- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30In Napoli,
00:01:31in un uomo,
00:01:33in un uomo.
00:01:34In quest'atma,
00:01:36al primo post...
00:01:43Shit.
00:01:45Whoa.
00:01:46Can't put my wallet.
00:01:51A green receipt case?
00:01:52No.
00:01:53No!
00:01:56Somewhere...
00:01:57What do you think of this?
00:02:13She's lost her purse.
00:02:27Where did you have it last?
00:02:35The train station, I think. The exchange group.
00:02:43Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think so.
00:03:27It's nice.
00:03:28Yes, I have a credit card. The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:33It's nice.
00:03:34Yes, I have a credit card. The number's on file on my computer.
00:03:37Yes, I have them here.
00:03:38Okay.
00:03:39Five, five, three, three.
00:03:40Seven, six, four, five.
00:03:41Eight, seven, eight, seven, eight, seven.
00:03:42Nine, one, five, seven.
00:03:43Five, seven.
00:03:44Yeah.
00:03:45Expires 12.15.
00:03:46No, she'll definitely need another card sent out immediately.
00:03:47We're here for two weeks.
00:03:48No, she'll definitely need another card sent out immediately.
00:03:49We're here for two weeks.
00:03:50No, I'm working here.
00:03:51No, I'm working here.
00:03:52No, she'll definitely need another card sent out immediately.
00:03:53We're here for two weeks.
00:03:54No, I'm working here.
00:04:02Yes, I'll hold.
00:04:03I can'tคร włos.
00:04:05Right in hand.
00:04:10Nice, look.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:17No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:43And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jane.
00:05:15I always have.
00:05:16You know that?
00:05:21You shouldn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:37Why do you think he killed himself?
00:06:00Why do you think he killed himself?
00:06:08Who?
00:06:10David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, though.
00:06:21Do you think he recognized a blank infinity, just stretching out?
00:06:34He got to this point, maybe, where it was just day after day after day.
00:06:38I really don't know, do you know?
00:06:40Just so tedious.
00:06:44And, of course, he felt guilty.
00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't that...
00:06:50Jane, can I...
00:06:50Can we not talk about this?
00:06:53Just...
00:06:54Just a bit more, then.
00:06:56Love you.
00:07:15Love you, too.
00:07:16Love you, too.
00:07:26Do you feel all right?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:46Mm-hmm.
00:07:56Mm-hmm.
00:08:26Oh, my God.
00:08:56Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:23I think someone should be here in case the card is delivered.
00:09:27True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:09:57Okay.
00:09:58Okay.
00:09:59Okay.
00:09:59I'll see you later.
00:10:00Okay.
00:10:00Okay.
00:10:00Okay.
00:10:01Okay.
00:10:02testing testing okay do you have any stories for my book what kind of stories stories are you
00:10:30prepared before i can ask them the list of stories that dad told me about go ahead and ask from your
00:10:35father's list god rest his soul let's start with the war we went into an air raid shelter my mother
00:10:42your great-grandmother she was shaking sirens wailed and and then there was the sound of a
00:10:49bomb and the man next to us he said i was in a shelter last night with my wife and my little
00:10:55boy and half of it got blown away there was blood in his hair he was all alone that nearly finished
00:11:04my mother you know here we were in this tiny town in england miles from germany from russia from
00:11:12italy from any front lines and this man he had blood in his hair
00:11:19Guideline
00:11:20and she wanted to see you soon
00:11:25good night
00:11:33We were riding our bikes to school
00:11:59when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:28My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:52You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:33No.
00:15:34No.
00:15:35No.
00:15:46Stop making me feel like a stalker, fuck.
00:15:48Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:39They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48Can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:04All those people crammed onto this rock.
00:17:09It doesn't smell pretty bad.
00:17:10It doesn't smell pretty bad.
00:17:11It doesn't smell pretty bad.
00:17:12It doesn't smell pretty bad.
00:17:13It doesn't smell pretty bad.
00:17:14Wow.
00:17:15I know.
00:17:16I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:18You're a tourist.
00:17:19No, I'm not.
00:17:20I came out here a few months ago with this volunteer organization dedicated to studying the relic
00:17:22populations of dolphins and whales in the Gulf of Naples.
00:17:23I can't tell if you're joking.
00:17:24I'm dead fucking serious.
00:17:25I just didn't want to go to college, and they paid for me to come over.
00:17:29Four connecting flights is a 72-hour plane ride, but, you know, it was worth it.
00:17:30My first time out of the U.S.
00:17:31How old are you?
