00:00My favorite thing is a puffy sleeve.
00:01I don't know why I don't do it every day.
00:04Hi, I'm Kristen Stewart and ready?
00:13This is from Twilight One.
00:14It rains a lot up there in forks.
00:17And so I have glovies and a big fall of hair that's not mine.
00:24Wow, he looks weird.
00:25This is funny.
00:26What else?
00:28So like Bella, she's just not much of a dress girl,
00:30especially in Twilight One.
00:32The sweater and the sneakers kind of made it like,
00:35what, I'm barely wearing a dress.
00:37I loved that.
00:38It felt like my prom.
00:39I was 17 and I was in high school.
00:41So yeah, that's a visceral memory.
00:43Thank you for presenting it to me now.
00:47Here's Bella, she's getting married
00:48or maybe she's just gotten married.
00:49I think you take pictures after the ceremony.
00:51It's funny, look at that arch.
00:53I'm trying so hard.
00:54I'm like, hi, I love that dress so much.
00:57I remember getting into it.
00:58It felt like getting into a real wedding dress
00:59because I was being hidden in some room with heaters.
01:02And I was like, it's too hot in here.
01:04And my makeup's melting off.
01:06And they're like, well, we're not going to be ready for 30 minutes.
01:08And I was like, but I'm ready now.
01:10I was like, well, here we go.
01:11This is the time that I can play the bride.
01:14It was, it's a nice memory.
01:16And he looks great.
01:17Yeah, I think if I were to ever do like a classic wedding dress,
01:20this is kind of the one, this is the picture.
01:22I'm not going to do it, but I got to do it.
01:24And I do really, I appreciate that.
01:26So this is a photograph of myself and Jodie Foster in the panic room.
01:31And I've recently watched this movie.
01:32It's really good.
01:33I wore the same pajamas for eight months.
01:35I turned 11 years old on this movie.
01:37I got my period on this movie.
01:40My pajamas were red.
01:41That was a prescient choice.
01:43Clothes were great.
01:44She's so kind of like austere and like sad,
01:48but clearly going to get her like groove and power and mojo back.
01:52And the kids like, you can curse and you can drink Coca-Cola
01:56and have pizza and be happy.
01:58I have very fond memories of that tiny little cell.
02:02We were in it for eight months wearing the same clothes.
02:04Just to speak to the clothes, because that's what I'm supposed to do.
02:06I mean, they are like really defining and perfect for these two ladies.
02:09I watched it recently and I was like,
02:11there's something distinct going on here.
02:13And it might be hard to put your finger on,
02:15but I just was like, oh, I know who these, who these people are.
02:17Michael Kaplan designed this one.
02:19He is also a legend.
02:20Well done.
02:21This is from Adventureland.
02:23I was such a little derpy derpist and I could barely wear my own skin,
02:30let alone these clothes.
02:31I loved making this movie so much.
02:33I still have my games, games, games shirt.
02:35So fun.
02:36I mean, the eighties and the nineties, they're back in full force and the early 2000s.
02:41Yeah, this was so fun wearing a t-shirt in the pool.
02:44That's such a distinct era of time where you're wearing t-shirts into pools,
02:47where you're not just removing the item, wearing a bathing suit.
02:52Somehow this was the sexy option.
02:54This was, he's really going to like me in this sopping wet black t-shirt.
02:58Here we are in Spencer in the wedding dress.
03:00This was shot on a Saturday.
03:02We shot five day weeks and I was really unprepared for like the 12 hour day that we did of every single costume in the whole movie.
03:11Traipsing over every inch of exterior grounds.
03:14I could barely breathe, it was so cold and I was so nervous to hold that dress up with my body.
03:20It made me so emotional.
03:21It actually is quite different to the one that she wore because it looked different on me and we couldn't have the whole big train thing.
03:28And somehow it got closer than the truth.
03:31A really good designer knows how to dress the human being and not lose sight of that human being while telling a greater story.
03:37This was so fun.
03:38This is when I got to play Joan Jett in The Runaways.
03:41But me and Dakota, who played Cherie Curry, got to play around and take all these photos before we started shooting
03:48because we know them in images more than we do footage.
03:51She's just one of the most intrinsically herself motherfuckers it's ever been.
03:55And then clothes mattered, fit mattered, my body's different.
03:58I'm looking at this going, God, you could have done better.
04:00I look at this and I'm like, well, I need an hour to discuss the memory flood and the sort of like negotiation between things that you're proud of
04:08and things that you could have done better and then also just sort of letting it be what it was.
04:11And I was so young and I love Joan so much and I hope she's great.
04:16And hi, what's up?
04:17You see this?
04:19Snow White and the Huntsman was a physical feat.
04:23The armor made me so physically incapable.
04:26It was really fun to put this stuff together.
04:28Colleen Atwood is a genius, beautiful designer.
04:32The clothes evolved in this really cool way that on big movies, usually they're not allowed to degrade and like feels kind of stuffy.
04:38Or even when you do make a choice to like rip the dress off at the bottom, it feels like there's a little tear already and ready to break away.
04:45Like her clothes are lived in, really substantiated the idea that I was playing the please cut this out fairest of them all.
04:52Yeah, I just had the best time.
04:54The sword, the shield is so cool.
04:56Everything was really tight in like all of the imagery with the tree and sort of like, you know, who she was, who this girl actually was as a human being kind of hopefully came through in the clothes and didn't feel like worn territory, like sort of like revitalizing something that we all already loved.
05:10Okay, yeah, so Personal Shopper was all about the clothes too, and about it being not about the clothes in this weird, conflicted way.
05:18I was playing someone in such deep grief and like having such an existential spiral into an identity crisis.
05:25So the clothes being something that she could put on and find stimulus through or kind of even like a little bit of like feeling like she might be alive and not dead through was fun.
05:37I couldn't see how beautiful everything was until I watched the movie.
05:40And when I watched it, I was like, oh, man, you guys are really up to something.
05:44So this is from Seberg.
05:45I've worked with Michael Wilkinson a few times.
05:48He did some of the last, I think he did the last two Twilight movies.
05:51I was so nervous to play this part.
05:53She has an elegance and a sort of poise.
05:56While being quite radical and wild and cool and hot, she was required to be such a lady then.
06:01She's someone that I've coveted as an actress and kind of just an icon for a long time.
06:06So him putting me in the right clothes, it gave me the confidence to inhabit space on that set.
06:13I miss you, Michael.
06:14You're great at what you do.
06:15Thank you for making me better in this movie where I played Gene Seberg.
06:19This is Love, Lies, Bleeding.
06:20Olga Mills is the costume designer for this.
06:22And she is somebody that I want to steal and keep in my proverbial pocket.
06:28She's an incredible costumer.
06:30She understands texture and tone and intonation and everything that everything implies without
06:35having to be super exact.
06:36Like you can tell her a feeling and she gives you the right pair of jeans.
06:40We figured out that I was, my character was definitely a soft shoed person.
06:44She came in with a lot of boot ideas and belts and like leather.
06:48And I was like, I think she's a bit of a nice guy.
06:52She was like, oh, soft shoe.
06:53I was like, yeah, I think that's what I mean.
06:56Choosing the right jeans, you know, it's like so much more than that.
06:59And I was like, yeah.
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