- 9 months ago
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30Why do you eat any more of this?
00:01:48But definitely.
00:01:49Spinach is very rich in vitamins.
00:01:51I might say disgustingly rich.
00:01:53And very good for you, Miss Barbara.
00:01:54Why is it so many things you don't like are good for you?
00:02:00I couldn't say offhand, Miss Barbara, but you must eat some more of your spinach.
00:02:04Why do I have to?
00:02:05Well, you see, your lunch calls for so many vitamins and you must have them.
00:02:10All right.
00:02:11My goodness, that was an awful big vitamin.
00:02:21Have you finished, Miss Darman?
00:02:23But definitely.
00:02:24I can't.
00:02:27Let me see your tongue.
00:02:39I'm afraid you'll have to go to bed.
00:02:44I'm afraid you'll have to go to bed.
00:02:46I'm not sick.
00:02:48I feel fine.
00:02:50Oh, Collin, she's perfectly well.
00:02:52A sneeze has nothing to be alarmed at.
00:02:54Perhaps not, but I'm responsible for the child.
00:02:56Come, my dear.
00:02:58Phone for Dr. Palmer.
00:03:00Oh, dear.
00:03:02Oh, dear.
00:03:04Oh, dear.
00:03:06Oh, dear.
00:03:08Oh, dear.
00:03:10Oh, dear.
00:03:12Oh, dear.
00:03:20The child sneezes and you think the world was coming to an end.
00:03:24Good heavens, can't they leave her alone?
00:03:26She's a perfectly normal, healthy child.
00:03:28The way they carry on here, you think she was made of glass.
00:03:31Something ought to be done with Collin.
00:03:33How, Mr. Barry, you can stand that female is beyond me.
00:03:37Well, you can't expect a widower and a man as busy as Mr. Barry is
00:03:41to notice everything that's going on in the house.
00:03:46Better do your telephone in.
00:03:50No, it just seems to be a slight cold.
00:03:53But Mr. Barry always wants us to notify him.
00:03:56Just got a message from Barry's home. His child is ill.
00:04:00Maisie, just got a message from Barry's home. His child is ill.
00:04:03Okay, I'll see that he gets the message.
00:04:08Mr. Barry is wanted at home at once. His child is quite ill.
00:04:11Really?
00:04:17Do you know where Mr. Barry is?
00:04:18Yes, he's over at the household he's ever...
00:04:19We've got to get in touch with him right away.
00:04:21Your daughter is seriously ill.
00:04:22Well, I'll go over to the show and pick him up.
00:04:23He phones in the meantime.
00:04:25Tell him I'm on my way over.
00:04:26Yes, ma'am.
00:04:51Thank you, ladies.
00:04:52You ready for the opening of the exhibit at 2.15?
00:04:54Yes, Mr. Barry.
00:05:24I'd like to know how to make the floor.
00:05:26I'll do that.
00:05:27See, here we go.
00:05:28May I help?
00:05:31Seems I can't go anywhere or do anything without Barry making trouble for me.
00:05:34I hate that man.
00:05:35He causes me more sleepless nights.
00:05:37Sleepless nights?
00:05:38Mm-hmm.
00:05:39What does he do?
00:05:40Play a slight trombone under your window or something?
00:05:42Everything but that.
00:05:43I lay awake half the night, thinking up new ideas.
00:05:45The next morning I find that Barry's not only beat me to them,
00:05:48he's topped me in a thousand ways.
00:05:50I wish he'd drown in his own soap soda.
00:05:52But I shouldn't be boring you with my trouble.
00:05:54Oh, that's all right.
00:05:56You in this business?
00:05:58Yes, I'm with the pet company.
00:06:01Advertising.
00:06:04I see.
00:06:05I'm sorry you dislike this fellow Barry, though.
00:06:08He's really not a bad sort.
00:06:09Oh, do you know him?
00:06:10Slightly.
00:06:11My barber cuts his hair.
00:06:13Maybe I could bribe him to cut his throat.
00:06:15Oh, Mr. Barry.
00:06:16Do you think she'll be all right?
00:06:18I don't know. Let me see.
00:06:20Yes, she'll do very nicely.
00:06:22Thank you, Mr. Barry.
00:06:24That's just what I thought.
00:06:27Well, of all the rotten tricks.
00:06:29Letting me talk my head off without telling you.
00:06:30Oh, now.
00:06:31Just another example of very cleverness, I suppose.
00:06:40What was she burning about?
00:06:43I keep her awake tonight.
00:06:46Mr. Barry.
00:06:47Mr. Barry.
00:06:47You want her to home right away.
00:06:48Barbara's very ill.
00:06:50Oh, no.
00:06:51All me.
00:06:58Oh, me.
00:06:59Oh, my.
00:07:01I feel sad that I could cry.
00:07:04With a very good reason why.
00:07:06I've no one to be gay with.
00:07:09That's why I wear a crown.
00:07:11No children I can play with.
00:07:14London, they're just falling down.
00:07:17I want to make mud pies, in fact I'd like to be a mess.
00:07:24I want to make mud pies, I know that I'd find happiness.
00:07:30If I got jam on my fingers, chocolate on my face,
00:07:35and molasses all over my dress,
00:07:40you're the only friends I've ever had.
00:07:46But one minute you're good, and the very next minute you're bad.
00:07:52At times I ought to hate you, you make me feel so blue.
00:07:58But honest, I can't hate you, you smile at me the way you do.
00:08:04Oh my goodness, sometimes I want to leave you.
00:08:09You tell us awful lies, but I could never leave you.
00:08:14When I look into your great big eyes.
00:08:17Oh my goodness, I love you. Do you love me?
00:08:22Honey, if you don't, why don't you?
00:08:25Honey, if you won't, why won't you?
00:08:27Am I going to have trouble with you?
00:08:30I really ought to scold you.
00:08:33You'll have me old and gray.
00:08:36But when it's time to scold you, I hold you in my arms and say,
00:08:41Oh, my. Oh, my. Oh, my goodness.
00:08:46Oh, my goodness.
00:08:47Oh, my goodness.
00:08:49Oh, my goodness.
00:08:51Oh, my goodness.
00:08:52Oh, my goodness.
00:08:54Oh, my goodness.
00:08:55Oh, my goodness.
00:08:56Sometimes I ought to hey-shoe, you make me feel so blue, but honest I can't hey-shoe.
00:09:21Then you smile at me, my lovely pooch, and I, mine, move none.
00:09:29You are my everything-a-vitch, you're like a day in spring-a-vitch, and you make my heart sing-a-vitch.
00:09:37Lookie, lookie, look-ski, here comes Crook-ski, oh-cha-torn-ya.
00:09:44I love you, do you love me? My-a-kay-a-torn-cah-si-n-si.
00:09:51Easy, meanie, move that means me. Am I gonna have trouble with you?
00:09:57Honey, child, I really ought to hold you. You have your mammy old and gray.
00:10:08Pick a mammy when it's time to scold you. I just hold you in for love and answer and say,
00:10:17Oh, my high, dear high, dear high, dear high. Oh, my goodness.
00:10:31How are you feeling, honey?
00:10:34I wouldn't know how to feel any better.
00:10:38Let's go.
00:10:39Will you read to me from this?
00:10:44All right. Which one is it to be?
00:10:46It's the one where Betsy runs away from the orphan asylum and meets Tony, the organ grinder, and his monkey.
00:10:54Betsy Ware was two years old when her mother died.
00:10:58Because the family was poor, Betsy couldn't stay at home, so she was sent to an orphan asylum.
00:11:04Which was an ugly red brick building far, far away from where Betsy used to live.
00:11:10Yes, from where Betsy used to live.
00:11:12A young man came dancing around the corner in a green coat and bumped right into her.
