- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:56¡Oh!
00:01:56It was really great.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:26If my little girl is gone, I don't know what I'm going to do.
00:02:31Because the little girl is gone, I don't understand.
00:02:41Darling.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:53Thanks.
00:02:53Bye, Criona.
00:02:55Ciao.
00:02:55Try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:09It really is beautiful.
00:03:32Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:43I feel strange all of a sudden.
00:03:46Hmm?
00:03:48I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:53I just cannot imagine what it is like to do it here, you know?
00:03:59You might tell me!
00:04:01Oh, my God.
00:04:02Oh, my God.
00:04:03Hey, Mike!
00:04:03Hey, Mike!
00:04:04Hey, Mike!
00:04:14Nice to meet you!
00:04:19Hey, Mike!
00:04:20Hi.
00:04:21Hi.
00:04:36Hey, Priola.
00:04:38Ah, ciao.
00:04:39Hi.
00:04:39How's it going?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:49Good luck.
00:04:51Good luck.
00:05:21Good luck.
00:05:51Good luck.
00:05:52Good luck.
00:05:53Good luck.
00:05:54Good luck.
00:05:55Good luck.
00:05:56Good luck.
00:05:58Ha, ha, ha, ha, ha.
00:06:28I thought you'd never get here.
00:06:32It seemed like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:58I thought you'd never get there.
00:07:00Let's go.
00:07:30Let's go.
00:08:00Let's go.
00:08:30Let's go.
00:09:00Let's go.
00:09:01Let's go.
00:09:02Let's go.
00:09:03Let's go.
00:09:04Let's go.
00:09:05Let's go.
00:09:06Let's go.
00:09:07Let's go.
00:09:09Let's go.
00:09:10Let's go.
00:09:12Let's go.
00:09:13Let's go.
00:09:17Let's go.
00:09:18Let's go.
00:09:19Let's go.
00:09:20Let's go.
00:09:21Let's go.
00:09:22Let's go.
00:09:23Let's go.
00:09:25Let's go.
00:09:26Let's go.
00:09:30If I'm not mistaken, that man sitting over there is one you spoke to at the airport.
00:09:33You never understand anything.
00:09:34So it is.
00:09:35Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think, they were going to get married,
00:09:52and not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on. Really?
00:10:04Yeah.
00:10:05Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:17Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:31And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:38You know, simple islander.
00:10:40Oh, come on.
00:10:42That's only a depiction.
00:10:45Love is everywhere.
00:10:46If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:57I'm ready to talk to him.
00:10:59Okay.
00:11:00Marco.
00:11:09How are you?
00:11:10This is my husband.
00:11:11Hi, hello.
00:11:12What?
00:11:13Very kind of you.
00:11:15Would you like something to drink?
00:11:18Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:27No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:34I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:38You two carry on.
00:11:40Excuse me.
00:11:41I'll be right back.
00:11:42And where are you going?
00:11:43Oh, I have to make a telephone call to New York.
00:11:46My magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:03No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Listen, Criella.
00:12:24Maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:33Come on, listen up.
00:12:49I feel uncomfortable.
00:12:51Well, no need.
00:13:03What is it?
00:13:04I don't know.
00:13:05It's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:24It's his way of loving me.
00:13:31He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43Anything.
00:13:52He likes to think I'm unfaithful.
00:13:55Please help me.
00:14:01I understand, Criella.
00:14:03You know, love can be a strange thing.
00:14:06I do not know.
00:14:07Baby, let me see him.
00:14:08Hey, baby, let me see you who Franz?
00:14:09Maybe.
00:14:12I know.
00:14:21All right.
00:14:24No, ever nothing.
00:14:27gegen you, Eli.
00:14:30He gets Simpson.
00:14:31Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, if Ryan told me such a lot about it, I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:29I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:43Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Ha, ha.
00:16:45Like it?
