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Prise par le travail, une femme a oublié comment rêver. Jusqu’au jour où une version plus jeune d’elle-même vient réveiller son cœur et changer son regard sur la vie.
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💛 Snapchat ➤ https://www.snapchat.com/p/1684933092515270
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Genre : Film en Français Complet, Nouveauté, Comédie Adolescente
© Tous Droits Réservés
#ComedieFR #FilmComplet
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Court métrageTranscription
00:00Sous-titrage Société Radio-Canada
00:30...
01:00...
01:02...
01:03Must be the book.
01:05I've been remembering things I hadn't thought about in years.
01:11Just all of a sudden I knew exactly what you looked like when you were a little girl.
01:14What if they hate it?
01:32Well, they'll be wrong.
01:34And they'll be wrong.
01:43Come on, Vera.
01:44We did some good work today, don't you think?
01:50It felt good.
01:51You see, Vera.
01:52Do you really think that life is shaped by the yeses and not the noes?
02:01Mm-hmm.
02:02Well, I said yes once and it was a complete disaster.
02:08Mm.
02:10Well, my guess is that you were just saying the word.
02:13What you're really doing is saying no to yourself.
02:16You're a remarkable talent, huh, Miller?
02:22Oh, thanks.
02:23And Robin was right.
02:25You are a great editor.
02:27Susan Stone.
02:27Well, thank you.
02:28Thank you.
02:29Thank you.
02:34Is it that late?
02:36I guess so.
02:37Yeah.
02:38All right, well, um, I'll see you bright and early.
02:42Okay.
02:43All right.
02:44Good night.
02:45Good night.
02:45Good night.
02:45Good night.
02:54Good night.
02:56Bye.
03:08Suze?
03:10Mm-hmm?
03:11I think he wanted to kiss you.
03:13Don't be ridiculous.
03:15This is strictly a working relationship.
03:17Why can't it be both?
03:19Because you don't make your bed where you eat.
03:22Well, I'm sure he's a lot of fun.
03:26Suze?
03:27Hmm?
03:28I love that he plays the trombone.
03:30Now I'm beginning to think that you don't understand Fooey as a character.
03:47I do, too.
03:48Well, then why would you want me to change Fooey's reaction?
03:51Because I just don't believe that any sane woman who's thrown into a squalid jail in Selma
03:55is going to be so serene and calm.
03:58I'm almost happy.
03:59Hmm.
03:59So you really don't understand?
04:01You don't know what you're missing here.
04:03I'm on a diet.
04:04Oh, you don't need to diet.
04:05Come on.
04:05Come on.
04:06Try this.
04:09Hmm?
04:10Hmm?
04:10Hmm?
04:11Now, see, Fooey was one of those rare, wonderful people.
04:15No matter what the disaster, she always saw it as an opportunity.
04:19The glass was always half full.
04:20Of course, that drives the half-empties totally crazy.
04:24Who does that remind you of?
04:26That is wonderful.
04:27Mm-hmm.
04:27This woman is a genius.
04:29Finish it.
04:29Finish it.
04:30Oh.
04:30Thank you.
04:31Thank you.
04:37Hmm.
04:38Wait till you try her Napoleon.
04:41You know, I think Aunt Pru would love my brother Bob.
04:44Yeah?
04:44Well, in that case, I probably will, too.
04:46I told you.
04:47Prince Charming.
04:48Bye.
04:49Peace.
04:52Bye.
04:53Bye.
04:53Bye.
04:54Bye.
04:56C'est parti !
05:26Julie, hi, it's Susan. Would you please get Robin for me?
05:45Hi, Robin. What's going on?
05:48Good, good. You wouldn't believe all the work we've gotten done in the last two weeks.
05:51You want to patch me through to Dilly?
05:54How you doing?
05:56Oh, that's wonderful, Dilly. Yeah.
06:00Yeah, that was a great review. How about getting another one, huh?
06:05New pages. Oh, Dilly.
