- 6 weeks ago
"Never Tell" is the Series Finale of WMC, wrapping up the storylines of the characters in a dramatic and emotional conclusion. As the team faces one final challenge, they're forced to confront their past and the secrets they've kept. The episode promises to deliver a satisfying and intense ending to the series.
With the title "Never Tell" hinting at the weight of secrets and the power of silence, this finale episode likely explores themes of closure, redemption, and the lasting impact of the characters' experiences. The finale's emotional depth and surprising moments will leave viewers with a lasting impression of the series.
With the title "Never Tell" hinting at the weight of secrets and the power of silence, this finale episode likely explores themes of closure, redemption, and the lasting impact of the characters' experiences. The finale's emotional depth and surprising moments will leave viewers with a lasting impression of the series.
Category
🎥
Short filmTranscript
00:00911 emergency San Francisco 9-1-1 911 emergency he's trying to kill me please hurry ma'am can
00:08you go outside he's in the living room please hurry ma'am listen to me the police are on their
00:12way right now he's in the hall ma'am go into another room lock yourself in and try to leave
00:18out the back door oh my god he's going to kill me he's breaking down the door ma'am ma'am
00:26hey sorry to interrupt pete's going away dinner you got me before it started you hear the 911
00:32call no woman is here and that was definitely a woman's voice
00:36that's definitely a man fred ostner 35 wallet was in his back pocket he lived two houses down so the
00:47caller is a woman she gives this address the patrol guys show up and find only him the caller identified
00:53herself as corinne stevens she lives here neighbor says her husband's away on business
00:58two head wounds blunt object and then he starts in with a knife this guy's butchered 18 stab wounds
01:05and counting is that a crystal rabbit the killer picked it up and smashed it into his skull that's
01:13an enraged killer enraged like a jealous husband are there any drag marks around any signs she was hurt no
01:21so he took her in with him why am i here
01:31what what what is this place i don't understand why are you doing this why won't you talk please please
01:40talk to me why are you doing this
01:47she's been missing 10 hours what is this kidnapping off the record lens it has been so long since we
02:00were on the record i've put the record away 10 hours and no ransom demand where's the husband
02:04he was at a hotel in colorado springs he checked out at midnight night before last if he drives fast
02:10enough he just makes it in time we tried to reach him on a cell but it's not turned on
02:14so corinne gets home and turns the alarm system off at 802 p.m the victim fred osner did he come in
02:21with corinne yeah it looks that way our guest the killer is waiting inside he sees fred they struggle
02:27corinne runs for the media room and locks the door that's where the call came from the killer drops fred
02:31with this crystal rabbit and then stabs him fred's watches smash at 8 11 p.m 8 12 p.m corinne calls
02:379-1-1 from the media room there's supposed to be home recuperating it was a gunshot after all i'm
02:41recuperated how do you know where corinne was when she called 9-1-1 the doorknob he snapped it when
02:46he forced his way in so what happened with pete last night i got the page at the restaurant before
02:51we even sat down that's okay i got two days before he leaves hey linds i just brought in the husband
02:57are you people nuts why would i kidnap my own wife you have a temper your wife's having an affair
03:05with fred he's our friend he checks on corinne when i'm away i asked him to look i stopped in reno
03:12on the way back and i slept talked to the hotel staff i left my cell phone there we're looking into
03:18it mr stevens we're checking out the crystal rabbit the killer used to hit fred if we find
03:23one fingerprint what what did he use the killer picked up a crystal rabbit and hit mr osner in
03:28the head we don't own any crystal rabbit excuse me a moment i know what you're thinking she's 25 a
03:42trophy wife i didn't do this can you think of anyone who might have a grudge against you anyone your
03:50wife mentioned no i don't know i know no one you have to find corinne please
04:03a minute
04:07his alibi checks out he did sleep in reno now forensics found no prints on the rabbit not the
04:14husband the victim or the missing woman the killer must have brought it with him who brings a crystal
04:20figurine to a kidnapping maybe it was a i don't know message to the husband he was wearing gloves
04:29there was no fingerprints that's not a message to the husband that's a message to us
04:33hey your victim has two head wounds one from the glass rabbit the other i think came from the killer's
04:45right shoe he kicked osner post-mortem this is from the second moon there's something in the matted
04:53hair i think it's blue paint i sent samples to the lab what kind of knife did he use serrated and he's
04:59strong he stabs with tremendous force is there a small indentation at the bottom of every wound
05:11like from the base of the knife slamming against the skin maybe but how could you