00:11:18Excuse me, said the young man. I'm always bumping into people.
00:11:23That's why they call me Puddin' Head.
00:11:30So Mary couldn't play that afternoon.
00:11:33She had lessons to do.
00:11:35No, no.
00:11:36Wait, what happened after Betsy met Puddin' Head?
00:11:39Oh, excuse me. Why, I must have skipped a page.
00:11:45How is she?
00:11:46She's fine.
00:11:47The doctor was here and he says there isn't the slightest thing the matter with her.
00:11:51You see, Mr. Berry, she's perfectly all right.
00:12:03Collins just gets panicky every time the child sneezes.
00:12:06Collins is right.
00:12:07I want every precaution taken.
00:12:09Of course, I know it's none of my business, Mr. Berry.
00:12:13But did you ever stop to consider that the constant piling up of precautions and attentions was bad for the child?
00:12:21Why, she's pampered and watched over and babied to death.
00:12:25Would you mind if I'd offer a suggestion?
00:12:28No, go ahead.
00:12:30If I were you, I'd send Barbara to school.
00:12:34Or she'll be with other children.
00:12:36Well, there may be something in that.
00:12:38Perhaps school's the thing for her.
00:12:40Tell Collins I wish to speak to her.
00:12:42I'll ask her about it.
00:12:43I know what Collins will say.
00:12:47Collins always says, no.
00:12:49Hello, Danny.
00:12:51Hello, sweet.
00:12:53Danny, why do I always have to play alone?
00:12:57Why can't I play with other children?
00:12:59Honey, how would you like to go to school?
00:13:02Goodie, goodie.
00:13:03Well, I guess that settles it.
00:13:05Yes, Mr. Berry.
00:13:06Oh, Collins, I'm sending Barbara to school up in the Adirondacks.
00:13:08The school her mother used to go to.
00:13:10But Mr. Berry, the child's much too young for a summer camp.
00:13:13Didn't I kill you?
00:13:14Collins always said no.
00:13:16I've only been following your instructions, Mr. Berry.
00:13:19I'm sorry if you feel that I...
00:13:20Nonsense.
00:13:21She needs the companionship of other children.
00:13:23Get in touch with the Forest Grove School
00:13:24and make arrangements for her entrance right away.
00:13:26Take care of all the details.
00:13:28Yes, sir.
00:13:29Mr. Berry.
00:13:30You want her to listen to the changes being made on your radio hour.
00:13:33The program's on now.
00:13:34Oh, yeah.
00:13:40B-A-R-R-Y.
00:13:50Why don't you buy a bar of Barry?
00:13:57Every grocer carries Barry.
00:14:00You will find that Barry's little bubble.
00:14:03Make you kind of laugh as you'll watch in trouble.
00:14:07Find a bar of Barry.
00:14:10It's the Mary that's Barry.
00:14:13So come, don't walk to the nearest exit and find a bar of Barry.
00:14:20And now, the Barry Baritone will sing that new hit tune when I'm with you.
00:14:29Every street I walk on becomes a lover's lane when I'm with you.
00:14:42I can see the sun though we're out in the rain when I'm with you.
00:14:52To lose you would be tragic.
00:14:57Here is my father's birth.
00:15:01You have that certain magic.
00:15:05You're the seven wonders of the world.
00:15:10Snow is on the ground, but the leaves are on the trees.
00:15:15And I'm with you.
00:15:17Flowers sing a love song.
00:15:19There's music in the breeze when I'm with you.
00:15:21Flowers sing a love song.
00:15:23There's music in the breeze when I'm with you.
00:15:26Hmm.
00:15:27Please let me make this confession.
00:15:30You are my magnificent obsession.
00:15:32The world is all in right.
00:15:34Lovely one when I'm with you.
00:15:37Obsession.
00:15:38Obsession.
00:15:39The world is all in right.
00:15:41Lovely one when I'm with you.
00:15:46You know, Daddy, this house wouldn't be so lonesome if you'd stay home once in a while.
00:16:00If I stayed home all the time, there wouldn't be any house.
00:16:05You know, Daddy, I can sing that song.
00:16:08And I've got my own words.
00:16:09Want to hear them?
00:16:10Want to hear them?
00:16:11Mm-hmm.
00:16:12An ordinary day becomes a holiday when I'm with you.
00:16:25I have lots of toys, but I don't want to play when I'm with you.
00:16:31Oh, Daddy, how do I miss you?
00:16:38You're busy all your life.
00:16:43I long to hug and kiss you.
00:16:47Marry me and let me be your wife.
00:16:52Every word I hear sounds like a lullaby when I'm with you.
00:17:00Even bunny spinach tastes like pumpkin pie when I'm with you.
00:17:08Ooh.
00:17:09In every dream I caress you.
00:17:14And every night I pray the Lord will bless you.
00:17:20The world's a nursery rhyme, Daddy, dear, when I'm with you.
00:17:29Are you going to stay in school with me?
00:17:44No, my dear, I'm going to take a little vacation.
00:17:47What's a vacation?
00:17:49It's a rest, dear.
00:17:51It means getting away from people you've been with every day and seeing new faces.
00:17:54You really become another person on a vacation.
00:17:57What person are you going to be?
00:17:59Oh, just another person.
00:18:01Is going to school a vacation?
00:18:04Hardly.
00:18:05It's just the opposite.
00:18:06You think Collins is strict.
00:18:08But wait till you get to school.
00:18:09There'll be no running to Woodward or to your daddy.
00:18:12You'll do just what you're told.
00:18:14I don't think I'm going to like school.
00:18:17May I take Snoopy with me?
00:18:19No, my dear.
00:18:20You're not allowed to have dogs from school.
00:18:23No?
00:18:24No, indeed.
00:18:25That settles it.
00:18:27All right, darling.
00:18:28We'd better get started.
00:18:29Come, my dear.
00:18:30Goodbye, Snoopy.
00:18:34Are they expecting you at school this evening?
00:18:37No.
00:18:38I told them we'd be out sometime this week.
00:18:39Then you'd better wire them your arriving and have a car meet you.
00:18:42I'll do it from the station.
00:18:43You're going to be very happy at school, aren't you, sweetheart?
00:18:45Maybe.
00:18:46Maybe?
00:18:47I'm sure you're going to be happy.
00:18:48I'll be up and spend every weekend with you.
00:18:51Goodbye, sweetheart.
00:18:52Aren't you coming into the station with us?
00:18:53Oh, I'm sorry, I can't.
00:18:54I'm late for a business appointment already.
00:18:56Seems as if I'm off.
00:18:57I'm off.
00:18:58I'm off.
00:18:59I'm off.
00:19:00I'm off.
00:19:01I'm off.
00:19:02I'm off.
00:19:03I'm off.
00:19:04I'm off.
00:19:05I'm off.
00:19:06I'm off.
00:19:07I'm off.
00:19:08I'm off.
00:19:09I'm off.
00:19:10I'm off.
00:19:11I'm off.
00:19:12I'm off.
00:19:13Seems as if I'm always running away from you, doesn't it?
00:19:16Well, I'll make up for it Saturday and Sunday.
00:19:18I'll spend every minute with you.
00:19:19We'll have lots of fun.
00:19:21Goodbye.
00:19:22Take good care of her, Colin.
00:19:24Yes, sir.
00:19:26What's this for?
00:19:28Oh, it weighs you for a penny.
00:19:30I want to be weighed.
00:19:31Well, I haven't a penny.
00:19:32I have a penny.
00:19:33All right.
00:19:39Now, here.
00:19:42Let's go.
00:19:49On this side is your weight.
00:19:50Fifty-eight pounds.
00:19:52And on this side is your fortune.
00:19:54What does it say?
00:19:56What does it say?
