- 5 months ago
First broadcast 17th November 1975.
An armed gang kidnap telephone engineer Ronald Peters and hold him in an empty house, using his expertise to trigger off false alarms in some banks, diverting the police whilst the gang rob alarm-free premises.
John Thaw - Regan
Dennis Waterman - Carter
Garfield Morgan - Haskins
Robert Swann - Det. Sgt. David Keel (as Robert Swan)
Myra Frances - Dr. Liz Keel
Christine Shaw - Kathy Peters
Andonia Katsaros - Annie Clark
Leslie Schofield - Ian Ross
David Belcher - Police Inspector
Shaun Curry - Ronald Peters
Malcolm Kaye - Brian Slater
Alan Brown - The Consultant
Roy Sampson - Uniformed Constable
Bobby Collins - Young Boy
Tony Allen - Bill the Driver
John Cannon - Armed Officer
Ron Gregory - Radio Officer/Armed Officer
Bill Hibbert - Flying Squad Member
James Muir - Armed Officer
Byron Sotiris - Constable
Bill Wallis - 'Mummy' (voice)
Bill Westley Sr. - Constable
An armed gang kidnap telephone engineer Ronald Peters and hold him in an empty house, using his expertise to trigger off false alarms in some banks, diverting the police whilst the gang rob alarm-free premises.
John Thaw - Regan
Dennis Waterman - Carter
Garfield Morgan - Haskins
Robert Swann - Det. Sgt. David Keel (as Robert Swan)
Myra Frances - Dr. Liz Keel
Christine Shaw - Kathy Peters
Andonia Katsaros - Annie Clark
Leslie Schofield - Ian Ross
David Belcher - Police Inspector
Shaun Curry - Ronald Peters
Malcolm Kaye - Brian Slater
Alan Brown - The Consultant
Roy Sampson - Uniformed Constable
Bobby Collins - Young Boy
Tony Allen - Bill the Driver
John Cannon - Armed Officer
Ron Gregory - Radio Officer/Armed Officer
Bill Hibbert - Flying Squad Member
James Muir - Armed Officer
Byron Sotiris - Constable
Bill Wallis - 'Mummy' (voice)
Bill Westley Sr. - Constable
Category
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TVTranscript
00:00Today is the classic theme of the NTV.
00:05The rest of the NTV is the direction of the NTV.
00:09The sky is produced by NTV which is the view of NTV.
00:15The sky is the view and the boundary area.
00:19and you can start using these ingredients.
00:24I can't believe it is a good way to get them started.
00:28I'm going to use this video to add this video.
00:34I will take a quick show.
00:39I'm going to go through this video.
00:43I'm going to pick up the video and show it to you.
00:48Do you know what they do in Africa if they catch you on a filch?
00:53What?
00:55Oh, in some parts of Africa.
00:59What in some parts of Africa?
01:03What do they do to you in some parts of Africa if they catch you on a nick?
01:08Probation.
01:09It says in here they cut your hand off.
01:11Ah, not probation then.
01:12Ah, they cut your bloody hand off.
01:14Well, what happens if they catch you for rape?
01:18I don't know. I don't say.
01:22The wind.
01:28Probably.
01:32This is the Provincial Bank, Hobart Street. There is an intruder on the premises.
01:35Nearest unit, Hobart Street. Proceed Provincial Bank, Hobart Street.
01:39Intruders on premises.
01:41Our premises are being broken.
01:42This is the Provincial Bank, Hobart Street.
01:44Any available units. Frogmore Street.
01:49Ah, Lambourne Road.
01:52Dale Broadway.
01:54Ah, Bishop Street.
01:55Church Road.
02:06Ridgeway.
02:07Manor Park.
02:09St. Owen Street.
02:11St. Owen Street.
02:12St. Owen Street.
02:13St. Owen Street.
02:14St. Owen Street.
02:15And Ashley Hill.
02:16Can you tell us somewhere else ?
02:25Mavourne Road?
02:30Mother?
02:35Yes, sir?
02:38It's like bloody Armageddon.
02:40They're wetting themselves down there.
02:44Post office, Radcliffe Street.
03:00Captions by GetTranscribed.com
03:30MUSIC CONTINUES
03:47What about the other two?
03:50Keyholders in?
