- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31¡Abrr!
00:01:31It was really great.
00:02:01You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31Here's my address.
00:02:33Here's my address.
00:02:35Here's my address.
00:02:37Here's my address.
00:02:39Here's my address.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:03Another conquest?
00:03:05No.
00:03:06No.
00:03:07Mmm.
00:03:08I know that look.
00:03:09It really is beautiful.
00:03:16Yeah, well, I think the atmosphere is weird here.
00:03:20There's something in the air.
00:03:21It's extremely erotic.
00:03:22I feel strange all of a sudden.
00:03:27I hope the hotel's near.
00:03:28I'm almost there.
00:03:29Ah, it's beautiful.
00:03:30You're right.
00:03:31You're right.
00:03:32You're right.
00:03:33You're right.
00:03:34I just cannot imagine what it is like.
00:03:35To do it here.
00:03:36You know?
00:03:37You know?
00:03:38I can't imagine what it is like to do it here, you know?
00:04:03Get my gun.
00:04:06Get my gun.
00:04:08Get my gun.
00:04:09Get my gun.
00:04:20Hi.
00:04:25Hey, Priola.
00:04:38Ah, Chau.
00:04:39Hi.
00:04:39How's it going?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:48I know.
00:04:49Good luck.
00:04:55I know what I was going to say, my love, me tell you what I was going to say.
00:05:25Oh, my God.
00:05:55Oh, my God.
00:06:25I thought you'd never get here.
00:06:32It seemed like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:43Where are you taking me tonight?
00:07:12Will you play the same number, mesdames?
00:07:17Will you play the same number, mesdames?
00:07:22Sure.
00:07:23Will you play the same number, mesdames?
00:07:28Will you play the same number, mesdames?
00:07:37Will you play the same number, mesdames?
00:07:39Will you play the same number, mesdames?
00:07:41Sure.
00:07:42If you play the same number, please.
00:07:43It's your game.
00:07:43No. 13, Raiden.
00:07:49I'm going to start in the right.
00:08:09Glasure Betz, ladies and gentlemen.
00:08:16Betz please, ladies and gentlemen.
00:08:19Let's go.
00:08:50Hey, excuse me. Have you ever seen this girl?
00:08:54No, I'm sorry. Never seen her before in my life.
00:08:57You got an offer to make for the Children of the Sun?
00:08:59Okay. Here. Will that do?
00:09:01Sure. Keep the literature. That might help you spiritually.
00:09:04Are you trying to get me drunk?
00:09:05Well, it's not a bad idea.
00:09:06Twist my arm.
00:09:07Twist my arm.
00:09:08Let's eat.
00:09:09If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:13So it is.
00:09:14Did he make love to you?
00:09:15No, he's got other things to worry about.
00:09:16He's looking for his fiancée. That's why he's here.
00:09:17And how did he lose her?
00:09:18And how did he lose her?
00:09:19It's an interesting story.
00:09:20I adore interesting stories.
00:09:21Mm.
00:09:22Just think.
00:09:23They were going to get married. And not long before the wedding.
00:09:26It's an interesting story.
00:09:27I love you.
00:09:28I love you.
00:09:29You won't be able to get married.
00:09:30Let's see.
00:09:31Let's eat.
00:09:32If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:33I didn't understand a thing.
00:09:34So it is.
00:09:35Did he make love to you?
00:09:36No, he's got other things to worry about.
00:09:38He's looking for his fiancée. That's why he's here.
00:09:40And how did he lose her?
00:09:42It's an interesting story.
00:09:43I adore interesting stories.
00:09:44Hmm.
00:09:45Just think.
00:09:46They were going to get married.
00:09:48And not long before the wedding, she went on holiday with some friends from work.
00:09:55And they came here to Santo Domingo as part of the package deal.
00:09:59When it was time to leave, she disappeared.
00:10:01Come on.
00:10:02Really?
00:10:03Mm-hmm.
00:10:04Yeah.
00:10:05Just up and deserted the others?
00:10:07Apparently.
00:10:08She never contacted anyone.
00:10:10But he's convinced she's still here somewhere.
00:10:13It's quite possible.
00:10:14The tropics can do funny things.
00:10:16Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:31And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:38You know, simple islander.