00:19:58It says you're going away on a long trip
00:20:01and are going to meet a lot of strange people.
00:20:03What a smart machine.
00:20:06Come, my dear.
00:20:12Walter.
00:20:13Yes, ma'am.
00:20:14I have to send a telegram.
00:20:19My purse.
00:20:20It's gone.
00:20:21I must have dropped it when I got out of the car.
00:20:22Keep an eye on us.
00:20:23I'll be back in a minute.
00:20:24Yes, ma'am.
00:20:25Yes, ma'am.
00:20:26I'll be back in a minute.
00:20:27Yes, ma'am.
00:20:31Yes, ma'am.
00:20:32I'll be back in a minute.
00:20:33Yes, ma'am.
00:20:34I'll be back in a minute.
00:20:35Yes, ma'am.
00:20:38I'll be back in a minute.
00:20:39Yes, ma'am.
00:20:41I'll be back in a minute.
00:20:42Yes, ma'am.
00:20:44What's your name?
00:20:45Yes, ma'am.
00:20:47Not ma'am.
00:20:49No, ma'am.
00:20:51Fire!
00:20:53Yes, ma'am.
00:20:54Come on!
00:20:56Come on!
00:20:58Come on!
00:21:00Get out of here!
00:21:02Come on!
00:21:04Get out of here!
00:21:06Get out of here!
00:21:08Get back!
00:21:10What's your name?
00:21:12Rufus Washington Jackson Lee.
00:21:14All by yourself?
00:21:16My name's Betsy Ware.
00:21:18That's a mighty pretty name.
00:21:20Did you ever have a vacation?
00:21:22Oh, yes, Missy. Lots and lots of them.
00:21:24Are they fun?
00:21:26They are, if you don't have too many of them.
00:21:28I'll bet they're more fun than going to school.
00:21:30I never had a vacation.
00:21:32But I'm thinking about having one.
00:21:34Look!
00:21:36Look!
00:21:38Look!
00:21:40Look!
00:21:42Look!
00:21:44Look!
00:21:46Look!
00:21:48Look!
00:21:50Why don't you help you, brother?
00:21:52Brother?
00:21:54All right, little Missy.
00:21:55You just wait right here till I'll come back.
00:22:11There was a lady and a little girl with these.
00:22:13They went away and didn't come back.
00:22:15All right.
00:22:16All right.
00:22:19Has a woman been identified?
00:22:20Nope.
00:22:21No pocketbook.
00:22:22No laundry marks.
00:22:23Nothing.
00:22:24Well, you'd better call up the Bureau of Missing Persons
00:22:25and have a general description set out.
00:22:26All right.
00:22:27Okay, Doc.
00:22:28Go on.
00:22:35It's Tony!
00:22:36It's not.
00:22:38It's not!
00:22:39Yeah!
00:22:40It's nothing!
00:22:45It's nothing!
00:22:46Gee, that's a swell hat! I wish I could have one if I did. Here, take it. Oh, thanks! And you may have these, too.
00:23:10Come on, come on!
00:23:34I know who you are. You're Tony.
00:23:36That's right. Tondonia is my middle name.
00:23:38I'm on my vacation. Do you want to come around?
00:23:41Oh, you're a very nice little bambino. You go home to your mama, huh?
00:23:44I have no mama.
00:23:46Oh, that's too bad. Then you go home to your papa. Say, what's your name?
00:23:51Betsy Ware. I used to live in an orphanage, but they were mean to me, awfully mean.
00:23:57And now I'm on a vacation. Huh?
00:23:59I'm on a vacation to see new faces. Your face doesn't look very new.
00:24:04Well, that's a good offer for me. Goodbye.
00:24:07Goodbye.
00:24:26Here comes papa! Here comes papa! Here comes papa!
00:24:29Hey! Here come papa! Hey!
00:24:50Come on, come on. Come on! Come on. Come on! Come on! Come on! Come on, dude!
00:24:54I know, I know. You told me that. And you don't like my face.
00:24:58Yes, I do.
00:25:05Ma? Ma?
00:25:19Ma?
00:25:20Mama, maybe she's hungry.
00:25:27I go get her? Huh? All right.
00:25:34Come, you stay in my house tonight.
00:25:50Look at the spaghetti. They're good.
00:26:05Look, look, like this. Look.
00:26:07Let me go.
00:26:17Careful.
00:26:20Maybe this is the class.
00:26:21If we answer them, it's not the same person.
00:26:29Achoo!
00:26:34Achoo!
00:26:36I sneezed.
00:26:37Salud!
00:26:38Salud!
00:26:39Salud!
00:26:41Don't I have to go to bed?
00:26:43What's the matter? You're sleeping?
00:26:46You eat the first.
00:26:48I like it here.
00:26:57So little.
00:26:59And so sweet.
00:27:01Maybe we keep her.
00:27:02Yes?
00:27:03Are you crazy?
00:27:04What do you want to do?
00:27:05Do you want to go to a jail for the kidnap?
00:27:08Five children you have already.
00:27:10Six with a monkey.
00:27:12All right.
00:27:13Then I take her to the police and men in the morning, eh?
00:27:16Yes.
00:27:17I'll take her to the police and men in the morning, eh?
00:27:18Yes.
00:27:24Come, bambina.
00:27:26All right.
00:27:27All right.
00:27:28I'll stop her by the afternoon.
00:27:35Come, bambina.
00:27:36Come, bambina.
00:27:42Come, bambina.
00:27:52Come, bambina.
00:27:53Come, bambina.
00:27:57Don't you, bambina.
00:28:01Come, bambina, bambina.
00:28:02Come, bambina.
00:28:04Come, bambina.
00:28:06Come, bambina.
00:28:08Get there, Radka.
00:28:11Mom wię!
00:28:21Father Caesar, come, embassy๊.
00:28:24Oh, gee, come.
00:28:26Come, bambina.
00:28:27Come on, come on.
00:28:28Get out!
00:28:29Come on.
00:28:30Come on.
00:28:31Come on.
00:28:32Come on.
00:28:33Come on.
00:28:34Come on.
00:28:35Come on.
00:28:36Come on.
00:28:37Come on.
00:28:38Come on.
00:28:39Come on.
00:28:40Come on.
00:28:41Come on.
00:28:42Come on.
00:28:43Come on.
00:28:44Come on.
00:28:45Come on.
00:28:46Come on.
00:28:47Come on.
00:28:48Hey, this music certainly comes in handy for rehearsing.
00:28:50Rehearsing for what?
00:28:51Well, you never can tell when somebody will ask you to play a benefit.
00:28:54Oh, don't forget.
00:28:56We've got another radio audition tomorrow.
00:28:59You know, this radio racket is a lot tougher than Vaudeville used to be.
00:29:03Remember when we got married?
00:29:05No, and don't remind me.
00:29:07And by the way, I'm getting tired of these radio auditions.
00:29:10If we don't land a sponsor soon, I'm going home to my mother.
00:29:13Well, that's better than bringing the old battle axe here.
00:29:16I'm only kidding.
00:29:19You know, honey, I've been working on a step that's going to start Bill Robinson talking to himself.
00:29:25Watch this.
00:29:26If I could see anybody tie that.
00:29:30If I could see anybody tie that.
00:29:31If I could see anybody tie that.
00:29:32If I could see anybody tie that.
00:29:37It's better.
00:29:38Let's put me on a side.
00:29:39I know.
00:29:40No matter what?
00:29:41You don't need to do it.
00:29:42I don't know.
00:29:43You can't move here.
00:29:45That's a great idea.
00:29:48If I could see anybody who has a partner in here.
00:29:49If I could see anybody.
00:29:50Can't I say anybody?
00:29:51I don't know.
00:29:52I only need to go on a side.