03:53Yes. No, neither do I. But no signs of injury.
04:00Yeah, right. Okay, where will you be?
04:04Yeah. Look, Phil, I've got a map, but nobody understands it.
04:09Uh, yes. Yes, we're trying to do that now.
04:13Right, fine. I'll see you. Cheers.
04:17Look at this post office. Come on, my boy.
04:23We call them in this post office on the way. There's a woman injured by flying glass.
04:28Badly.
04:29Well, 11 stitches is a high-velocity weapon. Penetrated one window, went through and shattered another.
04:34She says the shot was fired after the alarm went off.
04:37What do you think, Jack?
04:38Well, she seems clear enough. She's walking along, hears the alarm go off, turns round and gets it right in the face.
04:43It's the same at the jewellers. One of the local lads was just passing.
04:46He hears the alarm go off and it's only after that that a window smashes at the back of the building. A brick right through it.
04:51Why are we involved, anyway? Local DI is losing his bottle. He thinks he's being set up.
04:56Well, can't he cope? Well, that's not the point, Jack.
04:59It's all taking too long. Every time an alarm goes, he has to find the key holder, then bring him out to the job, then wait for him to open the premises.
05:07Not if there's any sign of entry.
05:09But there isn't any sign of entry. There's the whole point. Just damage.
05:12And the DI thinks he's being set up for a job bigger than he can cope with.
05:16Well, it doesn't make sense, does it?
05:18Well, it could be some nut testing the alarm systems.
05:21Well, how do you explain that the alarms go off before the damage occurs?
05:25Psychic.
05:27What about the other twelve?
05:28We're still waiting on two of them, but ten of them, again, superficial signs of damage, but no obvious attempt at entry.
05:35Fourteen alarms, fourteen no-no's.
05:39Anything on the alarm system?
05:40A pretty standard commercial system.
05:42Post office landlines to the central control room.
05:45When the system's triggered, warnings go up in the nick five minutes later, then the alarm rings outside the premises.
05:51We're trying to get the post office to check they're about part of it now.
05:54Trying?
05:55The supervising engineer is on holiday in Malta.
05:58Trying to get hold of the deputy.
06:00Well, what's the hang-up there?
06:02Well, for the last half hour, the lines have been engaged.
06:05Every time the operator tries to intercept, she gets an earful of abuse from some female, probably his wife.
06:09This deputy, his name is Ronald Peters.
06:13What about the tuck shop?
06:14They ain't even brought in a confectioner yet. What a fiasco.
06:19Keep your armour, sweetie, son.
06:20Yeah, mummy.
06:21Yeah, mummy.
06:22That sounds to me like a very simple, simple, simple, simple.
06:23Yeah.
06:24Yeah, mummy.
06:25You're a dirty old man, is what you are.
06:26That sounds nice.
06:27Well, how are we?
06:28Well, how are we?
06:29Cool.
06:30You're a dirty old man, is what you are.
06:31That sounds nice.
06:32Well, how are we?
06:33Cool.
06:34Yeah.
06:35Yeah.
06:36You'll never guess what, darling.
06:37Two great e-men have just come walking.
06:38You're a dirty old man, is what you are.
06:41That sounds nice.
06:42Well, how are we?
06:43Cool.
06:44Yeah, you'll never guess what, darling.
06:45Two great e-men have just come walking in here.
06:49They're just standing there, lusting after my body.
06:51Certainly.
06:52No, darling.
06:53Of course I wouldn't.
06:54No, darling.
06:55Of course I wouldn't.
06:56No.
06:57No, darling.
06:58Of course I wouldn't.
06:59No.
07:00No, darling.
07:01No.
07:02No.
07:03No.
07:04No.
07:05No.
07:06No.
07:07No.
07:08No.
07:09No.
07:10No.
07:11No.
07:12No.
07:13No.
07:14I don't know.
07:15I might.
07:16They look quite dishy.
07:18Mrs. Ronald Peters.
07:19He says his name is Mrs. Ronald Peters.
07:22Pardon?
07:23Yeah, that's what I thought too.
07:26Yeah, you'd better talk to him.
07:32Who is this?
07:33Who is this?
07:34You just told me.
07:36Mrs. Ronald Peters.
07:40Was that Mr. Peters?
