- 3 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Oh, yeah.
00:04:55Uh, oh.
00:04:56Whew.
00:04:57Yeah.
00:04:58Yeah.
00:05:00Shang.
00:05:01Yeah.
00:05:02Eh.
00:05:04Ooh.
00:05:05Uh.
00:05:06Hm.
00:05:08Mm-hmm.
00:05:13Uh.
00:05:17Uh.
00:05:19Uh.
00:05:20Uh.
00:05:21Uh.
00:05:22Uh.
00:05:23Uh.
00:05:24I'll see you next time.
00:05:54Ha, ha, ha, ha, ha, ha.
00:06:24I thought you'd never get here.
00:06:32Seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:54I don't know.
00:07:03Let's go.
00:07:33Let's go.
00:08:03Let's go.
00:08:33Let's go.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:25If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mm.
00:09:48Just think, they were going to get married, and not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Come on.
00:10:03Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things, especially to anyone who's been under some kind of stress, the misery and anguish of living in what we laughingly call civilization, taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, Simple Islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:52Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:12What?
00:11:13Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:27No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:16Uh-huh.
00:12:20Yeah.
00:12:23Uh, listen, Criella.
00:12:25Maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Hey, your dancing is great.
00:12:36Come on, loosen up.
00:12:49I feel uncomfortable.
00:12:50Well, no need.
00:12:58What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:23It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please, help me.
00:14:00I understand, Criella.
00:14:03You know, love can be a strange thing.
00:14:05I know.
00:14:30Yeah.
00:14:31the light is not the best but
00:14:42we shall do what we can
00:14:48it's a beautiful island an absolutely amazing place
00:14:55full of surprises
00:14:57but you told me you'd never been here
00:14:59well Brian told me such a lot about it
00:15:03I feel like I know it by heart
00:15:05it's in the form of a turtle
00:15:07a turtle sleeping on the surface of the ocean
00:15:09is it true that turtles only make love once a year
00:15:13yeah
00:15:13you better start praying that
00:15:16you don't end up reincarnated as a turtle
00:15:20sometimes you're a real asshole
00:15:24oh for god's sake
00:15:28I was joking
00:15:32get away
00:15:33what a warped
00:15:34what's wrong
00:15:39are you nervous
00:15:41huh
00:15:42what is it are you uptight
00:15:43maybe
00:15:45I don't know
00:15:46I feel strange
00:15:48and this boat
00:15:50and that man up there
00:15:52haven't you noticed he hasn't said a word since we left
00:15:59hire him
00:16:01to keep up a conversation with us
00:16:04all right
00:16:04look at him
00:16:06look at him
00:16:07the hat
00:16:08his base
00:16:09he's a pirate
00:16:10I've been told he's a very good sailor
00:16:14honest and completely trustworthy
00:16:15who knows these islands
00:16:16he looks like he doesn't watch
00:16:18he appears to be uncommonly interesting to you
00:16:23for somebody who never bought soap
00:16:24what a place
00:16:47guaranteed primitive
00:16:51yeah
00:16:52hey
00:16:54it's wide open
00:16:56there's no key
00:16:58nobody locks doors here
00:16:59looks like florida
00:17:03what a disappointment
00:17:04we said a hundred dollars right
00:17:08this is true
00:17:15keep it
00:17:15one's enough
00:17:19adios
00:17:24uh
00:17:33is it far to the fishing village
00:17:35500 meters
00:17:37down that way
00:17:38okay
00:17:54I'm gonna go to the village
00:17:56okay
00:17:56I prefer to stay here
00:17:58whatever you like
00:17:59can't wait to take a swim
00:18:07go ahead
00:18:07see you later
00:18:08all right
00:18:09bye
00:18:24hi
00:18:43hi
00:18:45well
00:18:46so you came at last
00:18:48hi there
00:18:56hello
00:18:56good morning
00:19:04good morning
00:19:05no thanks
00:19:13hey
00:19:13hey
00:19:14let me take a picture
00:19:14thanks
00:19:18thank you
00:19:19thank you
00:19:41Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol,
00:20:11or would you prefer some soft drinks?
00:20:13Mm, well, a little of both.
00:20:15I won't be long.
00:20:41Here are some bottles.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:20:57Mm.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Do you remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:31Oh, I guess I'm escaping, but don't ask me from what, because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:01No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:19Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:28I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:22:58Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:07Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first step's taken already.
