- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Hi.
00:04:55ega Guiaqero.
00:04:56Yes.
00:05:04Um,
00:05:14uh,
00:05:20Oh, my God.
00:05:50Oh, my God.
00:06:20Oh, my God.
00:06:50Oh, my God.
00:07:20Oh, my God.
00:07:50Oh, my God.
00:08:20Oh, my God.
00:08:49Oh, my God.
00:08:51Hey, excuse me, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:56Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:00Okay.
00:09:00Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to make for the Children of the Sun?
00:09:12Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34So it is.
00:09:35So it is.
00:09:35Did he make love to you?
00:09:37No.
00:09:38He's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having, whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Ah, I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:32Come on, listen up.
00:12:48I feel uncomfortable.
00:12:50Well, there's no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:35But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:55Please help me.
00:13:55You know, love can be a strange thing.
00:14:05And I'll do anything for you.
00:14:07You know, love what I'm doing?
00:14:09You know what I mean?
00:14:11Bye.
00:14:11Bye.
00:14:12Bye.
00:14:13Bye.
00:14:14Bye.
00:14:17Bye.
00:14:20Bye.
00:14:22Bye.
00:14:22Bye.
00:14:25Bye.
00:14:27Bye.
00:14:28Bye.
00:14:28Bye.
00:14:28Bye.
00:14:29Bye.
00:14:30Bye.
00:14:31Bye.
00:14:32Bye.
00:14:33Bye.
00:14:34Bye.
00:14:34Bye.
00:14:35Bye.
00:14:35Well, the light is not the best, but...
00:14:45We shall do what we can.
00:14:50It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:57But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:14You better start praying that...
00:15:17you don't end up reincarnated as a turtle.
00:15:20Ha, ha.
00:15:22Sometimes you're a real asshole.
00:15:26Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:33What a whirlwind.
00:15:38What's wrong?
00:15:39Are you nervous?
00:15:41Huh?
00:15:42What is it? Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:51There's a man up there.
00:15:56Haven't you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, alright?
00:16:04Look at him. Look at him.
00:16:07The hat, his face. He's a pirate.
00:16:09I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:23Aw.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:02Looks like Florida.
00:17:04What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:24Is it far to the fishing village?
00:17:35500 meters.
00:17:37Down that way.
00:17:39Okay.
00:17:55I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:58Whatever you like.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08Alright.
00:18:15Bye.
00:18:24Hi.
00:18:45Hi.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:03Good morning.
00:19:04Good morning.
00:19:12No, thanks.
00:19:13Hey.
00:19:14Hey, let me take a picture.
00:19:24You.
00:19:40We go.
00:19:42Whew.
00:19:43Bye.
00:19:44Your thoughts, your feelings, your way to walk.
00:19:47Your smile, your feelings, or your way to be.
00:19:51You've ruined your feelings,
00:19:54I'm a little more than ever.
00:19:59Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:18Uh, who's that woman?
00:20:20Uh, who's that woman?
00:20:22A very well-known American writer.
00:20:24Joanne Sullivan?
00:20:26Mm-hmm.
00:20:27I know her.
00:20:28The two of us were at the same school.
00:20:30I think I'll say hello.
00:20:31Mm-hmm.
00:20:32Hmm.
00:20:33Mm-hmm.
00:20:34Mm-hmm.
00:20:35the two of us were at the same school.
00:20:36I think I'll say hello.
00:20:37Mm-hmm.
00:20:38Mm-hmm.
00:20:39Joanne?
00:20:40Joanne?
00:20:41Mm-hmm.
00:20:42Who is it?
00:20:43You remember Andy the nerd?
00:20:44Andy the nerd?
00:20:45Oh, Andy.
00:20:46Mm-hmm.
00:20:47Oh, my God.
00:20:48Oh, my God.
00:20:49Is it really you?
00:20:50Uh-huh.
00:20:51Uh-huh.
00:20:52Oh.
00:20:53How are you?
00:20:55Good.
00:20:56Good, good.
00:20:57Good.
00:20:58Fine.
00:20:59She fits.
00:21:00Go.
00:21:01Okay, I'm good.
00:21:02Don't have to come.
00:21:03Good.
