Amid growing controversy, director Vivek Agnihotri, producer Pallavi Joshi, and Abhishek Agarwal interacted with the media at the press conference of their upcoming film The Bengal Files, which is set to release on September 5, 2025. #thebengalfiles #vivekagnihotri #pallavijoshi #abhishekagarwal
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00:00What is the name of Kashmir Files, which is Bengals Files?
00:05Do you think all of these films do you think that Nalele of War is a part of the art form?
00:15What is the purpose of art and purpose?
00:18If you can see the art of entertainment,
00:22the purpose of art, the culture, the religion, the religion,
00:27which is our cultural heritage, which is our culture,
00:30it is to reflect and show a point of view,
00:32which you could not show in a normal way.
00:35This is the purpose of art.
00:37The history we have been showing you,
00:39as many of us have been here and know this.
00:41I have asked for a more time.
00:43I have a speech in my mind,
00:45because there is no answer to that.
00:46I'll tell you,
00:48in the world where the partitioned from,
00:50the world of India was a part of the world.
00:52People say that it was in Punjab,
00:54How many people know about Direct Action Day?
00:58Today's film is about Direct Action Day.
01:02Who is going to go to Gopal Mukherjee and Gopal Patra?
01:05Our film is about Nauakhali.
01:08The work of the film is to bring it in front of the film.
01:12This is what Parlami Ji told us.
01:14This is what we tried to do in the three films.
01:17Sir, where are you?
01:20Sir, my name is Shibli and Yustal Express.
01:23Sir, you have made the first film.
01:25Kashmir Files, Tashkent Files and Gwanghaal Files.
01:28In our mind, people have made a special purpose of the film.
01:34So, it seems that it is a negative one.
01:37The purpose of the film will be made and how the film will be made.
01:40Before, you have made a good film.
01:42So, when the film started the film,
01:44people would like to see it.
01:46We would like to see a lot of people.
01:48They would like to see it.
01:50They would like to see it.
01:52They would like to see it in the same way.
01:54We would like to see it in the same way.
01:55What happens would we have to see it in the same way?
01:57When the film comes to the film,
01:59including this film?
02:01When you make a film,
02:02one wants to know that it will be done in others.
02:05In the same way,
02:07...
02:20Sir please, it's all.
02:21That's why, I'm going to give him a question.
02:24What's the question?
02:25Pastor, please ask the question about the film that was not seen before...
02:29...
02:29...
02:30...
02:32...
02:33...
02:35...
02:35...
02:35...
02:36...
02:37I want to thank you for your support.
02:39First, let's see.
02:41If something happens in the world, how is it?
02:45First of all, I want to thank you very much,
02:47because you have all your hopes.
02:49I'm not a filmmaker of a professor of India.
02:55I'm asking you questions.
02:59I want to thank you very much.
03:01I want to thank you very much.
03:03I want to thank you very much.
03:05I know that in the whole film industry
03:08where I have little two-three hundred directors,
03:10I've thought that I am a director
03:12that I can make a film in Hinduism.
03:15I want to thank you very much.
03:17So first, I will ask you a question.
03:19You have to ask me questions.
03:21Yes, I have to ask you.
03:23I will never let you know what I had.
03:25I have to thank you.
03:27I have a filmmaker in Bharrat.
03:29I have been in the stories of the past.
03:31You have made me,
03:33foreign
03:43foreign
03:51foreign
03:57foreign
04:01I don't understand that I will make a film of Islamic history or Christian history.
04:05What do you want to say about this question?
04:09There are many of them made films like Kashmir.
04:13The Islamic history of Kashmir is on the top of Mani Ratnam.
04:18Michel Bahraduah, Heather.
04:21You've never asked this question.
04:23You've never asked this question.
04:24Amir Khan or Fiza.
04:28All of these films have been made with Kashmir.
04:30He has been made with Vidhu Binon Chopra, Mohan Director.
04:32You've never asked this question.
04:34You've never asked this question.
04:36But you've never asked this question.
04:38You've never asked that Kashmir's history.
04:41This question is never asked.
04:43Now, if you have a film of Islamic history,
04:50you've never asked that question.
04:54But you've asked this question.
04:56This means that all of us, in our mind, we have to sit down
04:59that there is Hindu history in Hinduism.