00:16:46What a place
00:16:50Guaranteed primitive. Yeah
00:16:54Hey, it's wide open. There's no key. Nobody locks doors here
00:17:06We said $100 right
00:17:08This is to keep one's enough
00:17:23Adios
00:17:33Is it far to the fishing village 500 meters down that way
00:17:39Okay
00:17:54I'm gonna go to the village. Okay. I prefer to stay here. Whatever you like
00:17:59I can't wait to take a swim. Go ahead. See you later. All right
00:18:09Bye
00:18:15So long
00:18:16Bye
00:18:17Hi
00:18:17Hi
00:18:29Hi
00:18:30Hi
00:18:32Well, so you came at last
00:18:46Well, so you came at last
00:18:55Hi there
00:18:56Hello, sir
00:18:56Hello, sir
00:18:57Wait, good morning
00:19:00Good morning
00:19:02Good morning
00:19:04Good morning
00:19:04Good morning
00:19:12No, thanks
00:19:13Hey, hey, let me take a picture
00:19:17That's it
00:19:18Thank you
00:19:20Thank you
00:19:21I'm a good morning
00:19:23I'm a good morning
00:19:24Dime, muñeca linda, que tú me hiciste, que cada día que pasa te quiero más
00:19:44Dime si son tus besos o tus caricias o tu forma de caminar
00:19:48Adoro tu sonrisa, tus sentimientos o tu manera de acariciar
00:19:52Uh, good morning, Consuelo
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up
00:20:07I'll bring you a few drinks
00:20:08For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both
00:20:15I won't be long
00:20:22Here are some models
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer
00:20:49Joanne Sullivan?
00:20:52Mm-hmm
00:20:52I know her
00:20:54The two of us were at the same school
00:20:56I think I'll say hello
00:20:57Joanne?
00:21:06Mm-hmm
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh, Andy the Nerd?
00:21:14Oh, my God
00:21:15Is it really you?
00:21:17Uh-huh
00:21:17Oh
00:21:18How are you?
00:21:21Fine
00:21:21Great to see my old valedictorian
00:21:23Great to see you
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine
00:21:27Oh, fantastic
00:21:28Come and sit down
00:21:29What are you doing?
00:21:33Escaping
00:21:33But don't ask me from what
00:21:35Because I don't know
00:21:36Maybe from myself
00:21:37Well, I imagine you're writing something now
00:21:40Checks, that's all
00:21:41As long as the cash lasts
00:21:43How do you spend your time
00:21:44If you don't write?
00:21:47Gymnastics
00:21:47And I drink
00:21:51I tend the garden
00:21:56I read
00:21:56Don't you like long for New York at all?
00:22:04No
00:22:05America is in an advanced state of decomposition, Andy
00:22:09Like the whole of the West
00:22:11It's no good
00:22:13I have no nostalgia
00:22:15Only for company, that's all
00:22:17Here there aren't any
00:22:19Men that I like
00:22:22That's probably a good thing
00:22:24I like everything sophisticated
00:22:27Or complicated
00:22:28I suppose I'm in a crisis
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on, it wasn't a proposition
00:22:36I see
00:22:37Well, in that case, I'll offer you a proposition
00:22:39What kind?
00:22:41Like I told you, I'm working for a magazine
00:22:43And I'm doing a story on this island
00:22:46And you know it pretty well
00:22:47Yes, I do
00:22:49You could help me
00:22:50Whenever you want
00:22:52My pleasure
00:22:53Great
00:22:55Here comes the food
00:23:01You look good, we can try the local cuisine
00:23:03Here it is, the chef's special
00:23:05Enjoy your food
00:23:10I'm starving
00:23:11Oh, that looks good
00:23:14Consuelo's such an extrovert
00:23:16She's always bright and sunny
00:23:17She's just my opposite
00:23:20I like her
00:23:21She's already had the cream of the young men on the island
00:23:25If I could only get used to going to bed
00:23:28So easily
00:23:29Yes
00:23:31It's knowing how to start it up
00:23:33Yeah
00:23:34Warm-up
00:23:36It's simplest to make it with someone you know
00:23:40The first step's taken already
00:23:42Are you making advances?
00:23:47I'm attempting to find you an answer
00:23:49I don't think Criela thinks it's such a good idea
00:23:52It might be more fun if we didn't leave her out
00:23:57Since when's three of the crowd?
00:24:00Oh, Andy, come on
00:24:01I thought you were emancipated
00:24:03But you're still stuck in the 70s
00:24:06Sex, lib, dreaming
00:24:07That's old hat
00:24:09You disappoint me
00:24:10Esa mujer tiene el corazón duro
00:24:20Con MFP
00:24:22Yeah, it's very at home here in this setting
00:24:44Been here long, do you know?
00:24:47Only a few years, but it's as if he was
00:24:49The girl arrived a few months ago, that's all
00:24:52Oh, not bad
00:24:54You dance almost like a native
00:24:59Is she his woman?