00:21:04Well, I'm good.
00:21:05I'm good.
00:21:06Oh, god.
00:21:07You're good.
00:21:08You're good.
00:21:09Who am I your partner?
00:21:10Oh, dear Grace?
00:21:11And you're true.
00:21:12What do you care about it?
00:21:15You're good, dear Grace?
00:21:16dee I'm really good.
00:21:17Oh, dear Grace.
00:21:18Well, thank you.
00:21:19Oh, dear Grace.
00:21:20Great to see my old valedictorian.
00:21:22Great to see you.
00:21:24What are you doing here?
00:21:26I'm taking pictures for a magazine.
00:21:28Fantastic. Come and sit down.
00:21:30What are you doing?
00:21:32Escaping. But don't ask me from what.
00:21:34Because I don't know.
00:21:36Maybe from myself.
00:21:38I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:44How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden. I read.
00:21:59Don't you like long for New York at all?
00:22:04No.
00:22:05America is in an advanced state of decomposition, Andy.
00:22:09Like the whole of the West.
00:22:11It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:24I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on. It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Mmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:47Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:52My pleasure.
00:22:53Great.
00:22:55Here comes the food.
00:23:00Oh, good.
00:23:01We can try the local cuisine.
00:23:02Here it is, the chef's special.
00:23:04Mmm.
00:23:05Mmm.
00:23:06Mmm.
00:23:07That looks...
00:23:08Enjoy your food.
00:23:09I'm starving.
00:23:10Oh, that looks good.
00:23:13Consuela's such an extrovert.
00:23:15She's always bright and sunny.
00:23:17She's just my opposite.
00:23:19I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:25Mmm.
00:23:26If I could only get used to going to bed so easily.
00:23:29Yes.
00:23:30It's knowing how to start it up.
00:23:33Yeah.
00:23:34Warm up.
00:23:36It's simplest to make it with someone you know.
00:23:40The first up's taken already.
00:23:42Are you making advances?
00:23:45I'm attempting to find you an answer.
00:23:48I don't think Criella thinks it's such a good idea.
00:23:52Criella.
00:23:53It might be more fun if we didn't leave her out.
00:23:57Since when's three of the crowd?
00:23:59Oh, Andy, come on.
00:24:01I thought you were emancipated.
00:24:03But you're still stuck in the 70s.
00:24:05Sex, lib, dreaming.
00:24:07That's all to add.
00:24:08You disappoint me.
00:24:18Esa mujer tiene el corazón duro.
00:24:20Con MFP.
00:24:21Esa mujer tiene el corazón duro.
00:24:22Con MFP.
00:24:23Con MFP.
00:24:37There we go.
00:24:38Yeah, I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:07His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:23Hey, maybe that person is the girl that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:39He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:52It's like I said, this isle just wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:00He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52I love you, Andy.
00:27:16I love you more than anything else in the world.
00:27:22Me, too.
00:27:31I love you, too.
00:27:34God.
00:27:39It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:27:52It'll pass.
00:27:53It'll pass.
00:27:54It'll pass.
00:27:55It'll pass.
00:27:56It'll pass.
00:27:58God d it.
00:27:59患者 oọ.
00:27:59God.
00:28:01God.
00:28:02Give me theります.
00:28:03Yes, I love you.
00:28:05I love you, too.
00:28:05Look with yourself.
00:28:08Two of his friends friends.
00:28:09With you, too.
00:28:09Watching husband dibujose sorrow and roads.
00:28:11Your revenge friends and wings.
00:28:13I love you.
00:28:14I love you.
00:28:16I love you, too.
00:28:17I love you, too.
00:28:18Now you, too.
00:28:18I love you.
00:28:19I love you, too.
00:28:20Oh, my God.
00:28:50Oh, my God.
00:29:20Oh, my God.
00:29:50Oh, my God.
00:30:20Let's go.
00:30:21Let's go.
00:30:22Let's go.
00:30:24Let's go.
00:30:26Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:40Thanks, anyway.
00:30:43You know, you should go around by yourself.
00:30:48It's asked him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:57It's your life.
00:30:58Do what you want.
00:31:00What are you doing?
00:31:01Offering you a little hospitality.