06:08That's great. No, that's better than great. That's wonderful.
06:12Yeah.
06:13Yeah. Oh, I'm glad you like her. Robin is sweet, isn't she? Yeah.
06:20Okay, all right. Yeah, you know what, I'm just checking in with you, so I'm, uh...
06:23I'll just call you back later, okay?
06:26Okay. Okay. All right. Bye.
06:31Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yeah.
06:40Yes, yes, oh, my God, oh, yes, yes, yes, yes, yes.
06:53No, I don't think so.
06:54Well, I think so.
06:55No, no, no, no.
06:56I won't, I won't, I can't.
06:58Of course you can't.
06:58Nope, no, no, forget it.
07:00Why should I have to?
07:01This is my damn book.
07:02Because I'm not going to let you put your name on anything that isn't your best work.
07:05You, you, what, what, what?
07:09You do what?
07:09No, no, no, no, you finish.
07:11What, what, what?
07:12No, no, no, no, no, no, where do you think you're going?
07:14Finish, finish, finish.
07:17Doodleberry.
07:18Doodleberry, that's it?
07:19I told you, I was tired.
07:21That's it, that's it?
07:21That's the best you can come up with.
07:23I'm just the editor, aren't I?
07:25I mean, you're the writer, aren't you, you windbagger?
07:27Oh, no, no, no, no, now you apologize.
07:29I'm not going to apologize if you can't make me.
07:31Sous-titrage Société Radio-Canada
08:01I can say that, but it wouldn't be true.
08:04No, no. It never happened, all right?
08:08Let's go.
08:09Come on, girl.
08:18What was I thinking?
08:20You weren't thinking. That's a good thing, not a bad thing.
08:23Totally, totally unprofessional.
08:25Baloney. You're just afraid all men are like Peter.
08:28Bob isn't. Dad wasn't.
08:30I finally get myself a damn new decent writer, and I blow it.
08:38So, anyway, if I can make the noon train, I can get it on the weekend read.
08:44Just a little surprise, that's all.
08:47Thought we had a few more days.
08:49Didn't realize we were done.
08:50Well, not done-done, but done enough to get some input.
08:53So, uh, what are you doing for the holidays?
09:03Oh, I'm not sure.
09:04I was actually thinking of just staying at home this year.
09:07So, uh, what are you doing for the holidays?
09:08Hmm.
09:15Yep, careful. You're stepping on Uncle Hyrum on there.
09:18Sorry.
09:19I never knew anyone who had their own cemetery.
09:23My mother and father.
09:26Mom.
09:27Dad.
09:31I'd like you to meet Susan.
09:36I think they would have liked you.
09:41You sure you're not running back because of last night?
09:45Tom, um, last night was entirely my fault.
09:48It was a huge mistake.
09:51I mean, we could never, ever, ever possibly become romantically involved.
09:58But we already are.
09:59No, no, it can't happen.
10:01I mean, it would be a disaster for the book.
10:03But I, I, I see it happening.
10:06What are you talking about?
10:07I've already seen it.
10:08Oh, please, Tom, come on.
10:10You're being crazy now, okay?
10:11I mean, one indiscreet moment means nothing more than one indiscreet moment
10:14when we were both so tired that we lost it.
10:17I didn't lose it.
10:21Listen to me, okay?
10:23I'm your editor.
10:24That is all.
10:24Nothing more.
10:25But Susan...
10:26No, I, I like you.
10:28I do.
10:28Just not in that way.
10:34Oh.
10:34I'm, I'm sorry.
10:36I, I...
10:37Well, I guess maybe I, uh, maybe I don't have the gift after all, huh?
10:47Um, well, maybe we should get started.
10:51Um, I don't want to be late.
10:53No.
10:53No.
10:53No, I'm sorry.
10:54Sous-titrage MFP.
11:24Sous-titrage MFP.
11:54Sous-titrage MFP.
12:24Sous-titrage MFP.
12:54Sous-titrage MFP.
13:24Sous-titrage MFP.