00:25:08His steady date
00:25:09She sits all day and waits for him
00:25:12I believe she's Italian
00:25:14Poor thing
00:25:15Came here on vacation
00:25:17Took one look and got stuck
00:25:19Stuck on him
00:25:20Hey, maybe that person is
00:25:24Is the girl, that air steward
00:25:26Was so, uh, desperately seeking
00:25:28You said she's Italian?
00:25:31Yes, why?
00:25:33But then
00:25:33It must be her on the plane
00:25:36I met her boyfriend
00:25:37He came here to look for her
00:25:39He'll go back empty-handed, I'm sure
00:25:41Leon is like a drug
00:25:44He doesn't conquer
00:25:45He dominates
00:25:46Your friend had better resign himself to losing her
00:25:49I hope he doesn't find her
00:25:52It's like I said
00:25:54This aisle
00:25:54Just wants to put
00:25:55Evil spells on sexy girls
00:25:58Poor guy
00:26:00He must love that girl a lot
00:26:02To come all this way
00:26:03Since you feel so sorry for the poor guy
00:26:11Why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage
00:26:15Could it be terribly easy
00:26:17For you to make an oaf like that
00:26:20You know, come chasing after you
00:26:22Like a beast in heat
00:26:24He's a womanizer
00:26:25And your friend will get back his girlfriend
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea
00:26:32Don't you?
00:26:33It's a little risky
00:26:35What?
00:26:35You mean I might lose her?
00:26:37I trust Creole or completely, Joanne
00:26:39And besides, she'll just have to fake it
00:26:41Right?
00:26:43Go on
00:26:43Ask him to dance
00:26:44Have a heart
00:26:45Hey, look, have you finished?
00:26:48I've had enough
00:26:49I'm gonna go
00:26:50This music's getting on my nerves
00:26:52Sorry
00:27:09I wasn't serious
00:27:12It was a joke
00:27:14I love you, Andy
00:27:16I love you more than anything else in the world
00:27:22Me too
00:27:27I love you too
00:27:33God
00:27:35It's okay
00:27:40If you're tired
00:27:43It's happened before
00:27:46It'll pass
00:27:50It'll pass
00:27:53It'll pass
00:28:10You can find it
00:28:11I love you
00:28:16Oh, my God.
00:28:46Oh, my God.
00:29:16Oh, my God.
00:29:46Oh, my God.
00:30:16Leave me alone.
00:30:18Put me down.
00:30:20Let me go.
00:30:24Vamos.
00:30:25Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you should go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Have a drink.
00:31:30Viola?
00:31:51Viola?
00:31:51Kriela.
00:32:05You there?
00:32:10Kriela.
00:32:17Kriela!
00:32:21Criola!
00:32:23Criola!
00:32:38Have you seen Criola?
00:32:40No.
00:32:43There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Criola.
00:32:53Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:29Andy.
00:33:30Yeah?
00:33:31I got to tell you something.
00:33:32Go ahead, shoot.
00:33:33Let's go away from here.
00:33:34Why?
00:33:35Something the matter?
00:33:36Yeah.
00:33:37Let's go away.
00:33:38We can't yet.
00:33:39I still have photos to do.
00:33:40Besides, I got a little money in advance.
00:33:41I can't let the magazine down, I'd never work again.
00:33:42No way, forget it.
00:33:43Well, I can't forget it. I want to go away. I want to go back to America.
00:33:47Oh, you're not being aorld.
00:33:48You're not being reasonable.
00:33:49I don't know what the matter is.
00:33:50But I can't keep my mother at home, and if not I can't work again, it's absolutely all
00:33:52still work together, even with that kind of stuff.
00:33:53I Can't keep my mother.
00:33:55Do we?
00:33:56Mm-hmm.
00:33:57That's another kind of thing.
00:33:58That's another kind of thing.
00:33:59Go back to America.
00:34:01No one else.
00:34:03Apple, Apple.
00:34:04What's it like?
00:34:05No one else.
00:34:06I know, but not really continue to spend all my money now time.
00:34:08Look what I wanna do at this time.
00:34:09Male voice on the only thing, do you ever do bother to ???
00:34:11Mit the most skin.
00:34:13I do not know.
00:34:14Don't believe I do bother to the surviving state for
00:34:15I'll be all right again soon, I swear.
00:34:19No, it's... There's nothing to do with you.
00:34:21I don't know. It's just...
00:34:24Look, I'm counting on the erotic atmosphere of this place
00:34:27to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:39We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need.
00:35:15Please hold it.
00:35:17Please hold it in.
