- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54I don't know.
00:04:55You're right.
00:04:56You have a great partner, but I know my sister, my son.
00:04:59Who could be king of a girl?
00:05:00You're right.
00:05:01It's 100,000.
00:05:02You're right.
00:05:03It's 100,000.
00:05:04You're right.
00:05:05I know.
00:05:06It's 100,000.
00:05:07I know it's 100,000.
00:05:08You're right.
00:05:09What's it going to be.
00:05:10I know it's 100,000.
00:05:11How should I be doing?
00:05:13You're right.
00:05:15You're right.
00:05:16What are you doing?
00:05:17It's 100,000.
00:05:20I know it's 100,000.
00:05:21I know.
00:05:22Oh, my God.
00:05:52Oh, my God.
00:06:22Oh, my God.
00:06:52Oh, my God.
00:07:22Oh, my God.
00:07:52Oh, my God.
00:08:22Oh, my God.
00:08:51Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:55Never seen her before in my life.
00:08:57Hey, have you got an offer to make for the children of the sun?
00:09:00Okay.
00:09:01Here, will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to get me, are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:19Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34You didn't understand a thing.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mm.
00:09:48Just think, they were going to get married, and not long before the wedding, she went
00:09:54on holiday with some friends from work, and they came here to Santo Domingo as part
00:09:59of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:46If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:10:58I bet you'd think he'd be very lonely.
00:10:59Okay.
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for lost time then.
00:12:19Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:37I feel uncomfortable.
00:12:50Well, there's no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05You know, love can be a strange thing.
00:14:10You know, love can be a strange thing.
00:14:14And you're like about to express and change yourself.
00:14:18I don't know.
00:14:19I don't know.
00:14:19I don't know.
00:14:20I don't know.
00:14:23I don't know.
00:14:25But you're like, man.
00:14:27You're like, man.
00:14:29Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56It's full of surprises.
00:14:57But you told me you'd never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:13Yeah, you better start praying that you don't end up reincarnated as a turtle.
00:15:20Ha ha, sometimes you're a real asshole.
00:15:24Ha ha ha.
00:15:26Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:32What a worse.
00:15:34What's wrong?
00:15:38Are you nervous?
00:15:40Huh?
00:15:41What is it?
00:15:42Are you uptight?
00:15:43Maybe, I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:52Haven't you noticed he hasn't said a word since we left?
00:15:58We hired him to keep up a conversation with us, all right?
00:16:02Look at him.
00:16:03Look at him.
00:16:04The hat, his base, he's a pirate.
00:16:08I've been told he's a very good sailor.
00:16:10Honest and completely trustworthy who knows these islands.
00:16:12He looks like he doesn't watch.
00:16:14He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:18Aww.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aww.
00:16:27You like it?
00:16:45What a place.
00:16:49Guaranteed primitive.
00:16:51Yeah.
00:16:53Hey, it's wide open.
00:16:56There's no key.
00:16:58Nobody locks doors here.
00:17:00Looks like Florida.
00:17:02What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:10This is two.
00:17:14Keep it.
00:17:16One's enough.
00:17:22Adios.
00:17:24Is it far to the fishing village?
00:17:34500 meters.
00:17:36Down that way.
00:17:38Okay.
00:17:40Okay.
00:17:42I'm going to go to the village.
00:17:44Okay.
00:17:46I prefer to stay here.
00:17:48Whatever you like.
00:17:50Can't wait to take a swim.
00:17:52Go ahead.
00:17:54See you later.
00:17:55All right.
00:17:56See you later.
00:18:06Bye.
00:18:08Bye.
00:18:10Bye.
00:18:12Bye.
00:18:14Bye.
00:18:16Bye.
00:18:18Bye.
00:18:20Bye.
00:18:22Bye.
00:18:24Bye.
00:18:38Bye.
00:18:40Bye.
00:18:42Bye.
00:18:43Bye.
00:18:44Bye.
00:18:45Well, so you came at last.
00:18:47Hi there.
00:18:55Hello, sir.
00:18:57Good morning.
00:18:59Good morning.
00:19:01Good morning.
00:19:03Good morning.
00:19:04Good morning.
00:19:11No thanks.
00:19:12Hey, hey, let me take a picture.
00:19:14Uh, that's it.