00:23:43Are you making advances?
00:23:45I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10Esa mujer tiene el corazón duro con MFP.
00:24:40Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:09She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:23Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:39He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:52It's like I said, this isle is won't to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:13Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:36I trust Creole completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:27:06I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:36It's okay.
00:27:42If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:28:06It'll pass.
00:28:20It'll pass.
00:28:25Let's go.
00:28:55Let's go.
00:29:25Let's go.
00:29:55Let's go.
00:30:25Let's go.
00:30:31Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:43You know, you should go around by yourself if it's asked him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:10What are you doing?
00:31:18Offering you a little hospitality.
00:31:20Here.
00:31:22Have a drink.
00:31:30Here.
00:31:31Here.
00:31:32Here.
00:31:33Here.
00:31:34Here.
00:31:35Here.
00:31:36Here.
00:31:37Here.
00:31:38Here.
00:31:39Here.
00:31:40Here.
00:31:41Here.
00:31:42Here.
00:31:43Here.
00:31:44Here.
00:31:45Here.
00:31:46Here.
00:31:47Here.
00:31:48Here.
00:31:49Here.
00:31:50Here.
00:31:51Here.
00:31:52Here.
00:31:53Here.
00:31:54Here.
00:31:55Here.
00:31:56Here.
00:31:57Here.
00:31:58Here.
00:31:59Here.
00:32:00Here.
00:32:01Here.
00:32:02Here.
00:32:03Here.
00:32:04Here.
00:32:05Here.
00:32:06Here.
00:32:07Here.
00:32:08Here.
00:32:09Here.
00:32:10Here.
00:32:11Here.
00:32:12Here.
00:32:13Here.
00:32:14Here.
00:32:15Here.
00:32:16Here.
00:32:17Here.
00:32:18Here.
00:32:19Here.
00:32:20Here.
00:32:21Here.
00:32:22Here.
00:32:23Here.
00:32:24Criola!
00:32:39Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Criola. Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along, so I took off to look around, all right?
00:33:12Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:24I took some magnificent pictures. Things I'd never have found without her.
00:33:28Andy.
00:33:30Yeah?
00:33:32I got to tell you something.
00:33:33Go ahead, shoot.
00:33:35Let's go away from here.
00:33:37Why, something the matter?
00:33:39Yeah. Let's go away.
00:33:41We can't yet. I still have photos to do.
00:33:44Besides, I got a little money in advance.
00:33:46I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:52Well, I can't forget it. I want to go away.
00:33:56I want to go back to America.
00:33:59You're not being reasonable.
00:34:01I know, but I can't stay here another minute.
00:34:04I suppose it's my fault, huh?
00:34:06No, of course not.
00:34:08I'll be all right again soon, I swear.
00:34:10No, it's... there's nothing to do with you. I don't know. It's just...
00:34:14Look.
00:34:16I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:19It's just...
00:34:21Look.
00:34:23I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:26It's just...
00:34:27It's only a question of time. I know it.
00:34:33All you have to do is be patient. Just a little longer.
00:34:37We'll be happy again.
00:34:39And then...
00:34:41Then I'll be able to give you what you need so badly.
00:34:57Then...
00:35:14Then...
00:35:16Then...
00:35:18Then...
00:35:20Then...
00:35:23Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:22Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:08Even jokingly, I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:50To broken hearts.
00:38:08I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:18Do you want to make love with me again?
00:38:21Yes.
00:38:27Well, not today.
00:38:28Not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:34Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:42I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56No.
00:38:57I prefer to stay here in King Consuelo.
00:39:01Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06Hey.
00:39:07I'm always here.
00:39:09It's not true.
00:39:12I'm not going to stay around and talk about it.
00:39:13Goodbye.
00:39:14Adios.
00:39:15Adios.
00:39:16Adios.
00:39:17Adios.
00:39:18Adios.
00:39:19Adios.
00:39:20Adios.
00:39:21Adios.
00:39:22Adios.
00:39:23Adios.
00:39:24Adios.
00:39:25Adios.
00:39:26Adios.
00:39:27Adios.
00:39:28Adios.
00:39:29Adios.
00:39:30Adios.
00:39:31Adios.
00:39:32Adios.
00:39:33Adios.
00:39:34Adios.
