- 2 months ago
DespuéS Del Divorcio, La Heredera Recupera Todo - Full Movie
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Short filmTranscript
00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Stars Media Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake, keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:50and instead of helping us, he just disappeared.
00:53What, did you fail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great, and it could be really good for us.
01:17But the risk is way too high.
01:21Dad.
01:23Please.
01:25Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:35Think about it, Dorothy.
01:37Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:45That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:51Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:57Ellie!
01:59Whatever happened between me and Drake has been in the past.
02:01Besides, I'm carrying Nick's baby.
02:04It's the perfect time.
02:10Oh, my God! Oh, my God!
02:13So, Dorothy just pushed Stephanie into the pool!
02:16What?
02:17No!
02:18No!
02:23Quick, save Stephanie!
02:24She's carrying Nick's baby!
02:29Quick, get in there!
02:30Yes!
02:43He chose Stephanie over me.
02:49My baby!
02:50My baby is gone!
02:51Why would you do this to me?
02:55How dare you!
02:56You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:00Are you happy now that Stephanie's baby's gone?
03:02I didn't do it.
03:03I know you don't want me here.
03:05I told you whatever happened between me and Drake is in the past.
03:08You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:13I didn't do it.
03:14You know me, I would never do that to Stephanie.
03:17Just apologize to Stephanie.
03:20I'm not going to apologize for something I didn't do.
03:22Apologize to Stephanie right now or I will divorce you.
03:32Divorce?
03:34If you apologize right now, then I'm willing to give you another chance.
03:38It's been three years, Drake.
03:45I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:51I already have a life.
03:52And right now I just want to focus on being on my marriage of Drake.
03:59I thought you would always be by my side, but I was wrong.
04:03The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:07Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:14Fine.
04:17Let's get a divorce.
04:25There's nothing left in my heart.
04:28Drake's nothing without me.
04:32My ring!
04:34My ring is gone!
04:35Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:45Yes?
04:47We were married for three years. Were you seeing someone else?
04:49Of course she was.
04:51Probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So what if I was, huh?
04:56And what about you? Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08But you actually seeing someone else? Who is he?
05:11Big talk!
05:13Don't bring me down to your level.
05:15I'm not like you.
05:17Since your sister-in-law lost her ring.
05:22Why don't you take...
05:29This one.
05:31You've been waiting for this for a long time, haven't you?
05:33Bye.
05:46And so I left.
05:50This is ridiculous!
05:52We, the Bennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter and even invested in his business.
06:00How dare that Drake do this to my daughter!
06:04Look.
06:05It's actually a good thing, Dad.
06:08Now we know who he really is and he has no idea who I am.
06:12Still, you're my daughter.
06:14I can't let him do this to you.
06:16If it weren't for you, I would not have considered investing in his company.
06:20We're gonna pull our investment immediately.
06:22Yes. It's time to cut him off.
06:24He doesn't deserve you.
06:26I'm over Drake.
06:28If we withdraw the plans now, it's going to hurt the family business.
06:32He's not worth it.
06:35Honey.
06:37Why didn't you just take a vacation?
06:40Oh, just put all this aside and take some time out for yourself.
06:44Yeah.
06:47No.
06:48I've wasted too much time with Drake over the three years.
06:54You know, now I want to focus on something that actually matters.
06:59You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:05Universal, Paramount, every major studio wants this.
07:09Liar's Game. Your story on the big screen. If you're in, I'd be happy to be the one headlining it.
07:18Oh. So that's why they're making it. Because of you.
07:22I'm sorry, Christopher Santoro.
07:25See? They're not funding the film. They're funding you.
07:29Wrong. They're funding the story. It's more than good. It's phenomenal.
07:34Christopher is right. I'm taking my life back.
07:43I'm going to adapt it myself.
07:46You are?
07:48Yes. I will.
07:50Good for you.
07:52I won't tell anyone I'm asking you.
08:04Congratulations to Aria Wong for winning the best director.
08:12This is my close friend from college.
08:15Aria, I need your help.
08:16I want to adapt the Liar's Game myself. And I want you to direct it.
08:22Of course.
08:24Okay.
08:26There's just one thing. I want to keep my identity as the writer a secret.
08:31I don't want anyone to know. Especially not the team.
08:35SQ. Are you sure? But why keep it a secret?