00:29:53Let's go on a side.
00:29:54So it's safe.
00:29:55Let's go on.
00:29:56We'll be there.
00:29:57The world's safe, everyone.
00:29:58I love you.
00:29:59I love you.
00:30:00I love you.
00:30:01I love you.
00:30:02What are you doing?
00:30:03I love you.
00:30:04I'm going downstairs to see who that hooper is.
00:30:11Yeah, money down there.
00:30:12Take a few lessons.
00:30:22It's a kid.
00:30:24Jerry, Jerry!
00:30:28Are you the one that was answering my steps?
00:30:31Shh!
00:30:35Tony, who is she?
00:30:37She's an orphan.
00:30:38She'll run away and she'll follow me here.
00:30:43Jerry, she's a natural.
00:30:45Look at her.
00:30:46Did you ever see a better bet?
00:30:48Who is she?
00:30:49She's part of our act, kid.
00:30:50Dolan, Dolan, and Dolan.
00:30:56Hey.
00:30:58What's your name?
00:31:00Betsy, where?
00:31:02Are you Puddin' Head?
00:31:03Huh?
00:31:06I'll say he's Puddin' Head.
00:31:08Come on.
00:31:14Now, what's this all about?
00:31:16Don't you see?
00:31:17That kid in there is a novelty.
00:31:18Just what we need for the act.
00:31:20What's the matter?
00:31:21You crazy?
00:31:22What do you know about the child?
00:31:23All there is to know.
00:31:24She ran away from an orphan asylum.
00:31:25Orphan asylum?
00:31:26Your aunt, did you notice her hands?
00:31:27Well, they don't manicure them in orphan asylum.
00:31:29Well, I don't know.
00:31:30A friend of mine got his hair cut in Sing Sing.
00:31:39You're always making mountains out of mothbugs.
00:31:42Supposedly, kid's story does turn out to be a phony.
00:31:45All right, so we believed it.
00:31:46We fed her.
00:31:47Took good care of her and put her on the air.
00:31:49They can't hang her for that, can they?
00:31:50They can try.
00:31:51Wait a minute.
00:32:05I want the police department.
00:32:06Bureau of Missing Persons.
00:32:08Bureau of Missing Persons?
00:32:10Uh, is anybody missing?
00:32:13Oh.
00:32:14Thousands of people.
00:32:15Uh, that's very interesting.
00:32:16Uh, did anybody report a kid missing by the name of, uh, Betsy Ware?
00:32:20But, Jimmy, what...
00:32:21Shh!
00:32:22Oh, no record?
00:32:23Oh.
00:32:24No, no.
00:32:25I don't want to make a report.
00:32:26No thanks.
00:32:27But if I should ever lose a kid by that name, I'll let you know.
00:32:30What?
00:32:31Oh, wise guy, eh?
00:32:32Well, you'd better turn around.
00:32:33I'll let you know.
00:32:34What?
00:32:35Oh, wise guy, eh?
00:32:36Well, you'd better turn her in anyway.
00:32:37I'd tell you it's okay.
00:32:38Oh, wait a minute.
00:32:39Listen, sweetheart.
00:32:40Remember, you're Bonnie Dole and the radio star.
00:32:41Don't use your real name around here.
00:32:42Don't even think of it.
00:32:43Just forget that you're Betsy Ware.
00:32:44Are we playing the game?
00:32:45Oh, no.
00:32:46No.
00:32:47No.
00:32:48No.
00:32:49No.
00:32:50No.
00:32:51No.
00:32:52No.
00:32:53No.
00:32:54No.
00:32:55No.
00:32:56No.
00:32:57No.
00:32:58No.
00:32:59No.
00:33:00No.
00:33:01No.
00:33:02No.
00:33:03No.
00:33:04No.
00:33:05No.
00:33:06Yes.
00:33:07Are we playing the game?
00:33:08Yeah, that's it.
00:33:09A game.
00:33:10Will you play along with us?
00:33:11Mmm-hmm.
00:33:12I love games.
00:33:13Well, now, don't forget, Betsy.
00:33:14Their name's Bonnie Dolan.
00:33:16Where's Dolan, Dolan & Dolan?
00:33:20We have an appointment here with Dan Ward of the Ward & Wallace advertising agency.
00:33:26Oh, yes.
00:33:27For an audition.
00:33:28Room be to your right, please.
00:33:31Hello, Mr. Ward.
00:33:33Hello.
00:33:34Mr. Ward?
00:33:35Yes.
00:33:36This is my wife, Jerry.
00:33:37And this is our kid, Bonnie Dolan.
00:33:39And we're going to nag.
00:33:40And we're going to nag.
00:33:41I'm asking you.
00:33:42Don't ask me.
00:33:43Show me.
00:33:44Bong.
00:33:45This is station L-O-B-E.
00:33:48Bong.
00:33:50I'm Cupid's assistant.
00:33:52Please take care of me.
00:33:54I'm Cupid's assistant.
00:33:56Please take care of me.
00:33:59I'm Cupid's assistant.
00:34:01Please listen to me.
00:34:03My boss, Mr. Cupid, told me
00:34:06To make hearts loose a loop.
00:34:09Never ever to sing about the good ship.
00:34:13Lollipop or animal crackers in my soup.
00:34:17So if the one you idolize is near you,
00:34:21A song of love will help you find the way.
00:34:25Cuban says a welling heart will hear you.
00:34:29If you move a little closer, thank you.
00:34:33Press his little hand.
00:34:35That's fine.
00:34:37Now look into his eyes and say...
00:34:41You are an angel without any wings.
00:34:48A vision so lovely to see.
00:34:51Are you the reason my happy heart sings?
00:34:56But definitely...
00:34:58Will I forever be faithful to you?
00:35:04You're mine and you always must be.
00:35:09Do I adore you?
00:35:11You know that I do.
00:35:13But definitely...
00:35:15So definitely...
00:35:17You are the moon, the stars, the sun.
00:35:21You're every beat of my heart so so supreme.
00:35:27But if it all turns out to be only a beautiful dream,
00:35:32Let's keep on dreaming.
00:35:35Millions of millions can equal your worth.
00:35:40Your love is a blessing to me.
00:35:44Are you an uncle of heaven here on earth?
00:35:48You are, but definitely...
00:35:57When you are crooning the blue of the day
00:36:01And whistling the gold of the dawn, bing, bing.
00:36:06Are you my favorite?
00:36:08You know that you are, but definitely...
00:36:13You are the moon, the stars, the sun.
00:36:23You're every beat of my heart so supreme.
00:36:28But if it all turns out to be only a beautiful dream,
00:36:35Let's keep on dreaming.
00:36:37Millions or billions can't equal your worth.
00:36:40But if it all turns out to be only a beautiful dream,
00:36:45Let's keep on dreaming.
00:36:47Millions or billions can't equal your worth.
00:36:51Your love is a blessing to me.
00:36:54Are you an uncle of heaven here on earth?
00:36:58You are, but definitely...
00:37:00The name of this song named Dinah.
00:37:01The name of this song named Dinah.
00:37:02The name of this song named Dinah.
00:37:03The name of this song named Dinah.
00:37:04The name of this song named Dinah.
00:37:05The name of this song named Dinah.
00:37:11The name of this song named Dinah.
00:37:16The name of this song named Dinah.
00:37:18It's but definitely...
00:37:26Not bad.
00:37:27I'll be right out.
00:37:35I have a client who might be interested.
00:37:38You wait here.
00:37:43Didn't he like what we did?
00:37:45Sure.
00:37:46I guess he's gone to the next room to applaud.
00:37:51Margaret?
00:37:52This is Dan.
00:37:53Listen.
00:37:54I've got the greatest act that's ever been offered to radio.
