- 5 months ago
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🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30Why do you eat any more of this?
00:01:48But definitely.
00:01:49Spinach is very rich in vitamins.
00:01:51I might say disgustingly rich.
00:01:53And very good for you, Miss Barbara.
00:01:54Why is it so many things you don't like are good for you?
00:01:59I couldn't say offhand, Miss Barbara, but you must eat some more of your spinach.
00:02:04Why do I have to?
00:02:05Well, you see, your lunch calls for so many vitamins, and you must have them.
00:02:10All right.
00:02:11My goodness, that was an awful big vitamin.
00:02:20Have you finished, Miss Barber?
00:02:23But definitely.
00:02:26Achoo!
00:02:27Achoo!
00:02:27The third sneeze.
00:02:35Let me see your tongue.
00:02:37I'm afraid you'll have to go to bed.
00:02:40I'm afraid you'll have to go to bed.
00:02:56I'm not sick.
00:02:58I feel fine.
00:03:00Oh, Collin, she's perfectly well.
00:03:02A sneeze has nothing to be alarmed at.
00:03:05Perhaps not, but I'm responsible for the child.
00:03:07Come, my dear.
00:03:09Phone for Dr. Palmer.
00:03:10The child sneezes, and you think the world was coming to an end.
00:03:23Good heavens, can't believe her alone.
00:03:25She's a perfectly normal, healthy child.
00:03:27The way they carry on here, you think she was made of glass.
00:03:30Something ought to be done with Collin.
00:03:32How, Mr. Barry, can stand that female is beyond me.
00:03:37Well, you can't expect a widower and a man as busy as Mr. Barry is
00:03:41to notice everything that's going on in the house.
00:03:46Better do your telephone in.
00:03:50No, it just seems to be a slight cold.
00:03:53But Mr. Barry always wants us to notify him.
00:03:56Just got a message from Barry's home.
00:03:57His child is ill.
00:04:00Maisie, just got a message from Barry's home.
00:04:02His child is ill.
00:04:03Okay, I'll see that he gets the message.
00:04:05Mr. Barry has wanted him at home at once.
00:04:06His child is quite ill.
00:04:07Really?
00:04:11Do you know where Mr. Barry is?
00:04:12Yes, he's over at the household exhibit.
00:04:13We've got to get in touch with him right away.
00:04:14Your daughter is seriously ill.
00:04:15Well, I'll go over to the show and pick him up.
00:04:16Your phone's in the meantime.
00:04:17Can I have my mom on the way?
00:04:18Over?
00:04:19Yes.
00:04:20See you, darling.
00:04:21See you, darling.
00:04:22See you, darling.
00:04:23Oh, well, I'll get away.
00:04:24Your daughter is seriously ill.
00:04:25Well, I'll go over to the show and pick him up.
00:04:26Your phone's in the meantime.
00:04:27Can I have my mom on my way?
00:04:28Over?
00:04:29Yes, you darling.
00:04:30Thank you, ladies.
00:04:31You ready for the opening of the exhibit at 2.15?
00:04:34Yes, Mr. Barry.
00:05:00Let's see.
00:05:01I'll be right back.
00:05:02I'll be right back.
00:05:27May I help?
00:05:28It seems I can't go anywhere or do anything without Barry making trouble for me.
00:05:33I hate that man. He causes me more sleepless nights.
00:05:36Sleepless nights?
00:05:38What does he do? Play a slight trombone under your window or something?
00:05:41Everything but that.
00:05:43I lay awake half the night, thinking up new ideas.
00:05:45The next morning, I find that Barry's not only beaten me to them,
00:05:48he's topped me in a thousand ways.
00:05:50I wish he'd drown in his own soap set on.
00:05:52But I shouldn't be boring you with my trouble.
00:05:54Oh, that's all right.
00:05:56You in this business?
00:05:57Um, yes, um, I'm with the pet company.
00:06:01Advertising.
00:06:04I see.
00:06:05I'm sorry you disliked this fellow Barry, though.
00:06:08He's really not a bad sort.
00:06:09Oh, do you know him?
00:06:10Slightly.
00:06:11My barber cuts his hair.
00:06:13Maybe I could bribe him to cut his throat.
00:06:15Oh, Mr. Barry, do you think she'll be all right?
00:06:18No, let me see.
00:06:21Yes, she'll do very nicely.
00:06:22Thank you, Mr. Barry.
00:06:24That's just what I thought.
00:06:25Well, of all the rotten tricks.
00:06:29Letting me talk my head off without telling me.
00:06:30Oh, now.
00:06:31Just another example of Barry cleverness, I suppose.
00:06:40What was she burning about?
00:06:43I keep her awake at night.
00:06:46Mr. Barry.
00:06:47Mr. Barry.
00:06:47You want her to home right away.
00:06:48Barbara's very old.
00:06:49I keep her awake at night.
00:06:51I'm so sad that I could cry with a very good reason why I've no one to be gay with.
00:07:08That's why I wear a crown.
00:07:11No children I can play with.
00:07:14Lons and rages falling down.
00:07:17I feel lady.
00:07:19I want to make my pies.
00:07:22In fact, I'd like to be a mess.
00:07:26I want to make my pies.
00:07:28I know that I'd find happiness.
00:07:31If I got jam on my fingers,
00:07:34chocolate on my face,
00:07:36and the lasses all over my dress.
00:07:41You're the only friends I've ever had.
00:07:46But one minute you're good,
00:07:49and the very next minute you're bad.
00:07:52At times I ought to hate you.
00:07:55You make me feel so good.
00:07:58But honest, I can't hate you.
00:08:01You smile at me the way you do.
00:08:03Oh, my goodness.
00:08:06Sometimes I want to leave you.
00:08:09You tell us awful lies.
00:08:12But I could never leave you.
00:08:14When I look into your great big eyes.
00:08:17Oh, my goodness.
00:08:20I love you.
00:08:21Do you love me?
00:08:23Honey, if you don't, why don't you?
00:08:25Honey, if you won't, why won't you?
00:08:28Am I going to have trouble with you?
00:08:30I really ought to scold you.
00:08:33You'll have me old and gray.
00:08:36But when there's time to scold you,
00:08:39I hold you in my arms and say,
00:08:42Oh, my, oh, my, oh, my goodness.
00:08:46Some
00:09:10dimes I are too Haitian,
00:09:16You make me feel so blue, but honest, I can't say shoo.
00:09:21Then you smile at me, my lovely pooch,
00:09:24and I, my, my, my.
00:09:29You are my everything-a-bitch.
00:09:32You're like a day in spring-a-bitch.
00:09:35And you make my heart sing-a-bitch.
00:09:37Lookie, lookie, look-ski, here comes Crookski.
00:09:40Oh, cha, torn ya.
00:09:45I love you, do you love me?
00:09:48Mya, ka, ya, cow, cow, si and si.
00:09:51Meenie, meenie, mug, that means see.
00:09:53Am I gonna have to level with you?
00:10:00Honey, child, I really ought to scold ya.
00:10:04You have your mammy old and gray.
00:10:08Pick a mammy when it's time to scold ya.
00:10:12I just hold ya in my love and arms and face.
00:10:16Oh, my, hidey hidey hidey hidey hide.
00:10:21Oh, my goodness.
00:10:30How are you feeling, honey?
00:10:33I wouldn't know how to feel any better.
00:10:36Well.
00:10:42Will you read to me from this?
00:10:43All right.
00:10:44Which one is it to be?
00:10:45It's the one where Betsy runs away from the origin asylum
00:10:49and meets Tony, the origin grinder, and his monkey.
00:10:52Betsy Ware was two years old when her mother died.
00:10:57Because the family was poor, Betsy couldn't stay at home.
00:11:01So she was sent to an orphan asylum.
00:11:04Which was an ugly red brick building far, far away from where Betsy used to live.
00:11:09Yes, from where Betsy used to live.
00:11:11Yes, from where Betsy used to live.
00:11:12A young man came dancing around the corner in a green coat and bumped right into her.
00:11:18Excuse me, said the young man.
00:11:20I'm always bumping into people.
00:11:22That's why they call me Puddin' Head.
00:11:30So Mary couldn't play that afternoon.