00:31:06Here.
00:31:07Have a drink.
00:31:35Thank you for having me.
00:31:37Hi, please.
00:31:38Thank you, sir.
00:31:39Thank you, sir.
00:32:01You there?
00:32:09Grilla?
00:32:16Grilla?
00:32:20Grilla?
00:32:23Grilla?
00:32:25Grilla?
00:32:31Grilla?
00:32:39Have you seen Grilla?
00:32:41No.
00:32:44There's no sign of her on the beach, the bungalow's empty, she's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51Yeah, I expect you're right, thanks, Consuelo.
00:32:53Ciao.
00:33:01Oh, where the hell have you been? I looked all over for you.
00:33:08I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:31Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again.
00:33:55No way, forget it.
00:33:57Well, I can't forget it.
00:33:58I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:15I'll be all right again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:24Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:33All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need so badly.
00:34:46I'll be able to give you what you need so badly.
00:34:47I'll be able to give you what you need so badly.
00:34:48I'll be able to give you what you need so badly.
00:34:49I'll be able to give you what you need so badly.
00:34:50I'll be able to give you what you need so badly.
00:34:51I'll be able to give you what you need so badly.
00:34:52I'll be able to give you what you need so badly.
00:34:53I'll be able to give you what you need so badly.
00:34:54I'll be able to give you what you need so badly.
00:34:55I'll be able to give you what you need so badly.
00:34:56I'll be able to give you what you need so badly.
00:34:57I'll be able to give you what you need so badly.
00:34:58I'll be able to give you what you need so badly.
00:34:59Let's go.
00:35:29Let's go.
00:35:50Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:12I'll get another chance.
00:36:13Yes.
00:36:17Yes.
00:36:17Yes.
00:36:18Do you want a drink?
00:36:40No, not for me.
00:36:42How come?
00:36:48One needs a good motive to get drunk, but I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly, I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:25Don't you tell the truth?
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:50The broken hearts.
00:38:04I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:18Do you want to make love with me again?
00:38:20Yes.
00:38:22Well, not today.
00:38:31What are you afraid of?
00:38:32That your woman will find out?
00:38:38Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I'd prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06Hey, I'm always lying.
00:39:08It's not true.
00:39:09I'm not lying.
00:39:10I'm not lying.
00:39:11I'm not lying.
00:39:12I'm lying.
00:39:13I'll tell you about this.
00:39:14Bye, goodbye.
00:39:15Adios.
00:39:16Goodbye.
00:39:30Goodbye.
00:39:34Goodbye.
00:39:35Goodbye.
00:40:08It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound change.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:53Joanne gave me one too with a dedication.
00:40:55I saw my eyes out.
00:41:10For a romantic novel, it's not bad.
00:41:14It's a model a fun thing to be, Criola.
00:41:20I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or model.
00:41:28But I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:07Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris?
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:04Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:29I'm not leaving this island without you.
00:43:33Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So?
00:44:28Stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:45I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:09Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criollo will soon come back.
00:45:14Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Mm-hmm.
00:45:24No?
00:45:48Yeah.
00:45:49have you seen Leon sorry to disturb I want a word with him I'll leave you two together wait
00:46:18what do you want iris iris you've got her you don't want iris iris is free to do what she wants adios
00:46:29so
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00:48:08it makes sense.
00:48:09Why don't you believe me?
00:48:11He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:25I know him.
00:48:27It's me he loves.
00:48:31I'll wait.
00:48:34Oh, Christ.
00:48:38He's with someone else.
00:49:08Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:25It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you, you've seen her?
00:51:01Yes, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:16She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26I have to.
00:51:27She.
00:51:27Don't go.
00:51:39Don't go.
00:51:42Don't go.
00:51:43Don't go.
00:51:45Don't go.
00:51:47You're hurting me.
00:52:02You're hurting me.
00:52:17Where can I find Leon?
00:52:25Leon's gone fishing, senor.
00:52:27In his boat.
00:52:29Thanks.
00:52:47You're hurting me.
00:53:17Put it in the pail.
00:53:47You don't have to cook it.
00:53:49You'll have to learn.
00:53:54Hey, what are you doing here?
00:54:01Criola.