00:37:57It's no use, Dan.
00:37:59Mr. Peck just won't go on the air.
00:38:01Wait a minute.
00:38:02I know he won't go for girls.
00:38:04And I know he won't go for crummers.
00:38:06But he'll go for this.
00:38:07But you said we were good.
00:38:09Never pay any attention to what he says.
00:38:14Maybe we were too good.
00:38:22Oh, uh...
00:38:23Yes?
00:38:24Uh, this client of mine.
00:38:25Yeah?
00:38:26That I was telling you about.
00:38:28Yes.
00:38:29We'll see you this afternoon.
00:38:31We're good.
00:38:32We're good.
00:38:33We're good.
00:38:34We're good.
00:38:35We're good.
00:38:36We're good.
00:38:37We're good.
00:38:38Can you be there at 3?
00:38:39Can we be there at 3?
00:38:40Can we be there at 3?
00:38:41We'll be there at 5 minutes 2-3.
00:38:43Good afternoon.
00:38:44Peck's Soap Company.
00:38:49Good afternoon.
00:38:50Peck's Soap Company.
00:38:52I don't care how good they are.
00:38:54I tell you, I don't want a radio show.
00:38:57But, Mr. Peck, if you'd only give them an audition, it would...
00:39:00It's a most unusual act, Mr. Peck.
00:39:02They'll be up here in a few moments.
00:39:03Shut up!
00:39:09Whoa.
00:39:10Mr. Barry at the Barry Soap Company is here.
00:39:13Says he has an appointment.
00:39:15You know what that young upstart wants?
00:39:17Telephoned me this morning.
00:39:18Said he wanted to see me.
00:39:19I have no idea.
00:39:21Well, I have.
00:39:22He wants me to buy him out.
00:39:25Buy him out?
00:39:26And Mr. Peck, the Barry salesman...
00:39:28I know he's been selling soap.
00:39:31But he's been spending 11 cents on Ballyhoo.
00:39:34For every 10 cent cake he sold.
00:39:36But the figures show that...
00:39:37Figures.
00:39:38He takes no genius to offer $5 bills for $4.80 and do a volume of business.
00:39:43But the day of reckoning is always around the corner.
00:39:47And it's caught up with Barry.
00:39:50Shall I...
00:39:51Shall I show him in?
00:39:52Yeah.
00:39:53Show him in.
00:39:54You stay, Gooch.
00:40:00Well, well.
00:40:01If it isn't Peck's bad girl.
00:40:02Hello, Mr. Barry.
00:40:03Mr. Peck wants you to go right in.
00:40:05That's mighty watter, the old man.
00:40:08Listen.
00:40:09Why would you like to have lunch with your boss?
00:40:13With my boss?
00:40:14Sure.
00:40:15I'll go in there and buy out the whole shebang.
00:40:17It's on his last legs and Peck will probably be glad to sell it for a song.
00:40:21What's funny about that?
00:40:22Yes, sir.
00:40:23I'll tell him.
00:40:24Mr. Peck wants to know what's delaying you.
00:40:27The old boy can't wait.
00:40:28See you later.
00:40:37Well?
00:40:38Mr. Peck.
00:40:39Yes, Mr. Barry.
00:40:42Just what can I do for you today?
00:40:45Well, Peck.
00:40:46I understand that this place is going to...
00:40:50Going to pot.
00:40:51Hey.
00:40:52Now, I might consider taking it off your hands.
00:40:55But...
00:40:57Do I understand you to say...
00:40:59You understand me to say that I'll buy you out?
00:41:01How much?
00:41:02Well, have you the colossal insolence to suggest that I sell my business to you?
00:41:07Why not?
00:41:09You've been losing money for the past two years.
00:41:10You're practically broke.
00:41:12Get out.
00:41:13Get out before I kick you out.
00:41:14Now, get out.
00:41:16I gather that he doesn't want to sell.
00:41:18Is that your impression, too?
00:41:20Definitely.
00:41:21Very well.
00:41:22Good day.
00:41:23All right.
00:41:33Hello, boss.
00:41:38Boss or no boss.
00:41:39How about the date for lunches?
00:41:41Oh, well, I...
00:41:42I couldn't possibly...
00:41:43Oh, come on.
00:41:44Be a sport.
00:41:45You're even with me, aren't you?
00:41:47I'm ahead of you.
00:41:51Come on.
00:41:55When will it be?
00:41:58Oh, Friday at once.
00:41:59Fine.
00:42:00At the subway?
00:42:06Say, Margaret, isn't he one of our competitors?
00:42:10As far as I'm concerned, he has no competition.
00:42:21You're a good man.
00:42:26He's here.
00:42:27He's here.
00:42:35Take soap company.
00:42:37Where's Dolan, Dolan and Dolan?
00:42:39The radio station.
00:42:41Oh, yes.
00:42:42Dolan, Dolan and Dolan.
00:42:43And which one are you?
00:42:46I'm the one in the middle.
00:42:47Miss Allen's busy at the moment. Will you wait in her office?
00:43:08Darling, don't do that. Be a good little girl and sit down over there.
00:43:11I want to talk to Puttin' in a minute.
00:43:13I wish you'd do me a favor and stop worrying.
00:43:15You're beginning to look terrible.
00:43:17Well, why wouldn't I?
00:43:19I dozed off this morning at 3.30 and slept like a log till 4.
00:43:27You've got nothing to worry about.
00:43:29The way you're acting, you think we were kidnappers.
00:43:33That's what I'm afraid the judge will think.
00:43:35If we get a nice fair trial, we may get off with life.
00:43:45Let's go.
00:43:51Hello.
00:43:57How'd you get in here? Who are you?
00:43:59I'm Bonnie Dolan, the big radio star.
00:44:01You know Dolan, Dolan, and Dolan.
00:44:03And are we good?
00:44:05Ah.
00:44:07So they sent you in here to soften me up, did they?
00:44:09Well, young lady, you're wasting your time.
00:44:11Now get out of here.
00:44:21Why have you got so many doors?
00:44:23To keep out nuisances that one door won't stop.
00:44:25But they all open.
00:44:27What's this?
00:44:29Nothing to do with you.
00:44:31Now get along with you.
00:44:33Why do you want me to go?
00:44:35You're all alone and I'm not doing anything either.
00:44:39Tell me a story.
00:44:41I don't know any stories.
00:44:43You know, you remind me of old Mr. Spindleshanks.
00:44:45Who?
00:44:47Mr. Spindleshanks.
00:44:49He's the old grouch in the Betsy Ware stories
00:44:51who helps Betsy when she's hungry.
00:44:53Hungry?
00:44:55You're not hungry, are you?
00:44:57No, I just had lunch.
00:44:59And I did something bad too.
00:45:01What did you do?
00:45:03What did you do?
00:45:05What did you do?
00:45:07Well, we had spinach.
00:45:09Uh-huh.
00:45:10And while Jimmy wasn't looking,
00:45:11I put mine on his plate.
00:45:15No, no, no, no.
00:45:16That is wrong.
00:45:17No, you should have eaten your spinach.
00:45:18It's good for you.
00:45:19So I've heard.
00:45:23Where are you going?
00:45:25I'm going to get along.
00:45:26Why?
00:45:27You said for me to.
00:45:28I didn't say anything of the kind.
00:45:30All I said was that spinach was good.
00:45:32You said for me to.
00:45:33I didn't say anything of the kind.
00:45:34All I said was that spinach was good.
00:45:36For you.
00:45:37Come back here.
00:45:43Sit down over there.
00:46:06Come back here.
00:46:07Come back.
00:46:19Come back here.
00:46:26You like these pictures?
00:46:28Do you know something?
00:46:29What?
00:46:30Do you know something?
00:46:32What?
