- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54I know you got it down to the back.
00:04:55the
00:05:20the
00:05:20Oh, my God.
00:05:50Oh, my God.
00:06:20Oh, my God.
00:06:50Oh, my God.
00:07:20Oh, my God.
00:07:50Oh, my God.
00:08:20Oh, my God.
00:08:51Hey, excuse me.
00:08:53Have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:56Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:01Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04Keep the literature.
00:09:04That might help you spiritually.
00:09:17Are you trying to get me trapped?
00:09:18Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34So it is.
00:09:35Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, Simple Islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having, whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for Laura's time then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is...
00:12:29Great.
00:12:36Come on, loosen up.
00:12:49I feel uncomfortable.
00:12:50Well, no need.
00:12:58What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18You mean that he...
00:13:19You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55And I'll do anything else.
00:13:56I'll do anything else.
00:13:57I'll do anything else.
00:13:58I'll do anything else.
00:13:59I'll do anything else.
00:14:01I understand, Criella.
00:14:03You know, love can be a strange thing.
00:14:05I'll do anything else.
00:14:08My wife's sister.
00:14:09I'll do anything else with all of her.
00:14:11Yes.
00:14:12Let's go.
00:14:42We shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:28I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:48And this boat.
00:15:51And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:52Hey, it's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:22Bye-bye.
00:17:23Bye-bye.
00:17:32Uh, is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:52I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long, Ira.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:22Bye.
00:18:43Bye.
00:18:44Bye.
00:18:44Bye.
00:18:45Bye.
00:18:45Hi.
00:18:46Bye.
00:18:47So you came at last?
00:18:48Bye.
00:18:48Bye.
00:18:49Bye.
00:18:49Bye.
00:18:50Bye.
00:18:50Bye.
00:18:50Hi there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:11No, thanks.
00:19:13Hey, let me take a picture.
00:19:20Me has robado todos mis sentimientos y tengo más remedio que amarte más.
00:19:40Dime, muñeca linda, que tú me hiciste, que cada día que pasa te quiero más.
00:19:44Dime si son tus besos o tus caricias o tu forma de caminar.
00:19:48Adiós, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:12Mmm, well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:20:57Joanne, who is it?
00:21:08Remember Andy the nerd?
00:21:11Oh, Andy the nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:22:55Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:11Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:45I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10Esa mujer tiene el corazón duro con MFP.
00:24:40Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:09She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:23Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:58Poor guy.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:12Me?
00:26:14Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:50This music's getting on my nerves.
00:27:08Sorry.
00:27:10I wasn't serious.
00:27:13I was a joke.
00:27:15I love you, Andy.
00:27:16I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:39It's okay.
00:27:41If you're tired.
00:27:43It's happened before.
00:27:49It'll pass.
00:27:50Yes.
00:27:52I love you.
00:27:59Mila.
00:28:02It's because I owe you all for a long time.
00:28:04I don't care.
00:28:10Bye.
00:28:11Bye.
00:28:13Bye.
00:28:13Bye.
00:28:15Bye.
00:28:16Bye.
00:28:17Bye.
00:28:18Bye.
00:28:20Bye.
00:28:20Oh, my God.
00:28:50Oh, my God.
00:29:20Oh, my God.
00:29:50Oh, my God.
00:30:20Oh, my God.
00:30:21Let's go.
00:30:22Let's go.
00:30:24Let's go.
00:30:25Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:41Thanks, anyway.
00:30:43You know, you shouldn't go around by yourself.
00:30:49Let's ask him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:58It's your life.
00:30:59Do what you want.
00:31:04What are you doing?
00:31:05Offering you a little hospitality.
00:31:21Here.
00:31:22Have a drink.
00:31:30Here.
00:31:31Here.
00:31:32Here.
00:31:33Here.
00:31:34Here.
00:31:35Here.
00:31:36Here.
00:31:38Here.
00:31:39Here.
00:31:40Here.
00:31:41Here.
00:31:42Here.
00:31:43Here.
00:31:44Here.
00:31:45Here.
00:31:46Here.
00:31:47Here.
00:31:48Here.
00:31:49Here.
00:31:50Here.
00:31:51Here.
00:31:52Here.
00:31:53Here.
00:31:54Here.
00:31:55Here.
00:31:56Here.
00:31:57You there?
00:32:04Grilla?
00:32:09Grilla?
00:32:15Grilla?
00:32:21Grilla?
00:32:23Grilla?
00:32:24Grilla?
00:32:39Have you seen Grilla?