00:10:40Oh, come on.
00:10:42That's only a depiction.
00:10:44Love is everywhere.
00:10:46If it's there, it's there.
00:10:48If it's not, it's not.
00:10:50Mm.
00:10:51Be nice to the guy.
00:10:52Wouldn't hurt if you asked him to join us.
00:10:54I bet you'd think he'd be very lonely.
00:10:56Ready to talk to him?
00:10:58Okay.
00:10:59Marco.
00:11:01Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:10Hello.
00:11:13Very kind of you.
00:11:16Would you like something to drink?
00:11:18Yeah, I'll have what you're happy.
00:11:20Whatever it is.
00:11:22How's the search going?
00:11:25Did I find anything yet?
00:11:27No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:34I'm sure that sooner or later I'll find her.
00:11:36Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:39Excuse me, I, uh, I'll be right back.
00:11:42And where are you going?
00:11:43Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:51Well, that was rather sudden, wasn't it?
00:11:57Let's dance.
00:11:58Ah, I'm not too good a dancer.
00:12:00Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:13Well, we're gonna have to make up for lost time then.
00:12:20Yeah.
00:12:23Uh, listen, Criella.
00:12:24Maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is...
00:12:30Great.
00:12:32Come on, listen up.
00:12:36Come on, listen up.
00:12:48Uh, I, I feel uncomfortable.
00:12:50Well, there's no need.
00:13:02What is it?
00:13:03I don't know.
00:13:04It's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:14Let's keep dancing like this.
00:13:16Like lovers, okay?
00:13:18Okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:41And I'll do anything.
00:13:42He likes to think I'm unfaithful.
00:13:54Please help me.
00:14:00I understand.
00:14:01Huh?
00:14:02You know, love can be a strange thing.
00:14:04You know, love can be a strange thing.
00:14:06I sure do know.
00:14:09You know, you might just know a story, but I are, I know what to expressions of.
00:14:13I was frankly not afraid of if you don't have to look at aaru, you know what.
00:14:18Yes, I don't know.
00:14:19What was it?
00:14:20A truth is sua.
00:14:21The light is not the best, but we shall do what we can.
00:14:51It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:57But you told me you'd never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:02I feel like I know it by heart.
00:15:04It's in the form of a turtle.
00:15:06A turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:13You better start praying that you don't end up reincarnated as a turtle.
00:15:19Ha, ha.
00:15:21Sometimes you're a real asshole.
00:15:23Oh, for God's sake.
00:15:27I was joking.
00:15:31Get away.
00:15:32What a warping.
00:15:34What's wrong?
00:15:38Are you nervous?
00:15:40Huh?
00:15:41What is it?
00:15:42Are you uptight?
00:15:43Maybe.
00:15:44I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:56Haven't you noticed he hasn't said a word since we left?
00:15:59We hired him to keep up a conversation with us, alright?
00:16:04Look at him.
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Oh.
00:16:45Like it?
00:16:46What a place.
00:16:49Guaranteed primitive.
00:16:50Yeah.
00:16:51Hey.
00:16:54It's wide open.
00:16:56There's no key.
00:16:57Nobody locks doors here.
00:17:01Looks like Florida.
00:17:02What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:13This is two.
00:17:14Keep it.
00:17:17One's enough.
00:17:22Bye.
00:17:23Bye.
00:17:33Uh-huh.
00:17:34Is it far to the fishing village?
00:17:35500 meters.
00:17:37Down that way.
00:17:38Okay.
00:17:51I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:58Whatever you like.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08All right.
00:18:15Bye.
00:18:16Bye.
00:18:42Bye.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:02Good morning.
00:19:03Good morning.
00:19:05Good morning, sir.
00:19:11No, thanks.
00:19:12Hey, hey, let me take a picture.
00:19:16Ah, that's it.
00:19:35Good morning, Consuelo.
00:19:59What can I do for you today?
00:20:04I've got an empty refrigerator to load up.
00:20:06I'll bring you a few drinks.
00:20:08For instance, would you like some alcohol
00:20:10or would you prefer some soft drinks?
00:20:12Mmm, well, a little of both.
00:20:14I won't be long.
00:20:34Here are some models.
00:20:44Who's that woman there?