00:11:32She had lessons to do.
00:11:33No, no.
00:11:35Wait what happened after Betsy met Puddin' Head.
00:11:38Oh, excuse me.
00:11:40Why, I must have skipped a page.
00:11:44How is she?
00:11:45She's fine.
00:11:46The doctor was here and he says there isn't the slightest thing the matter with her.
00:12:00Now, you see, Mr. Berry, she's perfectly all right.
00:12:02Collins just gets panicky every time the child sneezes.
00:12:05Collins is right.
00:12:06I want every precaution taken.
00:12:09Of course, I know it's none of my business, Mr. Berry.
00:12:12But did you ever stop to consider that the constant piling up of precautions and attentions was bad for the child?
00:12:20Why, she's pampered and watched over and babied to death.
00:12:25Would you mind if I'd offer a suggestion?
00:12:28No, go ahead.
00:12:29If I were you, I'd send Barbara to school where she'll be with other children.
00:12:36Well, there may be something in that.
00:12:38Perhaps school's the thing for her.
00:12:40Tell Collins I wish to speak to her.
00:12:42I'll ask her about it.
00:12:43I know what Collins will say.
00:12:46Collins always says, no.
00:12:49Hello, Danny.
00:12:50Hello, sweet.
00:12:52Daddy, why do I always have to play alone? Why can't I play with other children?
00:12:59Honey, how would you like to go to school?
00:13:01Goody goody.
00:13:02Well, I guess that's settled.
00:13:03Yes, Mr. Berry.
00:13:04Oh, Collins, I'm sending Barbara to school up in the Adirondacks, the school her mother used to go to.
00:13:09But, Mr. Berry, the child's much too young for a summer camp.
00:13:13Didn't I kill you?
00:13:14Collins always said no.
00:13:16I've only been following your instructions, Mr. Berry.
00:13:18I'm sorry if you feel that I...
00:13:19Nonsense.
00:13:20She needs the companionship of other children.
00:13:22Get in touch with the Forest Grove school and make arrangements for her entrance right away.
00:13:25Take care of all the details.
00:13:26Yes, sir.
00:13:27Mr. Berry.
00:13:28You wanted to listen to the changes being made on your radio hour.
00:13:33The program's on now.
00:13:34Oh, yeah.
00:13:46B-A-R-R-Y
00:13:51Why don't you buy a bar of Mary
00:13:57Every grocer carries Barry
00:14:00You will find that Barry's little bubble
00:14:03Make you kind of laugh as you'll watch in trouble
00:14:07Find a bar of Barry
00:14:10It's the Barry that's Barry
00:14:13So come, don't walk to the nearest exit
00:14:17And find a bar of Barry
00:14:20And now, the Barry baritone will sing that new hit tune, When I'm With You
00:14:33Every street I walk on becomes a lover's land
00:14:38When I'm with you
00:14:41I can't see the sun
00:14:44Though we're out in the rain
00:14:47When I'm with you
00:14:50To lose you would be tragic
00:14:55Here is my final bird
00:15:00You have that certain magic
00:15:04You're the seven wonders of the world
00:15:10Snow is on the ground
00:15:12But the leaves are on the trees
00:15:15And I'm with you
00:15:17Flowers sing a love song
00:15:21There's music in the breeze
00:15:24And I'm with you
00:15:26Please let me make this confession
00:15:33You are my magnificent obsession
00:15:38The world is all in right
00:15:41Lovely one when I'm with you
00:15:47You know, Daddy, this house wouldn't be so lonesome
00:15:57If you'd stay home once in a while
00:16:00If I stayed home all the time
00:16:03There wouldn't be any house
00:16:05You know, Daddy, I can sing that song
00:16:08And I've got my own words
00:16:10Want to hear them?
00:16:12An ordinary day becomes a holiday
00:16:19When I'm with you
00:16:22I have lots of toys
00:16:26But I don't want to play
00:16:28When I'm with you
00:16:31Oh, Daddy, how do I miss you?
00:16:37You're busy all your life
00:16:41I long to hug and kiss you
00:16:46Marry me and let me be your wife
00:16:51Every word I hear sounds like a lullaby
00:16:56When I'm with you
00:16:59Even funny spinach tastes like pumpkin pie
00:17:05When I'm with you
00:17:08In every dream I caress you
00:17:13And every night I pray the Lord will bless you
00:17:19The world's a nursery rhyme
00:17:22Daddy, dear, when I'm with you
00:17:27Are you going to stay in school with me?
00:17:43No, my dear, I'm going to take a little vacation
00:17:46What's a vacation?
00:17:48It's a rest, dear
00:17:50It means getting away from people you've been with every day
00:17:52And seeing new faces
00:17:53You really become another person on a vacation
00:17:56What person are you going to be?
00:17:59Oh, just another person
00:18:01Is going to school a vacation?
00:18:03Hardly
00:18:04It's just the opposite
00:18:05You think Collins is strict
00:18:07But wait till you get to school
00:18:09There'll be no running to Woodward or to your daddy
00:18:11You'll do just what you're told
00:18:13I don't think I'm going to like school
00:18:16May I take Snoopy with me?
00:18:19No, my dear
00:18:20You're not allowed to have dogs from school
00:18:22No?
00:18:23No, indeed
00:18:25That settles it
00:18:28All right, darling
00:18:29We'd better get started
00:18:30Come, my dear
00:18:31Goodbye, Snoopy
00:18:37Are they expecting you at school this evening?
00:18:41No, I told them we'd be out sometime this week
00:18:43Then you'd better wire them your arriving
00:18:45And have a car meet you
00:18:46I'll do it from the station
00:18:48You're going to be very happy at school, aren't you, sweetheart?
00:18:51Maybe
00:18:52Maybe
00:18:53Maybe?
00:18:54Sure you're going to be happy
00:18:56I'll be up and spend every weekend with you
00:19:06Goodbye, sweetheart
00:19:07Aren't you coming into the station with us?
00:19:09Oh, I'm sorry I can't
00:19:10I'm late for a business appointment already
00:19:12Seems as if I'm always running away from you, doesn't it?
00:19:15Well, I'll make up for it Saturday and Sunday
00:19:17I'll spend every minute with you
00:19:18We'll have lots of fun
00:19:20Goodbye
00:19:22Take good care of her, Colin
00:19:24Yes, sir
00:19:26What's this for?
00:19:27Oh, it weighs you for a penny
00:19:29I want to be weighed
00:19:30Well, I haven't a penny
00:19:32I have a penny
00:19:33All right
00:19:39No, here
00:19:48On this side is your weight
00:19:50Fifty-eight pounds
00:19:51And on this side is your fortune
00:19:53What does it say?
00:19:55What does it say?
00:19:57It says you're going away on a long trip
00:20:00And you're going to meet a lot of strange people
00:20:02What a smart machine
00:20:05Come, my dear
00:20:18Walter
00:20:19Yes, ma'am
00:20:20I have to send a telegram
00:20:21My purse
00:20:22It's gone
00:20:23I must have dropped it when I got out of the car
00:20:24Keep an eye on us
00:20:25I'll be back in a minute
00:20:38Yes, ma'am
00:20:51Yes, ma'am
00:20:52passed
00:21:12What's your name?
00:21:13Rupert Washington, Jackson Lee
00:21:16All by yourself?
00:21:18My name's Betsy Ware.
00:21:20That's a mighty pretty name.
00:21:24Did you ever have a vacation?
00:21:26Oh, yes, Missy. Lots and lots of them.
00:21:28Are they fun?
00:21:30They are if you don't have too many of them.
00:21:32I'll bet they're more fun than going to school.
00:21:34I never had a vacation.
00:21:36But I'm thinking about having one.
00:21:42Look!
00:21:48Why don't you help me, brother?
00:21:50Brother?
00:21:52All right, little Missy.
00:21:54You just wait right here till I'll come back.
00:22:10There was a lady and a little girl with these.
00:22:12They went away and didn't come back,
00:22:14and the train there was to take it done gone.
00:22:16There's a woman been identified.
00:22:18Nope. No pocketbook.
00:22:20No laundry marks. Nothing.
00:22:22Well, you'd better call up the Bureau of Missing Persons
00:22:24and have a general description set up.