00:39:35Adios.
00:39:37Adios.
00:39:38Adios.
00:39:39Adios.
00:39:40Adios.
00:39:41Adios.
00:39:42Adios.
00:39:43Adios.
00:39:44Adios.
00:39:45Adios.
00:39:46It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:13Since you made a sound.
00:40:16Sorry, Joanne, but the places you've shown me have been so dazzling and I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you? I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:53Joanne gave me one too with a dedication.
00:40:54I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46Hey, hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:52Well, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine.
00:41:57If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:06More than you bargained for.
00:42:08Listen.
00:42:09Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:19Oh, my goodness.
00:42:27You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:42:59Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:29I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'm not leaving this island.
00:44:12I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So?
00:44:28Stay.
00:44:28She's not a consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:47She's gone.
00:44:52How?
00:44:52Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:58Andy, you're not to worry. I'm sure that Criola will soon come back. Do believe me.
00:45:20I got to be off now. So long. See you at dinner.
00:45:28I'll be coming.
00:45:46What?
00:45:49Have you seen Leon?
00:46:00Sorry.
00:46:11Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:19What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29Yes.
00:46:29INTRODUCTIONAL MUSIC
00:47:30No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:53You'll suffer a little at first, but then, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:12It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:49:05Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16Now I'm the one who went and trapped her.
00:50:18It started as a game, that's all.
00:50:25It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:07I have to know immediately.
00:51:15Surely you can guess.
00:51:16She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26I have to.
00:51:28I have to.
00:51:37I have to.
00:51:50I have to.
00:51:51You're hurting me.
00:52:02You're hurting me.
00:52:21Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:51You're hurting me.
00:53:21Put it in the pail.
00:53:43You know how to cook it?
00:53:48You'll have to learn.
00:53:55Hey.
00:54:02What are you doing here?
00:54:09Criola.
00:54:11Criola.
00:54:12Criola.
00:54:13Criola.
00:54:14Criola.
00:54:15Criola.
00:54:17Criola.
00:54:18Criola.
00:54:19Criola.
00:54:20Criola.
00:54:21Criola.
00:54:22Criola.
00:54:23Criola.
00:54:24What do you want?
00:54:25Criola.
00:54:26Criola.
00:54:27Criola.
00:54:28Criola.
00:54:29What do you want?
00:54:30I've come to get her.
00:54:32Leon! No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late. It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that?
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying. You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished, God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive. He satisfies me.
00:55:22No, no.
00:55:24I don't want you.
00:55:25I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:42I'm sorry.
00:56:04I didn't mean to disturb you, but I just wanted something to drink.
00:56:09No problem. Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:29I invented this.
00:56:41I call it gin-balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:52Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:58I'm all ears.
00:57:02Look.
00:57:04I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient.
00:57:09Okay. Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:19This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Hmm.
00:57:57Yeah.
00:57:59It's blinded even Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Hmm.
00:58:06A Buridan.
00:58:08It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:57That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:36Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49There's a time for church.
00:59:50Yeah, there's a time for church.
00:59:50Oh.
00:59:53Ah.
00:59:54Oh, my God.
01:00:24Oh, my God.
01:00:54Oh, my God.
01:01:24Oh, my God.
01:01:25Oh, my God.
01:01:26Oh, my God.
01:01:27Oh, my God.
01:01:28Oh, my God.
01:01:29Oh, my God.
01:01:30Oh, my God.
01:01:31Oh, my God.
01:01:32Oh, my God.
01:01:33Oh, my God.
01:01:34Oh, my God.
01:01:35Oh, my God.
01:01:36Oh, my God.
01:01:37Oh, my God.
01:01:38Oh, my God.
01:01:39Oh, my God.
01:01:40Oh, my God.
01:01:41Oh, my God.
01:01:42Oh, my God.
01:01:43Oh, my God.
01:01:44Oh, my God.
01:01:45Oh, my God.
01:01:46Oh, my God.
01:01:47Oh, my God.
01:01:48Oh, my God.
01:01:49Oh, my God.
01:01:50Oh, my God.
01:01:52Oh, my God.
01:01:53Oh, my God.
01:01:54Oh, my God.
01:01:55Oh, my God.
01:01:56Oh, my God.
01:01:57Oh, my God.
01:01:58Oh, my God.