00:20:46A very well-known American writer.
00:20:49Joanne Sullivan?
00:20:51Mm-hmm.
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:10Oh, my God.
00:21:14Is it really you?
00:21:16Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:19Fine.
00:21:20Great to see my old valedictorian.
00:21:22Great to see you.
00:21:23Oh.
00:21:24What are you doing here?
00:21:25Oh, I'm taking pictures for a magazine.
00:21:27Oh, fantastic. Come and sit down.
00:21:29What are you doing?
00:21:31Uh-huh.
00:21:32Escaping.
00:21:33But don't ask me from what.
00:21:34Because I don't know.
00:21:35Maybe from myself.
00:21:37Well, I imagine you're writing something now.
00:21:39Checks, that's all.
00:21:41As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:55I read.
00:21:56Don't you like long for New York at all?
00:22:04No.
00:22:05America is in an advanced state of decomposition, Andy.
00:22:09Like the whole of the West.
00:22:11It's no good.
00:22:12I have no nostalgia.
00:22:15Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:21That's probably a good thing.
00:22:23I like everything sophisticated or complicated.
00:22:29I suppose I'm in a crisis.
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on.
00:22:34It wasn't a proposition.
00:22:35I see.
00:22:36Well, in that case, I'll offer you a proposition.
00:22:39What kind?
00:22:40Like I told you, I'm working for a magazine
00:22:42and doing a story on this island.
00:22:45And you know it pretty well.
00:22:47Yes, I do.
00:22:48If you could help me.
00:22:49Whenever you want.
00:22:52My pleasure.
00:22:53Great.
00:22:59Here comes the food.
00:23:00Oh, good. We can try the local cuisine.
00:23:02Here it is, the chef's special.
00:23:08Enjoy your food.
00:23:09I'm starving.
00:23:12Oh, that looks good.
00:23:13Consuelo's such an extrovert.
00:23:15She's always bright and sunny.
00:23:17She's just my opposite.
00:23:19I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:25If I could only get used to going to bed so easily.
00:23:29Yes.
00:23:31It's knowing how to start it up.
00:23:33Yeah.
00:23:34Warm up.
00:23:37It's simplest to make it with someone you know.
00:23:39The first up's taken already.
00:23:42Are you making advances?
00:23:46I'm attempting to find you an answer.
00:23:49I don't think Criella thinks it's such a good idea.
00:23:54It might be more fun if we didn't leave her out.
00:23:57Since when's three of the crowd?
00:23:59Oh, Andy, come on.
00:24:01I thought you were emancipated.
00:24:03But you're still stuck in the seventies.
00:24:05Sex, lib, dreaming.
00:24:06Hmm, that's old hat.
00:24:08You disappoint me.
00:24:18Esa mujer tiene el corazón duro.
00:24:20Con MFP.
00:24:36Esa mujer tiene el corazón duro.
00:24:41Yeah, I'm very at home here in this setting.
00:24:44Been here long, do you know?
00:24:46Only a few years, but it's as if he was.
00:24:49The girl arrived a few months ago, that's all.
00:24:52Huh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:07His steady date.
00:25:09She sits all day and waits for him.
00:25:12I believe she's Italian.
00:25:14Poor thing.
00:25:15Came here on vacation.
00:25:17Took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is...
00:25:24Is the girl that air steward was so desperately seeking.
00:25:28You said she's Italian?
00:25:30Yes, why?
00:25:32But then...
00:25:34It must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:39He'll go back empty handed, I'm sure.
00:25:41Leon is like a drug.
00:25:43He doesn't conquer, he dominates.
00:25:46Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:52Just like I said, this isle just wants to put evil spells on sexy girls.
00:25:58Poor guy.
00:26:00He must love that girl a lot to come all this way.
00:26:08Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:12Me?
00:26:13Yeah, he's a savage.
00:26:15But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24She's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:27Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:34What, you mean I might lose her?
00:26:36I trust Creole completely, Joanne.
00:26:39And besides, she'll just have to fake it.
00:26:41Right?
00:26:42Go on, ask him to dance.
00:26:44Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:49I'm gonna go.
00:26:50This music's getting on my nerves.
00:26:52I'm sorry.
00:26:57He was just friends.