00:22:26Okay, Doc.
00:22:34It's Tony!
00:22:36And it's Mucky.
00:22:42Gee, that's a swell hat.
00:22:44I wish I could have one if I did.
00:22:46Here, take it.
00:22:48Oh!
00:22:50Oh!
00:22:51Oh!
00:22:52Oh!
00:22:53Oh!
00:22:54Oh!
00:22:55Oh!
00:22:56Oh!
00:22:57Oh!
00:22:58Oh!
00:22:59Oh!
00:23:00Oh!
00:23:01Oh!
00:23:02Oh!
00:23:03Oh, Missing Persons!
00:23:05Oh!
00:23:06Oh!
00:23:07Oh!
00:23:08Oh!
00:23:09Oh!
00:23:10Oh!
00:23:11Oh!
00:23:12Oh!
00:23:13Oh!
00:23:14Oh!
00:23:15Oh!
00:23:16Oh!
00:23:18Oh!
00:23:20Oh!
00:23:23I know who you are. You're Tony.
00:23:27That's right. Tandonia is my middle name.
00:23:31I'm on my vacation. Do you want to come along?
00:23:35Oh, you're a very nice little bambino. You go home to your mama, huh?
00:23:39I have no mama. Oh, that's too bad.
00:23:43Then you go home to your papa. Say, what's your name?
00:23:47Betsy, where?
00:23:49I used to live in an orphanage, but they were mean to me, awfully mean.
00:23:53And now I'm on a vacation.
00:23:55Huh?
00:23:56I'm on a vacation to see new faces.
00:23:59Your face doesn't look very new.
00:24:01Well, that's good enough for me. Goodbye.
00:24:19Hey, Miss Papa! Here comes my papa!
00:24:21Hey! Here comes my papa!
00:24:25Hey!
00:24:26Hey!
00:24:27Hey!
00:24:28Hey!
00:24:29Hey!
00:24:30Hey!
00:24:34Hey!
00:24:35Come on, come on.
00:24:36Hey!
00:24:37Come on.
00:24:39Hey, come on.
00:24:41Hey, come on, now.
00:24:42Hey!
00:24:44Hey, come on, now!
00:24:45Hey, come on.
00:24:46Hey, come on, are you chasing me for?
00:24:48I'm Betsy Ware.
00:24:49I used to live in an orphanage, but they were awful mean to me.
00:24:52And now I'm on a vacation.
00:24:54I know.
00:24:55I know.
00:24:56You told me that.
00:24:57And you don't like my face.
00:24:58Yes, I do.
00:25:05Ma!
00:25:06Ma!
00:25:18Ma.
00:25:19Ma.
00:25:20Ma.
00:25:21Maybe she's hungry.
00:25:24I go get her?
00:25:25Huh?
00:25:26All right.
00:25:28Come, you stay in my house tonight.
00:25:48Look at those spaghetti. They're good.
00:26:04Look, look, like this, look.
00:26:15Careful.
00:26:27Ah-choo!
00:26:33Ah-choo!
00:26:35I sneezed.
00:26:39Don't I have to go to bed?
00:26:42What's the matter? You're sleeping?
00:26:45You eat the first.
00:26:46I like it here.
00:26:56So little.
00:26:58And so sweet.
00:27:00Maybe we keep her.
00:27:02Yes?
00:27:03Are you crazy?
00:27:04What do you want to do?
00:27:05Do you want to go to jail for the kidnap?
00:27:07Five children you have already.
00:27:09Six with a monkey.
00:27:11All right.
00:27:12Then I take her to the police and men in the morning, eh?
00:27:14Yes.
00:27:15Men you better make them out there.
00:27:17Come away.
00:27:18Hey.
00:27:23Come, Bambina.
00:27:24Come, Bambina.
00:27:25All right.
00:27:26That's a supper about a half, isn't he?
00:27:28and what to say we ask?
00:27:30Yes.
00:27:31Okay.
00:27:33Let's go.
00:27:34Come, Bambina.
00:27:35Come to jail, Bambina.
00:27:37Come.
00:27:41Come, Bambina.
00:27:42Come, Bambina.
00:27:43Come, Bambina.
00:27:44Come, Bambina.
00:27:45Now, Michael, I'll come and read this.
00:27:49The girl is so fat, she's eating.
00:27:53Maybe we'll keep her, huh?
00:27:57Mm-hmm.
00:27:58Mm-hmm.
00:27:59Mm-hmm.
00:28:00Mm-hmm.
00:28:01Mm-hmm.
00:28:02Mm-hmm.
00:28:03Mm-hmm.
00:28:04Mm-hmm.
00:28:05Mm-hmm.
00:28:06Mm-hmm.
00:28:07Mm-hmm.
00:28:08Mm-hmm.
00:28:09Mm-hmm.
00:28:10Mm-hmm.
00:28:11Mm-hmm.
00:28:12Mm-hmm.
00:28:13Mm-hmm.
00:28:14Mm-hmm.
00:28:15Mm-hmm.
00:28:40Oh, my God.
00:28:41Oh.
00:28:44Hey, this music certainly comes in handy for rehearsing.
00:28:47Rehearsing for what?
00:28:49Well, you never can tell when somebody will ask you to play a benefit.
00:28:52Oh, don't forget, we've got another radio audition tomorrow.
00:28:56You know, this radio racket is a lot tougher than Vaudeville used to be.
00:29:00Remember when we got married?
00:29:02No, and don't remind me.
00:29:04And by the way, I'm getting tired of these radio auditions.
00:29:08If we don't land a sponsor soon, I'm going home to my mother.
00:29:11Well, that's better than bringing the old bat-lags here.
00:29:13I'm only kidding.
00:29:17You know, honey, I've been working on a step that's going to start Bill Robinson talking to himself.
00:29:21Watch this.
00:29:27If I could see anybody tie that.
00:29:41I'm going home with kaput.
00:29:43It doesn't matter, they're over-out.
00:29:44It's a beautiful day, man.
00:29:45In this case, it's been a long time for the polite evening.
00:29:46Wow.
00:29:47We'll see you next time.
00:29:48I'll see you next time.
00:29:49Go to laugher.
00:29:50Go.
00:29:51.
00:29:53Go.
00:29:54Go.
00:29:56Go.
00:29:57Go.
00:29:59Go.
00:30:01Go.
00:30:02Go.
00:30:03Go.
00:30:04Go.
00:30:05Go.
00:30:06Go.
00:30:07Go.
00:30:08Go.
00:30:09No.
00:30:10I'm going downstairs to see who that hooker is.
00:30:12Yeah, while you're down there, take a few lessons.
00:30:22It's a kid!
00:30:24Jerry, Jerry!
00:30:28Are you the one who was answering my steps?
00:30:34Tony, who is she?
00:30:36She's an orphan.
00:30:38She'll run away and she'll follow me here.
00:30:44Jerry, she's a natural. Look at her.
00:30:46Did you ever see a better bet?
00:30:48Who is she?
00:30:49She's part of our act, kid.
00:30:51Dolan, Dolan, and Dolan.
00:30:57Say, what's your name?
00:31:00Betsy Ware.
00:31:02Are you Puddin' Head?
00:31:04Huh?
00:31:05I'll say he's Puddin' Head. Come on.
00:31:15Now, what's this all about?
00:31:16Don't you see?
00:31:17That kid in there is a novelty.
00:31:19Just what we need for the act.
00:31:20What's the matter? Are you crazy?
00:31:21What do you know about the child?
00:31:22All there is to know.
00:31:23She ran away from an orphan asylum.
00:31:25Orphan asylum? Your aunt, did you notice her hands?
00:31:27Well, they don't manicure them in orphan asylum.
00:31:29Well, I don't know.
00:31:30A friend of mine got his hair cut in Sing Sing.
00:31:39You're always making mountains out of mothballs.
00:31:41Supposedly, kid's story does turn out to be a phony.
00:31:44All right, so we believed it.
00:31:45We fed her.
00:31:46Took good care of her and put her on the air.
00:31:48They can't hang it for that, can they?
00:31:50They can try.
00:31:54Wait a minute.
00:32:04I want the police department.
00:32:06Bureau of Missing Persons.