13:54Sous-titrage MFP.
14:24I think that it was brilliant of you to have him read his reviews, and the work that you did on Phooey is just...
14:28Please don't call it Phooey.
14:30Sorry.
14:32What should I call it then?
14:33Why don't we just call it Untitled for now?
14:36Okay, well, you know how much I loved Untitled before, right? But now it's just Susan, it's...
14:42I got it. Thank you.
14:46I'm Susan. Good luck tomorrow.
14:48I'm going to go out.
14:49I'm going to go out.
14:54I'm going to go out.
14:56and then I'm going to go out.
15:06I'm going to go out.
15:12Okay.
15:15Sous-titrage MFP.
15:45Think positive. They're all going to love it.
15:54Oh, Susan, good. Are we all here? Let's get started, people.
15:58I wanted to like it. My brother and he were practically roommates at Harvard.
16:03In fact, I met with him a few weeks ago when it was still called Phooey, and I passed.
16:08I know. Okay, you want me to be truthful.
16:11It hasn't improved. It's still absolutely endless, not to mention stupid.
16:15Chacun a so good, as the French say.
16:20Herbert?
16:22I, well, actually, I didn't finish it.
16:25I thought the writing was okay, but I found myself wandering.
16:29Gloria, what'd you think?
16:32I had that big party for Wolfgang. I just didn't have a minute.
16:36I'm really, really sorry. I'll get to it tonight. I promise.
16:40Donald, you get a chance to look at it?
16:42It's not my cup of tea, Walter. I don't know. It's a little too fantastic.
16:46What does marketing say?
16:49If we don't spend a lot, we won't lose a lot. It could even be a wash.
16:57Susan, you haven't said a word.
17:00I only have one thing to say to all of you.
17:17Tom Miller's a superb and unique talent,
17:20and I think that his book is brilliant.
17:22It's funny and charming and very smart,
17:27and on top of that, I think it's going to make money.
17:31And frankly, if Blair House doesn't publish this book,
17:34then I'm not really sure what I'm doing here anymore.
17:40I agree.
17:43Mark, you weren't on Susan's list.
17:45I overheard several assistants raving about him in the kitchen,
17:49so I bootlegged the copy.
17:50And, um, look,
17:52this guy may be a little unusual,
17:54but that's the whole point.
17:55I think Susan's absolutely correct.
17:57I mean, wake up.
17:59Would you not say publish John Irving,
18:00because sometimes he's a little fantastic?
18:03And that's just one tiny aspect of it.
18:05I mean, what about the Americana of it all?
18:08And the romance?
18:10And Dorinda?
18:12Don't tell me you didn't at least love all the dirty parts.
18:15Come on, guys, get with it.
18:23If we don't nail this guy down,
18:25somebody else will.
18:26And won't we be embarrassed when it gets out
18:27that we had him first and didn't publish him?
18:31Anyway, I'm a strong yes.
18:35Well, Susan,
18:36can't wait to read your new guy.
18:39Well, actually, Walter,
18:40it was Robin who found him.
18:42Oh.
18:43Good work, Robin.
18:44All right, is that it?
18:48Now let's get back to work.
18:57Susan,
18:58something's happened to you the last couple of weeks.
19:02I like it.
19:03Thank you, Walter.
19:04So do I.
19:05Susan,
19:12thank you so much.
19:13You have no idea how much that meant to me.
19:14I mean, I've been wrong about you this whole time.
19:16I thought you hated me.
19:17Did you know that?
19:17And nobody ever, I mean,
19:19I'm so sorry that Ben and I called you the Wicked Witch of the West.
19:21We were completely wrong.
19:22But it's just because I didn't have any idea.
19:23You're so amazing.
19:24And no one ever gives their assistant credit ever.
19:26Did you know that?
19:26Well, you deserve the credit, Robin.
19:28You really do.
19:28And I only found the book.
19:29I mean, you fixed it, right?
19:31And I learned so much from you.
19:32You really do.
19:32You really do.
