00:00Sous-titrage Société Radio-Canada
00:30...
01:00...
01:02...
01:03Must be the book.
01:05I've been remembering things I hadn't thought about in years.
01:11Just all of a sudden I knew exactly what you looked like when you were a little girl.
01:14What if they hate it?
01:32Well, they'll be wrong.
01:34And they'll be wrong.
01:43Come on, Vera.
01:44We did some good work today, don't you think?
01:50It felt good.
01:51You see, Vera.
01:52Do you really think that life is shaped by the yeses and not the noes?
02:01Mm-hmm.
02:02Well, I said yes once and it was a complete disaster.
02:08Mm.
02:10Well, my guess is that you were just saying the word.
02:13What you're really doing is saying no to yourself.
02:16You're a remarkable talent, huh, Miller?
02:22Oh, thanks.
02:23And Robin was right.
02:25You are a great editor.
02:27Susan Stone.
02:27Well, thank you.
02:28Thank you.
02:29Thank you.
02:34Is it that late?
02:36I guess so.
02:37Yeah.
02:38All right, well, um, I'll see you bright and early.
02:42Okay.
02:43All right.
02:44Good night.
02:45Good night.
02:45Good night.
02:45Good night.
02:54Good night.
02:56Bye.
03:08Suze?
03:10Mm-hmm?
03:11I think he wanted to kiss you.
03:13Don't be ridiculous.
03:15This is strictly a working relationship.
03:17Why can't it be both?
03:19Because you don't make your bed where you eat.
03:22Well, I'm sure he's a lot of fun.
03:26Suze?
03:27Hmm?
03:28I love that he plays the trombone.
03:30Now I'm beginning to think that you don't understand Fooey as a character.
03:47I do, too.
03:48Well, then why would you want me to change Fooey's reaction?
03:51Because I just don't believe that any sane woman who's thrown into a squalid jail in Selma
03:55is going to be so serene and calm.
03:58I'm almost happy.
03:59Hmm.
03:59So you really don't understand?
04:01You don't know what you're missing here.
04:03I'm on a diet.
04:04Oh, you don't need to diet.
04:05Come on.
04:05Come on.
04:06Try this.
04:09Hmm?
04:10Hmm?
04:10Hmm?
04:11Now, see, Fooey was one of those rare, wonderful people.
04:15No matter what the disaster, she always saw it as an opportunity.
04:19The glass was always half full.
04:20Of course, that drives the half-empties totally crazy.
04:24Who does that remind you of?
04:26That is wonderful.
04:27Mm-hmm.
04:27This woman is a genius.
04:29Finish it.
04:29Finish it.
04:30Oh.
04:30Thank you.
04:31Thank you.
04:37Hmm.
04:38Wait till you try her Napoleon.
04:41You know, I think Aunt Pru would love my brother Bob.
04:44Yeah?
04:44Well, in that case, I probably will, too.
04:46I told you.
04:47Prince Charming.
04:48Bye.
04:49See?
05:06Bye.
05:08Bye.
05:13Bye.
05:15Bye.
05:16Bye.
05:16Bye.
05:17Sous-titrage Société Radio-Canada
05:48Good, good. You wouldn't believe all the work we've gotten done in the last two weeks.
05:51You want to patch me through to Dilly?
05:54How you doing?
05:57Oh, that's wonderful, Dilly. Yeah.
06:00Yeah, that was a great review. How about getting another one, huh?
06:05New pages. Oh, Dilly.
06:08That's great. No, that's better than great. That's wonderful.
06:13Yeah.
06:14Oh, I'm glad you like her.
06:16Robin is sweet, isn't she? Yeah.
06:20Okay, all right. Yeah, you know what? I'm just checking in with you, so I'm, uh...
06:24I'll just call you back later, okay?
06:27Okay, all right. Bye.
06:29Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes
06:59non, pourquoi je dois.
07:00Ceci est-à-dire pour moi.
07:02Parce qu'il ne soit pas pour vous mettre votre nom
07:04pour ce qui n'est pas votre meilleur travail.
07:08Vous...
07:09Non, non, non.
07:10Vous sindiez en ce...
07:11Non, non, non.
07:12Vous étiez vraiment vite ce matin.
07:14Merci, merci, merci.
07:16On le lit.
07:18On le lit?
07:19Qui m'ont dit.
07:20Je suis tous h thee.
07:22C'est le meilleur que je peux en faire.
07:23Je suis juste le livre, tu n'est-ce pas,
07:25quoi, tu n'est-ce pas.
07:27Non, non, non. Je vous remercie.
07:29Je ne dis pas que je remercie.
07:51C'est une certaine desastre.
07:53Non, non, non, non. C'est un peu comme un bon schizophren.
07:55Non, ce n'est pas arrivé, all right ?
07:57Je veux dire que ça n'est pas arrivé.
07:59Je veux dire que ça n'est pas arrivé.
08:01Je peux dire ça, mais ça ne serait pas vrai.
08:03Non, non, ça n'est pas arrivé, all right ?
08:08Let's go.
08:18C'est quoi que je pensais ?
08:20C'est un bon, pas un bon.
08:22C'est totalement, totalement unprofessionnel.
08:24Baloney.
08:25You're just afraid all men are like Peter.
08:27Bob isn't, dad wasn't.
08:29I finally get myself a damn new decent writer,
08:31and I blow it.
08:37So, anyway, if I can make the noon train,
08:40I can get it on the weekend read.
08:43Just a little surprise, that's all.
08:45Thought we had a few more days.
08:47Didn't realize we were done.
08:49Well, not done done, but done enough to get some input.
08:52Mm.
08:58So, uh, what are you doing for the holidays ?
09:01Oh, I'm not sure.
09:03I was actually thinking of just staying at home this year.
09:06So...
09:07Hmm.
09:14Yep, careful, you're stepping on Uncle High one there.
09:15Oh, sorry.
09:16Sorry.
09:17I never knew anyone who had their own cemetery.
09:22My mother and father.
09:26Mom.
09:27Dad.
09:28I'd like you to meet Susan.
09:35I think they would have liked you.
09:41You sure you're not running back because of last night ?
09:44Tom, um, last night was entirely my fault.
09:47It was a huge mistake.
09:50I mean, we could never, ever, ever possibly become romantically involved.
09:57But we already are.
09:58No, no, it can't happen.
09:59I mean, it would be a disaster for the book.
10:02But I see it happening.
10:04What are you talking about ?
10:06I've already seen it.
10:07Oh, please, Tom.
10:08Come on.
10:09You're being crazy now, okay ?
10:10I mean, one indiscreet moment means nothing more than one indiscreet moment when we were
10:14both so tired that we lost it.
10:17I didn't lose it.
10:21Listen to me, okay ?
10:22I'm your editor.
10:23That is all.
10:24Nothing more.
10:25But Susan...
10:26No, I like you.
10:27I do.
10:28Just not in that way.
10:33Oh.
10:34I'm...
10:35I'm sorry, I...
10:40Well, I guess maybe I, uh...
10:43Maybe I don't have the gift after all, huh ?
10:49Well, maybe we should get started.
10:50I don't want to be late.
10:52No.
11:05Ike again.
11:07I like you, too.
11:08Fine.
11:10How are you doing this?
11:12I liked you, too.
11:18Where are you building this door?
11:22Well, I, there's nothing in my mind.
11:25I guess I could go there.
11:27Yeah, I was watching.
11:28I was going there, she stayed at night.
11:30There's nothing in my mind.
11:31I think I didn't know.
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