07:42With?
07:43Me?
07:45Or him?
07:47How would you like that bucket of ice over your head?
07:50Oh.
07:52Oh, you must be the nastiest.
07:54That's right, dear.
07:55Where's your brief?
07:56Oh, we've been around, haven't we?
08:03Where's Ronald?
08:04You are a pig.
08:05Where is he?
08:06I don't know.
08:07He hasn't been home in two nights.
08:08Did you report it?
08:09It's happened before.
08:10Girlfriend.
08:11Probably.
08:12Thank you, Mrs. Peters.
08:13I'm going to leave you my number in case he turns up.
08:15It's important.
08:16If he turns up, I'll tear his bleeding throat out.
08:17Is he?
08:18I don't know.
08:19Thank you, Mrs. Peters.
08:20Is that right?
08:21I'm going to leave you my number in case he turns up.
08:24It's important.
08:26If he turns up, I'll tear his bleeding throat out.
08:47the whistle's gone outside bale supermarket okay sonny did you know mistake careful mommy
09:00okay sorry shall i stay for a while yeah what about bales shall i eat it
09:08can you hear the whistle
09:11yeah do it
09:18no it's just up good and don't forget keep them peeled
09:41oh i'm not surprised apparently he rang up yesterday morning and said that he was feeling
09:48unwell sounded a bit strained the girl said yeah he leads a very strenuous life yeah well
09:53maybe but the problem is that only the supervising engineer and peter's understood the network
09:57in that particular area the plans are coded and the post office are a bit jittery what
10:03about the alarm company no that's all clean it checks out come cheap in any case jack the
10:08fifth floor are getting itchy
10:10what's that supposed to make request has been sent to the national coordinator of regional
10:20crime squads what for they think it's time we had an expert here from bristol what's the
10:27matter with our own crime prevention boys oh they're not too well up on the post office
10:30then so what's all this got to do with bristol rcs i mean they're only hundred miles away from
10:36the scene of the crime oh they do have an expert bully for them you need him jack i can manage
10:41thank you not on this one who says so the fifth floor a policy decision makes a change from counting
10:47the paper clips you do need help i don't you are dealing with sophisticated alarm systems so
10:54come on jack you couldn't even end a fuse without blacking out half of london come off it frank
10:59i need a buffing from bristol like i need a hole in the head all right so explain to me how a
11:05telephone works come on well this is ridiculous do you know of course i don't know well they're
11:13sending you someone who does from bristol they've got a good team down there city or rovers
11:18detective sergeant david keel six years in the job bristol regional crime squad commended service
11:34specialist knowledge of the post office what was he a postman he started with the bristol city police
11:40also specialist knowledge of telecommunications and cider making criminal psychology now one other
11:47thing he's uh already applied to join the met ambitious he's on the m4 now bristol delta five to
11:55barkshire control over go ahead bristol delta five approaching metropolitan district from eastbound
12:01carriageway direction please over change to channel three and stand by
12:06mp bristol delta five bristol delta five standing by maintain channel three while in metropolitan
12:13police district proceed to junction of m4 with north and south circular roads and exit left
12:17rendezvous has changed repeat changed to prentice warehouse 28 lamb from lane west 12 over
12:23understood
12:23understood
12:24you wouldn't adam and eve it too hard to find the keyhole and then he's got no idea what stock he's
12:31carrying there's no sign of entry anyway gov that's not the point he should have an inventory he's
12:36supposed to be the manager he's more worried about his insurance premium being raised country boy
12:42i'll look at mr reagan
12:48i'm jack reagan
12:51ds keel sir with the regional crime squad pleased to meet you
12:56this is my skipper george carter
12:58have you finished the petit four
13:02well i think the gentleman might prefer a port sir
13:06so i'm afraid i was at a concert when this thing came up
13:09i hope we didn't spoil your last movement
13:11how much did you know
13:14fourteen alarms
13:15superficial damage boffins not around di and vinyl getting ulcers can't cope
13:19one more thing
13:21it's pretty certain that in some cases the damage was done after the alarms went up
13:25interesting
13:26and if i look around
13:28be my guest