00:26:58I'm sorry. I wasn't serious. I was a joke.
00:27:15I love you, Andy. I love you more than anything else in the world.
00:27:26Me too.
00:27:28I love you, too.
00:27:34God.
00:27:39It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:48It'll pass.
00:27:50It's okay.
00:27:51I'll give it to you, too.
00:27:55I'll give it to you.
00:27:56I'll give it to you.
00:27:56My Christmas...
00:27:57I'll give it to you.
00:27:58Yes.
00:27:58Oh, my God.
00:28:28Oh, my God.
00:28:58Oh, my God.
00:29:28Oh, my God.
00:29:58Oh, my God.
00:30:28Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you should go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:18I'm offering you a little hospitality.
00:31:21Have a drink.
00:31:30Viola?
00:31:51Viola?
00:31:51Viola.
00:32:04Viola.
00:32:05Viola.
00:32:06Viola.
00:32:07Griller!
00:32:15Griller!
00:32:19Griller!
00:32:23Griller!
00:32:25Griller!
00:32:38Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along, so I took off to look around.
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:13Joanne knows the island like the back of her hand. I took some magnificent pictures. Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:41Yeah.
00:33:43Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:04I know, but I can't stay here another minute.
00:34:08I suppose it's my fault, huh?
00:34:10No, of course not.
00:34:12I'll be alright again soon, I swear.
00:34:15No, it's... there's nothing to do with you. I don't know. It's just...
00:34:18Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will. It's only a question of time. I know it.
00:34:33What?
00:34:35All you have to do is be patient. Just a little longer. We'll be happy again. And then, I'll be able to give you what you need so badly.
00:34:45I'll be happy again.
00:35:15I'll be happy again.
00:35:16I'll be happy again.
00:35:45I'll be happy again.
00:35:50Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo. Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:15One day.
00:36:39Would you like a drink?
00:36:41No, not for me.
00:36:42Come for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that statement.
00:37:25Don't you tell the truth?
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:49The broken hearts.
00:38:08I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17Do you want to make love with me again?
00:38:20Yes.
00:38:26Well, not today.
00:38:28What are you afraid of?
00:38:32That your woman will find out?
00:38:37Well, answer me!
00:38:38Iris doesn't enter into this.
00:38:40And I decide when I make love.
00:38:50You quite sure you don't want to come with us?
00:38:52No.
00:38:53I prefer to stay here and keep consueled around.
00:38:56Okay.
00:38:59I'll try not to be late.
00:39:00I told you that's the way it was.
00:39:01Bye.
00:39:02Hey, I'm always lying.
00:39:04It's not true.
00:39:05I'm not gonna stay around and talk about everything.
00:39:14Goodbye.
00:39:57It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound change.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:27She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:18I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:54I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:24You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:53Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll get this straight.
00:44:14This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:48How? Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24Mm?
00:45:24Mm-hmm.
00:45:26Ha ha!
00:45:29Mm-hmm.
00:45:30Yeah, Kriola.
00:45:34Mm-hmm.
00:45:34Mm-hmm.
00:45:35Mm-hmm.
00:45:36Mm-hmm.
00:45:36Mm-hmm.
00:45:42Mm-hmm.
00:45:42Mm-hmm.
00:45:44Have you seen Leon?
00:45:58Sorry to the stern I want a word with him I'll leave you two together wait
00:46:18What do you want iris iris you got her you don't want iris iris is free to do what she wants
00:46:28Adios
00:46:58Oh
00:47:00Oh
00:47:02Oh
00:47:04Oh
00:47:06Oh
00:47:08Oh
00:47:10Oh
00:47:12Oh
00:47:14Oh
00:47:16Oh
00:47:18Oh
00:47:20Oh
00:47:22Oh
00:47:24Oh
00:47:26No it's not true I don't believe you you're only saying that to convince me to come I tell you I saw them with my own eyes it's true forget him
00:47:48You'll suffer a little at first but then but then it'll pass
00:47:58I'll help you to forget no I don't want to forget it doesn't make sense why don't you believe me he's with someone else now
00:48:06It's over don't you understand he'll get tired of her quickly it's already happened other times I know him it's me he loves I'll wait
00:48:16Oh Christ
00:48:46Oh
00:48:48Oh
00:48:50Oh
00:48:52Oh
00:48:54Oh
00:48:56Oh
00:48:58Oh
00:49:00Oh
00:49:02Oh
00:49:04Oh
00:49:06Oh
00:49:08Oh
00:49:10Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a...