05:03When we have the war,
05:05we have asked ourselves,
05:07that all of us have been working with Hinduism,
05:09and all of us have been working with Hinduism,
05:11and all of us have been working with intellectuals,
05:13and all of us have been working with Hinduism.
05:16But I understand that I have been hoping that I will show both.
05:19I will try to do that.
05:21I have not been so much,
05:23that all of us have been so hard,
05:24that the whole world will be able to take care of it, but I will try to do it.
05:54I can't tell you, I don't mean it.
05:56If I keep you in front of the press conference,
05:59if I tell you,
06:01I don't know why I'm going to tell you.
06:04This is politics, you have a video,
06:07but you can do it.
06:09I'm going to tell you,
06:11I'm going to tell you,
06:13but I'm not going to tell you.
06:15There are many people who have asked you,
06:19and you have asked me to tell you
06:21about the stories you have sent.
06:26You have asked me,
06:28I'm going to tell you,
06:30that as soon as you started making film a book,
06:35that basically,
06:38whenever there were elections,
06:43the parties given me,
06:46and the parties given me,
06:48No, no, one second, you have asked questions, so you are a journalist, so you will have some facts.
06:56So, when did I tell you when released a tax grant file?
07:00No, you have three files.
07:02I also want to talk about Kashmir's file and Bangal's file.
07:062-4 months later, there is an election of Bangal's file, and at that time you took the Bangal's file.
07:13And now you are press conference, and you feel like you are more than the press conference in the world.
07:23Why do you feel like this?
07:24No, I will answer the question.
07:26I will answer the question again.
07:27I will answer the question again.
07:28Can I answer the question again?
07:29No.
07:30So, you have no question.
07:32First, you have a question.
07:34Which person is the question?
07:36Who is the question?
07:37I am not asking.
07:39I am not asking.
07:40I am asking.
07:41I am asking.
07:42Some people say, they are the most useful thing.
07:44Which people say.
07:45I have seen one thing in the world.
07:47I am showing you who say, who say?
07:49Which people say, you are the journalist.
07:52You are the journalist.
07:53You are the fact check.
07:54It is the fact files.
07:56Where the foreign elections were released.
07:59The elections were done after the term.
08:02The elections were in the end.
08:04The elections were completed after the term.
08:06foreign
08:36I am not sure if you have a question.
08:38I am not sure if you are asking me.
08:40You are asking me if you have a question.
08:42I am asking you to answer your question.
08:44I am asking you to answer your question.
08:46The fourth thing is that the film is about the direction of the film.
08:50The film is about the North Curry Rights and the Bharat's current situation.
08:55How can the film can help any of the government?
08:59If I am a filmmaker from the film, it is about the work of someone.
09:02What is the work of the government?
09:04I am saying that people are doing it.
09:09I am saying that my people are doing it.
09:14I would say that they are the people who are doing it,
09:17and that I am saying that Gopal Mukherjee has become a 7th emperor,
09:21and we have made a film by the people who are making a film.
09:25First of all, you know something about Gopal Mukherjee,
09:28but he has made a film by Gopal Mukherjee.
09:30foreign
09:36foreign
09:42foreign
09:52foreign
09:58I've seen them as a hero.
10:01I've seen them as a hero.
10:06I've seen them as a hero.
10:08And who have made them a hero in Calcutta,
10:12they've made her own photo and made the photo of him.
10:16I've seen them as a security.
10:19I respect them.
10:21They work with TMC and there's a conversion.
10:26you know what the politics of Bengal is, they are required, they are doing what they are doing, they have made a legal answer.
10:33Next.
10:34Hello, sir. Rajesh, I'm talking about total comparison, sir.
10:38You said that you have been able to build up in India.
10:42In Punjab, there will be a lot of visa.
10:46There will be a lot of visa.
10:48There will be a lot of that.
10:50Do you have to build something like that?
10:53You have to give a list of what happened.
10:56And then I will start to build a film.
10:59But yes, I have done a good thing.
11:01It is possible.
11:02But there is a lot of understanding.
11:04If someone gives me a guarantee that I will make a film in that subject,
11:07and then I will never stop it, I will release it.
11:10So I will make it.
11:12You make a film that we make, the Kashmir Files.
11:15But if there are any national awards or awards,
11:18there are no awards.
11:20So what do we say about that?
