07:56Where the foreign elections were released.
07:59The elections were done after the term.
08:02The elections were in the end.
08:04The elections were completed after the term.
08:06foreign
08:36I am not sure if you have a question.
08:38I am not sure if you are asking me.
08:40You are asking me if you have a question.
08:42I am asking you to answer your question.
08:44I am asking you to answer your question.
08:46The fourth thing is that the film is about the direction of the film.
08:50The film is about the North Curry Rights and the Bharat's current situation.
08:55How can the film can help any of the government?
08:59If I am a filmmaker from the film, it is about the work of someone.
09:02What is the work of the government?
09:04I am saying that people are doing it.
09:09I am saying that my people are doing it.
09:14I would say that they are the people who are doing it,
09:17and that I am saying that Gopal Mukherjee has become a 7th emperor,
09:21and we have made a film by the people who are making a film.
09:25First of all, you know something about Gopal Mukherjee,
09:28but he has made a film by Gopal Mukherjee.
09:30foreign
09:36foreign
09:42foreign
09:52foreign
09:58I've seen them as a hero.
10:01I've seen them as a hero.
10:06I've seen them as a hero.
10:08And who have made them a hero in Calcutta,
10:12they've made her own photo and made the photo of him.
10:16I've seen them as a security.
10:19I respect them.
10:21They work with TMC and there's a conversion.
10:26you know what the politics of Bengal is, they are required, they are doing what they are doing, they have made a legal answer.
10:33Next.
10:34Hello, sir. Rajesh, I'm talking about total comparison, sir.
10:38You said that you have been able to build up in India.
10:42In Punjab, there will be a lot of visa.
10:46There will be a lot of visa.
10:48There will be a lot of that.
10:50Do you have to build something like that?
10:53You have to give a list of what happened.
10:56And then I will start to build a film.
10:59But yes, I have done a good thing.
11:01It is possible.
11:02But there is a lot of understanding.
11:04If someone gives me a guarantee that I will make a film in that subject,
11:07and then I will never stop it, I will release it.
11:10So I will make it.
11:12You make a film that we make, the Kashmir Files.
11:15But if there are any national awards or awards,
11:18there are no awards.
11:20So what do we say about that?
11:22No, Kashmir Files, Kashmir Files for two national awards.
11:25Kashmir Files for three national awards.
11:27So it is not like that.
11:29Next.
11:30Vivek, sir.
11:31I want to this side from Newsbox.
11:33Sir, where are you from?
11:35Where are you from?
11:36Sir, this side.
11:37Okay.
11:38So, sir.
11:39Where are you from?
11:40From Newsbox, sir.
11:41Okay, sir.
11:42When you make a film, like Bengal Files, or Kashmir Files,
11:45then of course, controversy is a little subject.
11:48And it goes on itself.
11:49But in the state of that film,
11:51there is a little bit of a politician,
11:53and a little bit of a politician,
11:55and a little bit of a politician,
11:56for the future, for the present, for the past.
11:58Now, this film is Bengal Files,
11:59which is a story on Bengal based.
12:01There is a lot of energy in there.
12:03Like, we see some controversy in there.
12:06It's a very good subject.
12:07It's a very good subject.
12:08Everyone needs to see it.
12:09But in there,
12:10there is a little bit of a change.
12:11We talk about it.
12:12So,
12:13which subject on this film,
12:15which state of this film is made?
12:17If this film is not released,
12:18then if people don't see it,
12:20then it will be a lot of attention.
12:22So,
12:23as soon as there is controversy,
12:24you will think that this film will be released
12:26in Bengal.
12:27What kind of strategy you will use
12:29to release it?
12:30Because they will stop the subject
12:31there.
12:32So,
12:33what's your story?
12:34What kind of strategy do you have to do?
12:39In our film,
12:40it is constitutional,
12:41we will go with constitutional law,
12:43legally,
12:44and if it stops,
12:45then we will take a legal course.
12:47And we can do it.
12:48We're a common citizen of that,
12:50and if we can get a police
12:52to kill us,
12:53then what can we do?
12:54What can we do with ten police?
12:55We will try to do it.
12:57We will not do it.
12:59We will not do it.
13:00We will do it.
13:01We will do the same thing with the state government.
13:04We will not do that.
13:06Because if we will do that,
13:08we will do that.
13:10But the Bengali community is very upset.
13:13Because this is a film where you have seen how many Bengali people are.
13:16I will make a thousand Bengali people who have seen a film.
13:20This is a film of India.
13:23I am telling you that this is a film of India.
13:26If you are sitting here, you will see a film.
13:29I will tell you,
13:31I will tell you,
13:32I will tell you,
13:33when the film is finished,
13:35people will not move from the next 5-7 minutes.
13:37Just to give respect to our history.
13:41This is a film made by responsibility and sincerity.
13:45There is no objection to it.
13:47Bengali people will do this film.
13:49If you are watching on social media,
13:51people are saying,
13:53thank you that you are showing our history in Bengali.
13:56Anybody else?
13:58Abhishek sir.
14:00Abhishek sir.
14:01Abhishek sir.
14:02Abhishek sir.
14:03Abhishek sir.
14:04Pranav here.
14:05Pranav here.
14:06Pranav here.
14:07Pranav here.
14:08Pranav here.
14:09Pranav here.
14:10Pranav here.
14:11Vision television.
14:12Boldest film ever.
14:13So I think this speaks a volume for what you are doing.
14:15Do you think this film?
14:16Do you think it's a film?