01:01:59Oh, my God.
01:02:00Oh, my God.
01:02:01Oh, my God.
01:02:02Oh, my God.
01:02:03Oh, my God.
01:02:04Oh, my God.
01:02:05Oh, my God.
01:02:06Oh, my God.
01:02:07Oh, my God.
01:02:08Oh, my God.
01:02:09Oh, my God.
01:02:11I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God!
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:09You look at me, you look at me, you're crazy.
01:03:12You're a fool.
01:03:13You're a fool.
01:03:13You're a fool.
01:03:14I don't want you.
01:03:17You're a circus.
01:03:18You're a star.
01:03:21You're a blue star that everyone can imagine.
01:03:25If I ask you, you didn't know me, you're a fool.
01:03:29Like a beer?
01:03:41Sure.
01:03:44It's got to be a better life someplace.
01:03:47Right.
01:03:47I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:58And we are here getting drunk.
01:04:06If only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:37Hello.
01:04:37Hello.
01:04:39Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:09I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:37I need you, Leon.
01:05:38A ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:27Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:51Okay.
01:06:52Okay.
01:06:52Okay.
01:06:53Okay.
01:06:55Okay.
01:07:25Let's go.
01:07:55I hope it's enough.
01:08:06Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:09I'm looking for Martin out here.
01:08:12He left with Leon and Andy.
01:08:14Oh, my God.
01:08:15I have a terrible feeling.
01:08:17He came to me this morning and he had a strange, evil look in his eyes.
01:08:21He said some awful things about Leon yesterday when he was drunk.
01:08:25But when I saw him this morning, he wasn't drunk.
01:08:32Hey, what's all the mystery?
01:08:35Let me in on it.
01:08:37Let me in on it.
01:08:38Let's go.
01:08:41Let's go.
01:08:44Where are we going?
01:09:58There must be something caught in the propeller.
01:10:19I'm going down to have a look.
01:10:22Come on.
01:10:24Let's go.
01:10:26Come on.
01:10:28Let's go.
01:10:32Come on.
01:10:34Let's go.
01:10:38Come on.
01:10:46Let's go.
01:10:50Come on.
01:10:51Let's go.
01:10:52Let's go.
01:10:54Let's go.
01:10:56Let's go.
01:10:58Let's go.
01:10:59Let's go.
01:11:00Let's go.
01:11:01Let's go.
01:11:02Let's go.
01:11:03Let's go.
01:11:04Let's go.
01:11:05Let's go.
01:11:06Let's go.
01:11:07Let's go.
01:11:08Let's go.
01:11:09Let's go.
01:11:10Let's go.
01:11:11Let's go.
01:11:12Let's go.
01:11:13Let's go.
01:11:14Let's go.
01:11:24Consuelo?
01:11:29Have you seen Iris?
01:11:31They left.
01:11:32Sure.
01:11:35What the hell's going on?
01:11:37Nothing.
01:11:48Iris!
01:12:01Iris!
01:12:24Stop it!
01:12:28You've got no call.
01:12:29Exactly what are you trying to do to me?
01:12:32Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:45It was pure desperation. Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:55No.
01:12:56Funny.
01:12:57I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they meant to kill Leon really.
01:13:24It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:39You think so?
01:13:42You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:55Don't you understand?
01:13:59I love Leon.
01:14:01And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:10Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:15But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola,
01:14:36and faced up to it.
01:14:38The truth may hurt you, so you need courage.
01:14:46Hello, Andy.
01:14:48We thought...
01:14:50We thought that island would help us escape from reality.
01:14:53We must accept the place assigned us on this earth.
01:14:57Come here.
01:14:59You were right, Jack.
01:15:01There's magic everywhere here.
01:15:02Kiss me.
01:15:03It's in the very air.
01:15:04It's in the very air.
01:15:05It's in the very air.
01:15:06It's in the very air.
01:15:07I thought that island would help us escape from reality.
01:15:08We must accept the place assigned us on this earth.
01:15:11Come here.
01:15:13Oh.
01:15:15Oh.
01:15:17Oh.
01:15:23You were right, Jack.
01:15:27There's magic everywhere here.
01:15:28Kiss me.
01:15:29Kiss me.
01:15:31It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:39Right.
01:15:40They say these islands cast a spell on lovers.
01:15:42With us.
01:15:52We get...
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