00:17:32I'm 19.
00:17:33It's my birthday today.
00:17:34Is it really?
00:17:35Uh-huh.
00:17:36Happy birthday.
00:17:37Thank you very much.
00:17:38Yeah, so I left the program after, like, a month.
00:17:40Fuck the Relic Dolphins.
00:17:41I stayed on the island because I have this awesome living situation.
00:17:42I'll tell you the short version.
00:17:43Basically, I used to have ancestors in Iskia, so when I come over, I Facebook me, and I
00:17:47just didn't want to go to college.
00:17:48I just didn't want to go to college, and they paid for me to come over.
00:17:49Four connecting flights is a 72-hour plane ride, but, you know, it was worth it.
00:17:50My first time out of the U.S.
00:17:51How old are you?
00:17:52I'm 19.
00:17:53It's my birthday today.
00:17:54Is it really?
00:17:55Uh-huh.
00:17:56Happy birthday.
00:17:57Thank you very much.
00:17:58Yeah, so I left the program after, like, a month.
00:18:01Fuck the Relic Dolphins!
00:18:03I stayed on the island because I have this awesome living situation.
00:18:06Basically, I used to have ancestors in Iskia, so when I come over, I Facebook this second
00:18:10cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:15is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island,
00:18:24so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen,
00:18:29easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles
00:18:37a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:47Oh, kind of выглядит it, I think so!
00:18:48I know this family is still filling.
00:18:52Come on.
00:18:53It's been an eternity.
00:18:55It was also an angel,景色, liked to compliment my本当ue light.
00:19:12Or is this this mother away and the love
00:19:15Love teaches me to feed on flames and tears.
00:19:45Love teaches me to reign through desire.
00:19:50To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo
00:20:14in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:35Okay.
00:20:36De lacrime a de faco nutria l'alma.
00:20:41Con secca speme reinvedia la voglia.
00:20:47Lega de nuovo il cor quando de scioglia.
00:20:53Seigne la maggiore la vista tierra ed alma.
00:20:56I'm impressed.
00:20:58You hungry?
00:20:59Why, you gonna take me out?
00:21:00Yeah.
00:21:01All right then.
00:21:02Okay.
00:21:03Two pastas with the house sauce, please.
00:21:04Red.
00:21:05Red.
00:21:06Red, please.
00:21:07Uh-huh.
00:21:12I'm impressed.
00:21:14You hungry?
00:21:15Why, you gonna take me out?
00:21:16Yeah.
00:21:17All right then.
00:21:18Okay.
00:21:19Two pastas with the house sauce, please.
00:21:22Red.
00:21:23Red.
00:21:24Red, please.
00:21:25Uh-huh.
00:21:27Grazie.
00:21:28So you're really not gonna tell me what you do?
00:21:37I write freelance articles about parties and fashion trends in town and country UK.
00:21:44There's something else.
00:21:48I'm writing a book about my grandmother's experiences in rural England, living through
00:21:59two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:07What don't you know?
00:22:10You wanna listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah?
00:22:16Yeah, I know it.
00:22:17I love to listen.
00:22:33All tangled up.
00:22:34Oh, God.
00:22:35Okay.
00:22:41Awful as it was, it made you stronger.
00:22:44These days, people whine about all sorts of things.
00:22:47And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars, every era.
00:22:56But it was nothing like...
00:22:59It really brought people together, the war.
00:23:01We...
00:23:02We helped each other during that time.
00:23:04We had to laugh.
00:23:05We had to smile.
00:23:06Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:12Would you get it out of my face?
00:23:18That is like...
00:23:19It's like a window in time.
00:23:22The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:28I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:33Bonding over Granny, huh?
00:23:36Make it sound perverse.
00:23:38That's what it was, right?
00:23:40Buongiorno.
00:23:41Buongiorno.
00:23:42Signori.
00:23:52I got pregnant so we got married.
00:23:54I lost the baby.
00:24:01I'm sorry.
00:24:05I'm sorry.
00:24:13Excuse me.
00:24:14It was your regret.
00:24:16Yes, thank you.
00:24:17You can take it away.
00:24:19Yes, thank you.
00:24:21Okay.
00:24:28I didn't go back after that to the States.
00:24:36Did you ever hear that story about the Red Strain?
00:24:42I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:06It can be tangled or stretched, but it can never be broken.
00:25:16There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight.
00:25:25And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show World War II from a totally different perspective.
00:25:36But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:54Maybe.
00:25:56Maybe.
00:26:00Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:15Make it great.