00:19:18...
00:19:28Here we go.
00:19:30...
00:19:31...
00:19:36...
00:19:40...
00:19:44These are your faces or your caricatures,
00:19:46all your way to walk.
00:19:48I love your smile, your feelings
00:19:50or your way to caricature.
00:19:52You have robbed all your feelings,
00:19:54and you have to love you.
00:19:59Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:18Who's that woman?
00:20:19Who's that woman?
00:20:20Who's that woman?
00:20:21Who's that woman?
00:20:22Who's that woman?
00:20:23Who's that woman?
00:20:24A very well-known American writer.
00:20:25Joanne Sullivan?
00:20:26Mm-hmm.
00:20:27I know her.
00:20:28The two of us were at the same school.
00:20:30I think I'll say hello.
00:20:31Mm-hmm.
00:20:32I think I'll say hello.
00:20:33Mm-hmm.
00:20:34Mm-hmm.
00:20:35Mm-hmm.
00:20:36Mm-hmm.
00:20:37Who's that woman who says?
00:20:38Who's that woman?
00:20:39Who's that woman?
00:20:40Who's that woman?
00:20:42A very well-known American writer.
00:20:43Joe Ann Sullivan?
00:20:44Mm-hmm.
00:20:45I know her.
00:20:46The two of us were at the same school.
00:20:48I think I'll say hello.
00:20:49Hmm.
00:20:50Joanne Sullivan? I know her. The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Who is it?
00:21:08Remember Andy the Nerd?
00:21:10Oh, Andy the Nerd! Oh my God!
00:21:15Is it really you?
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:22Great to see you.
00:21:24What are you doing here?
00:21:25I'm taking pictures for a magazine.
00:21:27Oh, fantastic. Come and sit down.
00:21:29What are you doing?
00:21:31Escaping. But don't ask me, from what?
00:21:34Because I don't know. Maybe from myself.
00:21:37I imagine you're writing something now?
00:21:39Checks, that's all. As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:45Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden. I read.
00:21:59Don't you like long for New York at all?
00:22:01No. America is in an advanced state of decomposition, Andy. Like the whole of the West. It's no good. I have no nostalgia. Only for company, that's all. Here there aren't any men that I like. That's probably a good thing. I like everything sophisticated or complicated. I suppose I'm in a crime.
00:22:16Is that a plea for help, I hear?
00:22:17Is that a plea for help, I hear?
00:22:18Oh, come on. It wasn't a proposition.
00:22:19I see. Well, in that case, I'll offer you a proposition.
00:22:22What kind?
00:22:23What kind?
00:22:24Like I told you, I'm working for a magazine. I'm doing a story on this island. And you know it pretty well.
00:22:34Yes, I do. You could help me. Whenever you want. My pleasure. Great.
00:22:49Here comes the food. Oh, good. We can try the local cuisine. Here it is, the chef's special.
00:23:04Enjoy your food. I'm starving. Oh, that looks good. Consuela's such an extrovert. She's always bright and sunny. She's just my opposite. I like her. She's already had the cream of the young men on the island. If I could only get used to going to bed so easily. Yes. It's knowing how to start it up.
00:23:33Yeah. Warm up. It's simple as to make it with someone you know. The first up's taken already.
00:23:42Are you making advances?
00:23:45I'm attempting to find you an answer. I don't think Criela thinks it's such a good idea.
00:23:52It might be more fun if we didn't leave her out. Since when's three of the crowd?
00:23:59Oh, Andy, come on. I thought you were emancipated. But you're still stuck in the seventies. Sex lib dreaming. That's old hat. You disappoint me.
00:24:09You disappoint me.
00:24:18That woman has a hard heart with MFP.
00:24:21That woman has a hard heart with MFP.
00:24:24Yeah, I'm very at home here in this setting. Been here long, do you know?
00:24:30Yeah, I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:00Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:53It's like I said, this isle just wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:12Me?
00:26:14Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25your friend will get back his girlfriend have you gone haywire i think it's a magnificent idea
00:26:32don't you it's a little risky what you mean i might lose her i trust creole completely joanne
00:26:40and besides she'll just have to fake it right go on ask him to dance have a heart hey look have you
00:26:46finished i've had enough i'm gonna go this music's getting on my nerves
00:26:55sorry i wasn't serious it was a joke i love you andy
00:27:19i love you more than anything else in the world
00:27:25me too i love you too
00:27:39it's okay if you're if you're tired it's happened before
00:27:49it'll pass
00:27:55so
00:28:05so
00:28:15Oh, my God.