13:29how was the damage done
13:34uh bricks iron bars and in three cases bullets
13:38all from the outside
13:39no witnesses
13:44no
13:45two shots were heard
13:47longish range
13:49woman injured by glass
13:51local
13:55there's a demolition site up the road
13:58yeah they're all similar
13:59and news on dabs
14:02nothing so far
14:03anything
14:26sell security systems
14:29they work on fundamental principles
14:31you could have fooled me
14:33yes well the more sophisticated systems rely on
14:36oh
14:37noise
14:38wind
14:39change of temperature to set the alarm off
14:41but not this one
14:41no you
14:42break the circuit you had to open a window or a door to make this one sing
14:45that brick couldn't possibly have done it
14:48now what you're saying is that they must have another way of setting the alarm off
14:52right
14:52so it is a setup
14:55now we know the alarms were triggered before the damage was done right
15:14right
15:15that means they must have another way of making the alarms go off
15:18right
15:18so that means one thing
15:20mice in the works tampering with the system
15:23look i'm no good with pretty pictures
15:26no guff
15:27where are they
15:28the villains
15:29it's a simple traffic problem sir
15:31if you want to blow the system you don't go to a b road or a footpath
15:35you go to a motorway intersection and screw it up completely right
15:37fair enough
15:38but what are these intersections
15:40telephone junction boxes
15:42manholes in the road
15:43now they connect the telephone lines and the alarm circuits are on the telephone lines
15:47so you're saying that someone's got into one of these manholes
15:50isolated the alarm lines from the rest and uh done the dirty huh
15:54that's about it
15:55well how are they triggered
15:57well i should imagine they use a pulse generating system then sir
16:01device that sends a small signal down the telephone lines to the control panel in the local nick
16:06what sort of villains would have that sort of care
16:09these guys are experts sir
16:11yeah and they've got information
16:13those wires are coded
16:15you need a code book to tell you which is which
16:17well why are they going to so much trouble
16:19i think they're testing the reaction times
16:21seeing what happens when the overwork lads from the local division try and bring in 14 key holders
16:26well what was the reaction
16:2876 coppers took three hours to sort it out
16:31and they're not finished yet
16:33they're off again
16:3526 alarms at vine hill
16:37i'm making alliances at the moment
16:55pardon
16:57the senior officer always sits at the front
17:00perhaps it's my destiny
17:03perhaps it's my destiny
17:03perhaps it's my destiny
17:03perhaps it's my destiny
17:07sorry
17:08sorry
17:08so am i
17:10inspector burrow is fine
17:22now you know why the bus sits there
17:25inspector burrow is fine
17:34now they're not going in are they
17:36all right let's have this lid off
17:38stand back
17:39nothing
18:02they must be down the other one
18:03call 2 echo 5 one over
18:18call 2 echo 5 one over
18:24call 2 echo 5 one over
18:26Gently, does it.
18:56Police! Out!
19:16Nothing but spiders!
19:18They're still going off for Vinyl. Forty-two at the last count.
19:28Get the key holders.
19:35Got the key to the boot? Who are for?
19:38And out of this lot is where I'm going to be travelling.
19:48Mother? They've twigged it.
20:03Joel?
20:05Yeah, I'm certain.
20:07Ain't near the music, but they don't know where the band is.
20:11No, sweet. We'll stop playing through well.
20:15You'd better come on home and have your tea.
20:19OK, Mother.
20:21All right, Jack. You've made your point.
20:23I know, but I've lost time.
20:25Are you saying that you won't work with him?
20:27Well, of course not. But I won't be hampered by him, either.
20:29He's got to see it out, Jack.
20:31Why? I'll tell you why.
20:33It's a try-on to see if coppers like me can be undermined by some technocrat.
20:37Now, you may not care, but I do.
20:39I will not have my authority undermined by some wet-behind-the-ears academic.
20:44It's the thin end of the word, isn't it?
20:46No, Jack.
20:47He's another fifth-floor wonderboy. Useless.
20:49Hasn't got a clue.
20:50And you how?
20:51You wouldn't believe it, would you?
20:53I've just been looking for the inspector at Vinyl.
20:55He's out looking for a blimper.
20:57Where?
20:58I don't know. Two complaints about a man prying on bedrooms from a roof.
21:01You see what I'm up against?
21:03Vinyl sounds like a bell-ringing contest, and the inspector's out looking for a peep in town.