08:38I just want people to focus on the story itself.
08:41Got it. Your secret's safe with me.
08:43Hey.
08:46Oh my god.
08:50Dave. It's a bit weird.
08:53Ever since news got out about our movie, my phone has not stopped ringing.
08:58Really?
09:04It's Stephanie.
09:09Yeah, just take it.
09:10Take it.
09:14Hello?
09:15Hello, Miss Wong.
09:16I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:20Can we arrange an audition?
09:24I'll speak to the writer and I'll let you know.
09:28Thank you, Miss Wong.
09:30What do you think?
09:33Anyone can audition, right? As long as they're right for the role.
09:38What happened between me and Stephanie is not important here, so...
09:42Okay.
09:44I'll call her back and let her know.
09:45Mm-hmm.
09:56What about me?
09:59Can I be your hero?
10:00Can I be your hero?
10:05Oh, you mean, uh...
10:07A film, right?
10:09I've...
10:10I've never considered anyone else.
10:15I have to take this.
10:17Hi?
10:18You know, I'm not just talking about the film, Dorothy.
10:27It's okay.
10:29I can wait.
10:31I've waited this long.
10:37Well, well, well.
10:38Look who it is.
10:40Why are you here?
10:44Oh, I see.
10:45You're the production assistant.
10:48Well, do your job.
10:50Get me a water.
10:53Stephanie.
10:55Get your own water.
10:57I'm not your PA.
10:59Look.
11:00It's my first day on set and I want to buy coffee for the crew.
11:03Why don't you be a doll and mark down everyone's order?
11:07Why are you deaf?
11:09I'm not a PA.
11:11Here's your tip.
11:13Go on.
11:15Show some respect, Stephanie.
11:17Do you know who she is?
11:21What were you doing?
11:23Oh, no.
11:24She can't know, I'm asking you.
11:28I want to keep my identity as the writer a secret.
11:31I don't want anyone to know.
11:33Especially not the team.
11:35What do you mean?
11:39Who is she?
11:42No one but a lower PA, I'm sure.
11:48Isn't that right?
11:50Well, actually, she's...
11:51She's just a PA.
11:56You're right.
11:58So why don't you show me a lower PA, your acting skills?
12:03Maybe I'll be impressed even by who the coffee's myself.
12:06Watch this.
12:07I loved you once.
12:14Or so I thought.
12:16But now I see that it was all just a lie.
12:21A beautiful...
12:23Painful lie.
12:25Painful lie.
12:30You took everything from me!
12:33My dreams!
12:35I hate you.
12:40You see?
12:41There's no soul.
12:43That's not acting, it's just...
12:45reciting lines.
12:47Why don't you show her how it's done?
12:49What?
12:50Go on.
12:51Go on.
12:54Go on.
12:55Look at her.
12:56Assistant.
13:00I loved you once.
13:05So I thought.
13:06I loved you once, so I thought, but now I can see it was all a lie, a beautiful, painful
13:29lie. You took everything from me. My heart, my dreams, my future. And for what? For your
13:46own personal gains. How is that possible? Dorothy, that was perfect. The role is yours
14:05if you want it. No! This role is mine! I'm the one with the investment. Without me, there's
14:13no funding for this movie. Your investment? Do you even know who she is? Who is she?
14:24Who is she? As you know, no one but a PA. Dorothy, this movie is important to Stephanie. I mean,
14:32why are you here? You're not a real actress. What are you doing? You're trying to ruin her
14:35career. You're trying to get back at me by ruining her career. I'm not ruining anything.
14:40If she can't handle the role, that's on her, not me. You can't blame this on anyone else.
14:46You embarrassed her in front of everyone. I mean, I know what you're doing. You're the
14:50one pulling all the strings here. You're trying to make her fail so you can take her place.
14:54She's using this whole thing to get to you, Drake. She's been jealous from the start, trying
14:58to ruin my chance just to get back to you. Okay, no. I don't want to fight anymore. Well,
15:02just take a look at the script and maybe we can work something out. And you are just so
15:08damn selfish. You already care about yourself. Just give Stephanie her role back. You know
15:15what? I didn't want to do this, but I will. I'll take the role. I'll play the lead.
15:23I'll play the lead. No way! You can't be serious. She's not even a real actress. Dorothy's performance
15:35was far stronger than yours. Everyone in the room can see it. I'm so glad you've agreed to
15:43do the role. Right. It's settled then. The lead roles go to Christopher and Dorothy.