00:46:33I didn't think I was going to like you at first.
00:46:35Huh?
00:46:36But I like you now.
00:46:39Do you?
00:46:40Yes.
00:46:41Your eyebrows are so nice and ragged.
00:46:44Yeah, my...
00:46:44All right.
00:46:50So you're a singer, aren't you?
00:46:53Mm-hmm.
00:46:54Here, sing a song for me.
00:46:56All right.
00:46:57You buy a bar of berries, every grocer carries berries.
00:47:03Stop it.
00:47:04Stop it, I say.
00:47:05What's the matter?
00:47:06Why'd you learn that trash?
00:47:07On the radio.
00:47:09I heard it on the radio.
00:47:11Ah, radio.
00:47:13There ought to be a law against it.
00:47:16Now, come on.
00:47:18Grab a picture.
00:47:20Ah.
00:47:21Do you know how to play piggyback?
00:47:23Yeah, piggyback.
00:47:25No, I don't think I do.
00:47:27Oh, it's easy.
00:47:33Stand up.
00:47:34Stand up.
00:47:35Stand up.
00:47:36Where?
00:47:36Turn around.
00:47:38Huh?
00:47:39Now I put my arms around your neck like this.
00:47:42Now go like this.
00:47:44Ride a cock horse to Banbury Cross
00:47:46To see a fine lady upon a white horse
00:47:48Rings on her fingers and bells on her toes
00:47:51She shall have music wherever she goes
00:47:53Now you run around and around while you sing it.
00:47:56Take my legs.
00:47:57Uh-huh.
00:47:58Now ride a cock horse to Banbury Cross
00:48:01To see a fine lady upon a white horse
00:48:03Rings on her fingers and bells on her toes
00:48:05She shall have music wherever she goes
00:48:07Get, get out.
00:48:08Can't you see I'm in conference?
00:48:13Ride a cock horse to Banbury Cross
00:48:16Whoa!
00:48:17Huh?
00:48:18Do you always tell people to get out?
00:48:20I do when I'm engaged in important business
00:48:23Yeah, ride a cock horse to Banbury Cross
00:48:25To see a fine lady on a white horse
00:48:28Sorry, folks, you keep me waiting.
00:48:30I'm Miss Alan.
00:48:31Oh, where's the child?
00:48:33Good heavens, you haven't forgotten her.
00:48:34She was just here.
00:48:35Mr. Pett wants to see you in his office at once.
00:48:38Well, you better go right in.
00:48:40I'll look for the child.
00:48:41Right in there.
00:48:43Right?
00:48:44Well, I'll let you know it didn't work.
00:48:46As a matter of fact, I made up my mind
00:49:15a long time ago to go on the air.
00:49:18Yeah, but she had nothing to do with it.
00:49:20Nothing whatever.
00:49:21She didn't influence me the slightest.
00:49:24Now, understand that.
00:49:26Oh, yes, of course.
00:49:27Now, you will arrange for time on the air at once.
00:49:30I want these folks to start on a series
00:49:33of 15-minute programs five nights a week
00:49:35starting tomorrow night.
00:49:37Tomorrow night?
00:49:39Oh, but, but, Mr. Peck, I couldn't possibly do that.
00:49:42Then make it possible.
00:49:45Didn't I tell you all we needed was a break?
00:49:50Thirteen weeks on the dotted line.
00:49:52Oh, it's wonderful, Jimmy.
00:49:54I hope we quit.
00:49:55Why, we'll knock them dead.
00:49:57Do we have to kill people?
00:49:59No, we won't kill them.
00:50:00We'll just slay them.
00:50:02Oh.
00:50:08They'll be on in a few minutes.
00:50:10And if you want to see a radio show
00:50:11that'll make yours look sick.
00:50:15Oh, they, they can't be that good.
00:50:18All right, I'll listen.
00:50:19I'll tell you about it at lunch tomorrow.
00:50:22Goodbye.
00:50:23I'll tell you about it at lunch tomorrow.
00:50:35Ginsburg's Troubadour's on in just a moment, sir.
00:50:39Now, now, now, my dear, remember,
00:50:40there, there are a lot of people out there
00:50:42and, uh, you mustn't be nervous.
00:50:44You, you mustn't be afraid.
00:50:46Afraid of what?
00:50:47Well, that's just it, my dear.
00:50:49There's nothing to be afraid of, really,
00:50:51but, uh, this is all going to be new to you.
00:50:54Do you want me to be afraid?
00:50:57Heavens no, darling.
00:50:59That's why I'm telling you.
00:51:01If I do get afraid,
00:51:02it'll be on account of you talking so much.
00:51:05Uh, uh, you're right, my dear.
00:51:08You're perfect.
00:51:09Let's have less chatter.
00:51:14Don't open the door.
00:51:15Ready?
00:51:21Tonight, we are inaugurating the Peck Soap Hour
00:51:29over the Federal Broadcasting System.
00:51:31And so it is with great pleasure
00:51:32that I present Dolan, Dolan and Dolan
00:51:34with Donald Hastings Orchestra.
00:51:36Hello?
00:52:04Hello?
00:52:05Hello?
00:52:06Yes?
00:52:07What?
00:52:08I'm sorry.
00:52:09I can't hear you.
00:52:10Just a minute.
00:52:20Yes, Hathaway?
00:52:22Wash your necks with a cake of pecks, so that can't be big.
00:52:27It's best by far, so try a bar and give your skin a treat.
00:52:32It will give old Mr. Germ a wild and merry chase.
00:52:37So join a club and pick one's club that's drawn right off your face.
00:52:42Oh, your eyes are full of bubbles, and through darkness you must glow.
00:52:47Please remember this.
00:52:50Where there's life, there's soap.
00:52:57I'll be right over.
00:52:59Oh, I was only going to listen to a radio program, but I guess I'm not missing anything.
00:53:04Every street I walk on becomes a lover's lane
00:53:09When I'm with you
00:53:14I can't see the sun, though we're out in the rain
00:53:19When I'm with you
00:53:24To lose you would be tragic
00:53:28Here is my heart unfurled
00:53:33You have that certain magic
00:53:37You're the seven wonders of the world
00:53:42Snow is on the ground
00:53:44But the leaves are on the trees
00:53:47When I'm with you
00:53:50Flowers sing a love song
00:53:54There's music in the breeze
00:53:56There's music in the breeze
00:53:57When I'm with you
00:53:59Hmm
00:54:01Please let me make this confession
00:54:05You are my magnificent obsession
00:54:11The world is all in rhyme
00:54:14Lovely one when I'm with you
00:54:23I want your cheeks to be rosy
00:54:38Your lips like the color of wine
00:54:41Darling, the way that people will say that
00:54:45My, but you're looking so fine
00:54:48Ooh
00:54:49I want you strong as Apollo
00:54:52A sturdy and masculine she
00:54:55Darling, the way that people will say that
00:54:59My, what a gorgeous physique
00:55:01If you want to be like I want you to be
00:55:06Follow this carefully
00:55:11You've got to eat your spinach, baby
00:55:14That's the proper thing to do
00:55:16It'll keep you kind of healthy, too
00:55:19And what it did for Popeye
00:55:21It will do for you
00:55:22You've got to eat your spinach, baby
00:55:25To give you lots of TNT
00:55:28For whenever you're correcting me
00:55:31Then you'll need every vitamin from A to Z
00:55:34Please take my advice
00:55:37Kissing is dangerous, doctors all agree
00:55:40I'll take your advice
00:55:43Don't ever kiss anybody but me
00:55:46You've got to eat your spinach, baby
00:55:49If you do, you can't go wrong
00:55:51For it's gonna make you nice and strong
00:55:54And the stronger you are
00:55:56The longer you live
00:55:57And the longer I'll have to love you
00:56:02Pardon me, did I hear you say spinach?