00:32:08Bureau of Missing Persons?
00:32:10Uh, is anybody missing?
00:32:16Oh.
00:32:17Thousands of people.
00:32:20Uh, that's very interesting.
00:32:21Uh, did anybody report a kid missing by the name of, uh, Betsy Ware?
00:32:25But, Jimmy, what...
00:32:26Shh!
00:32:27Uh, no records?
00:32:29Oh.
00:32:30No, no, I don't want to make a report.
00:32:32No, thanks.
00:32:33But if I should ever lose a kid by that name, I'll let you know.
00:32:37What?
00:32:39Oh, wise guy, eh?
00:32:41Well, you'd better turn her in anyway.
00:32:43I tell you, it's okay.
00:32:54Oh, wait a minute.
00:32:56Listen, sweetheart.
00:32:57Remember, you're Bonnie Dole and the Radio Star.
00:32:59Don't use your real name around here.
00:33:01Don't even think of it.
00:33:02Just forget that you're Betsy Ware.
00:33:04Are we playing the game?
00:33:06Uh-huh.
00:33:07Yeah, that's it, a game.
00:33:08You play along with it?
00:33:09Mm-hmm.
00:33:10I love games.
00:33:11All right.
00:33:12Now, don't forget, Betsy.
00:33:13Her name's Bonnie Dolan.
00:33:15Heh-heh.
00:33:20We're Dolan, Dolan, and Dolan.
00:33:22We have an appointment here with Dan Ward of the Ward and Wallace advertising agency.
00:33:26Oh, yes, for an audition.
00:33:27Room be to your right, please.
00:33:29Uh-huh, Mr. Ward.
00:33:30Hello, Mr. Ward.
00:33:31Hello?
00:33:32Uh-uh, Mr. Ward.
00:33:33Yes?
00:33:34Uh, this is my wife, Jerry.
00:33:35And this is, uh, uh, our kid, Bonnie Dolan.
00:33:36Have we got a name?
00:33:37Have we got a name?
00:33:38I'm asking you.
00:33:39Don't ask me.
00:33:40Show me.
00:33:41And this is, uh, our kid, Bonnie Dolan.
00:33:44Have we got an egg?
00:33:45Have we got an egg?
00:33:46I'm asking you.
00:33:47Don't ask me.
00:33:48Show me.
00:33:51Bung.
00:33:52This is station L-O-V-E.
00:33:57Bung.
00:33:58I'm Cupid's assistant.
00:34:00Please listen to me.
00:34:03My boss, Mr. Cupid, told me
00:34:06to make hearts loose a loop.
00:34:08Never, ever to sing about the good ship,
00:34:13lollipop, or animal crackers in my soup.
00:34:17So if the one you idolize is near you,
00:34:21a song of love will help you find the way.
00:34:25Cupid says a welling heart will hear you.
00:34:29If you move a little closer, thank you.
00:34:33Press his little hand.
00:34:35That's fine.
00:34:37Now look into his eyes and say...
00:34:43You are an angel without any wings,
00:34:48a vision so lovely to see.
00:34:52Are you the reason my happy heart sees?
00:34:56But definitely...
00:34:58Will I forever be faithful to you?
00:35:05You're mine and you always must be.
00:35:09Do I adore you?
00:35:11You know that I do.
00:35:14But definitely, so definitely...
00:35:16You are the moon, the stars, the sun.
00:35:21You're every beat of my heart, so so supreme.
00:35:25But if it all turns out to be only a beautiful dream,
00:35:32Let's keep on dreaming.
00:35:35Millions of billions can equal your worth.
00:35:40Your love is a blessing to me.
00:35:44Are you an uncle of heaven here on earth?
00:35:48You are, but definitely...
00:35:50You are, but definitely...
00:35:52When you are crooning the blue of the day,
00:36:01And whistling the gold of the dawn, bing, bing.
00:36:06Are you my favorite?
00:36:08You know that you are, but definitely...
00:36:12You are my favorite.
00:36:13Hey, I'm the star of the day.
00:36:15Go, go, go, go, go, go.
00:36:15Go, go, go, go, go, go, go.
00:36:16Go, go, go, go, go, go.
00:36:17Go, go, go, go, go, go, go, go, go, go, go, go, go.
00:36:19You always must be, be, be, be, be, be.
00:36:24Do I adore you?
00:36:27You know that I do.
00:36:29But definitely, so definitely...
00:36:33You are the moon, the stars, the sun.
00:36:37You're every beat of my heart, so supreme.
00:36:42But if it all turns out to be only a beautiful dream,
00:36:48let's keep on dreaming.
00:36:52Millions or billions can't equal your world.
00:36:57Your love is a blessing to me.
00:37:02Are you an armful of heaven here on earth?
00:37:07You are.
00:37:09But definitely.
00:37:12The name of the song named Dinah.
00:37:14The name of the song named Dinah.
00:37:16The name of the song named Dinah.
00:37:18It's but definitely.
00:37:26Not bad.
00:37:27I'll be right out.
00:37:36I have a client who might be interested.
00:37:38You wait here.
00:37:43Didn't he like what we did?
00:37:45Sure.
00:37:46I guess he's gone to the next room to applaud.
00:37:51Margaret?
00:37:52This is Dan.
00:37:53Listen.
00:37:54I've got the greatest act that's ever been offered to radio.
00:37:57It's no use, Dan.
00:37:59Mr. Peck just won't go on the air.
00:38:01Wait a minute.
00:38:02I know he won't go for girls.
00:38:04And I know he won't go for crumas.
00:38:05But he'll go for this.
00:38:07But you said we were good.
00:38:09Never pay any attention to what he says.
00:38:11Maybe we were too good.
00:38:14Maybe we were too good.
00:38:23Yes?
00:38:24This client of mine.
00:38:25Yes?
00:38:26That I was telling you about.
00:38:28Yes.
00:38:29We'll see you this afternoon.
00:38:31We're good.
00:38:32We're good.
00:38:33We're good.
00:38:34We're good.
00:38:35We're good.
00:38:36We're good.
00:38:37Can you be there at 3?
00:38:38Can we be there at 3?
00:38:39Can we be there at 3?
00:38:40We'll be there at 5 minutes 2-3.
00:38:43Good afternoon.
00:38:44Peck's Soap Company.
00:38:48Good afternoon.
00:38:49Peck's Soap Company.
00:38:50It's okay.
00:38:51I don't care how good they are.
00:38:54I tell you, I don't want a radio show.
00:38:57But, Mr. Peck, if you'd only give them an audition, it would...
00:39:00It's a most unusual act, Mr. Peck.
00:39:02They'll be up here in a few moments.
00:39:03Shut up!
00:39:11Mr. Barry at the Barry Soap Company is here.
00:39:13Says he has an appointment.
00:39:15You know what that young upstart wants?
00:39:17Telephoned me this morning.
00:39:18Said he wanted to see me.
00:39:19I have no idea.
00:39:20Well, I have.
00:39:21He wants me to buy him out.
00:39:24Buy him out?
00:39:26By Mr. Peck, the Barry salesman...
00:39:28I know he's been selling soap.
00:39:31But he's been spending 11 cents on Ballyhoo.
00:39:34For every 10 cent cake he sold.
00:39:36But the figures show that...
00:39:37Figures.
00:39:38It takes no genius to offer $5 bills for $4.80 and do a volume of business.
00:39:43But the day of reckoning is always around.
00:39:46And it's caught up with Barry.
00:39:49Shall I...
00:39:50Shall I show him in?
00:39:52Yeah, show him in.
00:39:53You stay, Gooch.
00:39:59Well, well, if it isn't Peck's bad girl.
00:40:01Hello, Mr. Barry.
00:40:02Mr. Peck wants you to go right in.
00:40:04That's mighty watter, the old man.
00:40:06Listen.
00:40:07Why would you like to have lunch with your boss?
00:40:10With my boss?
00:40:11Sure.
00:40:12I'll go in there and buy out the whole shebang.
00:40:13It's on his last legs and Peck will probably be glad to sell it for his song.
00:40:16What's funny about that?
00:40:17Yes, sir.
00:40:18I'll tell him.
00:40:19Mr. Peck wants to know what's delaying you.