15:51I will double my investment if you give Stephanie a role. I never thought I'd see the day my
16:01ex-husband would go this far for his sister-in-law. I can always count on you, right?
16:12I will double my investment if you give a role to Stephanie. You two are just such.
16:20Okay, look. If the money's on the table, there's no reason to turn it down. Let's just give her
16:26part. We have nothing to lose. I guess that'll be fine. I'll talk to SQ.
16:38Your father's production company is already the biggest investor in your movie,
16:41so why take Drake's money? You don't... you don't still have feelings for Drake, do you?
16:47No. He's an asshole. Come on. I've got an idea. Why don't we just give her a character that'll
16:58make her miserable? Wow, Mr. Santaro. I feel bad now.
17:03I only wish you didn't have feelings for Drake anymore.
17:11How did she land herself the role? She's practically a nobody. No fanbase, no real experience.
17:19Just one good scene. Doesn't make sense.
17:23Find out everything you can about Dorothy. I want all the dirt.
17:37Director, there must be a mistake. I'm only a side character and not even in the main scene.
17:42You wanted a role, we gave you a role. I came in with an investment.
17:48Well, you're more than welcome to take it back and leave the set.
17:55Even a small role in SQ's film is going to do great things for your career. Now is not the time for you to be messing around.
18:00I'm sorry.
18:02Fine.
18:09Two take one.
18:10Action.
18:12Lily, you are my best friend. How could you do this to me?
18:14I'm sorry, but this is...
18:19What the hell are you doing?
18:20It's part of the scene.
18:26Okay, take it again from the slap.
18:28Action.
18:30Cut!
18:35Stephanie, why aren't you saying your lines?
18:37You have to keep going in the scene.
18:40I think you've had enough for today.
18:42We'll just try again tomorrow.
18:51Did you see her face? Absolute gold.
18:55I mean, she got what she wanted. She asks for a role and that's what we gave her.
18:59So...
19:00Seriously, her performance is all over the place.
19:03Maybe we should just cut down on her screen time.
19:06And we all know the film's better without her slowing us down.
19:11You're right.
19:13I'm not going to let anyone ruin your story.
19:15So if you can just give me something that's a bit more something about her job.
19:30What's going on with my scenes?
19:33Why have so many of them been cut?
19:35It's a collective decision.
19:39Fuck that. Let me talk to the writer.
19:42The writer is SQ and as you know, they never show their face.
19:45So their decision is final.
19:49I'll see you on set in five.
19:50Now it all makes sense.
20:10Now it all makes sense.
20:12That's the head of the production company.
20:15No wonder she got the role.
20:17Let's see how John's wife feels about that.
20:20Everyone, I have an announcement to make.
20:31Today will be Stephanie's last day on set.
20:34You really think I don't see through your little gaze?
20:42Somebody will be walking out that door today.
20:44But it won't be me.
20:47You really think you can get away with this?
20:50Sleeping your way up?
20:54John's wife is on her way.
20:56Let's see how you talk your way out of this one.
20:58Slut.
20:59That's enough!
21:08So were you the one who was stalking and secretly taking photos?
21:11What? Scared the truth is going to come out?
21:14Someone had to expose her for who she really is.
21:17So you admit it.
21:19You did it.
21:20Damn right I did.
21:21And I'd do it again if I had to.
21:25You don't know who you just crossed!
21:26Oh, I know.
21:29Just some rich old bastard throwing a tantrum.
21:32I sent those photos to your wife too.
21:34And now your mistress is about to be exposed.
21:38Yeah, security.
21:40Stephanie is banned from the studio.
21:42Make sure she never sets foot here again.
21:44You can't just do that!
21:46Oh, this is insane!
21:48What I have rights?
21:49I would only tell you the truth!
21:50She is a mistress, a loose woman, a lady of the night!
21:56Is it true that Dorothy is John's sugar baby?
22:04Otherwise, why would he come onto the set and get me banned from the movie?
22:08That's unbelievable!
22:10And he humiliated me!
22:11He had me dragged off the set like a criminal!
22:13You should have seen it!
22:15I'm not gonna let her just ruin her reputation like this!
22:19I mean, this whole message is making us look like fools!