00:56:05Spinach
00:56:06I represent all the kids of the nation
00:56:09Who sent me to say you about it
00:56:12I bring a message from the kids of the nation
00:56:15To tell you we can do without it
00:56:18Kindly listen to me
00:56:21I'm not alone in my play
00:56:25There are dozens and dozens and dozens of us
00:56:28Nephews and nieces and cousins of us
00:56:31They want me to say
00:56:34Hallelujah, Hallelujah
00:56:40No spinach
00:56:43Take away that awesome greenery
00:56:45No spinach
00:56:47Give us lots of jelly beanery
00:56:50We positively refuse to budge
00:56:54We like lollipops, we like fudge
00:56:56But no spinach
00:56:58Hosanna
00:57:00You've got to eat your spinach, baby
00:57:03No, no, no, no
00:57:05I'm singing to ya
00:57:06No, no, no, no
00:57:08Hallelujah, spinach
00:57:10Stay away from my door
00:57:13We'll tell the boogeyman
00:57:16The big, big, bad, bad, boogie boogie man
00:57:19Oh, that's just a bluff
00:57:22You know we don't believe that stuff
00:57:25You've got to eat your spinach, baby
00:57:28Children have to do as they are told
00:57:30Yes, sir
00:57:32Yes, ma'am
00:57:34Children shouldn't be so very bold
00:57:36Yes, sir
00:57:37Yes, ma'am
00:57:38Yes, ma'am
00:57:39Oh, you grow up to be a meanie when you're old
00:57:42Yes, sir
00:57:43Yes, ma'am
00:57:44I will tell all the kids of the nation
00:57:47Who sent me to see you about it
00:57:49Children have to do as they are told
00:57:52Mm-hmm
00:57:53Children shouldn't be so very bold
00:57:55Mm-hmm
00:57:56Or you will be a meanie when you're old
00:57:58So, okay, spinach
00:58:01And you didn't hear our broadcast last night?
00:58:15No, I... I was called away before it started
00:58:20How did it go over?
00:58:21Oh, beautifully
00:58:22The child in the act's marvelous
00:58:24Besides being talented, she's the sweetest little thing imaginable
00:58:27I'm crazy about her
00:58:28Yes, you want to see my youngster
00:58:31She's away at school now
00:58:32I'm going up there tomorrow and spend the weekend with her
00:58:34I believe I have a picture with me
00:58:36You know you have
00:58:37Oh, I... I guess I left her in another suit
00:58:40However, I'll bring it along next time
00:58:43Next time?
00:58:45What next time?
00:58:47Oh, haven't I told you
00:58:49You're having dinner with me tonight
00:58:51I'm going to be home listening to our radio broadcast
00:58:54Fine, we'll both listen while we're having cocktails
00:58:56And then we'll go out to dinner
00:58:58Are you, by any chance, giving me what's known as the rush act?
00:59:02No
00:59:03No, I'm doing this for my insomnia
00:59:05You see, you've turned the tables on me
00:59:07Now where are you?
00:59:08I mean, now you're keeping me awake nights
00:59:11In their last night's premiere, Dolan Dolan and Dolan's radio act proved to be sock entertainment
00:59:18Yeah, so is this
00:59:30Oh, you're always belittling
00:59:33And you can heave that stuff in the ash can
00:59:35We're on top of the world now, baby
00:59:37People don't walk on top of the world in darn socks
00:59:39That's just the place to wear them
00:59:40Your feet don't slip so easy
00:59:41Oh
00:59:42Gee, that's swell
00:59:43Dolan Dolan and Dolan
00:59:44Are you happy with us, darling?
00:59:45Mm-hmm
00:59:46My goodness, you sneezed
00:59:47Get the doctor quick
00:59:48Maybe we ought to put her to bed
00:59:49Maybe we should
00:59:50Put her to bed
00:59:51Maybe we should
00:59:52Put her to bed
00:59:53Maybe we should
01:00:08Why don't you just say saluti?
01:00:10Huh?
01:00:11How about gesundheit?
01:00:12Dungashane
01:00:13Hey, what is this?
01:00:14Oh, she's not sick
01:00:16Well, nearly time to get down to the broadcasting station, big shot
01:00:20Will I have time to go down and see Tooney and the kids?
01:00:23Sure, we'll pick you up on the way out.
01:00:27Hello.
01:00:29Hello.
01:00:30What's your name?
01:00:31Bonnie Dolan.
01:00:33Go on, don't give me that.
01:00:35You don't belong to those folks.
01:00:38What's your real name?
01:00:40You like peppermint candy?
01:00:42Mm-hmm.
01:00:43Walk down to the corner with me and I'll buy you some.
01:00:50Hey!
01:00:51Where are you going with that kid?
01:00:53We're just taking her down the street to buy her some candy.
01:00:55Yeah?
01:00:56Well, if anybody's going to buy her candy, it'll be me.
01:00:58Well, I was just trying to be friendly.
01:01:00Cute little trick, ain't she?
01:01:02Yeah.
01:01:05Come on.
01:01:20I'm sorry, I got tangled in a deal for another factory.
01:01:37Oh, I'm sorry. I got tangled in a deal for another faxway.
01:01:44Always another faxway.
01:01:49You'll drown in your own substance yet?
01:01:52I'm afraid I can't afford to drown now.
01:01:55You know, you're very lovely tonight.
01:01:58Here. Have a cocktail.
01:02:01It'll help sustain the illusion.
01:02:03Have I missed all the program?
01:02:05Most of it.
01:02:07But Bonnie goes on again after this orchestra finishes.
01:02:11And now, ladies and gentlemen, America's new sweetheart of the year.
01:02:15Little Bonnie Dolan will sing her own version of When I'm With You.
01:02:23An ordinary day becomes a holiday
01:02:27When I'm with you.
01:02:29Becomes a holiday
01:02:31When I'm with you.
01:02:36That's a candy.
01:02:37Isn't she wonderful?
01:02:39I mean, her voice, it's...
01:02:41It's just like progress.
01:02:43Oh, if I didn't know my child was at school, I'd...
01:02:46I'd swear that...
01:02:48All children's voices sound about alike.
01:02:50It's just that slight difference that makes Bonnie stand out.
01:02:53And a proud father probably wouldn't even notice that dance.
01:02:57Marry me and let me be your wife
01:03:02That's Barbara.
01:03:03It is Barbara.
01:03:04Are you losing your mind?
01:03:05That's Bonnie Dolan.
01:03:06But I tell you, it's my daughter.
01:03:09Where's your phone?
01:03:10Right there.
01:03:13Even funny spinach
01:03:15Tastes like pumpkin pie
01:03:17When I'm with you.
01:03:22Look, you're just making a complete idiot of yourself.
01:03:24That child...
01:03:25Central 88632.
01:03:26I will not be quiet.
01:03:27Oh, you must be crazy.
01:03:28I know the child and I know her parents.
01:03:30I tell you, I'm her parents.
01:03:33Hello.
01:03:34This is Richard Barry talking.
01:03:35You have my daughter over there.
01:03:37The little girl singing on the peck hour.
01:03:39Hold her.
01:03:40I'll be right over.
01:03:41Your daughter.
01:03:42Hello.
01:03:43Hello, operator.
01:03:44Give me the Forest Grove School.
01:03:45The Ferncliff.
01:03:46Yes, quick.
01:03:47Oh, look.
01:03:48This is Columbus 8514.
01:03:50You're just stirring up a mental trouble for yourself.
01:03:53Now, why are you so stubborn?
01:03:54Oh, you're the one that's being stubborn.
01:03:55Oh, why do I have to marry a girl like this?
01:03:57Good night, folks.