05:16you think it's the kiss me not killer lindsay his only victims were women and he took corinne's
05:32demons with him linds all three women had their lips sewn together not him osner wasn't his intended
05:38victim it was corinne he wanted and fred osner interrupted him and the crystal rabbit well look at
05:43all the other crime scenes the the mouse the tub the the key the lilacs old symbols of some sort
05:49of ritual and the crystal rabbit was another one he meant it for corinne stevens but he broke it when
05:54he killed fred osner he's back he's killing again and he's got his next victim
06:13so
06:19hey hey i didn't hear you come in hi i was just taking a quick shower
06:28i'm sorry i didn't come home last night yeah well martha and i spent some quality time
06:32i had no idea how good that sounds but i have to get back to work
06:45yeah sure no i understand you know works work assuming that that's what this is all about
06:50you think i'm running away because you're leaving i think you're running away because i'm leaving
06:55believe me believe me that's not it this is something i can ask you about
07:01i call him the kiss me not killer he started five years ago he tortures women sews their lips shut
07:19i'm totally freaking you out no no no you're not hunting this guy took over my life
07:31i became obsessed i lost my marriage i lost perspective
07:36on everything why this one why why bring this one home if i knew why he chose these women
07:44if i could figure that out and then i could understand him
07:47i have to finish this it's the only way that i can get him out of my life
07:53he's taken another woman beat and i have to find him before he kills her
08:00you have to go
08:05do what you have to do just go
08:17crime scene is clean except for the paint residue in the hair
08:26why in the hair not on the carpet okay let's see these threads lab says that they're stitches that
08:31hold the upper to the sole of the shoe the paint was held in by the threads lieutenant yeah here you go
08:38thank you so kicked him in the head lost her temper it's stupid stay at that
08:47board long enough you'll see a sailboat hey hey so the lab says the paint from the killer shoe is
08:53called skylar blue it's a specialty paint uh used for restoring old cars and trucks how old we're
08:59talking uh elvis and hula hoops five dealers in the bay area carried three of them don't have it in
09:04stock the fourth one just got his first shipment in six months you said five dealers no the fifth one
09:08has it in stock his name is uh john harris let's go
09:19skylar blue uh well not much call for it unless you own a 55 pickup
09:23literally used in 1955 june 55 to april 58 people got tired of the dark blue this one's sort of a
09:29turquoise robin's egg and people got tired of that americans in their cars were picky have you sold any
09:35recently yeah i can check how good are your records oh well at 290 a gallon it's not exactly walking
09:41out the door we're not talking a lot of people no please give us a list and add your employees and
09:46day laborers for the last five years i'll fax it over right away no we'll wait for it now this is
09:51serious where were you last night around eight mr harris gee i was here we're open until nine i have the
09:57surveillance tapes great we'll take those and the list of customers and employees right away
10:06hey still no sign of corinne stevens we recanvist the neighborhood what about the paint dealers jacoby
10:11and wheeler are running the customers and the employees through ncic so for nothing hey lynn john
10:16harris the paint dealer we saw this morning he had a 15 year old daughter she ran away 16 years ago
10:21disappeared a lot of cops worked on the case on and off especially after they found her dead
10:28one of the cops was your dad where did they find her body it was five years ago the remains were dug
10:33up in the park near san mateo
10:35hey i need a minute it's about a case must be pretty big for you to come see the old man
10:56well you speak twice in the last seven years and suddenly i'm your new best friend can i come
11:02in always welcome here
11:07you uh want some tea i got that scottish brunch stuff you like
11:12scottish breakfast and you hate it but i stocked up on it i figured eventually you'd come to visit
11:17this isn't a visit if that's the way you want to play it what's the case
11:25it's a serial killer i've been working a few years kiss me not is there a new victim i didn't
11:29hear we were trying to keep it quiet he took a woman last night hopefully she's still alive what
11:36can i do for you john harris auto paint dealer his daughter ran away does that ring any bells
11:42harris oh yeah daughter's name was rachel right yeah i worked that case a couple of weeks
11:51you were a homicide so why'd you work it if she was a runaway the family said she was a runaway but
11:55nobody bought it didn't take any clothes didn't tell anybody she was leaving we expected to find her
12:01body any day only about a decade off who are you looking at for the killer a couple of us like the
12:07harris's son billy yeah he was in the file 12 years old strange kid of course harris and his wife
12:15didn't want to hear it but could a boy that age kill a 15 year old girl and dispose of the body