00:26:16Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:36What do you mean?
00:26:37What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go.
00:26:41Go.
00:26:42Go.
00:26:43Go.
00:26:44No.
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo.
00:26:52Hey.
00:26:53Hey.
00:26:54Hey.
00:26:55It's the carabinerie.
00:26:56It's the police.
00:26:57No.
00:26:58No.
00:26:59No.
00:27:04We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07Look.
00:27:09You can't pay me.
00:27:10I'm getting away.
00:27:11Uh.
00:27:12What?
00:27:13I'm falling for you off.
00:27:14I wish I could pull off your head.
00:27:16No, no.
00:27:17Oh.
00:27:19.
00:27:21Here.
00:27:23Here, here.
00:27:24Here.
00:27:28Here.
00:27:29Is it happening?
00:27:30Yes.
00:27:31It's true.
00:27:32It's true.
00:27:34You made the check when I went to the bathroom.
00:27:36you're horrible
00:27:41you're horrible
00:27:43you're really horrible
00:27:45come on let's go
00:27:46come on
00:27:47quick
00:27:48let's go
00:27:49why are we still running
00:27:52I don't know why we're still running
00:27:54oh my gosh
00:28:07it went up my nose
00:28:15we come back
00:28:22maybe
00:28:23maybe it's
00:28:27not a no
00:28:28and since I don't have a phone
00:28:30you're gonna have to give me your number
00:28:33for cheap thrills
00:28:35and future crimes committed
00:28:37no
00:28:37you're enough
00:28:41I've gotta go
00:28:51catch a fairy
00:28:53hey
00:28:58why do violists
00:29:04keep their viola cases
00:29:08on their dashboards
00:29:09why
00:29:20so they can park in handicapped spots
00:29:25happy birthday
00:29:33thank you
00:29:35thank you
00:29:44thank you
00:29:46thank you
00:31:28Jane.
00:31:30Tony.
00:31:32Got some pastries.
00:31:34You're still asleep?
00:31:36Jane.
00:31:38Tony.
00:31:40Got some pastries.
00:31:42You're still asleep?
00:31:44Jane.
00:31:46You're still asleep?
00:31:52Jane.
00:31:54Okay.
00:32:00My friends had lots of American boyfriends, and they used to bring us nylon stockings
00:32:24and chocolates and all sorts of things. And we used to go to London, and we saw Glenn Miller
00:32:31one time. We used to go all over the place. They were wonderful times. I never had an
00:32:40American boyfriend. I liked some of them. They were nice boys, but I didn't want to leave
00:32:50my mom and dad. I wish I had sometimes. You know when you were 19 and the world just felt
00:32:56so open and carefree and full of possibility? You reminded me of that at that time. You
00:33:06were 19 when we met? Yeah. I wouldn't have described you as carefree back then, not at all. Well,
00:33:12I felt nostalgia or something for youth. You're not old, Jane. We ran out on the bill.
00:33:19You just ran out? What do you mean you ran out on the bill? Perhaps I'm not explaining
00:33:25it well. It was... It was fun. It was just fun.
00:33:30How was work? The conductor's actually a descendant of Walter Lake, which is fascinating. The three
00:33:49of us will plan a dinner before we leave. I'd like that. Jane? Oh, my God. This is Caleb.
00:34:02Hi. No, no, we were just talking about you. We were? That's so weird. Sit, please. Sit down.
00:34:08Join us. What? You're going to have a chance of a run. I know, right? I'm obviously going
00:34:19to get back pretty soon. That's okay. I already ate, so I'll just grab a coffee or something.
00:34:29Can I have the check, please? In a cafe, play for play? Oh, no, thank you. Jane, you don't smoke.
00:34:50Yes, I do. Sometimes, at parties. You didn't know that. Well, I don't do it a lot.
00:35:01Okay? Grazie. Grazie.
00:35:05Italian food's so overrated. I love it. There's no variety. English food, on the other hand.
00:35:16Say what you like about it. There's nothing like a good steak and kidney pie. I went to
00:35:21this party the other day in this villa owned by this old, drunk ex-pat. They had, like,
00:35:27a private chef and everything. And they were serving this, like, loaf of meat covered in
00:35:33sauce with all these other loaves. And this girl came over to me and said it was cat.
00:35:37No. No joke. Like, a roasted mommy cat and her kittens. That is disgusting.
00:35:45True story. Why don't you tell Leonard one of your viola jokes? Come on.
00:35:58Let's hear one. Um... I have one. What is the definition of perfect pitch?