22:21Dorothy's always been trouble.
22:25I mean, first she goes off with a married man and now this!
22:29I don't know how you put up with her for three years.
22:32You should have got a divorce earlier.
22:36Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:40It's the only explanation!
22:42She's clearly nothing but a slut!
22:44Oh!
22:44Drake, Stephanie is your sister-in-law.
22:50Now you need to take care of her and forget about Dorothy.
22:54Can't you see she's the one behind all of this?
22:57She was sleeping her way to the top, killing Stephanie's unborn child.
23:03And John dragging her off the set.
23:05You should be sticking up for Stephanie.
23:10I'm not gonna let her do this to you.
23:14Do you think you can just walk away from what you did like nothing happened?
23:29I didn't walk away from anything.
23:31You did.
23:32You chose Stephanie over me.
23:34Remember this one?
23:34Well, she's my sister-in-law.
23:36I'm so sick of hearing this.
23:39You have feelings for her and I'm just tired of it!
23:42You're out of your mind if you think I'm gonna let you get away with this!
23:46You do what you want to do.
23:48But for now, get out!
23:51Why?
23:57We were married for three years.
23:58And we never...
23:59Oh God, you fucking might let go of her!
24:02No wonder you want me to go.
24:14Just look at yourself.
24:17You're not half the man Christopher is.
24:20Get out.
24:22Or I will call the cops.
24:23Just go!
24:34Are you okay?
24:40Dorothy?
24:40Yeah?
24:41Yeah?
24:41Remember, safety first.
24:44The lifeguard's right there if you need him.
24:46Okay.
24:49Anything you need, let the AD know.
24:51Okay.
25:01Here's a coffee for you.
25:03It's still early before the shoot.
25:05Take your time.
25:21Oh!
25:24No.
25:55Something's wrong.
26:03That's not acting.
26:04She's in trouble.
26:11Where's the lifeguard?
26:16Where's the lifeguard?
26:25Where the fuck is the lifeguard?
26:46Come on, Dorothy.
26:49Come on, Dorothy.
27:20Christopher risked everything without hesitation.
27:24How could I have been so blind?
27:25I wasn't expecting that.
27:34I wasn't expecting that.
27:50Where were you?
27:58Dorothy could have drowned.
27:59I'm sorry.
28:00I had a stomachache.
28:01I had to go to the back.
28:02Make sure it doesn't happen again.
28:03Do you think that I should call Dorothy just to make sure she's okay?
28:13Are you still hung up on her?
28:15No.
28:17It's not like that.
28:18I'm just trying to be helpful.
28:19Don't you remember, Drake?
28:22She's the one who had me kicked out of the movie.
28:25She's the one who killed my baby.
28:27Not just my baby, but Nick's baby.
28:29I know I'm just her sister-in-law.
28:32Whatever happened between us is in the past, but I have no one now.
28:37No husband.
28:39No baby.
28:41I have left just you.
28:43Have you seen through Dorothy yet?
28:47She's nothing but a slut sleeping her way to the top.
28:49You don't know that.
28:52You know I'm right.
28:54Why else would John come onto the set and stand up for her?
28:57Not just John, but Christopher too.
28:59She's sleeping around with anyone she can find.
29:01She's a whore.
29:02Shut up.
29:02You want war?
29:14I'll give you war.
29:19Do it.
29:21Make sure Dorothy feels every little bit.
29:28Breaking news.
29:29Unknown actress seduces Hollywood heartthrob.
29:32Rising star or opportunist.
29:35Actress Dorothy's shocking affair with Christopher.
29:38Christopher's new flame or a heartless gold digger.
29:40Dorothy!
29:42Liar!
29:43The bitch!
29:45This is getting out of hand.
29:48Maybe we should just reveal her real identity.
29:51Let everyone know she's not just some random actress.
29:57Or is it?
29:58No.
29:59Dorothy, once we tell them who you are,
30:01there's no reason for them to attack you.
30:02There's someone behind this.
30:05And whoever they are,
30:06I'll make them hang.
30:13Fuck off.
30:14Well, this can't be right.
30:26I'd die in the second scene.
30:29This must be Dorothy and John forcing SQ to cut me out.
30:33They won't get away with this.
30:34Trey, can you believe this?
30:41They've completely written me out of the script.
30:44Do you remember when Nick was lying in that hospital bed?