19:33Now, I want you to run along and come back in five minutes
19:36because we really do have to have that discussion about run-on sentences, okay?
19:39Okay, but actually, it's lunchtime.
19:42And Ben, I know how much you hate Christmas parties,
19:44but Ben's office is having their party.
19:45It's really important to let it be there.
19:46Go.
19:47Are you sure?
19:48Yeah, I'm positive.
19:49Go ahead.
19:49Thank you.
19:50Okay.
19:51Thank you so much.
19:52Thank you.
19:52Thank you.
19:52Thank you.
19:53Okay.
19:53Thank you.
19:54Thank you.
20:14Hi, Tom.
20:15It's Susan.
20:15I have wonderful news.
20:18I'm at the office, and I should be here until about 7,
20:20and then I'll be at home.
20:23You have both the numbers, so call me.
20:26Okay.
20:26Bye-bye.
20:27Bye-bye.
20:27Bye-bye.
20:28Bye-bye.
20:29Bye-bye.
20:30Bye-bye.
20:31Bye-bye.
20:32Bye-bye.
20:33Bye-bye.
20:35Bye-bye.
20:37Bye-bye.
20:39Bye-bye.
20:41Bye-bye.
20:43Bye-bye.
20:44Bye-bye.
20:45Bye-bye.
20:45You have no messages.
21:02Sous-titrage Société Radio-Canada
21:32Sous-titrage Société Radio-Canada
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26:22Sous-titrage Société Radio-Canada
26:24C'est-ce que c'est ça ?
26:31Ha-ha, maintenant je vais avoir un trou.
26:54C'est le plus pavé que j'ai jamais vu.
26:58C'est mieux que celui que vous avez l'année dernière.
27:01Maintenant, continue, please.
27:04On Dasher, on Dancer, on Prancer, on Vixen.
27:07On Comet, on Cupid, on Donner, on Blitzen.
27:11To the top of the porch, to the top of the wall.
27:14Now dash away, dash away, dash away all.
27:17And as he drove out of sight, I heard him explain,
27:20Merry Christmas to all, and to all, good night.
27:24Sous-titrage Société Radio-Canada
27:41Retire on a Sous-titrage Société Radio-Canada
27:43Coup degricot
27:44Sous-titrage Société Radio-Canada
27:46...
27:48...
27:50...
27:51...
27:53Sous ?
28:04Sous ?
28:18Sous ?
28:26Merry Christmas, my Sous.
28:31I love you so much.
28:43I'm retired.
29:03I like that.
29:05Hey, why didn't you call me? I left you like a hundred messages.
29:09Well, I was in New York.
29:11I didn't check the Connecticut machine until this morning.
29:13Oh, well, wait a minute. I thought that you had the gift.
29:15But only a teeny bit.
29:19I missed you.
29:21Me too.
29:23This is the best Christmas I've ever had.
29:38So, Santa brought you everything you wanted, Alice?
29:40You mean there is a Santa?
29:42Oh, that's fact.
29:43Right, Bob?
29:44Oh, absolutely.
29:45I bet she looks just the way you did when you were little.
29:48Yeah, she does.
29:49May I propose a toast, Bob?
29:51Thank you.
29:52Glasses up.
29:53A toast.
29:54A toast.
29:55Up, up, up, up, up, up.
29:56To friends who can be family, and family who can be friends.
30:00Merry Christmas, my precious, precious doodle bears.
30:06I love you.
30:07You can do whatever.
30:08Anybody got anything they need?
30:10Do you have everything they need?
30:12Yeah.
30:13Got to get some more turkeys.
30:14No.
30:15Luckily, they made you.
30:16Did you go see it, Emily, last week?
30:18Yeah.
30:19I saw her a couple of weeks ago, and she thought I was tan.
30:22How is Daddy?
30:23It's good.
30:24Meals.
30:25Five?
30:26Last day I already broke up a coin, and they got it.
30:29Merry Christmas, baby prune.
31:01...
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