00:35:19It's all you need to do is to breathe and be able
00:35:22to breathe or be able to breathe and breathe with it.
00:35:24Help me there.
00:35:26To be able to die.
00:35:30Help me there.
00:35:32Help me there.
00:35:33everything okay folks oh yes thank you i could get addicted to this fine consuel thanks
00:35:57food is the only health device what about sex
00:36:00all right but who remembers that anymore
00:36:10one day i guess i'll get another chance
00:36:30you care for a drink no not for me
00:36:44how come
00:36:48one needs a good motive to get drunk but i guess i'm the only one who hasn't got one
00:36:54does that mean you think i have one
00:37:00criolla
00:37:03what is this the game of truth no one ever tells the truth
00:37:09even jokingly i don't know why you two should be a flagrant couple exceptions
00:37:15of course you include yourself in that sweeping statement
00:37:25don't you tell the truth
00:37:30i don't know but i'm trying to
00:37:33do since i quit writing that crap about love
00:37:38i've stopped looking for it
00:37:40i don't know but i'm not going to die
00:37:46oh
00:37:53it's a broken heart
00:37:57it's
00:37:59it's
00:38:00I was sure you'd come.
00:38:15You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes, sir.
00:38:26Well, not today.
00:38:30What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always high.
00:39:08It's not true.
00:39:09I'm not going to stay around and talk about it.
00:39:13Goodbye.
00:39:14Adios.
00:39:14Adios.
00:39:14Adios.
00:39:14Adios.
00:39:14Adios.
00:39:15Adios.
00:39:16Adios.
00:39:17Adios.
00:39:18Adios.
00:39:19Adios.
00:39:20Adios.
00:39:21Adios.
00:39:22Adios.
00:39:23Adios.
00:39:24Adios.
00:39:25Adios.
00:39:26Adios.
00:39:27Adios.
00:39:28Adios.
00:39:29Adios.
00:39:30Adios.
00:39:31Adios.
00:39:32Adios.
00:39:33Adios.
00:39:34Adios.
00:39:35Adios.
00:39:36Adios.
00:39:37Adios.
00:39:38Adios.
00:39:39Adios.
00:39:40Adios.
00:39:41Adios.
00:39:42Adios.
00:39:43Adios.
00:39:44Adios.
00:39:45Adios.
00:39:46Adios.
00:39:47Adios.
00:39:48Adios.
00:39:49Adios.
00:39:50Adios.
00:39:51Adios.
00:39:52Adios.
00:39:53Adios.
00:39:54Adios.
00:39:55Adios.
00:39:56Adios.
00:39:57It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:27She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:57I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:14It's a model a fun thing to be, Criola.
00:41:20I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or model.
00:41:28But I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:45You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:42:59Don't go.
00:43:02Don't go.
00:43:02Don't go.
00:43:02Damn you.
00:43:04Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:12Don't go.
00:43:12Don't you understand, Marco.
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:43:58Can I stay on board?
00:44:12I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:23I know.
00:44:26So?
00:44:28Stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:51How? Wearing a pareo?
00:44:54Andy, look!
00:44:55She hasn't gone. Her stuff's still here.
00:45:10Andy, you're not to worry. I'm sure that Criola will soon come back. Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24Take care of me!
00:45:28I think I've got to go.
00:45:33Hey.
00:45:34Check.
00:45:35Bye-bye.
00:45:36Bye-bye.
00:45:37I don't know.
00:45:38I couldn't guess you brought a download of a stuff.
00:45:39You, I don't know.
00:45:40You Hem on the other.
00:45:41I can diagram the best myself to learn.
00:45:42I think I've got to do you, I guess.
00:45:42I haven't got to let them do you.
00:45:44I should not know.
00:45:45premiers 실패 everybody has come.
00:45:46You've got to be able to get me, my wife.
00:45:47What?
00:45:48I mean, Becky.
00:45:49I'm not going to get me back.
00:45:50Give me a dog.
00:45:52have you seen Leon sorry to disturb I want a word with him I'll leave you two
00:46:16together wait what do you want iris iris you've got her you don't want iris iris is free to do what
00:46:27she wants adios
00:46:57so
00:47:04so
00:47:09THE END
00:47:39No, it's not true. I don't believe you. You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes. It's true. Forget him.
00:47:56You'll suffer a little at first, but then, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense. Why don't you believe me? He's with someone else now.
00:48:13It's over. Don't you understand?