12:19seen worse we kept an eye on him he got into some fights in and out of juvie kid always just seemed
12:27wrong jacoby hey what do you got on billy harris well he works in his father's shop you know harris
12:38didn't have him on the employees list shift manager says he's been out sick for three days
12:43works in his father's shop ask jacoby i know what to ask jacoby
12:46where does he he lives in his father's house don't get snippy over the phone get a warrant text me
12:53the address and i'll meet you there
12:57i gotta go anything else i can do no i just came for the information thanks sure kid hey
13:05be careful always am i don't understand why are you looking for billy what is this about take mr
13:17harris out of here this isn't right this is my house get him out of here lindsay nothing in the
13:21basement dmb report billy harris has got a 1956 f100 pickup color blue thanks
13:27the layout of this room look familiar this is the daughter's room a long time ago just like in the
13:38file photos mm-hmm no sign of current stevens in this house no blue pickup truck in the garage thanks
13:44thanks it's not here because he's driving it
13:58so
14:14you were gonna tell me about sarah rice she was laid to rest in a bed of lilacs they were still
14:22fresh when we found her why well he leaves things at crime scenes like a key melissa pack one 48 stab ones
14:30he left an old key in her hand and a dead mouse at her feet when we saw her lips we knew it was the same
14:35guy the lane lewis she was eviscerated and left in a copper bath tub is that a crystal rabbit who are
14:47you looking at for the killer a couple of us like harris's son strange kid jacoby
15:01the crystal rabbit the lilacs the brass tub all of these things belong to rachel
15:05harris when she was 15. billy harris is a kiss me not killer
15:19how much longer do we have and will he keep corinne alive he keeps her rice alive six days
15:24i know a shrink in juvie where billy spent time i just talked to him i can't tell you anything doctor
15:29patient privilege but he's my friend i know this guy he'll help us cindy this isn't your job you can
15:34get in a lot of trouble let's have the fun
15:40i don't know where billy is i do know that he's a good kid your list of employees you didn't put billy
15:45on it i don't think of billy as an employee he's my son this is a nightmare lince
15:53if harris knew what billy was doing he didn't do it with him we pulled his credit cards the night
16:01sarah rice disappeared he was an atlanta car shop thanks sure
16:09if billy goes hunting and doesn't tell you where maybe i wasn't listening he likes to hunt i don't
16:15even know how to fire a gun might any of his friends know no he's uh he's sort of a loner when
16:23your daughter rachel disappeared we understand the police told you they thought billy might have done
16:27it yeah yeah and when they said that to my wife it killed her she died two months later mr harris we
16:35understand the feeling of needing to protect your son but there is a woman's life at stake please
16:40think about what you're doing
16:45he knows where billy is i don't know he jumped out of his chair when i brought up rachel you don't
16:50think he's protecting billy no he's not harris isn't protecting his son he's protecting himself
16:57rachel harris was buried in a vinyl duffel handles on the side dried blood on it didn't they test the
17:03blood too small a sample at the time i had them compare the dna from the blood spec to the dna
17:10from billy harris's hairbrush it's a partial match it's his father's blood so john harris
17:17killed and buried his daughter and then claimed she ran away we can charge harris offer him a plea to
17:22help us find his son okay let's get him charged but if this guy's as smart as i think he is he isn't
17:27going to help us with anything boxer homicide hello lindsay yeah who's this let my father go if you want
17:45to keep corinne alive billy you want to help corinne right uh yes yes i do uh let me talk to her
17:59no games let my father go
18:05damn it not enough time to trace the call what do you say linds
18:10um uh he said that if we didn't let john go he would kill corinne
18:24hey i got here as fast as i could i'm sorry i probably sounded a little freaked out when i called
18:41so are you sure it's billy harris yeah but you know what claire it was partly a relief
18:48okay well billy harris has always been this phantom now i know what he looks like i know what he sounds
18:53like i took pete up to the attic this morning showed him crazy lindsay's serial killer exhibit
19:01what happened he had a bunch of questions i don't know if he'll get past it of course he will he loves
19:10you it's a little early to be talking about love lindsay he sleeps at your place when he's not in a
19:17hotel he cooks he walks your dog he puts up with your crazy hours and never complains that's not
19:23love that would be amazing if i wasn't spending his last day here living inside billy harris's head
19:31which is what we all rely on you to do and i'm sure pete understands that cindy called she said she
19:37has something we'll want to see hey i have billy's notebooks from juvie hall my friend said he could
19:44lose his license so he keeps them back when we're done look at this it's from 1993.