30:47You promised him you'd look after me.
30:49I've already lost my husband and my baby.
30:52I can't lose my career too.
30:53Don't worry.
30:55I'll get you your character back.
30:56There's a tape of a documentary that apparently SQ has always wanted.
31:16So, if we win this bid and we gift it to them,
31:20we should be able to get you your rollback.
31:25Up next, a rare gem.
31:28The original film documentary chronicling the creative journey of none other than herself.
31:33Legendary screenwriter, Margaret Lane.
31:36$50,000.
31:39What's she doing here?
31:42I don't know.
31:44I'm not going to let her win this.
31:46$60,000.
31:51$70,000.
31:54$100,000.
31:58This is my grandmother's documentary.
32:00It's her legacy.
32:02She's the one who inspired me to become a screenwriter.
32:04I can't let her fall into the wrong hands.
32:09$500,000.
32:19$500,000.
32:23Trying to get you your rollback.
32:25Don't worry.
32:26I've got it covered.
32:28Ladies and gentlemen,
32:29we are down to the final bid.
32:31Standing at a whopping $500,000.
32:35$500,000 going once.
32:39$500,000 going twice.
32:42Salt.
32:43To the lady in the blue dress.
32:44I can't believe this.
32:54You have no right
32:55to take that film reel with you.
33:01You have no right
33:02to take that film reel with you.
33:06What's going on?
33:07Ladies and gentlemen,
33:15I've just been informed
33:16that Miss Dorothy
33:17is in fact not
33:18an invited guest.
33:20Therefore,
33:21as per our rules,
33:23this documentary reel
33:24will not be released
33:26to Miss Dorothy.
33:27This is ridiculous.
33:28I was invited.
33:29Well, in that case,
33:32may I see your invitation?
33:33I did have it,
33:39I swear.
33:40I'm sorry, Miss Dorothy.
33:41If you do not have
33:42the invitation at hand,
33:43the documentary reel
33:44has to go to the
33:45second highest bidder.
33:46This is the protocol.
33:47I don't understand.
33:48Do you know?
33:48I'm sorry.
34:03These are the rules.
34:10The documentary reel
34:11will go to the
34:12honourable couple.
34:32Stephanie, wait.
34:33Just sell it to me.
34:36Name your price.
34:37I'll pay you anything
34:38you want.
34:38It's really important
34:39to me, please.
34:40Why are you doing this?
34:43Are you just trying
34:43to get my attention
34:44by going after something
34:45that Stephanie wants?
34:47No, you don't understand.
34:49Just let me buy this.
34:52Whatever it takes.
34:54Dorothy.
34:55You think this is
34:56about money?
34:57Please.
34:58This isn't something
34:58you can just buy.
35:01Dorothy.
35:02What the hell did you do?
35:04Why do you always
35:04have to go against her
35:05like that?
35:05This reel is important
35:06to Stephanie.
35:07She can use this
35:08to help her career.
35:10Her career?
35:12Is this about you
35:13all being cut from
35:13fair?
35:16Is that why you're
35:16doing this?
35:17I'm the writer.
35:21I'm going to fix this.
35:22Can you write the story
35:23and bring your character
35:24back?
35:25Just let me have
35:27the real things.
35:28You're the writer.
35:30Are you telling me
35:31that you're SQ?
35:32You, the writer SQ.
35:38Can you give us a break?
35:39Look, this reel
35:41is important to Stephanie.
35:43End it.
35:44Don't make this harder
35:45than it has to be.
35:47You've been with Dorothy
35:48for so long
35:49and you don't even know her.
35:50Oh, and you do.
35:52A hell of a lot more than you.
35:53Who the fuck do you think you are?
35:54Both of you, calm down.
35:55Scratched all over.
36:10It's ruined.
36:11Not even fit to be a gift anymore.
36:14I can fix this.
36:15Stephanie, I know
36:16someone who can restore it.
36:17Just sell it to me, please.
36:18Just name your price.
36:22Even if I had no use for it,
36:24I'd never give it to you.
36:25I want to be a writer
36:53like you, Grandma.
36:55I want to make movies
36:56like you do.
36:58This reel
36:59has more than pictures
37:02and sound on it.
37:03Really?
37:04An entire world
37:06I've captured.
37:07But it's just one way
37:08of seeing things.