00:40:21The old boy can't wait.
00:40:22See you later.
00:40:23Well?
00:40:24Mr. Peck?
00:40:25Yes, Mr. Barry.
00:40:26Just what can I do for you today?
00:40:27Well, Peck, I understand that this place is going to...
00:40:30going to pot.
00:40:31Now, I might consider taking it off your hands.
00:40:43But.
00:40:44Do-do-do I understand you to say...
00:40:57Do I understand you to say...
00:40:59You understand me to say that I'll buy you out?
00:41:02How much?
00:41:02Have you the colossal insolence to suggest that I sell my business to you?
00:41:07Why not?
00:41:09You've been losing money for the past two years.
00:41:10You're practically broke.
00:41:12Get out.
00:41:13Get out before I kick you out.
00:41:14Now get out.
00:41:16I gather that he doesn't want to sell.
00:41:18Is that your impression, too?
00:41:20Definitely.
00:41:21Very well.
00:41:23Good day.
00:41:24Okay.
00:41:27Hello, boss.
00:41:38Boss or no boss.
00:41:39How about the day for lunches?
00:41:41Oh, well, I...
00:41:42I couldn't possibly...
00:41:43Oh, come on, be a sport.
00:41:44You're even with me, aren't you?
00:41:47I'm ahead of you.
00:41:55When will it be?
00:41:57Oh, Friday at once.
00:41:59Fine.
00:42:00At the Savoy?
00:42:06Say, Miles, isn't he one of our competitors?
00:42:09As far as I'm concerned, he has no competition.
00:42:12The mailman says, oh, we're right.
00:42:29We're right now.
00:42:30We're right here, don't you?
00:42:31It's a good deal.
00:42:31If you're caught up, I'm not sure.
00:42:32So, I'm going to go on.
00:42:33Do you have any questions?
00:42:37Where are Dolan, Dolan and Dolan?
00:42:39The radio station.
00:42:41Oh, yes. Dolan, Dolan and Dolan.
00:42:43And which one are you?
00:42:47I'm the one in the middle.
00:42:49Miss Allen's busy at the moment.
00:42:51Will you wait in her office?
00:43:03Darling, don't do that.
00:43:05Be a good little girl and sit down over there.
00:43:07I want to talk to Puddinette a minute.
00:43:09I wish you would do me a favor and stop worrying.
00:43:11You're all beginning to look terrible.
00:43:13Well, why wouldn't I?
00:43:15I dozed off this morning at 3.30 and slept like a log till 4.
00:43:23You've got nothing to worry about.
00:43:25The way you're acting, you'd think we were kidnappers.
00:43:29That's what I mean.
00:43:31That's what I'm afraid the judge will think.
00:43:33If we get a nice fair trial, we may get off with life.
00:43:51Hello.
00:43:56How did you get in here? Who are you?
00:43:58I'm Bonnie Dolan, the big radio station.
00:44:00You know Dolan, Dolan, and Dolan.
00:44:03And are we good?
00:44:05Ah.
00:44:06So they sent you in here to soften me up, did they?
00:44:09Well, young lady, you're wasting your time.
00:44:11Now get out of here.
00:44:21Why have you got so many doors?
00:44:23To keep out nuisances that one door won't stop.
00:44:24But they all open.
00:44:25Uh-huh.
00:44:26What's this?
00:44:27Nothing to do with you.
00:44:28Now get along with you.
00:44:30Why do you want me to go?
00:44:31You're all alone, and I'm not doing anything either.
00:44:32Tell me a story.
00:44:33I don't know any stories.
00:44:34You know you remind me of old Mr. Spindleshanks.
00:44:35Who?
00:44:36Mr. Spindleshanks.
00:44:37He's the old grouch in the Betsy Ware stories, who helps Betsy when she's hungry.
00:44:39Hungry?
00:44:40You're not hungry, you're not hungry.
00:44:41What's this?
00:44:42What's this?
00:44:43What's this?
00:44:44Nothing to do with you?
00:44:45What's this?
00:44:46Nothing to do with you.
00:44:47Now get along with you.
00:44:48What do you want me to go?
00:44:49I don't know any stories.
00:44:50You know, you remind me of old Mr. Spindleshanks.
00:44:54Who?
00:44:55Mr. Spindleshanks.
00:44:56He's the old grouch in the Betsy Ware stories, who helps Betsy when she's hungry.
00:45:01Hungry?
00:45:02You're not hungry, are you?
00:45:03No.
00:45:04I just had lunch.
00:45:05And I did something bad, too.
00:45:06What'd you do?
00:45:07Well, we had spinach.
00:45:08Uh-huh.
00:45:09And while Jimmy wasn't looking, I put mine on his plate.
00:45:14No, no, no, no.
00:45:17That is wrong.
00:45:19No, you should have eaten your spinach.
00:45:21It's good for you.
00:45:22So I've heard.
00:45:26Where are you going?
00:45:27I'm going to get along.
00:45:29Why?
00:45:30You said for me to.
00:45:32I didn't say anything of the kind.
00:45:34All I said was that spinach was good for you.
00:45:37Come back here.
00:45:42Sit down over there.
00:45:47I'll love you.
00:45:50I'll help you.
00:45:51I'll love you.
00:45:52You're not too.
00:45:54I'll love you.
00:45:55Your unhappy lump.
00:45:56You're losing my cup now.
00:45:57I have no idea.
00:45:58You're losing my cup now.
00:45:59Don't you?
00:46:00Don't you?
00:46:01It's good.
00:46:02Stop.
00:46:03Please.
00:46:04I'll love you.
00:46:05I'll love you.
00:46:06I'll need you.
00:46:07You're losing your car.
00:46:08I'll go.
00:46:09I'll love you.
00:46:10I'm good for you.
00:46:11But how are you.
00:46:12I'll kill you.
00:46:13You're losing your car.
00:46:14I'll kill you.
00:46:15Come over here.
00:46:23You like these pictures?
00:46:29Do you know something?
00:46:31What?
00:46:32I didn't think I was going to like you at first.
00:46:34Huh?
00:46:35But I like you now.
00:46:38Do you hear?
00:46:39Yes.
00:46:40Your eyebrows are so nice and ragged.
00:46:43Yeah, my...
00:46:45Uh-huh.
00:46:47All right.
00:46:49Say, so you're a singer, aren't you?
00:46:52Mm-hmm.
00:46:53Here, sing a song for me, huh?
00:46:55All right.
00:46:57By your bar of berries, every grocer carries berries.
00:47:02Stop it! Stop it, I say!
00:47:04What's the matter?
00:47:05Why'd you learn that trash?
00:47:07On the radio.
00:47:08I heard it on the radio.
00:47:10Ah...
00:47:12Radio.
00:47:13There ought to be a law against it.
00:47:15Now, come on.
00:47:17Have a picture.
00:47:19Ah.
00:47:20Do you know how to play piggyback?
00:47:23Yeah, pig...
00:47:25No, I don't think I do.
00:47:27Oh, it's easy.
00:47:33Stand up.
00:47:34Stand up.
00:47:35Turn around.
00:47:37Come on.
00:47:38Huh?
00:47:39Now I put my arms around your neck like this.
00:47:42Now go like this.
00:47:43Ride a cock horse to Bamberry Cross
00:47:46To see a fine lady upon a white horse
00:47:48Rings on her fingers and bells on her toes
00:47:50She shall have music wherever she goes
00:47:53Now you run around and around while you sing it.
00:47:55Take my legs.
00:47:56Uh-huh.
00:47:57Now...
00:47:58Ride a cock horse to Bamberry Cross
00:48:00To see a fine lady upon a white horse
00:48:02Rings on her fingers and bells on her toes
00:48:04She shall have music when...
00:48:06Get out.
00:48:07Can't you see I'm in conference?
00:48:09Uh...
00:48:10Heh.
00:48:11Ride a cock horse to Bamberry Cross
00:48:13Whoa!
00:48:14Huh?
00:48:15Do you always tell people to get out?
00:48:17I do when I'm engaged in important business.
00:48:19Yeah, ride a cock horse to Bamberry Cross
00:48:21To see a fine lady on a white horse
00:48:23Sorry, folks, you keep me waiting.