00:32:40No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand. I took some magnificent pictures. Things I'd never have found without her.
00:33:28Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:14No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you. I don't know. It's just...
00:34:24Look.
00:34:26I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:43I'll be able to give you what you need so badly.
00:35:11I'll be happy again.
00:35:13I will be happy again.
00:35:14I'll be happy again.
00:35:15Let's go.
00:35:45Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:15Here we go.
00:36:39Here for a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:08Even jokingly, I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:50To broken hearts.
00:38:08I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:18Do you want to make love with me again?
00:38:21Yes.
00:38:27Well, not today.
00:38:28Not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:34Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:42I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56No.
00:38:57I prefer to stay here in King Consuelo.
00:39:01Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06Hey.
00:39:07I'm always here.
00:39:09It's not true.
00:39:12I'm not going to stay around and talk about it.
00:39:13Goodbye.
00:39:14Adios.
00:39:15Adios.
00:39:16Adios.
00:39:17Adios.
00:39:18Adios.
00:39:19Adios.
00:39:20Adios.
00:39:21Adios.
00:39:22Adios.
00:39:23Adios.
00:39:24Adios.
00:39:25Adios.
00:39:26Adios.
00:39:27Adios.
00:39:28Adios.
00:39:29Adios.
00:39:30Adios.
00:39:31Adios.
00:39:32Adios.
00:39:33Adios.
00:39:34Adios.
00:39:35Adios.
00:39:36Adios.
00:39:37Adios.
00:39:38Adios.
00:39:39Adios.
00:39:40Adios.
00:39:41Adios.
00:39:42Adios.
00:39:43Adios.
00:39:44Adios.
00:39:45Adios.
00:39:46It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:13Since you made a sound.
00:40:16Sorry, Joanne, but the places you've shown me have been so dazzling and I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you? I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:54Joanne gave me one too with a dedication.
00:40:55I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:23I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:52Well, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine.
00:41:58If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen.
00:42:10I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:07Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00Can I stay on board?
00:44:02I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:23I know.
00:44:26So?
00:44:28Stay.
00:44:28Stay.
00:44:32She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:58Stay.
00:44:58Stay.
00:44:58Stay.
00:44:58Stay.
00:44:58Stay.
00:44:58Stay.
00:44:59Stay.
00:44:59Stay.
00:45:00Stay.
00:45:00Stay.
00:45:01Stay.
00:45:01Stay.
00:45:02Stay.
00:45:02Stay.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Creola will soon come back.
00:45:15Do believe me.
00:45:21I gotta be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Mm?
00:45:24Yeah.
00:45:25Yeah.
00:45:25Yeah.
00:45:25Yeah.
00:45:25Yeah.
00:45:25Yeah.
00:45:25Yeah.
00:45:26Yeah.
00:45:26Yeah.
00:45:26Yeah.
00:45:27Yeah.
00:45:27Yeah.
00:45:27Yeah.
00:45:28Yeah.
00:45:28Yeah.
00:45:28Yeah.
00:45:29Yeah.
00:45:29Yeah.
00:45:29Yeah.
00:45:29Yeah.
00:45:30Yeah.
00:45:30Yeah.
00:45:31Yeah.
00:45:32Yeah.
00:45:32Have you seen Leon?
00:45:54Have you seen Leon?
00:46:00Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:54You don't want Iris.
00:46:56You don't want Iris.
00:46:56You don't want Iris.
00:47:27No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:53You'll suffer a little at first, but then, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ!
00:48:34I know him.
00:48:38I know him.
00:48:39Oh, Christ.
00:48:44Oh, Christ.
00:48:54Oh!
00:48:55Oh, Christ.
00:48:56Oh, Christ.
00:48:57Oh!
00:48:59Oh!
00:48:59Oh!
00:49:00Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:30I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:46I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:56She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:15Oh, I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you've seen her?
00:51:01Yes, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:34You're hurting me.
00:52:02You're hurting me.
00:52:04Don't go.
00:52:04Don't go.
00:52:04Don't go.
00:52:05Don't go.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:53:41Put it into the pail.
00:53:45You know how to cook it?
00:53:49You'll have to learn.
00:54:15Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought I would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished, God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't want you.
00:55:27I'm terribly sorry, Ant.
00:55:30I don't want you to do it.
00:55:32Really.
00:55:33It's ridiculous.
00:55:36It's ridiculous.
00:55:39My life was meaningless without you.
00:55:46Oh, shit.
00:55:47I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem, really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:16You might even keep us company if you like.
00:56:23Thanks, but not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:39I'm going to do this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:45Oh, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:53Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:19This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Hmm.