37:10The magic is
37:11creating it yourself.
37:13Someday you will.
37:14Dorothy, I need you to go apologize
37:29to Stephanie
37:29and give her her rollback.
37:32Apologize?
37:32To her?
37:34She destroyed the reel.
37:35Yeah, she wouldn't have done that
37:36if you hadn't pushed her.
37:42So go apologize or I'm pulling my funding.
37:45Look, Dorothy,
37:47let's be real here.
37:49Without Stephanie,
37:51who is going to invest?
37:52I mean, even the production company
37:54will call out if they hear
37:55that she's not involved anymore.
37:56Her name carries weight.
37:58Let's not pretend
37:59that your reputation
37:59is exactly stellar right now.
38:02Christopher's fans hate you.
38:03Stephanie's fans hate you.
38:05Even if you actually make this film,
38:07no one's going to support you.
38:09You will be buried.
38:13If you apologize to Stephanie now,
38:16I can help you.
38:18I can control the press.
38:20I can control the narrative.
38:22I can actually give you a chance.
38:26What's so funny?
38:29What's so funny?
38:31It's your fun day.
38:33Do it.
38:34You'll see it does nothing
38:35for the movie.
38:36Okay.
38:37So what if I tell
38:38the production head
38:39to pull his funding too?
38:41Didn't I tell you
38:42that I know Mr. Bennett?
38:43Oh.
38:45Go ahead.
38:46Quiet.
38:47You want me to call?
38:48Mm-hmm.
38:50Fine.
38:55Hi, Mr. Bennett.
38:56It's Drake.
38:57Drake Mossbacher.
38:58Yeah, I'm pulling my funding
38:59from Lies Game
39:00and I suggest that you do
39:01the same thing.
39:02I've seen it
39:02and it's a sinking ship.
39:03Ha ha ha ha ha ha.
39:06You're pulling out?
39:07Great.
39:07I'll take full control
39:08of the investment.
39:09Not a problem.
39:16So you're sat with it?
39:20That's why he's supporting you,
39:22isn't it?
39:22Is this how you see me?
39:26The type of woman
39:27who would use her body
39:28to get what she wants?
39:29What other explanation
39:29do you have?
39:32You know nothing
39:32about Dorothy.
39:33Apologize to Stephanie,
39:38cut ties with Mr. Bennett
39:39and end this.
39:40Dorothy, come back to me.
39:42Whatever he's offering you
39:42will match it.
39:43I'll double it.
39:45You must be able
39:45to leave the fucking mind.
39:47What makes you think
39:48I would ever go back
39:50to that living hell?
39:51Living hell?
39:52You heard me!
39:53Being married to you
39:54was a fucking nightmare.
39:57You made me believe
39:58you loved me.
39:59And then you had me
40:01waiting in vain
40:02for three years, Drake.
40:04You said you'd always
40:05protect me,
40:06but then when I need
40:06you the most,
40:09you should turn your back
40:10on me.
40:11You chose your sister-in-law
40:12over your wife.
40:17We've had enough, Drake.
40:18You were my prison.
40:20So just go back
40:21to your precious Stephanie.
40:27Let's just go.
40:29Why are you hurt?
40:38Are you okay?
40:46What is that?
40:46What are you doing?
40:47Well, you want me,
40:48don't you?
40:49Just kiss me.
40:49I'm all yours.
40:51Steph!
40:51You're Nick's wife.
40:52I've always thought of you
40:53like a sister.
40:55Sister?
40:57Funny.
40:58Don't you remember
40:59when you came to me
40:59the night Nick
41:00and I got married?
41:01Don't you remember
41:01what you said?
41:04Remember this?
41:05Yeah.
41:06Why not marry Stephanie?
41:08God.
41:09You were practically
41:09begging me not to marry Nick.
41:11No, I shouldn't have
41:11said that.
41:12I shouldn't have said that.
41:13I don't see that.
41:16What's that?
41:18Oh, it's nothing.
41:18Yeah, what is that?
41:19No, Drake, no.
41:20Please.
41:21You lied about this.
41:27You lied about this.
41:31You said that Dorothy
41:32pushed you into the water,
41:34but this shows you
41:34shoving her in.
41:36It's a glitch.
41:38A glitch.
41:40So, do you actually
41:40expect me to believe that?