00:48:24I'm Miss Allen.
00:48:25Oh, where's the child?
00:48:26Good heavens, you haven't forgotten
00:48:27I'm Miss Allen.
00:48:28She was just here.
00:48:29Mr. Pett wants to see you in his office at once.
00:48:30Well, you better go right in.
00:48:31I'll look for the child.
00:48:32Right in there.
00:48:33Right in there.
00:48:34Indoor her fingers and bells on her toes
00:48:35She shall have music wherever she goes
00:48:36Ha ha ha ha ha!
00:48:37Ha ha ha!
00:48:39Come in.
00:48:42Ah, so...
00:48:45One of the women's orders
00:48:46Are you not in your house?
00:48:47No, no, no, no, no.
00:48:48Okay.
00:48:49You're not in your house.
00:48:50Yeah, come in.
00:48:55Ah, so, you thought you'd trick me into going on the air, did you?
00:49:00Oh, no.
00:49:01Yeah, you deliberately sent this child to influence me.
00:49:04Well, I'll let you know it didn't work.
00:49:12As a matter of fact, I made up my mind a long time ago to go on the air.
00:49:17Yeah, but she had nothing to do with it, nothing whatever.
00:49:21She didn't influence me the slightest.
00:49:24Now, understand that?
00:49:26Oh, yes, of course.
00:49:27Now, you will arrange for time on the air at once.
00:49:30I want these folks to start on a series of 15-minute programs,
00:49:34five nights a week, starting tomorrow night.
00:49:37Tomorrow night?
00:49:38Oh, but, but Mr. Peck, I couldn't possibly do that.
00:49:41Then make it possible!
00:49:47Didn't I tell you all we needed was a break?
00:49:49Thirteen weeks on the dotted line.
00:49:52Oh, it's wonderful, Jimmy.
00:49:53I hope we click.
00:49:54Why, we'll knock them dead.
00:49:56Do we have to kill people?
00:49:58No, we won't kill them.
00:50:00We'll just slain them.
00:50:01Oh.
00:50:07They'll be on in a few minutes.
00:50:09And if you want to see a radio show that'll make yours look sick.
00:50:12Oh, they, they can't be that good.
00:50:16All right, I'll listen.
00:50:18I'll tell you about it at lunch tomorrow.
00:50:20Goodbye.
00:50:22Goodbye.
00:50:34Gibsburg's troubadour's on in just a moment, sir.
00:50:38Now, now, now, my dear, remember, there, there, there are a lot of people out there,
00:50:42and, and you mustn't be, uh, nervous.
00:50:44You, you mustn't be afraid.
00:50:45Afraid of what?
00:50:47Well, that's just it, my dear.
00:50:49Uh, there's nothing to be afraid of, really, but, uh, this is all going to be new to you.
00:50:54Do you want me to be afraid?
00:50:56Yeah, heavens no, darling.
00:50:58Uh, that's why I'm telling you.
00:51:00If I do get afraid, it'll be on account of you talking so much.
00:51:05Uh, uh, Gib, uh, you're, you're right, my dear.
00:51:08You're perfect.
00:51:09Uh, let's have less chatter.
00:51:14Don't open the door.
00:51:15Ready?
00:51:19How long are you?
00:51:20Are you prepared?
00:51:21Are you prepared?
00:51:22I'm prepared.
00:51:23Let's go to the door.
00:51:24I'm prepared.
00:51:25All right.
00:51:26So have you prepared.
00:51:27Don't open the door.
00:51:28I'm prepared.
00:51:29All right.
00:51:30Let's go.
00:51:32Oh, well, I'm prepared.
00:51:33No, I'm prepared.
00:51:34No, I can't.
00:51:36I'm prepared.
00:51:37Not the door.
00:51:38I'm prepared.
00:51:39I want you.
00:51:40I want you to be prepared.
00:51:41Yeah, I want you.
00:51:42You can't get rid of me.
00:51:43You can't get rid of your own people.
00:51:44Oh, well, I want you.
00:51:46What is your best Então?
00:51:47...
00:51:58...
00:52:04Hello?
00:52:05Yes?
00:52:06What?
00:52:07I'm sorry, I can't hear you.
00:52:11Just a minute.
00:52:13Just a minute.
00:52:21Yes, Holloway?
00:52:23Wash your necks with a cake of pecs, the soap that can't be beat.
00:52:28It's best by far, so try a bar and give your skin a treat.
00:52:33It will give old Mr. Germ a wild and merry chase.
00:52:38So join our club and pecs will scrub that brown right off here.
00:52:42Oh, your eyes are full of bubbles, and to darkness you must grow.
00:52:48Please remember this. Where there's light, there's soap.
00:52:57I'll be right over.
00:52:59Oh, I was only going to listen to a radio program,
00:53:02but I guess I'm not missing anything.
00:53:05Every street I walk on becomes a lover's lane.
00:53:10When I'm with you.
00:53:14I can't see the sun, so we're out in the rain.
00:53:19When I'm with you.
00:53:23Oh, Lord, you would be tragic.
00:53:29Here is my heart unfurled.
00:53:34You have that certain magic.
00:53:38You're the seven wonders of the world.
00:53:43Snow is on the ground, but the leaves are on the trees.
00:53:48When I'm with you.
00:53:51Flowers, sing a love song.
00:53:54There's music in the breeze.
00:53:56When I'm with you.
00:53:58Hmm.
00:53:59Please let me make this confession.
00:54:03You are my magnificent obsession.
00:54:06You are my magnificent obsession.
00:54:09The world is all in rhyme.
00:54:11Lovely one when I'm with you.
00:54:13The world is all in rhyme.
00:54:15Lovely one when I'm with you.
00:54:19I want your cheeks to be rosy.
00:54:38Your lips like the color of wine.
00:54:42Darling, the way that people will say that.
00:54:46My, but you're looking so high.
00:54:49Ooh.
00:54:50I want you strong as a hollow.
00:54:53A sturdy and masculine she.
00:54:56Darling, the way that people will say that.
00:55:00My, what a gorgeous physique.
00:55:03If you want to be like I want you to be.
00:55:07Follow this carefully.
00:55:11You've got to eat your spinach, baby.
00:55:15That's the proper thing to do.
00:55:17It'll keep you kind of healthy, too.
00:55:20And what it did for Popeye, it will do for you.
00:55:23You've got to eat your spinach, baby.
00:55:26To give you lots of TNT.
00:55:28For whenever you're correcting me.
00:55:31Then you'll need every vitamin from A to Z.
00:55:35Please take my advice.
00:55:38Kissing is dangerous, doctors all agree.
00:55:41I'll take your advice.
00:55:43Don't ever kiss anybody but me.
00:55:46You've got to eat your spinach, baby.
00:55:49If you do, you can't go wrong.
00:55:52For it's gonna make you nice and strong.
00:55:55And the stronger you are, the longer you live.
00:55:58And the longer I will love you.
00:56:02Pardon me. Did I hear you say spinach?
00:56:05Spinach.
00:56:07I represent all the kids of the nation who sent me to see you about it.
00:56:12I bring a message from the kids of the nation to tell you we can do without it.
00:56:18Kindly listen to me.
00:56:22I'm not alone in my play.
00:56:25There are dozens and dozens and dozens of us.
00:56:29Nephews and nieces and cousins of us.
00:56:32They want me to say hallelujah, hallelujah.
00:56:42No spinach.
00:56:44Take away that awesome weanery.
00:56:47No spinach.
00:56:49Give us lots of jelly beanery.
00:56:52We positively refuse to budge.
00:56:55We like lollipops.
00:56:56We like fudge.
00:56:57But no spinach.
00:56:59Hosanna.
00:57:02You've got to eat your spinach, baby.
00:57:05No, no, no, no.
00:57:07I'm singing to ya.
00:57:08No, no, no, no.
00:57:09Hallelujah.
00:57:10Spinach.
00:57:11Stay away from my door.
00:57:15We'll tell the bogey man.
00:57:18The big, big, bad, bad boogie boogie man.
00:57:21Oh, that's just a bluff.
00:57:23You know we don't believe that stuff.
00:57:26You've got to eat your spinach, baby.
00:57:29Children have to do as they are told.