00:48:18He'll get tired of her quickly. It's already happened other times.
00:48:24I know him. It's me he loves.
00:48:29I'll wait.
00:48:34Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:48:36Oh, Christ.
00:48:37Oh, Christ.
00:48:39Oh, Christ.
00:48:40Oh, Christ.
00:48:41Oh, Christ.
00:48:42Oh, Christ.
00:48:43Oh, Christ.
00:48:44Oh, Christ.
00:48:45Oh, Christ.
00:48:46Oh, Christ.
00:48:47Oh, Christ.
00:48:48Oh, Christ.
00:48:49Oh, Christ.
00:48:50Oh, Christ.
00:48:51Oh, Christ.
00:48:52Oh, Christ.
00:48:53Oh, Christ.
00:48:54Oh, Christ.
00:48:55Oh, Christ.
00:48:56Oh, Christ.
00:48:57Oh, Christ.
00:48:58Oh, Christ.
00:48:59Oh, Christ.
00:49:00Oh, Christ.
00:49:01Oh, Christ.
00:49:02Oh, Christ.
00:49:03Oh, Christ.
00:49:04Oh, Christ.
00:49:05Oh, Christ.
00:49:06Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:07Okay.
00:51:07Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26Okay.
00:51:26Don't go.
00:51:56You're hurting me.
00:52:02You're hurting me.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor, in his boat.
00:52:29Thanks.
00:52:30Thanks.
00:53:00Thanks, sir.
00:53:02Thanks, sir.
00:53:03Thanks, sir.
00:53:04Thanks, sir.
00:53:05Thanks, sir.
00:53:07Thanks, sir.
00:53:08Thanks, sir.
00:53:09Thanks, sir.
00:53:10Thanks, sir.
00:53:11You're watching!
00:53:12THE END
00:53:42put it in the pail you'll have to learn
00:54:12hey what are you doing here
00:54:20Criola
00:54:20Criola
00:54:23Criola
00:54:27what do you want
00:54:29I've come to get her
00:54:31Leon
00:54:33what are you doing
00:54:34Criola
00:54:36I never thought it would come to this
00:54:38please I know it's all my fault
00:54:40but please don't humiliate yourself
00:54:42like this
00:54:43it's too late
00:54:45it's not too late
00:54:47it's not
00:54:48it's too late Andy
00:54:51please we must begin again
00:54:55I can't
00:54:56no
00:54:57don't tell me you're gonna stay here
00:54:59Jesus Criola
00:55:00with a bastard like that
00:55:02I have no more strength
00:55:05no more desire to go on
00:55:07it's finished
00:55:08you don't know what you're saying
00:55:09you're coming back
00:55:10no
00:55:11yes
00:55:11no
00:55:12it can't be finished
00:55:14goddammit
00:55:15leave me alone
00:55:17it's finished
00:55:19with Leon I'm alive
00:55:21he satisfies me
00:55:22no
00:55:22no
00:55:23I don't want you
00:55:25I'm terribly sorry
00:55:29it
00:55:30really
00:55:32it's ridiculous
00:55:34ridiculous
00:55:37ridiculous
00:55:38my life is meaningless without you
00:55:42I'm sorry
00:56:03I didn't mean to disturb you
00:56:07but I just wanted something to drink
00:56:09no problem
00:56:11really
00:56:11I don't mind having a break
00:56:13why don't you stick around
00:56:16you might even keep us company
00:56:18if you like
00:56:19thanks
00:56:23but not tonight
00:56:25maybe some other time
00:56:27I'm not in the best of moods
00:56:37oh
00:56:38I invented this
00:56:40I call it gin balling
00:56:42it's a very silly game
00:56:44hmm
00:56:45for what
00:56:46serves to calm the nerves
00:56:49try it
00:56:50okay
00:56:50okay
00:56:50tell mother everything
00:56:58I'm all ears
00:57:01look
00:57:02I have no intention of fighting with you
00:57:07you're a kind
00:57:07sweet
00:57:08patient
00:57:09okay
00:57:09get to the point
00:57:10the question is
00:57:11will she tire of that dope
00:57:13that's what you want to know
00:57:14is that it
00:57:16she's bound to tire of it
00:57:18she always does
00:57:19this place
00:57:25plays tricks on one
00:57:27sometimes
00:57:28even I fell once
00:57:30you know
00:57:30there's no truth in all that shit
00:57:33I surely don't need to prove it
00:57:35do I
00:57:35you're up against an example
00:57:37and you know it
00:57:39it's not a person who casts a spell on one at all
00:57:43but this island
00:57:44it intoxicates people's minds
00:57:47it may not be happiness
00:57:49god only knows happiness
00:57:51it's hard enough to find anywhere
00:57:52but it's a narcotic that makes them feel they found paradise
00:57:56hmm
00:57:57yeah
00:57:58it's blinded even Creole
00:58:00she used to hate dirt
00:58:02invention of squalor
00:58:04made her sick for days
00:58:05hmm
00:58:06a Buridan
00:58:07it's usual
00:58:09when they eventually rebel
00:58:10that's it
00:58:11they reject the previous moral values they had
00:58:15and abandon themselves