14:17Do you think it's a possibility,
14:19or do you think it's a tremendous stress?
14:25If I talk about myself, I really think that we three people think that now is Shaykh D. Kachaira.
14:32How do you feel?
14:34Pallavi Ji, you're an actress. I'm really stressed.
14:39I can show you on the phone.
14:41I'm so sorry for 4 hours.
14:43I'm so sorry for that.
14:45Any filmmaker doesn't feel good.
14:47You don't have an article.
14:49What you are doing is good.
14:53But at the same time, the agenda that we have set itself is a good way of making a film.
15:01I think, if publicity doesn't believe that, but if a film will stop, the news will be made.
15:13What do I do?
15:15Vivek Ji, my question is, I will forget the mic.
15:19Where are you from?
15:21I'm Santosh Mehta. I'm a senior journalist.
15:27I've written a lot of time for films.
15:29I follow you.
15:31You're a bold filmmaker.
15:33So, my question is, you're a bold filmmaker.
15:37So, now, the real topics are created on the real topics.
15:41The time has come.
15:43But, you're a bold filmmaker.
15:45But, you're a bold filmmaker.
15:47You're a bold filmmaker.
15:49And you're a bold filmmaker.
15:51I've said, I haven't heard that.
15:53There's no one cut.
15:55It's the first film without a cut.
15:57But, yes.
15:59After this, it was a lot of time.
16:01The examining committee reviewed it.
16:03The revision committee reviewed it.
16:05The experts have been called,
16:06and the first one,
16:07and the first one,
16:08and the first one.
16:09And one thing I have found,
16:11is that,
16:12the child artist,
16:13and the journey has been long,
16:15and now,
16:17you've created a lot of different movies.
16:21So, you've created a lot of time.
16:25And, especially when you're a husband,
16:29you should know,
16:30what kind of experience you have?
16:33Tell us a little bit of experience.
16:35You've said,
16:37you've said,
16:38you've been so proud of it.
16:40So, what kind of work?
16:41No, no.
16:42I mean, we're watching and enjoying this.
16:45Please.
16:46Please.
16:47Please.
16:48Please.
16:49First of all, I'm going to tell you about Vivek's work.
16:53We've worked together with Vivek's work.
16:56We've worked together with Vivek's work.
17:03We've worked together on television.
17:06There's a working relationship between director and actor.
17:10It's been established from our very first time.
17:13When we formulated our production,
17:20we formed this company in 2011.
17:25We formed this company.
17:29We work together very well as partners.
17:33But there's only one thing to do.
17:39We come out from one room.
17:41We sit in a living room.
17:43We sit in a living room.
17:45We sit in one room.
17:47We go in one room.
17:49We work together in one room.
17:51We sit in one room.
17:53We sit in another room.
17:55Then we go to sleep in one room.
17:57This is a problem of space.
17:59I think that either you go somewhere or I go somewhere.
18:05But from that, I think we work very well together.
18:09And I think that this is the story of the mother of the character.
18:13I think I'm at a good place age-wise.
18:17Experience-wise as an actor.
18:19I don't think that 10 years before I can handle this character.
18:23I think that it's really important for us,
18:25because you are a little bit of a problem.
18:27You are a little bit of a problem.
18:29You are learning a lot of things.
18:31You are learning a lot of things,
18:33and by the way,
18:35you are learning an ability of your own ability.
18:37So, this is the right place.
18:39So, I think we will probably take this right place.
18:42Vivek Ji, we will take only two questions.
18:44We will take all two questions.
18:46We will miss a question.
18:47Vivek Ji.
18:48We will answer a letter.
18:49I will ask you.
18:50One letter.
18:51I will ask you.
18:52I would love to and through you, if your message can reach her, I really appreciate it.
19:18I would love to have a conversation with her or anybody who wants and together I would like to give her a t-shirt and say never again.
19:30Thank you very much.
19:48Thank you very much.
19:58Thank you very much.
20:22cinema is the highest form of art
20:28because there are 25 different crafts that come together
20:34and give their best
20:37we are very serious about cinema
20:42and we want to do something about history
20:47and as filmmakers we thought that art is the best medium
20:51to project our history
20:53because as art, artists, all of us
20:56we have a little repel inside us
21:00we have to be a little anti-establishment
21:02because when you are not here
21:04you will not show the society
21:07this is our work
21:09we are made from this place
21:11because we have a story
21:13so this is our work
21:15you have asked a question
21:17you are highly appreciated
21:19but there is a lot of politics and controversy
21:23and all of these things
21:24if we don't talk about it
21:25then the film is the fun
21:27and the artist is the highest
21:29that is the highest
21:30so please please
21:31tell us
21:32for anyone
21:36please let the film first release
21:38before asking such questions
21:40thank you
21:41to register for the new idea bus
21:43for the new idea bus
21:44for the new idea bus
21:45to the idea bus dungle.com
21:46or download the idea bus dungle app
21:47or then you can give us
21:48916-777-7774
21:50to the missed call
21:51now register
21:52now register
21:53we will be talking to you
21:54further
21:55next week
21:56we will be at the end of the day
21:57we will be at the end of the day
21:58we will go for the end of the day
21:59before we reach out
22:00that we have to come to be
22:01to get home
22:02so please
22:03we will take action
22:04and the viewers
22:05and the listeners
22:06of the day
22:07thank you
22:08thank you
22:09today
22:10we have to take action
22:11and we have to do
22:12thank you
22:13thank you
22:14thank you
Comments