11:22No, Kashmir Files, Kashmir Files for two national awards.
11:25Kashmir Files for three national awards.
11:27So it is not like that.
11:29Next.
11:30Vivek, sir.
11:31I want to this side from Newsbox.
11:33Sir, where are you from?
11:35Where are you from?
11:36Sir, this side.
11:37Okay.
11:38So, sir.
11:39Where are you from?
11:40From Newsbox, sir.
11:41Okay, sir.
11:42When you make a film, like Bengal Files, or Kashmir Files,
11:45then of course, controversy is a little subject.
11:48And it goes on itself.
11:49But in the state of that film,
11:51there is a little bit of a politician,
11:53and a little bit of a politician,
11:55and a little bit of a politician,
11:56for the future, for the present, for the past.
11:58Now, this film is Bengal Files,
11:59which is a story on Bengal based.
12:01There is a lot of energy in there.
12:03Like, we see some controversy in there.
12:06It's a very good subject.
12:07It's a very good subject.
12:08Everyone needs to see it.
12:09But in there,
12:10there is a little bit of a change.
12:11We talk about it.
12:12So,
12:13which subject on this film,
12:15which state of this film is made?
12:17If this film is not released,
12:18then if people don't see it,
12:20then it will be a lot of attention.
12:22So,
12:23as soon as there is controversy,
12:24you will think that this film will be released
12:26in Bengal.
12:27What kind of strategy you will use
12:29to release it?
12:30Because they will stop the subject
12:31there.
12:32So,
12:33what's your story?
12:34What kind of strategy do you have to do?
12:39In our film,
12:40it is constitutional,
12:41we will go with constitutional law,
12:43legally,
12:44and if it stops,
12:45then we will take a legal course.
12:47And we can do it.
12:48We're a common citizen of that,
12:50and if we can get a police
12:52to kill us,
12:53then what can we do?
12:54What can we do with ten police?
12:55We will try to do it.
12:57We will not do it.
12:59We will not do it.
13:00We will do it.
13:01We will do the same thing with the state government.
13:04We will not do that.
13:06Because if we will do that,
13:08we will do that.
13:10But the Bengali community is very upset.
13:13Because this is a film where you have seen how many Bengali people are.
13:16I will make a thousand Bengali people who have seen a film.
13:20This is a film of India.
13:23I am telling you that this is a film of India.
13:26If you are sitting here, you will see a film.
13:29I will tell you,
13:31I will tell you,
13:32I will tell you,
13:33when the film is finished,
13:35people will not move from the next 5-7 minutes.
13:37Just to give respect to our history.
13:41This is a film made by responsibility and sincerity.
13:45There is no objection to it.
13:47Bengali people will do this film.
13:49If you are watching on social media,
13:51people are saying,
13:53thank you that you are showing our history in Bengali.
13:56Anybody else?
13:58Abhishek sir.
14:00Abhishek sir.
14:01Abhishek sir.
14:02Abhishek sir.
14:03Abhishek sir.
14:04Pranav here.
14:05Pranav here.
14:06Pranav here.
14:07Pranav here.
14:08Pranav here.
14:09Pranav here.
14:10Pranav here.
14:11Vision television.
14:12Boldest film ever.
14:13So I think this speaks a volume for what you are doing.
14:15Do you think this film?
14:16Do you think it's a film?
14:17Do you think it's a possibility,
14:19or do you think it's a tremendous stress?
14:25If I talk about myself, I really think that we three people think that now is Shaykh D. Kachaira.
14:32How do you feel?
14:34Pallavi Ji, you're an actress. I'm really stressed.
14:39I can show you on the phone.
14:41I'm so sorry for 4 hours.
14:43I'm so sorry for that.
14:45Any filmmaker doesn't feel good.
14:47You don't have an article.
14:49What you are doing is good.
14:53But at the same time, the agenda that we have set itself is a good way of making a film.
15:01I think, if publicity doesn't believe that, but if a film will stop, the news will be made.
15:13What do I do?
15:15Vivek Ji, my question is, I will forget the mic.
15:19Where are you from?
15:21I'm Santosh Mehta. I'm a senior journalist.
15:27I've written a lot of time for films.
15:29I follow you.
15:31You're a bold filmmaker.
15:33So, my question is, you're a bold filmmaker.