21:08Well, there is some of these, eh?
21:09What?
21:10Well, he's gone to a place called Singleton Heights.
21:12Oh, yeah.
21:13Well, it's slap in the middle of the sweat area.
21:15The blimper must have had a few laughs tonight, then, watching us.
21:19Exactly, sir.
21:23Well?
21:24Mrs Peters.
21:25What do you want?
21:26It's about your husband.
21:27May I come in?
21:28Why not?
21:29Everybody else does.
21:30Well, what do you want, then?
21:31Here.
21:32You've not found him, have you?
21:33Not exactly.
21:34Well, what do you want?
21:35Mrs Peters, when you last saw your husband, was he well?
21:38It was a pig can be.
21:39And you've had no word?
21:40No.
21:41I told the other two.
21:42Do you have a photograph?
21:43Yeah.
21:44He's not dead, is he?
21:45Yeah.
21:46He's not dead, is he?
21:47Not exactly.
21:48Well, what do you want?
21:49Mrs Peters, when you last saw your husband, was he well?
21:51It was a pig can be.
21:52And you've had no word?
21:53No.
21:54I told the other two.
21:55Do you have a photograph?
21:56Yeah.
21:57He's not dead, is he?
21:58Not that we know about.
21:59Do you have one?
22:00Well, yeah.
22:01Somewhere.
22:02Better days.
22:03Thanks.
22:04Don't mind if I borrow it?
22:05Borrow it?
22:06No.
22:07No.
22:08No.
22:09No.
22:10No.
22:11No.
22:12No.
22:13No.
22:14No.
22:15No.
22:16No.
22:17No.
22:18No.
22:19No.
22:20No.
22:21No.
22:22No.
22:23No.
22:24No.
22:25No.
22:26You can borrow it?
22:27You can keep it.
22:28And Mr Peters, it was quite all right when you last saw him on...?
22:31Yeah.
22:32On Thursday.
22:33He's always all right, except when he...
22:37Oh my god.
22:44He's left them behind.
22:46He's on drugs?
22:47No, he's ill.
22:48There's steroids.
22:49Oh, you'd better let me take these.
22:50He's going to a coma.
22:51Um...
22:52He'll be all right.
22:53But he'll die without those.
22:54No, you calm down. Now, calm down.
22:56But he's got to have them.
22:57Look, take it easy. We'll find him.
22:59Don't worry.
23:05Now, don't worry.
23:12So, from here, you can see the lot.
23:15Governor, here's one.
23:21That's it.
23:23That would all have been fired from up here.
23:26And there's another point.
23:27If they move fast, it would only take three men
23:29to put in all the windows at the other places.
23:32We're allowing him to speak yet?
23:34He might be telling the truth.
23:36Yeah.
23:36What do you think?
23:38Well, I think you're right,
23:39but that doesn't explain how they're blowing the whistles.
23:42I know.
23:42And that's why you're here.
23:43I know, sir.
23:45But they must be in the main network somewhere.
23:50That looks like a big one, Governor.
23:52Okay, Sergeant Keel, you've blown it.
23:58There are two ways to get in that network,
24:00and we've been there.
24:01What is it, then?
24:02Bloody magic?
24:04I don't know.
24:06Here.
24:07Mrs Peters?
24:09Here.
24:12Reagan.
24:14Wait a minute.
24:15What do you mean, more steroid tablets?
24:18Well, you didn't mention it.
24:21Who?
24:23And how many tablets did he have with him?
24:26In a bottle?
24:28And that wasn't enough?
24:31Well, who did he give the others to, then?
24:33No, I don't know.
24:34Well, just hold on.
24:37See if we've sent anyone else right to the Peters' house.
24:40Keel?
24:41Mrs Peters, and I'll start again.
24:44And what was his name?
24:46You didn't ask.
24:49Just a minute.
24:50I can't hear you.
24:50Right, what did he say?
24:55Displacement.
24:57Yeah.
24:59And he took them with him.
25:02Okay.
25:04Keel's just checking that.
25:05Mrs Peters, look, you just stay there.
25:08We'll come round.
25:09No, you stay there.
25:16Come on.
25:20Off the road, son.
25:46I saw you.
25:47Did you?
25:48Off the road.