00:28:45Oh, my God.
00:29:15Oh, my God.
00:29:45Oh, my God.
00:30:15Oh, my God.
00:30:17Oh, my God.
00:30:21Oh, my God.
00:30:25Come on.
00:30:29Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you shouldn't go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59You're what you want.
00:31:17What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:23Here, have a drink.
00:31:26Here, have a drink.
00:31:26Here, have a drink.
00:31:30Viola?
00:31:51Viola?
00:32:00You there?
00:32:10Grilla?
00:32:17Grilla?
00:32:21Grilla?
00:32:24Grilla?
00:32:30Grilla?
00:32:40No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:33:00Where the hell have you been? I looked all over for you.
00:33:05I got bored here all along, so I took off to look around, alright?
00:33:10Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:27Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way, forget it.
00:33:55Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:08I know, but I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:14I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you. I don't know. It's just...
00:34:23Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:28It's only a question of time. I know it.
00:34:35All you have to do is be patient. Just a little longer.
00:34:39We'll be happy again.
00:34:41And then...
00:34:43I'll be able to give you what you need so badly.
00:34:58I'm sorry to leave the room outside.
00:35:00What is the matter?
00:35:01Why don't you leave?
00:35:02What are you doing?
00:35:03I don't know.
00:35:05I don't care about you.
00:35:08I've been waiting for you.
00:35:10It's a great day, you go.
00:35:12I don't want to stop you.
00:35:15I've got you.
00:35:18A good day for now.
00:35:20Let's go.
00:35:50Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:20I guess I'll get another chance.
00:36:38Care for a drink?
00:36:41No, not for me.
00:36:42One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:00What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be
00:37:13a flagrant couple of exceptions.
00:37:16Of course, you include yourself
00:37:18in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40To broken hearts.
00:38:10I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:09Hi.
00:39:10Thank you, sir.
00:39:11I'm open this there.
00:39:12I'm talking about you.
00:39:13I'm getting to my videos.
00:39:15Bye.
00:39:19Bye.
00:39:21Bye.
00:39:22Bye.
00:39:26Bye.
00:39:28Bye.
00:39:28Bye.
00:39:28Bye.
00:39:29Bye.
00:39:30Bye.
00:39:32Bye.
00:39:33Bye.
00:39:34Bye.
00:39:34Bye.
00:39:34Bye.
00:39:35Bye.
00:39:35Bye.
00:39:35Bye.
00:39:36Bye.
00:39:36Bye.
00:39:36Bye.
00:39:36Bye.
00:39:38Bye.
00:39:38Bye.
00:39:39It's exactly for
00:40:09Four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:51Joanne gave me one, too, with a dedication.
00:40:53I'll sob my eyes out.
00:40:54For a romantic novel, it's not bad.
00:41:01It's a model a fun thing to be, Criola.
00:41:04I wouldn't recommend it to my friends, but I'm not complaining.
00:41:07I asked because when I was a little girl, I dreamed of being a dancer or model, but I ended up with overweight tits.
00:41:13So you snuck away to live on an island.
00:41:14Well, here at least they appreciate my boobs.
00:41:18Here comes a customer.
00:41:19Oh, it's Marco.
00:41:20You know him?
00:41:21Yeah.
00:41:22Hi, Marco.
00:41:23Hi, I imagine bumping into you here.
00:41:24Did you just get here?
00:41:25Did you just get here?
00:41:26Yeah.
00:41:27Wow, it's great.
00:41:28Yes.
00:41:29Can I help you?
00:41:30Oh, I need a place to stay.
00:41:31I have a vacant room here.
00:41:32Fine, if it isn't too expensive.
00:41:33Don't worry, it won't bankrupt you.
00:41:34I'll just get out of here.
00:41:35It's not going to take a break.
00:41:36I'll go back to the house.
00:41:37I'll go back to the house.
00:41:38I'll go back to the house.
00:41:39And I'll go back to the house.
00:41:40I'll go back to the house.