19:51he was thinking about it even as a kid a serial killer at age 12. he wasn't killing anyone
19:58this was in the back of his notebook here's the freaky thing the first drawing shows up two weeks
20:04after rachel disappeared why would he draw her like that if he didn't know she was dead yet
20:15unless he did that's what the drawings mean john harris killed rachel and billy saw it happen he knew
20:24his sister was dead he draws her with her lips sewn shut that's how a 12 year old tells us what happened
20:30it's about keeping the secret it's about the silence john must have threatened billy and told him to
20:35keep quiet about it why are these women billy why do you choose them
20:50all this time all this time has been right here in front of me where look at corinne stevens and her
20:56husband and then look at the past three victims each victim is a young woman with an older man in her
21:02life sarah rice had the boyfriend melissa paquin her sick father elaine lewis and the older boss
21:09that's all about rachel with each victim billy is reenacting his father's crime
21:14and the order not to tell that's billy's life that's the only thing that's important to him
21:19yes
21:33boxer homicide hey beautiful hi pete uh how's it going uh well i'm at the hotel i'm gonna see before i go
21:42right? Yeah, yeah. I'd really like that. I'd really, really like that. Because we should
21:50finish our conversation. Pete, I gotta go, okay? Sure, yeah, okay. I'll call you later.
22:01Boxer, homicide. You didn't do what I asked, Lindsay. You still have my father.
22:08Well, Billy, let's talk about it. You want to be my friend? I want to tell you that I
22:15know what happened. I know what your father did to you and your sister. Too late. We
22:21should have listened. I almost have him. Billy, I'm listening now. What do you want to tell
22:26me? You made me do it again. What are you talking about? Billy. Lindsay. By the way,
22:38nice dog. He's calling from your apartment.
22:48Hey, hey, hey, hey.
23:08Yeah, I don't want that stuff on like this.
23:15Tom.
23:15Yeah.
23:16Where is she?
23:17Kitchen.
23:18Are you okay?
23:23Lindsay?
23:26You left Corinne Stevens in my bed.
23:29I get to go tell Richard Stevens that his wife is dead.
23:31No.
23:32Dead because of me.
23:34She's blaming herself.
23:35She's got an endless loop in her head saying it's her fault.
23:38Turn it off because you're wrong.
23:40Corinne Stevens has been in rigor for more than a day.
23:43She was killed six to nine hours after she was abducted and she was already dead when
23:48Billy asked for his father's release.
23:50Yeah, stop feeling guilty.
23:52We need you at 100% to catch this guy.
23:54I don't want another woman on my table with her lips sewn shut.
23:58So what are we going to do about it?
24:00Find a sailboat yet?
24:15His sister's death was a single most defining moment in Billy Harris' life.
24:20Not his mother's love.
24:22Not his first home run.
24:23Not his first kiss.
24:25Witnessing his sister's murder obliterated anything and everything that came before her after that.
24:30That's his obsession with his father.
24:32Why did he wait to start killing?
24:34They found Rachel's body and threatened to expose the secret.
24:38That's what provoked him before.
24:39That's how I provoke him now.
24:40You want your father out of police custody?
24:43You want us to keep your secret?
24:46See how you like it when it's plastered all over the news.
24:52Well over decades since the initial trail went cold, new evidence has surfaced that has seemingly
24:57broken this case wide open for investigators.
25:00And now this man, John Harris, has been arrested for the murder of his 15-year-old daughter, Rachel.
25:05The investigation had been...