00:49:38in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:06She realized simply that she had to go to bed with other guys
00:50:09in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:17I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh...
00:50:53I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:34You're hurting me.
00:52:02You're hurting me.
00:52:03Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:30Thanks.
00:52:31Thanks.
00:53:35Put it into the pail.
00:53:44You know how to cook it?
00:53:48Mm-mm.
00:53:50You'll have to learn.
00:53:54Hey, what are you doing here?
00:54:20Criola. Criola. Criola. What do you want? I've come to get her.
00:54:32Leon! No, what are you doing?
00:54:35Criola, I never thought it would come to this. Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late. It's not.
00:54:50It's too late, Andy. No, it's not. Please, we must begin again.
00:54:55I can't. No. Don't tell me you're going to stay here. Jesus, Criola, with a bastard like that.
00:55:03I have no more strength. No more desire to go on. It's finished.
00:55:08You don't know what you're saying. You're coming back. No. Yes. No. It can't be finished. God damn it.
00:55:15Leave me alone. It's finished. With Leon, I'm alive. He satisfies me. No. No. I don't believe it.
00:55:27I'm terribly sorry, Andy. Really. It's ridiculous. Ridiculous. My life is meaningless without you.
00:55:44I'm sorry. I didn't mean to disturb you, but I just wanted something to drink.
00:55:57No problem. Really. I don't mind having a break. Why don't you stick around? You might even keep us company if you like.
00:56:18Thanks. But not tonight. Maybe some other time. I'm not in the best of moods.
00:56:37Oh. I'm going to do this. I call it gin-balling.
00:56:42It's a very silly game. Hmm? For what?
00:56:46For what? Serves to calm the nerves. Try it.
00:56:50Okay.
00:56:55Okay. Tell Mother everything. I'm all ears.
00:57:02Look. I have no intention of fighting with you. You're a kind, sweet patient.
00:57:08Okay. Get to the point. The question is, will she tire of that dope? That's what you want to know.
00:57:15Is that it?
00:57:17She is bound to tire of it. She always does.
00:57:24This... plays... plays tricks on one sometimes. Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I? You're up against an example. And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island. It intoxicates people's minds.
00:57:47It may not be happiness. God only knows happiness. It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they've found paradise.
00:57:56Yeah. It's blinded Eve in Creole. She used to hate dirt. The invention of squalor made her sick for days.
00:58:05Mm-hmm. A Buridan. It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had. And abandon themselves falling into the arms of someone like Leon.
00:58:18But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right. Let's not say anymore. You want to sit here all night?
00:58:40I...
00:58:48That's not going to do any good.
00:59:01Hey, what's the matter? You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:10But there is such a thing as the right moment.
00:59:15Night, it's way past my bedtime.
00:59:18All day.
00:59:36Is it ready?
00:59:38Is it cooked?
00:59:39cooked there's a time for love time for food now we eat
01:00:09so
01:00:39Oh, my God.
01:01:09Oh, my God.
01:01:39Oh, my God.
01:02:09Oh, my God.
01:02:38Oh, my God.
01:02:40Oh, my God.
01:02:42Oh, my God.
01:02:44Oh, my God.
01:02:46Oh, my God.
01:02:52Oh, my God.
01:02:54Oh, my God.
01:02:56Oh, my God.
01:02:58Oh, my God.
01:03:00Oh, my God.
01:03:02Oh, my God.
01:03:04Oh, my God.
01:03:06Oh, my God.
01:03:08Oh, my God.
01:03:14Oh, my God.
01:03:16Oh, my God.
01:03:18Oh, my God.
01:03:22Oh, my God.
01:03:24Oh, my God.
01:03:26Oh, my God.
01:03:28Oh, my God.
01:03:30Oh, my God.
01:03:32Oh, my God.
01:03:38Oh, my God.
01:03:40Oh, my God.
01:03:42Oh, my God.
01:03:44Oh, my God.
01:03:46Oh, my God.