00:36:15What? When you throw a viola into the dumpster without hitting the rim.
00:36:23You didn't just make that up. I did. It's too good. I did.
00:36:28Well, I'm impressed and I'm stealing it.
00:36:31You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb? This and that, you know.
00:36:43Shall we? Yeah.
00:36:45What time to go? Already?
00:36:47Yeah. I've got to get back to work.
00:36:50Hmm.
00:37:00So what's next on your agenda, Caleb?
00:37:02Um, I'm thinking Tibet.
00:37:05Oh, Tibet? Really?
00:37:06Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:09Yeah, I've heard about that. That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:15The monks, the monks, the monks.
00:37:17So pretty.
00:37:19How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:31Does anybody have a pen? You got a pen?
00:37:33Yeah, I have a pen.
00:37:41Okay.
00:37:48I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:52I'll take you somewhere for fun, you know.
00:37:54Don't knock on the front door. Come around the side.
00:37:56I'll take you somewhere.
00:37:57Yeah.
00:37:58I'll take you somewhere.
00:37:59I'll take you somewhere.
00:38:00Yeah.
00:38:01There we go.
00:38:05And thanks again for yesterday.
00:38:06Oh, no problem.
00:38:07Hey.
00:38:13Ciao.
00:38:14How stoned are you?
00:38:17Come on, then, we should tell you a pop.
00:38:19It's not a big deal.
00:38:20How stoned are you?
00:38:22Come on, man. We should tell him a pub. It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:30Occasionally.
00:38:31Hey, can we do something fun tonight?
00:38:34Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep. I'll be waiting.
00:38:50Okay.
00:39:14Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:18Maybe?
00:39:19Is that weird?
00:39:21Yeah.
00:39:31I couldn't sleep last night.
00:39:36You told me you were staying near the port so I got the first ferry this morning.
00:39:40I came looking for you.
00:39:43And I can't believe I found you.
00:39:48I spilled you sleep.
00:39:50When she comes to the boat, I was so close.
00:39:52Here's myке andщ Abby.
00:40:07I Airbeer was happy, but covered in the middle of the boat.
00:40:09And the dissociation brought her autant.
00:40:12I thought it was the same thing.
00:40:13I think I didn't.
00:40:14You were waiting to be the same thing.
00:40:16What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy and beautiful.
00:40:46I can't do this.
00:41:09What?
00:41:10Why?
00:41:11I can't do this.
00:41:12Why?
00:41:16Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:25What?
00:41:26Do you seduce women?
00:41:27Is this what you do?
00:41:30You need to be less serious.
00:41:38Don't follow me.
00:41:46I got a young age.
00:41:51Why?
00:41:56What do you do?
00:41:58Why?
00:42:03Do you wanna see?
00:42:37There was one boy from Belgium. He was lovely. He had a moustache. My mother hated moustaches. But he was shipped off. I never saw him again.
00:43:00Anyways, I met your grandfather not long after, and we got married.
00:43:08Was it love at first sight with grandpa?
00:43:11Love at first sight? Stop that thing.
00:43:15I know. You're home early.
00:43:27I do deserve that.
00:43:29Can I do some off for your husband?
00:43:36Jane, I'm sorry. Just give me a minute. I have a hell of a rest of my day. I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. Lots of dinner. I thought we'd just stay in here. The two of us. I've just got to work this thing out for tomorrow.
00:43:56Okay.
00:43:57Okay.
00:43:58Alright.
00:43:59I'm sorry.
00:44:00Okay.
00:44:31Leonard, can we talk?
00:45:01Say cheese.
00:45:29No, you should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:40That's what our living room is missing.
00:45:52What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:15What did you do?
00:46:27What did you do?
00:46:43What did you do?
00:46:49What did you do?
00:46:53What did you do?
00:47:03What did you do?
00:47:19What did you do?
00:47:23What did you do?
00:47:27What did you do?
00:47:29What did you do?
00:47:41What did you do?
00:47:43What did you do?
00:47:45What did you do?
00:47:47What did you do?
00:47:49What did you do?
00:47:51What did you do?
00:48:01What did you do?
00:48:03What did you do?
00:48:05What did you do?
00:48:07What did you do?
00:48:09What did you do?
00:48:11What did you do?
00:48:13What did you do?
00:48:15What did you do?
00:48:17What did you do?
00:48:19What did you do?
00:48:21What did you do?
00:48:23What did you do?
00:48:25What did you do?
00:48:27What did you do?
00:48:29What did you do?
00:48:31What did you do?