00:57:32Yes, sir.
00:57:33Yes, ma'am.
00:57:35Children shouldn't be so very bold.
00:57:37Yes, sir.
00:57:38Yes, ma'am.
00:57:40Or you grow up to be a meanie when you're old.
00:57:43So, okay.
00:57:44Spinach!
00:58:13And you didn't hear our broadcast last night?
00:58:16No, I...
00:58:17I was called away before it started.
00:58:20How did it go over?
00:58:22Oh, beautifully.
00:58:23The child in the act's marvelous.
00:58:25Besides being talented, she's the sweetest little thing imaginable.
00:58:28I'm crazy about her.
00:58:29Yes?
00:58:30You want to see my youngster.
00:58:32She's away at school now.
00:58:33I'm going up there tomorrow and spend the weekend with her.
00:58:35I believe I have a picture with me.
00:58:36You know you have.
00:58:38Oh, I...
00:58:39I guess I left it in another suit.
00:58:41However, I'll bring it along next time.
00:58:44Next time?
00:58:45What next time?
00:58:47Oh, haven't I told you?
00:58:50You're having dinner with me tonight.
00:58:52I'm going to be home listening to our radio broadcast.
00:58:55Fine.
00:58:56We'll both listen while we're having cocktails, and then we'll go out to dinner.
00:58:59Are you, by any chance, giving me what's known as the rush act?
00:59:03No.
00:59:04No, I'm doing this for my insomnia.
00:59:06You see, you've turned the tables on me.
00:59:08Now where are you?
00:59:09I mean, now you're keeping me awake nights.
00:59:12In their last night's premiere, Dolan Dolan and Dolan's radio act proved to be sock entertainment.
00:59:32Yeah.
00:59:33So is this.
00:59:35Oh, you're always belittling.
00:59:37And you can heave that stuff in the ash can.
00:59:40We're on top of the world now, baby.
00:59:42People don't walk on top of the world in darn socks.
00:59:45That's just the place to wear them.
00:59:47Your feet don't slip so easy.
00:59:49Oh.
00:59:51Gee, that's swell.
00:59:54Dolan Dolan and Dolan.
00:59:59Are you happy with us, darling?
01:00:01Mm-hmm.
01:00:03My goodness, she sneezed.
01:00:05Get the doctor, quick.
01:00:07Maybe we ought to put her to bed.
01:00:08Maybe we should...
01:00:09Why don't you just say saluti?
01:00:11Huh?
01:00:12How about gesundheit?
01:00:13Dungashen.
01:00:14Hey, what is this?
01:00:16Oh, she's not sick.
01:00:18Well, nearly time to get down to the broadcasting station, big shot.
01:00:21Will I have time to go down and see Tony and the kids?
01:00:24Sure.
01:00:25We'll pick you up on the way out.
01:00:28Hello.
01:00:29Hello.
01:00:30What's your name?
01:00:32Bunny Dolan.
01:00:33Bunny Dolan.
01:00:34Go on.
01:00:35Don't give me that.
01:00:36You don't belong to those folks.
01:00:39What's your real name?
01:00:40You like peppermint candy?
01:00:42Mm-hmm.
01:00:43Walk down to the corner with me and I'll buy you some.
01:00:50Hey!
01:00:51Where you going with that kid?
01:00:53Just taking her down the street to buy her some candy.
01:00:55Yeah?
01:00:56Well, if anybody's going to buy a candy, it'll be me.
01:00:57Why?
01:00:58I was just trying to be friendly.
01:00:59Cute little trick, ain't she?
01:01:00Yeah.
01:01:01Come on.
01:01:02Come on.
01:01:31Uh-huh.
01:01:34Well, I'm sorry, I got tangled in a deal for another factory.
01:01:50Always another factory.
01:01:52You'll drown in your own substance, yes.
01:01:56I'm afraid I can't afford to drown now.
01:01:58I'm afraid I can't afford to drown now.
01:02:00You know, it feels very lovely tonight.
01:02:03Here.
01:02:05Have a cocktail.
01:02:06It'll help sustain the illusion.
01:02:09Have I missed all the program?
01:02:11Most of it.
01:02:12But Bonnie goes on again after this orchestra finishes.
01:02:16And now, ladies and gentlemen, America's new sweetheart of the year.
01:02:20Little Bonnie Dolan will sing her own version of When I'm With You.
01:02:23An ordinary day becomes a holiday when I'm with you.
01:02:36That's a candy.
01:02:38Isn't she wonderful?
01:02:39I mean, her voice, it's just like Barbara's.
01:02:43Oh, if I didn't know my child was at school, I'd... I'd swear that...
01:02:48All children's voices sound about alike.
01:02:50It's just that slight difference that makes Bonnie stand out.
01:02:53And a proud father probably wouldn't even notice that dance.
01:02:59Marry me and let me be your wife.
01:03:02That's Barbara.
01:03:03It is Barbara.
01:03:04Are you losing your mind?
01:03:05That's Bonnie Dolan.
01:03:06But I tell you, it's my daughter.
01:03:09Where's your phone?
01:03:10Right there.
01:03:13Even Bonnie's spinach tastes like pumpkin pie.
01:03:17When I'm with you.
01:03:22Look, you're just making a complete idiot of yourself.
01:03:24That child...
01:03:25Don't be quiet.
01:03:26Central, 88632.
01:03:27I will not be quiet.
01:03:28Oh, you must be crazy.
01:03:29I know the child and I know her parents.
01:03:31I tell you, I'm her parents.
01:03:34Hello.
01:03:35This is Richard Barry talking.
01:03:36You have my daughter over there.
01:03:38The little girl singing on the peck hour.
01:03:40Hold her.
01:03:41I'll be right over.
01:03:42Your daughter.
01:03:43Hello.
01:03:44Hello, operator.
01:03:45Give me the Forest Grove School.
01:03:47At Ferncliff.
01:03:48Yes, quick.
01:03:49Oh, look.
01:03:50This is Columbus 8514.
01:03:51You're just stirring up a mental trouble for yourself.
01:03:53Now, why are you so stubborn?
01:03:54Oh, you're the one that's being stubborn.
01:03:56Oh, why do I have to marry a girl like this?
01:03:58Good night, folks.
01:03:59Who said you had to?
01:04:00Who said you're going to?
01:04:01Why, I wouldn't marry you.
01:04:02You'll marry me if I want you to.
01:04:04Hello.
01:04:05This is Richard Barry talking.
01:04:07I...
01:04:08Is my daughter Barbara there?
01:04:09No, Mr. Barry.
01:04:10We're waiting for her.
01:04:12Haven't you received the wire from her nurse?
01:04:15No, Mr. Barry.
01:04:16Shall we?
01:04:19She never got to the school.
01:04:20Really?
01:04:21Come on.
01:04:24And were you good?
01:04:26We certainly slayed him, didn't we?
01:04:31Come on, darling.
01:04:34Great little trooper, that kid.
01:04:36Just like her father.
01:04:37I taught her all she knows.
01:04:39When she was six months old, the name of the act was Dolan and Dolan.
01:04:43Then she used to...
01:04:44Mr. Peck!
01:04:45Mr. Peck!
01:04:46Mr. Richard Barry just phoned, said Bunny Dolan is his daughter,
01:04:48and wants us to hold her here.
01:04:49He was very excited.
01:04:50Barry, huh?
01:04:51Yes.
01:04:52Trying to put something over on me again.
01:04:54The nerve.
01:04:55What else did he say?
01:04:56That's all, except that he was on his way over.
01:04:58Good.
01:04:59I'll tell that cheap upstart just where he gets off.
01:05:02Trying to steal my talent, is he?
01:05:05I threw him.
01:05:06Here.
01:05:07You get your wife and child and get them out of here.
01:05:09Yes, sir.
01:05:10I know how to handle Barry.
01:05:13Let's get out of here.
01:05:14Don't ask any questions.
01:05:15Where are we going?
01:05:25Taxi!
01:05:26Taxi!
01:05:27Taxi!
01:05:28Listen, honey.
01:05:29Tell us the truth.
01:05:30Do you know Mr. Barry?
01:05:31You won't be angry if I tell you?
01:05:32No, sweetheart.