41:42What's this?
41:45Find pills off the black market.
41:46Did anyone hear
41:49your pregnancy?
41:51It's you.
41:51First time
41:52when you blamed Dorothy
41:53like some sort of scapegoat
41:54and she was innocent
41:55the whole time.
41:56Please, no,
41:57you have to believe me.
41:58I didn't...
41:59Do you know what?
41:59I've always thought
42:00of you like a sister.
42:02I've always taken care of you.
42:03I even thought
42:03that I loved you once,
42:04but that was before
42:05you were Nick's wife.
42:08You've changed.
42:12You've changed.
42:12You're not the person
42:15I thought you were.
42:18I only looked after you
42:19because I thought
42:20it was my duty
42:20as Nick's brother
42:21to look after his widow.
42:24I guess there's no need
42:25to look after you anymore,
42:26huh?
42:27Well, what does that mean?
42:29You're just going
42:29to throw me away?
42:31I'm not going to
42:31throw you away,
42:32but this is my house.
42:36When I'm back,
42:37I hope you'll be gone.
42:39You can't just walk away
42:40from me like that.
42:41I've said everything
42:41that I need to say.
42:42No, I'm going to go
42:43find the person
42:44that I actually care about.
42:50Dorothy,
42:51this is all your fault.
42:56Let's take this bitch down.
43:10Dorothy, please.
43:12I was wrong.
43:20I misunderstood everything
43:22about you and about us.
43:27Can you please just hear me out?
43:29You think you can just
43:30come here and apologize?
43:33After everything?
43:34I didn't mean to hurt you.
43:35Look, I understand what I did,
43:38but it was just because
43:39it was definitely an anyone.
43:41Could you please just forgive me?
43:42I don't need your apology,
43:45I don't need your apology, Drake.
43:46You let me down.
43:47You abandoned me
43:49when I needed you the most.
43:52You used me,
43:54manipulated me,
43:55and now you beg
43:56for my forgiveness.
43:57Oh, God, please,
43:59just don't show me out.
44:00I can fix this.
44:02I can fix it.
44:02I can do anything, Dorothy,
44:04please.
44:05No.
44:07You were never the person
44:09I thought you were.
44:11And I'm not either.
44:13I've moved on.
44:16I don't need you.
44:17Not like I used to.
44:23Just take it.
44:24After everything.
44:25Yeah, that's it.
44:38I deserve better than this.
44:47Before you all celebrate this movie,
45:08there's something you should know.
45:10Dorothy is nothing but a homewrecker.
45:13What's going on?
45:15A glorified mistress
45:16who's been playing the part
45:17of a wonderful actress
45:19when all she's really done
45:20is ruin lives.
45:24This is true, Dorothy.
45:25We're being involved
45:25with a married man.
45:26What's your response
45:27to Stephanie's claim?
45:31This is ridiculous.
45:33Let's talk about
45:34how she got here, shall we?
45:37She didn't get here
45:38off her talent.
45:39Oh, no.
45:40She got here
45:41by clinging to powerful men.
45:44No real experience.
45:45No skill.
45:46Just a man's name
45:47and a man's money.
45:49Security!
45:50Get her out of here.
45:51Wait.
45:52If she has something to say,
45:54let's hear it.
45:55Dorothy,
45:56it's a trap.
45:57I'm not afraid of the truth.
45:59Let's see what she's got.
46:04What's going on?
46:06So tell us, Dorothy.
46:07How did you get here?
46:09Did you use your relationship
46:11with John Bennett
46:12to land the part?
46:29A homework, are you saying?
46:31Is there something wrong
46:32with me appearing
46:32with my own dad?
46:34You're the one
46:35who sent me this photo, right?
46:36How about you take another one?
46:38This time,
46:39of my lovely family of three.
46:41Dorothy, Dorothy, Dorothy.
46:43Are you really
46:43John Bennett's daughter?
46:44Yes.
46:45I bet you never ask
46:46my last name.
46:47It's Bennett's,
46:48by the way.
46:49So, Dorothy is the
46:52producer's daughter.
46:54Dorothy,
46:55so,
46:55did you use your father
46:56to get the part?
46:57Aha.
46:58So, it's just nepotism,
47:00then.
47:04Well, even if she didn't
47:05fuck her way to the top,
47:07she still only got here
47:07through her connections.