00:41:41And I'll go back to the house.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:52Oh, I need a place to stay.
00:41:54I have a vacant room here.
00:41:56Fine, if it isn't too expensive.
00:41:58Don't worry, it won't bankrupt you.
00:42:00I'll go make your bed up.
00:42:01Okay, that's a bit of good luck.
00:42:04More than you bargained for.
00:42:07Listen, I have some important news for you.
00:42:10Very important.
00:42:11I may know where your girlfriend is.
00:42:14Iris.
00:42:15You mean you found her?
00:42:16Yeah.
00:42:17Oh, God.
00:42:26You.
00:42:27Who is it?
00:42:29Don't worry.
00:42:30What do you want?
00:42:32I came to take you back.
00:42:35You made the trip for nothing.
00:42:38I'm sorry.
00:42:39Leon, where are you going?
00:42:42I'm leaving.
00:42:43But why?
00:42:44You're not the one who has to leave.
00:42:46Go away.
00:42:47Go back where you came from.
00:42:49Go on, get out.
00:42:50Leon, throw him out.
00:42:52Do something.
00:42:53I am.
00:42:54Leon.
00:42:55Leon.
00:42:56Leon.
00:42:57Don't go.
00:42:59Damn you.
00:43:00Why?
00:43:01Why did you come here?
00:43:02Because I still love you.
00:43:04And I'm not leaving without you.
00:43:07Don't you understand, Marco?
00:43:08I'm no longer the girl that you knew.
00:43:09Now I'm another person.
00:43:10I love another man.
00:43:11I'll wait.
00:43:12I'm patient.
00:43:13Iris, you'll get over it once we're together again.
00:43:14I'm not leaving this island without you.
00:43:16Then I'm leaving.
00:43:17I'm not leaving the house.
00:43:18You leave without me.
00:43:19Hi, you're a little girl.
00:43:20You're a little girl.
00:43:21You're a little girl.
00:43:22No, I'm not leaving you.
00:43:23That's a little girl.
00:43:24I don't go away.
00:43:25You're a little girl.
00:43:26I'm no longer the girl that you knew.
00:43:28Now I'm another person.
00:43:29I love another man.
00:43:30I'll wait.
00:43:31I'm patient.
00:43:32Iris, you'll get over it once we're together again.
00:43:35Iris, you'll get over it once we're together again.
00:43:37Can I stay on board?
00:44:07To get this straight, this time, it must be forever.
00:44:23I know.
00:44:26So, stay.
00:44:37She's not a Consuelo, she's not on the beach, she's gone.
00:44:43There's no other explanation.
00:44:45I knew it, she's gone back to the States.
00:44:50How?
00:44:52Wearing a pareo?
00:44:53Andy, look!
00:44:55She hasn't gone, her stuff's still here.
00:45:07Andy, you're not to worry.
00:45:11I'm sure that Criola will soon come back.
00:45:14Do believe me.
00:45:16I gotta be off now.
00:45:21So long.
00:45:22See you at dinner?
00:45:37Have you seen Leon?
00:45:58Pet.
00:45:59Have you seen what he did with a girl?
00:46:02Sorry.
00:46:11To the stern.
00:46:13I want a word with him.
00:46:15I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:19Iris.
00:46:20Iris?
00:46:21You got her.
00:46:23You don't want Iris.
00:46:25Iris is free to do what she wants.
00:46:27Adios.
00:46:29I want to get a golden hair of you.
00:46:35I take it.
00:46:40I'm sorry, pembe is white.
00:46:42I gotta be.
00:46:43dog sled,
00:46:45I need the whole looking�� multifactor,
00:46:47ar〔
00:46:51vetar.
00:46:52Oh, come in.
00:47:25No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:19It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:34Oh, Christ.
00:48:34I know him.
00:48:54I know him.
00:48:55I know him.
00:48:56I know him.
00:48:56Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire. One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:46I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:15I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:27I have to.
00:51:28You have to.
00:51:28I have to.
00:51:35Oh, Jesus.
00:51:37I have to.
00:51:37You're hurting me.
00:52:02You're hurting me.
00:52:07Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:27In his boat.
00:52:29Thanks.
00:52:30Thanks.
00:52:46Oh, my God.
00:53:16Oh, my God.