00:54:02Criola.
00:54:03Criola.
00:54:04Criola.
00:54:05Criola.
00:54:06Criola.
00:54:07Criola.
00:54:08Criola.
00:54:09Criola.
00:54:10Criola.
00:54:11Criola.
00:54:12Criola.
00:54:13Criola.
00:54:14Criola.
00:54:15Criola.
00:54:16I can do it.
00:54:17Criola.
00:54:18Criola.
00:54:19Criola.
00:54:20Criola.
00:54:22Criola.
00:54:23Criola.
00:54:24Criola.
00:54:25Criola.
00:54:26What do you want?
00:54:27I've come together.
00:54:29Leon.
00:54:30No.
00:54:31What are you doing?
00:54:32Criola.
00:54:33What are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:19With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't want you.
00:55:27I'm terribly sorry, Ant.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:39My life is meaningless without you.
00:55:44I can't believe you.
00:55:45I can't believe you.
00:55:45I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem, really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks, but not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:39I'm going to do this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:45For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:55Okay.
00:56:57Tell mother everything.
00:57:00I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet patient.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She's bound to tire of it.
00:57:18She always does.
00:57:23This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Hmm.
00:57:57Yeah.
00:57:59It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Hmm.
00:58:06A Buridan.
00:58:08It's usual.
00:58:09When they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:23Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41Right.
00:58:53That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49It's nice.
00:59:49Oh, my God.
01:00:19Oh, my God.
01:00:49Oh, my God.
01:01:19Y cuando llegaste me miraste me dices, loco, estás mojado, ya no te quiero.
01:01:28Hace frío, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto, ¿para qué sirven las fiestas?
01:01:40Tengo un boquete en el pantalón, vos estás tan fría, como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dijiste, loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:57Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:05Go away from here.
01:03:35Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:57And we are here getting drunk.
01:04:05And if only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:19Hello?
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that...
01:04:59I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:07Nothing can make me change ever.
01:05:11I, uh...
01:05:13I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:26You're lying.
01:05:30Hey!
01:05:31What do you want?
01:05:33I need you, Leon, a ride to the mainland, so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:56She's got work to do.
01:05:58And I want something to eat when I get back.
01:06:03Anyway, it's okay.
01:06:05It's okay.
01:06:06I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now.
01:06:40Not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:46I have work to do.
01:06:50You win.
01:06:51Okay.
01:07:21So, Jack.
01:07:22Go Skeletch.
01:07:24No, you're not good.
01:07:29What do you want to eat?
01:07:30Um, what are you looking for?
01:07:32What do you want to eat?
01:07:33Let all 11 years later.
01:07:34You make too billions of time, up to your plate.
01:07:35Six figures you want.
01:07:36Not now.
01:07:38I hope it's enough.
01:08:06Don't worry, no problem. It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:15Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning, and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday, when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:36Let me in on it.
01:09:06Oh, my God.
01:09:08Let me in on it.
01:09:10Oh, my God.
01:09:11Oh, my God.
01:09:13Oh, my God.
01:09:14Oh, my God.
01:09:16Oh, my God.
01:09:16Oh, my God.
01:09:48There must be something
01:10:18caught in the propeller.
01:10:20I'm going down to have a look.
01:10:48Come on, let's go.
01:10:51Come on, let's go.
01:11:21Come on, let's go.
01:11:23Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:48Iris!
01:12:00Iris!
01:12:02Stop it!
01:12:25You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Parker didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:51so much it made a fool of you, Leon.
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say,
01:13:05at least I'm not like Leon.
01:13:07I'm not like Leon.
01:13:19They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:26It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:32But he loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:43You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:59I love Leon.
01:14:01And I won't leave him.
01:14:02You think you love him, but you don't, really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola,
01:14:35and faced up to it.
01:14:37The truth may hurt you, so you need courage.
01:14:40Hello, Andy.
01:14:50Hello, Andy.
01:14:56We thought...
01:14:57We thought that island would help us escape from reality.
01:15:05We must accept the place of scientists on this earth.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:40They say these islands cast a spell on lovers.
01:15:42They say this.
01:15:52We get...
01:15:52They say this.
01:15:52They say this.
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