01:03:58Who said you had to?
01:03:59Who said you're going to?
01:04:00Why, I wouldn't marry you.
01:04:01You'll marry me if I want you to.
01:04:04Hello.
01:04:05This is Richard Barry talking.
01:04:06I...
01:04:07Is my daughter Barbara there?
01:04:08No, Mr. Barry.
01:04:09We're waiting for her.
01:04:11Haven't you received a wire from my nurse?
01:04:13No, Mr. Barry.
01:04:14Shall we?
01:04:18She never got to the school.
01:04:19Really?
01:04:20Come on.
01:04:23And were you good?
01:04:25We certainly slayed him, didn't we?
01:04:30Come on, darling.
01:04:32Great little trooper, that kid.
01:04:34Just like her father.
01:04:36I taught her all she knows.
01:04:38When she was six months old,
01:04:40the name of the act was Dolan and Dolan.
01:04:42Then she used to...
01:04:43Mr. Peck, Mr. Peck.
01:04:44Mr. Richard Barry just phoned,
01:04:45said Bunny Dolan is his daughter,
01:04:47and wants us to hold her here.
01:04:48He was very excited.
01:04:49Barry, huh?
01:04:50Yes.
01:04:51Trying to put something over on me again.
01:04:53The nerve.
01:04:54What else did he say?
01:04:55That's all, except that he was on his way over.
01:04:57Good.
01:04:58I'll tell that cheap upstart just where he gets off.
01:05:02Trying to steal my talent, is he?
01:05:05I threw him.
01:05:06Here.
01:05:07You get your wife and child and get them out of here.
01:05:08Yes, sir.
01:05:09I know how to handle Barry.
01:05:13Let's get out of here.
01:05:14Don't ask any questions.
01:05:15Where are we going?
01:05:24Taxi!
01:05:26Taxi!
01:05:28Taxi!
01:05:30Listen, honey.
01:05:31Tell us the truth.
01:05:32Do you know Mr. Barry?
01:05:33You won't be angry if I tell you?
01:05:35No, sweetheart.
01:05:36Mr. Barry's my daddy.
01:05:40Didn't I tell you she didn't jump out of a hat?
01:05:42Didn't I tell you they'd catch up with us?
01:05:44What do we do now?
01:05:45There's only one thing to do.
01:05:46Take her to the apartment, telephone Barry where she is,
01:05:48and then duck.
01:05:49Flag a taxi.
01:05:50Taxi!
01:05:51Taxi!
01:05:52Taxi!
01:05:53Taxi!
01:05:54Taxi!
01:05:55All the time, no, no, no.
01:05:56All we have to do is...
01:05:57Oh.
01:06:00It's an awfully nice kid you have there.
01:06:01Yeah.
01:06:02Oh, yeah.
01:06:03Taxi!
01:06:13Taxi!
01:06:14Taxi!
01:06:16Come here!
01:06:28We have to go.
01:06:30Something has come up and we have to go right away.
01:06:32Can I go with you?
01:06:34No, you stay here.
01:06:36But I don't want to stay here all alone.
01:06:42Honey, do us a big favor.
01:06:44Stay right here.
01:06:47Listen, sweet.
01:06:49You stay here.
01:06:50We'll call your daddy and he'll come for you in a few minutes.
01:06:54Oh.
01:06:59Here, sweet. Play with your toys.
01:07:06Goodbye, darling.
01:07:10Goodbye.
01:07:14Goodbye, puttin' hand.
01:07:16Oh, come on.
01:07:17Oh, come on.
01:07:18I'm going with you.
01:07:19How follows, get in touch.
01:07:20Whatever, come on.
01:07:21Let's go.
01:07:22Oh, he got in touch.
01:07:23Oh, come on.
01:07:24Love you, darling.
01:07:28Thank you so much.
01:07:31You're welcome.
01:07:33You certainly, darling.
01:07:34You're welcome, dear.
01:07:37You're welcome.
01:07:38a fine cock and bull story if she's your daughter what's she doing here is she a radio performer no
01:07:47no no no but i have no time to explain now where is she she's gone and don't any of you tell him
01:07:52where she is can't you see that i'm telling you the truth yes yes it's for you richard yes
01:08:02what's the number of the house here's what floor the parlor floor the first daughter you left
01:08:10i know where she is she's all alone great heavens is she really your daughter isn't that what i've
01:08:16been telling you for the past half hour you crazy old buzzard you know where a couple of heels running
01:08:23out on the kid like this i know honey but yeah and a couple of saps as well they're bound to get us
01:08:27i guess you're right everybody knows dolan and dolan they know we had the kid too of course
01:08:33and if we run away it'll look worse come on let's go back and face it come on now be a nice little
01:08:42girl i'll buy you a pretty present if you tell me who your father is i won't tell you i don't like you
01:08:50you'd better tell i won't i won't you let me go no you don't you're coming with me i am not i am
01:08:57waiting i'm waiting i'm waiting i'm waiting i'm dropping jerry hey where you going with that kid
01:09:03jimmy leave with your left
01:09:10i can't
01:09:12i can't
01:09:16i can't
01:09:18i can't
01:09:19i can't
01:09:20i can't
01:09:21i can't
01:09:22i can't
01:09:23i can't
01:09:24i can't
01:09:49Are you all right, Jimmy?
01:09:51All right.
01:09:52How'd you get here?
01:09:53Who brought you here?
01:09:54They did.
01:09:56Where's Collins?
01:09:56What happened to her?
01:09:57I don't know.
01:09:58She lost her purse and went away.
01:10:00So I thought I'd go on a vacation.
01:10:02And I found Tony.
01:10:03And then Mr. and Mrs. Puddinghead found me.
01:10:07What are they doing, Daddy?
01:10:08They're hurting them.
01:10:10And they're my friends.
01:10:11They're my best friends.
01:10:13They saved me from that bad man.
01:10:16She told us she ran away from an orphan asylum.
01:10:18Whether we're mean to her.
01:10:19And we believed her.
01:10:20Didn't you tell us that, Barney?
01:10:22Yes, I did.
01:10:23But I wasn't telling a lie.
01:10:25I was just playing a game.
01:10:27And they played with me.
01:10:28I see.
01:10:29I've never had so much fun in my whole life.
01:10:32But I'm glad to be back with you, Daddy.
01:10:35Oh, no.
01:10:37Officers, I'm afraid I put you through a lot of bother.
01:10:39You needn't hold those people any longer.
01:10:40Wait a minute.
01:10:41Why do I come in on this?
01:10:42I've got a contract.
01:10:43Do you know what that contract's worth?
01:10:44Listen, you two.
01:10:45You've been battling around trying to buy each other out.
01:10:47Why don't you merge the two companies?
01:10:50Then between you, you can wash the neck of the whole nation.
01:10:53That's a thought.
01:10:54Merged with him?
01:10:55Never.
01:10:57I don't know what that means.
01:10:59But why don't you do it?
01:11:00When I hear the blast of a bill go, I know I soon will see a military man.
01:11:16When I hear the sound of a drum, drum, tumby tum tum, I know I soon will see a military man.
01:11:26I love a military man.
01:11:29I love a military man.
01:11:31I love a military nurse.
01:11:36I'm but it's a man to see a military man.
01:11:41Every boy should want to be a military man.
01:11:45What a treat to march and see the roll of a drum.
01:11:50What a treat to march and see the rum-tum.
01:11:54The rum-tum-tum-tum-tum.
01:11:56In the crowd he looked so proud, the military man.
01:12:00In his uniform, it's a stick and spin.
01:12:04Hearts are filled with joy and they're filled with joy whenever a march is played.
01:12:09A brave little bird you don't see a soldier parry.
01:12:13A brave little bird you don't see them.
01:12:15ού