25:49You're the old Bill.
25:50How'd he do that?
26:03I fell down on my broken bottle.
26:05Do you know any jokes?
26:07Yeah.
26:08You were looking at one, son.
26:10I saw you in the other geezers round the hole.
26:12Here you are, then.
26:33Can I keep it?
26:34Yep.
26:34That's two bob I'll make.
26:39All right.
26:39How's that?
26:41Five pence for the Yankee and five pence for the pills when I sell.
26:45Rich man.
26:47Off you go, then.
26:48Thanks, mister.
26:50Wait.
26:51What pills?
26:56These?
26:58These?
26:59They're in the bottle.
27:00Where do you find the bottle?
27:10Done.
27:13I want you to walk home.
27:15And when you pass the bottle, start whistling, but keep going, right?
27:18Okay.
27:19Thanks.
27:30Thanks.
27:30Oscar 142 to MP, over.
27:54Go ahead, Oscar 142.
27:56I'd like you to contact someone at St. Clair's Hospital for me.
28:00I'm here.
28:12Steroid.
28:13How do you know?
28:14I'll check with a friend at the hospital.
28:16Yeah.
28:17He's in here.
28:18Better bring a torch, boss.
28:20Torch, Bill.
28:23It's not.
30:32Which side are you on?
30:33Police.
30:34That's good news.
30:35Can you talk?
30:37I'll be all right.
30:38Have they got Cathy?
30:39No.
30:40And we're watching the house.
30:41What's that game?
30:43Trigger the alarms confuse the system.
30:45And while you lot are running around like demented blue bottles, they're inside somewhere else doing the real job.
30:52Any names?
30:54No.
30:56When's the job?
30:57I don't know.
30:58Any ideas?
30:59This evening was a trial run.
31:01Check the lines.
31:02Watching the chaos.
31:04When do you think they'll move?
31:06I don't know.
31:08Tonight?
31:08Tomorrow?
31:10Tell you to know where they are or when they're coming back.
31:12Sorry, but for some of the time I wasn't on my best form.
31:19Were they rough you up?
31:20No.
31:22They're armed.
31:23When did they lift you?
31:25Thursday, leaving work.
31:27With a gun?
31:28Right up my nose.
31:30Could you pass the pills?
31:31Now, look, Mr. Peters, this may seem a stupid question, but would you consider sitting it out here?
31:50What?
31:50You don't have to, but if you did, that would give us a chance to nick them all.
31:56I'm not staying down here.
31:58You're not, Mr. Peters.
32:01Look, I'll give you all the help I can, but they might kill me.
32:08Can they do the job without you?
32:09No.
32:10Well, then you're safe, then, aren't you?
32:12The minute those bells go, we'll be inside with you.
32:15Okay, Mr. Peters.
32:22All right.
32:23Good, man.
32:25We'll just tie you a little loosely, you see, so that you can move about a bit.
32:31Here, come on, give us your hands.
32:37You won't hang around, will you?
32:38Oh, no chance.
32:39Now, thank you, Mr. Peters.
32:41Now, if they don't show up soon, we'll send some nosh in for you, okay?
32:44All right.
32:44Good job you've got your own car.
32:56You'll probably be riding on the bonnet of mine.
32:58I'm back in February, am I, then, sir?
32:59How'd you find out about the phony builder?
33:01I rang him.
33:02An irate dentist told me he was cheesed off of being asked to repair roofs and, er, do a bit of sewer work.
33:08Well, follow us.
33:15Get the shooters together, George.
33:17And personal radios.
33:18Oh, there's no point in all of us suffering.
33:26Have you got anything to do?
33:28No, not really.
33:28Uh, extension 185.
33:30Well, look, George can stay with it till two.
33:32Uh, Sergeant Carter.
33:33I'll do two till six, and you pick it up, then, okay?
33:35Yes, sir.
33:36I'm fine.
33:36I might go and get a wash and a drink.
33:39Yeah, we've located the...
33:40Is that all right with you, George?
33:41First arm till two?
33:42We've located...
33:43Sorry, we've located the area of operation.
33:45It's all right.
33:45It's all about a drink, is it, sir?
33:46Sure.
33:47Yes, sir.
33:47I might join you, actually.
33:48Yeah, they were right.