47:09Whether you like it or not,
47:10my performance
47:11speaks for itself.
47:12And everyone here
47:13saw it.
47:14She was actually really good.
47:15Yeah,
47:15she handled the models.
47:17Oh, are you saying
47:18that everyone here
47:18is wrong?
47:19You think you're so clever,
47:21don't you?
47:22Fine.
47:23You can act
47:24a little bit.
47:25But let's be real.
47:26You didn't land
47:27this role on your own.
47:28You just snapped
47:29your bony little fingers
47:30and let daddy
47:31give you a role.
47:32How else
47:33would a nobody like you
47:34have landed yourself
47:35the lead otherwise?
47:36Dorothy isn't just
47:37a nobody.
47:40She wrote
47:41Liar's Game.
47:43She is SQ.
47:44Dorothy is SQ.
47:50How can that
47:51be possible?
47:52Liar's Game is a masterpiece.
47:54There's no way
47:54you could have written it.
47:56You don't have to
47:56believe me.
47:57Just let the credit
47:58speak for itself.
48:03How can it be true?
48:04Dorothy Bennett,
48:11you're the daughter
48:11of the producer
48:12and the famous writer
48:13SQ.
48:14Why did you keep
48:14your identity a secret
48:15so long?
48:19Why did you keep
48:19your identity a secret
48:20so long?
48:21Stephanie Marsbecker,
48:22Linda Marsbecker
48:23and Ellie Marsbecker,
48:24I'm arresting you
48:25on suspicion of defamation.
48:26No, no, no,
48:27I didn't do anything wrong.
48:28This was all Stephanie's
48:29idea.
48:29I didn't do anything.
48:37This whole time
48:38she was actually
48:39telling the truth.
48:41Dorothy's SQ.
48:43She's genius.
48:46That's why she always
48:47had a book in her hand.
48:48I'm always writing
48:51something on her
48:52laptop, always
48:52lost in her thoughts.
48:56I didn't even see her.
48:59I guess I was blind
49:00all along.
49:02I don't deserve that.
49:07I think.
49:18I've missed this place.
49:25Don't you remember?
49:27Of course I do.
49:28We saw so many films here.
49:31We would just
49:32stay in our seats
49:33and talk
49:35about life
49:36and everything.
49:38You just made me feel
49:39like I could face
49:40anything really.
49:42God, I used to be
49:46so nervous
49:47back then
49:47about everything
49:49about the future.
49:53But you just made me
49:54feel like I could face
49:55all anything really.
49:57No.
49:59Someone had to be there
50:00to make sure you didn't
50:01have to think everything.
50:03I remember you used to
50:04unpick every little detail
50:05like it was a life
50:06or death situation.
50:07You know, Dorothy
50:12life's not been the same
50:16without you.
50:20Even when we parted ways
50:21I've
50:21I always knew
50:24that we would find
50:24each other again.
50:28I don't care
50:29what we've been through.
50:31I don't care
50:31what's happened.
50:32All I know
50:33is that I need you now.
50:37more than ever.
50:53And the award
50:54for best adapted
50:55screenplay
50:56goes to
50:57Dorothy Bennett
50:58with Liar's Game.
51:03Wow.
51:04Best screenplay.
51:05Shall I start calling you
51:08Your Majesty?
51:09I think that's a great idea.
51:11Why don't we start now?
51:14You deserve this.
51:15Your Majesty.
51:17Every bit of it.
51:19Now.
51:21Since you've won
51:22I think this calls
51:23for a reward.
51:25Oh yeah?
51:28And what would that be?
51:32Me.
51:32Me.
51:32I think that's a great idea.
51:34I think that's a great idea.
51:35I think that's a great idea.
51:35I think that's a great idea.
51:36I think that's a great idea.
51:36I think that's a great idea.
51:37I think that's a great idea.
51:37I think that's a great idea.
51:38I think that's a great idea.
51:38I think that's a great idea.
51:39I think that's a great idea.
51:39I think that's a great idea.
51:40I think that's a great idea.
51:40I think that's a great idea.
51:41I think that's a great idea.
51:42I think that's a great idea.
51:43I think that's a great idea.
51:44I think that's a great idea.
51:45I think that's a great idea.
51:46I think that's a great idea.
51:47I think that's a great idea.
51:48I think that's a great idea.
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