15:37So, now, the real topics are created on the real topics.
15:41The time has come.
15:43But, you're a bold filmmaker.
15:45But, you're a bold filmmaker.
15:47You're a bold filmmaker.
15:49And you're a bold filmmaker.
15:51I've said, I haven't heard that.
15:53There's no one cut.
15:55It's the first film without a cut.
15:57But, yes.
15:59After this, it was a lot of time.
16:01The examining committee reviewed it.
16:03The revision committee reviewed it.
16:05The experts have been called,
16:06and the first one,
16:07and the first one,
16:08and the first one.
16:09And one thing I have found,
16:11is that,
16:12the child artist,
16:13and the journey has been long,
16:15and now,
16:17you've created a lot of different movies.
16:21So, you've created a lot of time.
16:25And, especially when you're a husband,
16:29you should know,
16:30what kind of experience you have?
16:33Tell us a little bit of experience.
16:35You've said,
16:37you've said,
16:38you've been so proud of it.
16:40So, what kind of work?
16:41No, no.
16:42I mean, we're watching and enjoying this.
16:45Please.
16:46Please.
16:47Please.
16:48Please.
16:49First of all, I'm going to tell you about Vivek's work.
16:53We've worked together with Vivek's work.
16:56We've worked together with Vivek's work.
17:03We've worked together on television.
17:06There's a working relationship between director and actor.
17:10It's been established from our very first time.
17:13When we formulated our production,
17:20we formed this company in 2011.
17:25We formed this company.
17:29We work together very well as partners.
17:33But there's only one thing to do.
17:39We come out from one room.
17:41We sit in a living room.
17:43We sit in a living room.
17:45We sit in one room.
17:47We go in one room.
17:49We work together in one room.
17:51We sit in one room.
17:53We sit in another room.
17:55Then we go to sleep in one room.
17:57This is a problem of space.
17:59I think that either you go somewhere or I go somewhere.
18:05But from that, I think we work very well together.
18:09And I think that this is the story of the mother of the character.
18:13I think I'm at a good place age-wise.
18:17Experience-wise as an actor.
18:19I don't think that 10 years before I can handle this character.
18:23I think that it's really important for us,
18:25because you are a little bit of a problem.
18:27You are a little bit of a problem.
18:29You are learning a lot of things.
18:31You are learning a lot of things,
18:33and by the way,
18:35you are learning an ability of your own ability.
18:37So, this is the right place.
18:39So, I think we will probably take this right place.
18:42Vivek Ji, we will take only two questions.
18:44We will take all two questions.
18:46We will miss a question.
18:47Vivek Ji.
18:48We will answer a letter.
18:49I will ask you.
18:50One letter.
18:51I will ask you.
18:52I would love to and through you, if your message can reach her, I really appreciate it.
19:18I would love to have a conversation with her or anybody who wants and together I would like to give her a t-shirt and say never again.
19:30Thank you very much.
19:48Thank you very much.
19:58Thank you very much.
20:22cinema is the highest form of art
20:28because there are 25 different crafts that come together
20:34and give their best
20:37we are very serious about cinema
20:42and we want to do something about history
20:47and as filmmakers we thought that art is the best medium
20:51to project our history
20:53because as art, artists, all of us
20:56we have a little repel inside us
21:00we have to be a little anti-establishment
21:02because when you are not here
21:04you will not show the society
21:07this is our work
21:09we are made from this place
21:11because we have a story
21:13so this is our work
21:15you have asked a question
21:17you are highly appreciated
21:19but there is a lot of politics and controversy
21:23and all of these things
21:24if we don't talk about it
21:25then the film is the fun
21:27and the artist is the highest
21:29that is the highest
21:30so please please
21:31tell us
21:32for anyone
21:36please let the film first release
21:38before asking such questions
21:40thank you
21:41to register for the new idea bus
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21:53we will be talking to you
21:54further
21:55next week
21:56we will be at the end of the day
21:57we will be at the end of the day
21:58we will go for the end of the day
21:59before we reach out
22:00that we have to come to be
22:01to get home
22:02so please
22:03we will take action
22:04and the viewers
22:05and the listeners
22:06of the day
22:07thank you
22:08thank you
22:09today
22:10we have to take action
22:11and we have to do
22:12thank you
22:13thank you
22:14thank you
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