33:49I thought of going to the pub across the road.
33:51No, I realise that, sir, but...
33:52Yeah, yeah, there's a friend of mine gets in there.
33:54It's absence.
33:55Female, is it?
33:56Sort of.
33:57D.I. Regan, G.S. Kill, myself.
33:58Oh, well, I'll know.
33:59I'll make a phone call, then.
34:00Yes, sir.
34:15Oh, well, I'm sorry.
34:16Excuse me.
34:19This is David, a friend of mine.
34:20If he's a friend of yours, Jack, he's either a copper or a villain.
34:23Hello.
34:24I'm Annie.
34:25Pleased to meet you.
34:25Thank you, love.
34:26All right, what'll you have?
34:27No, no, it's my shower.
34:28I want to see if my horse won't.
34:29Well, I can do that.
34:30No, no, it's my shower.
34:31What is it?
34:32Well, I'll never drink off duty, madam.
34:34David?
34:35All right, then, scotch.
34:36Scotch.
34:41I hear you've applied to join the Met.
34:45Yeah.
34:46Well, I don't want to change your mind or anything,
34:48but don't you think you'll miss that Dolce Vita in Bristol?
34:53Look, I may mix it differently to you.
34:56I'm fond of theatre, music, literature, art.
35:00But I'm a copper, Bristol or London.
35:02I see.
35:04And the info on the Bristol art theft, that's 200 grand's worth
35:06I got at the Bath Festival in my dinner jacket.
35:10I hope you charged up the higher fee.
35:13You won't believe it, will you?
35:15I like it the hard way.
35:19Here we are, then.
35:20Good your life can be around that.
35:23Cheers, love.
35:25Cheers.
35:26Cheers.
35:35Hello, love.
35:36Hello.
35:37I knew my life wasn't that good.
35:39Liz?
35:39It's Annie.
35:40Hello.
35:41Jack.
35:42Hello.
35:42My shout, love.
35:44Randy?
35:47Jack's my new boss.
35:49Oh.
35:50So that makes you, uh...
35:52Detective Inspector.
35:53In the regional crime squad?
35:55Flying squad.
35:57Oh, how interesting.
35:58I didn't realise.
35:59You're one of the elite, then.
36:02A lot of villains wouldn't say so.
36:09What do you do?
36:10I'm a surgeon.
36:11Oh, are you really?
36:14Oh.
36:14Which hospital?
36:16St. Clair's, Chelsea.
36:17I was in there once.
36:20I bet it'll be a bag, Bex.
36:21Do you know anything about bags?
36:23Told you.
36:25Jack?
36:25Come on, love.
36:26We're all off duty now.
36:28That's a lie.
36:29You're never off duty.
36:30Have you nicked any of your family today?
36:32I'm a casualty surgeon, but I could put you on a friend of mine.
36:35I've had pain in me back since the second was born.
36:42Are you boys now in the room?
36:44Yes, mostly.
36:46Did you know David well?
36:49I met him first years ago when we were both students.
36:53We keep in touch.
36:56Am I a suspect, Inspector?
36:58I was just, uh...
37:00I was just going to invite you to the squad dinner.
37:03No, no.
37:04Well, how nice.
37:05I'd love to.
37:07Will David be there?
37:08No, I shouldn't think so.
37:09He'll be back in Bristol by then.
37:12That's very sweet of you.
37:14Of course I'll try and go.
37:15I'm not treading on anybody's toes, am I?
37:17Oh, you mean David?
37:19Well, she looks...
37:20We're very close, very protective.
37:23Sort of brother and sister relationship.
37:25Something like that.
37:27So you're happy?
37:29Yeah, I think so.
37:30George is keeping a night till two, then I'll take over.
37:33If Kiel's getting some sleep, then he'll pick it up at six.
37:38How's Kiel doing?
37:39Not bad.
37:41I think he's the shape of things to come.
37:44Maybe.
37:45So you do raid him?
37:49He'll do.
37:51MPJ Oscar 7.
37:52MPJ Oscar 7.
37:53Suspects have re-entered vacant house.
37:55I' compass.
38:05I'm entitled to the occurring Balkan.
38:06Nice, Scott.
38:07Mr. Castro 5151.
38:08I'm getting a key.