00:57:57Yeah.
00:57:59It's blinded even Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Hmm.
00:58:06A Buridan.
00:58:08It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:16And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:23Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:53That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night, it's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39It's cooked.
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Well, it's cooked.
00:59:50Good morning.
00:59:56Yes.
00:59:58Well, it's cooked.
01:00:00Well, it's cooked.
01:00:00What's the matter?
01:00:02Certainly, let's look.
01:00:02Well, it's cooked very good.
01:00:03That's beautiful.
01:00:03All right.
01:00:04Well, it's cooked very good.
01:00:05Well, it's cooked very good.
01:00:05Well, it's cooked very bad.
01:00:06I'm as秒.
01:00:07But you're going to eat once.
01:00:07I've eaten the water with a pot.
01:00:08No one.
01:00:08So, for a long time for this world,
01:00:09I'll be fulfilled.
01:00:10I've eaten the fish.
01:00:11I've eaten the fish.
01:00:12What's the fish?
01:00:13Actually, I'll eat.
01:00:14I'll eat.
01:00:14What's the fish?
01:00:16But I've eaten the fish.
01:00:16I'll eat.
01:00:17THE END
01:00:47THE END
01:01:17THE END
01:01:47THE END
01:01:49THE END
01:01:53THE END
01:01:55THE END
01:01:59THE END
01:02:01THE END
01:02:05THE END
01:02:07THE END
01:02:09THE END
01:02:11THE END
01:02:15THE END
01:02:17THE END
01:02:21THE END
01:02:23THE END
01:02:25THE END
01:02:31THE END
01:02:33THE END
01:02:35THE END
01:02:37THE END
01:02:41THE END
01:02:43THE END
01:02:45THE END
01:02:47THE END
01:02:49THE END
01:02:51THE END
01:02:53THE END
01:02:55THE END
01:02:57THE END
01:02:59THE END
01:03:01THE END
01:03:03THE END
01:03:05THE END
01:03:07THE END
01:03:09THE END
01:03:11THE END
01:03:13THE END
01:03:15THE END
01:03:17THE END
01:03:19Like a beer?
01:03:41Sure.
01:03:44It's got to be a better life someplace.
01:03:47Right.
01:03:47I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:06If only we had any guts, we'd do something about it.
01:04:17Don't look at me like that.
01:04:30Hello.
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that
01:04:58I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:28Hey, what do you want?
01:05:37I need you, Leon.
01:05:38A ride to the mainland
01:05:39so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party,
01:05:48so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway,
01:06:05it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:27Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake,
01:06:43don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:48You win.
01:06:51Okay.
01:06:51Okay.
01:06:51I have work to do.
01:07:21You win.
01:07:29Do you need to drive?
01:07:31I have no idea.
01:07:39I have no idea.
01:07:41You win.
01:07:42I have no idea.
01:07:44You win.
01:07:45I hope it's enough.
01:08:06Don't worry, no problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:15Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:45What a legend.
01:08:49No, he still was drunk.
01:08:51Oh, my God.
01:08:52I could do something about you in an image.
01:08:54I could do something about him.
01:08:56Did you do something about you?
01:08:57What are you doing now when he started?
01:08:59I'm coming.
01:09:00Ha, his head's good.
01:10:01Shit.
01:10:17There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:22I'm going down to have a look.
01:10:52I'm going down.
01:11:22I'm going down to have a look.
01:11:24Consuelo?
01:11:26Have you seen Iris?
01:11:29She and Criella were very upset.
01:11:31They left.
01:11:31Criella?
01:11:32What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:48Iris!
01:11:49Iris!
01:12:02Iris!
01:12:03I'm going down to have a look.
01:12:16I'm going down to have a look.
01:12:25Stop it!
01:12:25Stop it!
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risked losing my life.
01:12:44Marco didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:53Leon?
01:12:55No.
01:12:58Funny.
01:13:00I'm not proud of the man I see when I look in the mirror and see myself.
01:13:04But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous frenzy.
01:13:21I'm sure of it.
01:13:23I don't think they're meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:53Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:12You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:26Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Hello, Andy.
01:14:50We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long,
01:15:36something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:42We get...
Recommended
49:42
|
Up next
44:20
37:45
1:54:42
1:46:06
41:32
1:41:31
1:41:31
1:01:36
1:59:26
1:12:53
1:31:18
50:15
41:58
40:06
1:32:37
38:44
1:37:59
1:45:42
1:40:28
1:43:53
Be the first to comment