00:48:33What did you do?
00:48:35What did you do?
00:48:37What did you do?
00:48:39What did you do?
00:48:41oh hi did I wake you no I think I need to be less serious
00:49:11yeah will you put my pants on?
00:49:41yeah will you put my pants on?
00:49:48yeah will you put my pants on?
00:49:56hi
00:50:11so
00:52:48I thought you were lying about those cats.
00:52:52You said that?
00:52:56Were you?
00:52:57They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49Is that him?
00:54:12Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:55:26Again and again and again
00:55:30Again and again and again
00:55:35Once I was single
00:55:37My pocket is in jingle
00:55:39I wish I was single again
00:55:43Again and again and again
00:55:47Again and again and again
00:55:52Once I was single
00:55:55My pocket is in jingle
00:55:57I wish I was single again
00:56:00I didn't sleep at all last night
00:56:14Where have you been?
00:56:15I was walking
00:56:17All night
00:56:20I've been thinking
00:56:22You left your phone here
00:56:24I had to plug it in
00:56:25We need to talk, Leonard
00:56:28I have to go to work
00:56:30Can you be late?
00:56:34No, I can't be late
00:56:36Leonard
00:56:39Jay, whatever you have to say to me
00:56:42I want to hear it
00:56:43I've committed myself
00:56:45People are depending on me
00:56:48I have to go to work
00:56:49Okay
00:56:52I can't wait
00:56:53I can't wait
00:57:02I can't wait
00:57:04I can't wait
00:57:05If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:33Well, that's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:53If you go out like that again, just tell me. Don't worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good?
00:58:29In the long run?
00:58:31Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:06If one little thing had changed in my grandmother's life, I might not be here.
00:59:27Sometimes I worry I'm not honoring her.
00:59:28With the book?
00:59:29No, with my life.
00:59:34This is it, you know.
00:59:35It ends with me.
00:59:37In the harvest time, we all went to the field of work.
00:59:38I wouldn't know if we thought it was funny.
00:59:39I would love my mother.
00:59:40Sometimes I worry I'm not honoring her.
00:59:42With the book?
00:59:48No, with my life.
00:59:53This is it, you know.
00:59:54It ends with me.
01:00:02In the harvest time, we all went to the field where they were cutting the corn.
01:00:09Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:22The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them. They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one. Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:00:59They were lovely days, really.
01:01:07They're gone. For me.
01:01:10Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:16You know, it's different for you. In some ways, it's easier.
01:01:20You haven't got the war. People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:28You've got to make your own life. One that you love, and you can't be afraid of the... of the time.
01:01:39Time is shiftable.
01:01:42There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:01:59It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:05Oh, sorry.
01:02:09What is it?
01:02:13What is it?
01:02:15Oh!
01:02:17Oh, you...
01:02:19You all right?
01:02:21You okay?
01:02:23Yeah, just on my toe.
01:02:25It's bleeding.
01:02:27It's fine.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33Are you finishing that?
01:02:34Yes.
01:02:35Oh.
01:02:36Fuck.
01:02:38Oh.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:56I want you to come with me.
01:02:59I want you to come with me.
01:03:26Oh!
01:03:27I want you to come with each other
01:04:02Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, when are they not?
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:48I don't know.
01:04:56But the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:09Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:49And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:24that the one thing you always wanted,
01:07:29I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:16I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:03I'm sorry.
01:09:24For what?
01:09:24I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:02We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:32I want you to do what you need to do.
01:11:03I want you to do.
01:11:03No guilt.
01:11:24I want you to do.
01:11:27I want you to do it.
01:11:29I want you to do it.
01:11:29I want you to do it.
01:11:30Hi.
01:11:48Hi.
01:12:00You want some?
01:12:03Oh, thanks.
01:12:30Frank, you know, it's coming over in a couple of hours.
01:12:49Frank bought a car, so we're going to head out in a couple of weeks or so, you know?
01:13:00I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:30Yeah.
01:13:32It's pretty cool.
01:13:33I'm thinking of that.
01:13:36If you're not with the other side, you can hear the other side.
01:13:41I'm thinking of the other side.
01:13:42I'm thinking of the other side.
01:13:45I'm thinking of the other side.
01:13:48And...
01:13:50That is wonderful!
01:14:08abao, buena fortuna.
01:14:13Vale!
01:14:18Transcription by CastingWords
01:14:48Transcription by CastingWords
01:15:18Transcription by CastingWords
01:15:48Transcription by CastingWords
01:16:18Transcription by CastingWords
Comments