25:07All the morning shows ran it.
25:10Billy will see it.
25:11He'll call back.
25:12And if he doesn't?
25:14Tommy won't let it go.
25:19Espresso, wheat.
25:21They're looking for Billy.
25:22You're reupholstering.
25:23Married to a civilian who teaches kindergarten.
25:26What can I say?
25:27She thinks the job turns off when you leave the building.
25:29Well that's one problem you didn't have with me.
25:32Hey, Lindsay.
25:32I called for you.
25:33They're sending it up.
25:34They think it's him.
25:35They're sending it up.
25:40Billy?
25:43Why'd you push me?
25:45I don't want to push you.
25:46I want to talk to you.
25:46No, Lindsay.
25:47No talking.
25:48This time I'm not forgiving you.
25:50You took something that belongs to me.
25:53Which means I had to do the same.
25:55Four, five, four, three, five...
25:57That's my cell phone.
25:58How'd you get that number?
25:59See you soon.
26:00The cell phone's on my desk.
26:05There's anything missing from your apartment?
26:07I haven't been back to the apartment since Claire took the body out.
26:09Okay, he said he took something of yours.
26:12Maybe he doesn't mean an object.
26:13Maybe he is talking about a person.
26:16I saw Cindy and Jill in Jill's office.
26:18I saw Claire at the hall 20 minutes ago.
26:23No messages.
26:25Oh my God, he means paint.
26:28No, no, no, no.
26:30It's an IP address.
26:31It's coming.
26:42Can we run a trace on this site?
26:43It'll take days to go through all the servers.
26:48My God.
26:50It's your dad.
26:53Bring me my father.
26:55I'll give you yours in exchange.
26:56You have five minutes to decide, Inspector.
26:59Or I'll blow his brains out.
27:04It's not a rescue, Vince.
27:06It's a suicide mission.
27:07I tell Billy it's possible or he blows Marty's head off.
27:10Think.
27:11It was a secret.
27:12Now it's out.
27:13Game over.
27:13He wants to kill you, Lindsay, and then himself.
27:16If it was your father, what would you do?
27:23Boxer.
27:23What's your answer, Lindsay?
27:27We have a deal.
27:28Where do we meet?
27:2915.7 miles east on Midway Road.
27:31Five o'clock.
27:32Don't bring company.
27:32I want to speak to my father.
27:34You can talk when you get here.
27:39We have an hour to figure out how we do this so you and your dad don't die.
27:43Okay.
27:44I got an idea, but we're going to need some help.
27:47Lieutenant Hogan.
27:49Teth or an FBI.
27:50Thanks for coming.
27:51Inspector Lindsay Boxer.
27:52I appreciate your help.
27:54Inspector, you've handled us as well as anyone could.
27:56We're here to help whatever way we can.
27:57This is the house in Solano County where the hostage is being held.
28:03It's an old hunting cabin, only structured within a five-mile radius.
28:06It's cattle country.
28:06You'd see us coming from a mile away.
28:08It's too far for a sniper to get a shot.
28:10Since we can't get a bullet in there, I was thinking of something more up close and personal.
28:14What'd you have in mind?
28:15A small explosive, like a flashbang grenade with a radio signal trigger.
28:19My guys can do that.
28:20How do you get it in his hand?
28:22Put it in something he wants.
28:23Can you get a grenade in that?
28:24Sure.
28:25We'll put the bear in a bag.
28:26You bring it to him.
28:27We'll wire your jacket for a mic.
28:29You get him to hold it.
28:30Send us the signal.
28:31Carl can remote detonate the bomb.
28:33How far away do I have to meet?
28:35Six to eight feet.
28:36Six to eight feet at least.
28:38If there are any surprises, you let us know.
28:40We'll be there in 30 seconds.
28:42A lot can happen in 30 seconds.
28:47The DA found a cooperative judge.
28:50Billy's dad pleads down to manslaughter on the murder of Rachel.
28:53In exchange, he agrees to go with you.
28:55Let's go.
28:56Hey.
29:04Hi.
29:05We just wanted to ask, because we are taking you to dinner after all this, pizza, Japanese,
29:11or Greek?
29:12We want to hear all about the big adventure.
29:13And your goodbye with Pete?
29:15What he said?
29:16What you said?