38:08I've just missed 10-4ών pamphlet.
38:12Yes.
38:12I'll hand you this now.
38:13Yeah, got you top alright.
38:15Alright.
39:15Oh, drop me the gun.
39:26You are.
39:27All right, let's end.
39:30Up, you.
39:32Hey.
39:36You all right?
39:37Sort of.
39:39It's all over, mate.
39:40Where's the job?
39:43Tell him.
39:46Hey?
39:47End his jewellers, Dale Broadway.
39:53End his jewellers, Dale Broadway.
39:55Hang on a second, boss.
39:56Why are you disconnecting all those wires?
40:06Oscar, 142 to MP, over.
40:08Go ahead, Oscar, 142, over.
40:11Well, there's a state of alarm in Vine Hill, District, over.
40:15All alarm calls have ceased, with one exception.
40:18The Provincial Bank, Hobart Street.
40:20Boss?
40:22Oscar 7, though, MP.
40:24Alert all units.
40:25Answer call to Provincial Bank.
40:26I confirm these premises are being raided.
40:28Over.
40:28Okay, I'm Oscar 7.
40:30MP standing fine.
40:32Let's get it right.
40:35Entry.
40:35Tunnel from the our power station.
40:38A proper little mole colony, aren't we?
40:47Not your day, is it, son?
40:48All over.
41:02No, one of them made a break.
41:03He's in there.
41:06Get my own a rack, George.
41:18Don't be spent.
41:36We'll never find him in here.
41:48We'll never find him in here.
42:18Hey!
42:37David!
42:39David!
42:48David, David, Dave, get an ambulance, George.
43:18David, David, George.
43:30Yes, God?
43:31Can you see anything?
43:33Nothing.
43:34Stay there.
43:36I'll try and move it.
43:38OK, God.
43:39As I was saying, I've given him an EEG, but I'd rather we got a neurosurgeon.
43:51Yes, yes.
43:52Well, I'm afraid we'll have to chat about that later.
43:54Oh, I see.
43:55Right.
43:56Oh, I'm sorry, but I want to make sure that Graham has got Theatre 4 ready.
44:01There's been some kind of a shooting incident up in the Vine Hill area.
44:04Vine?
44:05Yes.
44:06Cops and robbers.
44:07Some young detective's been hit, evidently.
44:09Here.
44:19Come out, son!
44:21We're armed!
44:25You're coming out!
44:28George?
44:29Yes, Captain?
44:30Any sign?
44:34No, nothing.
44:35It could be anywhere.
44:38Can you see Dave?
44:43Hardly, Governor.
44:44Can you?
44:45Yeah.
44:46It's bad.
44:47Good.
44:48Come on!
44:52All right, let's see.
44:54Lo audito.
44:58Yeah!
44:59Come on!
45:02Come on!
45:03Come on!
45:05Come on!
45:07Come on!
45:09Come on!
45:10Come on!
45:11Come on!
45:12Come on!
45:13I'm from St. Clair's Hospital.
45:26Oh, a doctor?
45:26Yes, I'm a casualty surgeon.
45:28Well, you can't go in now, doctor.
45:30Not that you'd make any difference.
45:32Why?
45:32One of them's copied already.
45:34Who?
45:34Some young skipper from the Sweeney and the Flying Squad.
45:40I see.
45:41Well, what's wrong, though?
45:42Nothing.
45:44Thought you'd lot have been used to it by now.
45:47Yes.
45:50Okay, George.
45:52We'll have to go in.
45:54Boss?
45:56I've got him pinned.
45:57Good lad, David.
45:59I'll be okay, Dave.
46:25Set up!
46:27Is it bad?
46:29Arm and light.
46:30You'll be all right.
46:38I suppose you'll want a plaster or two.
46:41What are you doing here?
46:42Well, it is my patch as well, you know.
46:48Radio for blood, Grubeau.
46:49Reese is negative.
46:51No mercy.
46:55Lift.
46:57Roger.
46:58He'll be all right, won't he?
47:03Yes.
47:04He's lost blood, but he should be all right.
47:06Are you coming, Mrs. Kale?
47:08Yes.
47:09Kale?
47:11Yes.
47:13I'm his wife.
47:14He'll be looking.
47:20Yes.
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