00:58:17falling into the arms
00:58:18of someone like Leon
00:58:19but you see
00:58:20I can't understand
00:58:21how she could learn to make love like that
00:58:23oh yes you can
00:58:26please
00:58:28right
00:58:30let's not say anymore
00:58:31you want to sit here all night
00:58:32that's not going to do any good
00:58:58hey
00:59:02what's the matter
00:59:02you've suddenly developed morals
00:59:04I'm as immoral as you are
00:59:08but there is such a thing
00:59:11as the right moment
00:59:12night
00:59:15it's way past my bedtime
00:59:16is it ready
00:59:36is it cooked
00:59:39there's a time for love
00:59:44there's a time for food
00:59:46now we eat
00:59:49you
01:00:04it's
01:00:07it's
01:00:08it's
01:00:18Oh, my God.
01:00:48Oh, my God.
01:01:18Y cuando llegaste me miraste me dices, loco, estás mojado, ya no te quiero.
01:01:28Hace frío, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto, ¿para qué sirven las fiestas?
01:01:41Tengo un boquete en el pantalón, vos estás tan frías como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dijiste, loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17I don't know anymore, Iris.
01:02:34¿Cómo puedes humilartearte de esta manera?
01:02:38¿Cómo puedes aceptar todo esto?
01:02:39Porque yo lo amo como nunca lo amé a nadie.
01:02:42¿Cómo te lo dices, entonces?
01:02:44¿No lo dices por nada?
01:02:45I mean, perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:05Go away from here.
01:03:35Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:57And we are here getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:23Hello?
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:23Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Come on.
01:07:21Come on.
01:07:51I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:35Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:09:05Let me in on it.
01:09:08Let me in on it.
01:09:12Let me in on it.
01:09:21Let me in on it.
01:09:54There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:24Come on. Let's go.
01:10:51Let's go.
01:11:21Let's go.
01:11:24Have you seen Iris?
01:11:29She and Cruella were very upset. They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:48Iris!
01:11:48Iris!
01:12:00Iris!
01:12:02Stop it!
01:12:25You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in. That man's finished because of you. Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:43Marco didn't really mean to kill you. It was pure desperation. Surely even you can comprehend that. You must have been in love at least once in your lonely life. So much it made a fool of you, Leon?
01:12:53No.
01:12:55Funny. I'm not proud of the man I see when I look in the mirror and see myself. But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:07They must have burned themselves up into a jealous frenzy, I'm sure of it. I don't think they meant to kill Leon, really. It's an ugly story. I never thought he would go that far.
01:13:30But you're wrong about Andy. He loves you more than anything else in the world. He'd do anything to get you back, anything at all. He's changed, you know.
01:13:39You think so?
01:13:40You see, my dear, it's my duty to try and open your eyes. But my eyes are wide open. Thanks.
01:13:52Joanne, don't you understand? I love Leon. And I won't leave him.
01:14:01You think you love him, but you don't really. You're still hurt and angry with poor Andy.
01:14:08Because he threw you into the arms of that wretched animal, Leon.
01:14:13You're punishing him with this affair. But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years? Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:27Yes, it is banal. But the truth often is. I honestly think it's time you took stock of your life, Criolla, and faced up to it.
01:14:37The truth may hurt you, so you need courage.
01:14:49Hello, Andy.
01:14:51We thought...
01:14:56We thought...
01:15:00We thought that island would help us escape from reality.
01:15:06We must accept the place assigned us on this earth.
01:15:11Come here.
01:15:13You were right, Jack. There's magic everywhere here. Kiss me.
01:15:30It's in the very air. Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:38Right. They say these islands cast a spell on lovers.
01:15:42ausgeht.
01:15:43Get the...
01:15:52We got-
01:15:55We got-
01:16:01We got-
Comments