29:16He's leaving at nine, so I may not make it.
29:18Not if you talk that way.
29:19You won't.
29:20Uh, pizza, Japanese, Greek.
29:24You pick to surprise me.
29:35Remember, if I don't make it out of this, I never liked you that much anyway.
29:38Head down.
30:00These restraints are excessive.
30:07That's what criminals were.
30:10You know the main reason parents kill kids?
30:13Because Daddy wants something a child won't give.
30:16That's what happened, isn't it?
30:17You wanted her, and she fought back, and Billy saw the whole thing.
30:21He saw you try to take her.
30:23He saw you kill her.
30:24How'd you keep him quiet?
30:27What a pretty speech.
30:28You made your son a monster.
30:32He is what he is because of you.
30:34You don't understand anything.
30:49She's got the bear, and it's in the bag.
30:51Are we getting a signal from her, Mike?
30:53The signal is clear.
30:55Everyone's set.
30:56We have sound on Lindsay and Harris now.
30:58I don't see Billy anywhere.
31:01He's here.
31:02His trunk's behind the cabin.
31:26Billy?
31:27Billy?
31:45Come on.
31:46Your father's here.
31:56Your father's here.
32:01Drop the bag.
32:02Hand on your head.
32:03Where's my father?
32:10In a minute.
32:11We had a deal, Billy.
32:12Where is he?
32:13He said shut up.
32:16Daddy?
32:19Sorry.
32:21It's falling apart.
32:22I can't keep it inside anymore.
32:24What the hell are you talking about?
32:25What's falling apart?
32:26I don't like where this is going.
32:29She's okay.
32:29She knows what she's doing.
32:32I tried to protect you.
32:36I tried to keep the secret.
32:37Not another word.
32:39I did what you said, Daddy.
32:43Never tell.
32:46Never tell.
32:48Never tell.
32:49Never tell.
32:50Never tell.
32:51Never tell.
32:53Never tell.
32:56I was a good boy.
32:58Then they found Rachel.
33:02I love you, Daddy.
33:10Your turn.
33:19Inside.
33:21What are you doing?
33:23I have some things that you want.
33:25What?
33:26It was things that belonged to Rachel.
33:35Carl.
33:37Get ready to glow it.
33:38Remember on her signal.
33:52No.
33:53No, I don't want those.
33:56Billy.
33:57Move.
34:04We've got to get her out of that.
34:05We can't.
34:05She doesn't have a flash bomb.
34:07She's helpless.
34:07If we go in now, Lindsay and her dad are dead before we get in the house.
34:11Go inside.
34:12Go inside.
34:12Hey, kid.
34:12Hey, kid.
34:19No talking.
34:21Stop right there.
34:27Stay.
34:28She was beautiful.
34:41Yeah, Billy, she was.
34:44I didn't save her from Danny.
34:46You couldn't.
34:47You were too young.
34:49I was too scared.
34:51I could have saved her.
34:52I could have saved her.
34:53I didn't save her.
34:54I didn't stop.
34:56You shouldn't have come here, Lindsay.
34:58Quiet, old man.
34:59Billy.
34:59Stop.
35:00This has nothing to do with my father.
35:06Okay?
35:06Let him go.
35:07Well, he stays.
35:12What happened to Rachel?
35:14It wasn't your fault.
35:16It was your father's.
35:17So you know what that means?
35:20You can stop with all of this.
35:23Your father's gone.
35:25You don't have to keep the secret anymore.
35:29The secret's out.
35:30You let the secret out.
35:34Tell her she's a bad daughter and this is all her fault.
35:36Stay right there.
35:37No.
35:38She's a screw-up.
35:39She's a waste of flesh and bone.
35:41She doesn't deserve to live.
35:42Say it.
35:44I love you, baby.
35:48I love you with all my heart.
35:54Go!
35:57Stop!
35:58All units, move!
35:59Whoa, whoa, whoa, whoa, whoa, help!
36:16No!
36:19No!
36:23No!
36:25NO!
36:25NO!
36:26God!
36:27NO!
36:28Dad?
36:35Dad?
36:35Daddy?
36:47It's all right.
36:49Get one down there.
36:50It's OK.
36:51Officer, Dad, get the EFTs now.
36:55Come back.