00:53:46You know how to cook it?
00:53:49Mm-mm.
00:53:50You'll have to learn.
00:54:16Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:26What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought I would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't believe it.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:37My life is meaningless without you.
00:56:03I'm sorry.
00:56:05I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:38Oh.
00:56:39I'm into this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46Well, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Okay.
00:56:53Hmm.
00:56:54Hmm.
00:56:55Okay.
00:56:57Tell mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She is bound to tire of it.
00:57:18She always does.
00:57:23This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all,
00:57:43but this island.
00:57:44It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Hmm.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Hmm.
00:58:06A Puritan.
00:58:08It's usual.
00:58:09When they eventually rebel, that's it.
00:58:11They reject the previous moral values they had
00:58:15and abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand
00:58:21how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:26Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41Right.
00:58:41That's not going to do any good.
00:58:58Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Now we eat.
01:00:09We eat.
01:00:10O, no.
01:00:27We eat.
01:00:32We eat.
01:00:32Oh, my God.
01:01:02Oh, my God.
01:01:32Hace tiempo que estoy sentado sobre esta piedra, yo me pregunto, ¿para qué sirven las piedras?
01:01:41Tengo un boquete en el pantalón, vos estás tan frÃas como la nieve a mi alrededor, vos estás tan blanca que ya no sé qué hacer.
01:01:50La otra noche te esperé bajo la lluvia dos horas, mil horas como un perro.
01:01:58Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:13Bomba.
01:02:15Bomba.
01:02:17Bomba.
01:02:18Bomba.
01:02:19Bomba.
01:02:20Bomba.
01:02:21Bomba.
01:02:22Bomba.
01:02:23Bomba.
01:02:24Bomba.
01:02:25Bomba.
01:02:26Bomba.
01:02:28Bomba.
01:02:29Bomba.
01:02:30Bueno, toda hora tiene damals de nuevo y no te quiero que resumen como si osa.
01:02:32I don't know anymore, Iris.
01:02:35How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leon.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:05For Leona.
01:03:32Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:58And we are here getting drunk.
01:04:02If only we had any guts.
01:04:08We'd do something about it.
01:04:09We're here getting drunk.
01:04:25Hello.
01:04:28Hello.
01:04:28Hello.
01:04:28Hello.
01:04:29Hello.
01:04:29Hello.
01:04:29Hello.
01:04:33Hello.
01:04:35Hello.
01:04:37Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:44Now, leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:07:14I'm fine.
01:07:29I'll sue you.
01:07:30I'll sue you.
01:07:31I'll sue you.
01:07:31Oh, my God.
01:07:36Oh, my God.
01:07:41Oh, my God.
01:07:42Oh, my God.
01:07:43I hope it's enough don't worry no problem it's surely more than enough I'm looking for Mark not
01:08:11here he left with Leon and Andy oh my god I have a terrible feeling he came to me this morning and he had a
01:08:20strange evil look in his eyes he said some awful things about Leon yesterday when he was drunk but
01:08:27when I saw him this morning he wasn't drunk hey what's all the mystery let me in on it
01:08:41so
01:08:48so
01:08:55so
01:09:02so
01:09:09so
01:09:16so
01:09:23so
01:09:30so
01:09:37so
01:09:44so
01:09:46so
01:09:53so
01:09:55there must be something caught in the propeller
01:10:19I'm going down to have a look
01:10:21the
01:10:28The
01:10:30the
01:10:33the
01:10:35the
01:10:36the
01:10:42Come on, let's go.
01:11:12Consuelo?
01:11:24Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:35What the hell's going on?
01:11:36Nothing.
01:11:42Iris!
01:11:48Iris!
01:12:01Iris!
01:12:02Iris!
01:12:24Stop it!
01:12:25You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Parker didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:53Leon?
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:26I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:47But my eyes are wide open.
01:13:51Thanks.
01:13:53Joanne.
01:13:56Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:25Yes, it is banal.
01:14:29But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:56We thought...
01:15:00We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12Come here.
01:15:25You were right, Jack.
01:15:27There's magic everywhere here.
01:15:28Kiss me.
01:15:31It's in the very air.
01:15:33Can't you feel it?
01:15:35I know that if we stay here long,
01:15:37something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:51We get...
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