01:05:33Mr. Barry's my daddy.
01:05:34Didn't I tell you she didn't jump out of a hat?
01:05:35Didn't I tell you they'd catch up with us?
01:05:36What do we do now?
01:05:37There's only one thing to do.
01:05:38Take her to the apartment, telephone Barry where she is,
01:05:39and then duck.
01:05:40Flag a taxi.
01:05:41Taxi!
01:05:42Oh, I should have known better than listen to you.
01:05:43There's nothing to be afraid of.
01:05:44All we've got to do is...
01:05:45Oh.
01:05:46An awfully nice kid you have there.
01:05:47Yeah.
01:05:48Oh, yeah.
01:05:49Taxi!
01:05:50Taxi!
01:05:51Ah!
01:05:52Taxi!
01:05:53Ah!
01:05:54Ah!
01:05:55Ah!
01:05:56Ah!
01:05:57Ah!
01:05:58Ah!
01:05:59Ah!
01:06:00Ah!
01:06:01Ah!
01:06:02Ah!
01:06:03Ah!
01:06:04Ah!
01:06:05Ah!
01:06:06Ah!
01:06:07Ah!
01:06:08Ah!
01:06:09Ah!
01:06:10Ah!
01:06:11Ah!
01:06:12Ah!
01:06:13Ah!
01:06:14Ah!
01:06:15Ah!
01:06:16Taxi!
01:06:17Ah!
01:06:29Darling, we've got to go.
01:06:30Something has come up, and we've got to go right away.
01:06:33Can I go with you?
01:06:34No.
01:06:35No, no.
01:06:36You stay here.
01:06:37But I don't wanna stay here all alone.
01:06:43Honey, do us a big favor.
01:06:44Stay right here.
01:06:45Listen, sweet, you stay here, and we'll call your daddy,
01:06:50and he'll come for you in a few minutes.
01:06:54Oh.
01:06:59Here, sweet, play with your toys.
01:07:06Goodbye, darling.
01:07:10Goodbye.
01:07:11Goodbye, Puddin' Hen.
01:07:16Oh, come on.
01:07:42A fine cock and bull story.
01:07:44If she's your daughter, what's she doing here?
01:07:46Is she a radio performer?
01:07:47No, no, no, no.
01:07:48But I have no time to explain.
01:07:49Now, where is she?
01:07:50She's gone.
01:07:51And don't any of you tell him where she is?
01:07:52But listen.
01:07:53Can't you see that I'm telling you the truth?
01:07:57Yes?
01:07:58Yes.
01:07:59It's for you, Richard.
01:08:02Yes?
01:08:03What's the number of the house?
01:08:06Yes, what floor?
01:08:07The parlor floor.
01:08:08The first door to your left.
01:08:11I know where she is.
01:08:12She's all alone.
01:08:13Great heavens.
01:08:14Is she really your daughter?
01:08:15Isn't that what I've been telling you for the past half hour,
01:08:17you crazy old buzzard?
01:08:18I did.
01:08:21You know, we're a couple of heels running out on the kid like this.
01:08:24I know, honey, but...
01:08:25Yeah, and a couple of saps as well.
01:08:26They're bound to get us.
01:08:28I guess you're right.
01:08:29Everybody knows Dolan and Dolan.
01:08:31They know we had the kid, too.
01:08:32Of course.
01:08:33And if we run away, it'll look worse.
01:08:36Come on.
01:08:37Let's go back and face it.
01:08:39Come on, now.
01:08:41Be a nice little girl.
01:08:43I'll buy you a pretty present if you tell me who your father is.
01:08:47I won't tell you.
01:08:49I don't like you.
01:08:50You'd better tell.
01:08:51I won't.
01:08:52I won't.
01:08:53You let me go.
01:08:54No, you don't.
01:08:55You're coming with me.
01:08:56I am not.
01:08:57I am not.
01:08:58I'm waiting.
01:08:59I'm waiting.
01:09:00I promise Jack.
01:09:01Hey!
01:09:02Where are you going with that kid?
01:09:03Jimmy, leave with your left.
01:09:08Ah!
01:09:09Ah!
01:09:10Ah!
01:09:11Ah!
01:09:12Ah!
01:09:13Ah!
01:09:14Ah!
01:09:15Ah!
01:09:16Ah!
01:09:17Ah!
01:09:18Ah!
01:09:19Ah!
01:09:20Ah!
01:09:21Ah!
01:09:22Ah!
01:09:23Ah!
01:09:24Ah!
01:09:25Ah!
01:09:26Ah!
01:09:27Ah!
01:09:28Ah!
01:09:29Ah!
01:09:30Ah!
01:09:31Ah!
01:09:32Ah!
01:09:33Ah!
01:09:34Ah!
01:09:35Ah!
01:09:36Ah!
01:09:37Ah!
01:09:38Ah!
01:09:39Ah!
01:09:40Ah!
01:09:41Ah!
01:09:42Ah!
01:09:43Ah!
01:09:44Ah!
01:09:45Ah!
01:09:46Ah!
01:09:47Ah!
01:09:48Ah!
01:09:49Ah!
01:09:50Ah!
01:09:51Ah!
01:09:52How did you get here?
01:09:53Who brought you here?
01:09:54They did.
01:09:55Well, where's Collins?
01:09:56What happened to her?
01:09:57I don't know.
01:09:58I don't know. She lost her purse and went away.
01:10:00So I thought I'd go on a vacation.
01:10:02And I found Tony, and then Mr. and Mrs. Puddenhead found me.
01:10:07What are they doing, Daddy? They're hurting them.
01:10:10And they're my friends. They're my best friends.
01:10:13They saved me from that bad man.
01:10:16She told us she ran away from an orphan asylum, whether we're mean to her.
01:10:19And we believed it. Didn't you tell us that, Barney?
01:10:22Yes, I did. But I wasn't telling a lie.
01:10:25Well, I was just playing a game. And they played with me.
01:10:28I see.
01:10:29I've never had so much fun in my whole life.
01:10:32But I'm glad to be back with you, Daddy.
01:10:35Oh, my.
01:10:37Officers, I'm afraid I put you through a lot of bother. You needn't hold those people any longer.
01:10:40Wait a minute. Why do I come in on this? I've got a contract.
01:10:43You know what that contract's worth.
01:10:44Listen, you two. You've been battling around trying to buy each other out.
01:10:48Why don't you merge the two companies?
01:10:50Then between you, you can wash the neck of the whole nation.
01:10:53That's a thought.
01:10:55Married with him? Never.
01:10:57I don't know what that means.
01:10:59But why don't you do it?
01:11:07When I hear the blast of a bill go
01:11:12I know I soon will see a military man
01:11:17When I hear the sound of a drum
01:11:19Rum, tumby tum tum
01:11:21I know I soon will see a military man
01:11:26I love a military man
01:11:28I love a military man
01:11:30I love a military man
01:11:31I love a military nurse
01:11:34I love a military nurse
01:11:35I want to hear the band
01:11:36To be a military man
01:11:37I want to hear the band
01:11:38To see a military man
01:11:40Every boy should want to be a military man
01:11:44What a treat to marching feet
01:11:45The role of a drum
01:11:47What a treat to marching feet
01:11:48The rum-tum
01:11:49Rumy tum tum
01:11:50What a treat from our feet, the rum-tum, the rum-y-tum-tum-tum.
01:11:55In the crowd, he looked so proud, the military man.
01:11:59In his uniform, there's a stick and spin.
01:12:04Hearts are filled with joy and are filled with joy whenever a march is played.
01:12:09Revelled about to see a soldier parade.
01:12:20They're so good.
01:12:23In a squareOO.
01:12:25The United Nations and the Civil Rights Parade.
01:12:27They'll be very clear.
01:12:29But the Russian-F 근데 haven't been too many times.
01:12:32The contain-the-day-day-day-day-day-day-day-day-day-day-day-day-day-day-day-day.
01:12:35I was afraid of one of these early days.
01:12:37I was afraid of a dayof-day-day-day-day-day-day-day-day-day-day-day.
01:12:40In a hopeful way, the country was to be part of a dream.
01:12:43Even though the city was made by the battle,
01:12:45it was made by the battle,