36:56Stay down right now.
36:58Uh-uh.
37:01The EFTs said it was a clean in and out.
37:04I'm going to be fine.
37:06I'll come check on you later tonight.
37:08You don't have to do that.
37:09I know.
37:13Thanks for coming to get me, baby.
37:16I'll see you in a couple hours.
37:18Yeah.
37:21You did OK today.
37:23I may have to treat you with something resembling respect.
37:26Yeah, and don't go overboard.
37:27You're not.
37:29Press got wind of what happened.
37:31PIO wants to know if you feel up to talking to some reporters.
37:34No.
37:35No.
37:36Uh, you'll...
37:37I've got to get to the airport.
37:38You'll handle it for me, OK?
37:40What are you doing?
37:44Excuse me.
37:44Sorry.
37:46Uh...
37:46Passport.
37:47Uh, yeah, SFPD.
37:48I need to get to gate 24.
37:49Sorry, ma'am.
37:49I can't let you do that.
37:50There's no problem.
37:51I just need to get in there.
37:52It'll only be a minute.
37:53Ma'am, I can't let you in without an OK from my supervisor.
37:55No, I can't wait.
37:57I need to talk to someone, OK?
37:58He is on the 910 to Phnom Penh, which is leaving in 18 minutes.
38:03And, look, if I don't say goodbye to this man, I am going to regret it for the rest of
38:07my life.
38:07So can you just...
38:08Can you just please let me in?
38:09You should probably let her go.
38:17Hi.
38:19What are you doing out here?
38:21Waiting for you.
38:23Uh, does this mean you're staying?
38:25No, it means there's a flight to Taipei in four hours.
38:27It gets me to Cambodia tomorrow.
38:28It also means I couldn't leave without talking to you.
38:36OK, there's like a thousand things that I want to say right now, so...
38:43OK, for a long time, I've been hanging on to a lot of feelings about everything.
38:50And I finally finished this nightmare.
38:53And the point I'm trying to make is that I think I can be happy.
39:00Well, I want to be happy.
39:02And I'm just really sorry that I didn't realize it until you were about to leave.
39:10And I just wanted you to know that I'm going to miss you more than I want to think about.
39:17Yeah, it's nice to hear, Lance.
39:33OK, here's the thing.
39:35This doesn't have to end.
39:38I mean, I don't get a lot of time off, but when I do, I'd like...
39:40I'd like to come back to you.
39:41What I'm saying is that between my vacations, yours, cell phones, a little patience, we can make it work.
39:48It's only a year.
39:52It doesn't sound like much of an offer.
39:53Yes.
39:56I would like that.
39:57Yes?
39:58Yes, yes.
39:59Yes.
40:00I would like that.
40:02I would like that very much.
40:03I'll be there
40:07I swear you'll be home this time tomorrow
40:14Knowing I'll be there
40:19Hi.
40:19That's a bug.
40:20I think, like, loose in line.
40:23Hi.
40:24How's your name?
40:25Sorry I'm late.
40:25I had to stop at the bureau and get my stuff back.
40:27No problem.
40:28So, uh, how was the goodbye?
40:30It was not so much a goodbye as it was a continuation.
40:35He's staying.
40:36No.
40:37But he's coming back.
40:39From time to time.
40:42Eventually.
40:44It's better than it sounds.
40:46It is.
40:48The long distance thing never works.
40:50Take it from me.
40:51Hello, a little support, maybe?
40:53She's right.
40:53He's been pretty great so far.
40:55Exactly.
40:56And I can take some vacation time and go visit him.
40:58Uh-huh.
40:59When was, um, when was the last time you took a vacation?
41:02Seventh grade, maybe?
41:04Okay, you know what?
41:05You people have absolutely no faith in romance
41:07or two people who care about each other.
41:10Boxer.
41:10Ten bucks says in half hour from now.
41:13We're at a crime scene.
41:14I was so looking forward to shrimp.
41:17I don't understand.
41:18I...
41:18I thought he was fine.
41:20I thought it was nothing.
41:22No, never mind.
41:23Yeah, I'll be right there.
41:28Vince.
41:33This is my dad.
Recommended
41:48
|
Up next
41:58
13:18
41:50
0:21
11:00
1:49
29:19
44:22
Be the first to comment