01:03:50Oh, my God.
01:03:52Oh, my God.
01:03:54Oh, my God.
01:03:55Oh, my God.
01:03:56Oh, my God.
01:03:57Oh, my God.
01:03:58Oh, my God.
01:03:59Oh, my God.
01:04:00Oh, my God.
01:04:01Oh, my God.
01:04:02Oh, my God.
01:04:03Oh, my God.
01:04:04Oh, my God.
01:04:05Oh, my God.
01:04:06Oh, my God.
01:04:07Oh, my God.
01:04:08Something about it
01:04:38Don't look at me like that
01:04:44I was just admiring you
01:04:47Then don't admire me that way
01:04:49Are you alone?
01:04:52Why?
01:04:54Tomorrow morning I go
01:04:56I thought I should tell you that
01:04:58I'd like to hire the boat from Leon
01:05:04I'm mad about you
01:05:06Nothing can make me change ever
01:05:12I put your things in a bag
01:05:14What do you want me to do with it?
01:05:16Whatever you want
01:05:18What do I do?
01:05:20Keep it?
01:05:24Burn it, I'm not coming back
01:05:26You're lying
01:05:30Hey, what do you want?
01:05:36I need you, Leon
01:05:38A ride to the mainland
01:05:40So I can fly out to America
01:05:42I want to hire the boat tomorrow morning
01:05:44Marco's also going
01:05:46And I want it to be a party
01:05:48So bring Creole along as well
01:05:50It's better if Creole stays at home
01:05:56She's got work to do
01:05:58And I want something to eat when I get back
01:06:03Anyway
01:06:04It's okay
01:06:05I'll accompany you
01:06:06I'll accompany you
01:06:22Don't you realize the life you're leading?
01:06:24I'm fine here
01:06:34Come back with me, Iris
01:06:37No, Marco
01:06:38Not now, not ever
01:06:41And for heaven's sake, don't ask me again
01:06:44Now leave me alone
01:06:45I haven't worked
01:06:49You win
01:06:50Okay
01:07:15Okay
01:07:16You've seen amith
01:07:18流 Однако
01:07:18cheered
01:07:23Cheered
01:07:24Cheered
01:07:27Cheered
01:07:28He's a good lad
01:07:29Yes
01:07:31I can't change
01:07:42We've tried
01:07:43I hope it's enough don't worry no problem it's surely more than enough I'm looking for Mark not
01:08:11here he left with Leon and Andy oh my god I have a terrible feeling he came to me this morning and he had a
01:08:20strange evil look in his eyes he said some awful things about Leon yesterday when he was drunk but
01:08:27when I saw him this morning he wasn't drunk hey what's all the mystery let me in on it
01:08:41so
01:08:48so
01:08:55so
01:09:02so
01:09:09so
01:09:16so
01:09:23so
01:09:30so
01:09:37so
01:09:44so
01:09:46so
01:09:53so
01:09:55so
01:10:02so
01:10:04there must be something caught in the propeller I'm going down to have a look
01:10:22so
01:10:29so
01:10:31come on let's go
01:10:38come on let's go
01:10:52so
01:10:59so
01:11:01so
01:11:03so
01:11:10so
01:11:12so
01:11:19so
01:11:23so
01:11:24so
01:11:25so
01:11:26so
01:11:27so
01:11:28so
01:11:29so
01:11:30you know we're very upset they left
01:11:35what the hell's going on nothing
01:11:37so
01:11:38so
01:11:39so
01:11:40so
01:11:44and
01:11:46so
01:11:50that's something
01:11:51so
01:11:52Ah
01:12:22Stop it!
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Parker didn't really mean to kill you.
01:12:46It was pure desperation. Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon?
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous friend.
01:13:21I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:40You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:55Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:52We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:22You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long,
01:15:36something wonderful will happen to us.
01:15:40They say these islands cast a spell on lovers.
01:15:42We get...
01:15:50We get...
01:15:52We get...
01:16:01We get...
Recommended
0:33
|
Up next
52:05
1:44:30
1:20:57
48:52
35:38
1:47:41
1:06:33
1:00:54
1:47:39
1:31:15
40:06
1:48:05
1:26:46
49:56
Be the first to comment