- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54If you don't spot out the door to me, it's ready to city.
00:04:56You will!
00:04:57First, I were good.
00:04:58You know?
00:05:00What my mind!
00:05:03Who are good?
00:05:05The city of Brazil is over.
00:05:08Your family recognizes here.
00:05:09If you're lucky for an owner here, would you hear a man such a vessel?
00:05:11Withись inำ Ikiguminous, to say you wanna talk about and talk about things and do what your advice is for.
00:05:14Now I find my happiness.
00:05:19I can't find anything that I don't take action.
00:05:20Oh, my God.
00:05:50Oh, my God.
00:06:20Oh, my God.
00:06:50Oh, my God.
00:07:20Oh, my God.
00:07:50Oh, my God.
00:08:20Oh, my God.
00:08:49Oh, my God.
00:08:51Hey, excuse me, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:56Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:00Okay.
00:09:00Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to make for the Children of the Sun?
00:09:12Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34So it is.
00:09:35So it is.
00:09:35Did he make love to you?
00:09:37No.
00:09:38He's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having, whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Ah, I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:32Come on, listen up.
00:12:48I feel uncomfortable.
00:12:50Well, there's no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:35But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:55Please help me.
00:13:55You know, love can be a strange thing.
00:14:05They're so curious.
00:14:07Come on, love can't be really so funny.
00:14:09Joe's going on.
00:14:28Oh, oh, oh...
00:14:32Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, if Ryan told me such a lot about it, I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:29I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:52Haven't you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor, honest and completely trustworthy, who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24He looks like he's a pirate.
00:16:26He looks like he's a pirate.
00:16:43He looks like he's a pirate.
00:16:44like it what a place guaranteed primitive yeah hey it's wide open there's no key
00:16:58nobody likes doors here we said a hundred dollars right
00:17:14this is true keep it one's enough adios
00:17:32uh is it far to the fishing village 500 meters down that way okay
00:17:44i'm gonna go to the village okay i prefer to stay here whatever you like
00:17:59i can't wait to take a swim go ahead see you later all right
00:18:14so long bye
00:18:16Hi.
00:18:43Hi.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, senor.
00:19:02Good morning.
00:19:03Good morning.
00:19:12No thanks.
00:19:13Hey.
00:19:14Hey.
00:19:15Hey.
00:19:16Hey.
00:19:17Hey.
00:19:19Hey.
00:19:20Hey.
00:19:21Hey.
00:19:22Hey.
00:19:23Hey.
00:19:24Hey.
00:19:25Hey.
00:19:27Hey.
00:19:28Oh.
00:19:29Hey.
00:19:31Hey.
00:19:33Hey.
00:19:34Hey.
00:19:35Hey.
00:19:36Hey.
00:19:37Hey.
00:19:38Hey.
00:19:39Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both.
00:20:15I won't be long.
00:20:39Here are some bottles.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:20:57Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now?
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:45Hmm.
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Hmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine, and I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:05Mmm.
00:23:06Mmm.
00:23:07Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:25Hmm.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm-up.
00:23:38It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08Hmm.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:10Ha, ha, ha.
00:24:11Ha, ha, ha.
00:24:12Ha, ha, ha.
00:24:13Ha, ha.
00:24:14Ha, ha.
00:24:14Yeah, I'm very at home here in this setting.
00:24:44Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Huh, not bad.
00:24:55Ah.
00:24:55Oh, you dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle, it wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:27:02Sorry.
00:27:09Sorry.
00:27:10I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:21I love you more than anything else in the world.
00:27:27Me too.
00:27:32I love you too.
00:27:34God.
00:27:35It's okay, if you're tired, it's happened before, it'll pass.
00:28:05It's okay, if you're tired, it'll pass.
00:28:35It's okay, if you're tired, it'll pass.
00:29:05It's okay, if you're tired, it'll pass.
00:29:35It's okay, if you're tired.
00:30:05It's okay, if you're tired, it'll pass.
00:30:07It's okay, if you're tired, it'll pass.
00:30:11Stop it, you're hurting me!
00:30:13Stop it!
00:30:15Stop it, leave me alone!
00:30:17Put me down!
00:30:19Let me go!
00:30:21Let's go!
00:30:28Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:38You don't have to.
00:30:42Thanks, anyway.
00:30:44You know, you shouldn't go around by yourself.
00:30:50It's asking for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:01What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Here.
00:31:22Have a drink.
00:31:50Viola?
00:31:51Viola?
00:32:04You there?
00:32:10Viola?
00:32:17Viola?
00:32:18Viola?
00:32:21Viola?
00:32:22Viola?
00:32:23Viola?
00:32:39Have you seen Viola?
00:32:40No.
00:32:44There's no sign of her on the beach.
00:32:45The bungalow's empty.
00:32:46She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right.
00:32:52Thanks, Viola.
00:32:53Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been?
00:33:05I looked all over for you.
00:33:07I got bored here all along.
00:33:08So I took off to look around, all right?
00:33:10Well, you'd have had more fun if you'd been with me.
00:33:17Joanne knows the island like the back of her hand.
00:33:18I took some magnificent pictures.
00:33:19Things I'd never have found without her.
00:33:20Andy.
00:33:21Yeah?
00:33:22Yeah?
00:33:23I got to tell you something.
00:33:24I got to tell you something.
00:33:25Go ahead, shoot.
00:33:26Let's go away from here.
00:33:27Why?
00:33:28Something the matter?
00:33:29Yeah.
00:33:30Let's go away.
00:33:31We can't yet.
00:33:32We can't yet.
00:33:33I still have photos to do.
00:33:34Besides, I got a little money in advance.
00:33:35I can't let the magazine down.
00:33:36I'd never work again.
00:33:37No way, forget it.
00:33:38No way, forget it.
00:33:39Well, I can't forget it.
00:33:40I want to go away.
00:33:41I want to go away.
00:33:42I want to go away.
00:33:43I want to go away.
00:33:44I want to go away.
00:33:45I want to go back to America.
00:33:46You're not being reasonable.
00:33:47I know, but I can't belong here in a minute.
00:33:48I suppose it's my fault, huh?
00:33:49No, of course not.
00:33:50You're not being reasonable.
00:33:51No, I can't wait until we've gone.
00:33:52I've never worked again.
00:33:53You're not being reasonable.
00:33:54I can't wait until after the date.
00:33:55No way.
00:33:56I couldn't wait until you should.
00:33:57No way.
00:33:58No way.
00:33:59No way, forget it.
00:34:00I can't wait.
00:34:01No way.
00:34:02I want to go away.
00:34:03No way.
00:34:04I want to go away.
00:34:05No way.
00:34:06No way.
00:34:07No way.
00:34:08No way.
00:34:09No way.
00:34:10No way.
00:34:11No way.
00:34:12No way.
00:34:13No way.
00:34:14No way.
00:34:15No way.
00:34:16You're not doing a good job.
00:34:17It's all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you.
00:34:21I don't know. It's just...
00:34:24Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:43I'll be able to give you what you need so badly.
00:35:17Let's go.
00:35:47Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:17One day, I'll get another chance.
00:36:38Care for a drink?
00:36:41No, not for me.
00:36:42How come?
00:36:48One needs a good motive to get drunk, but I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:00What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:15Of course, you include yourself in that sweetened statement.
00:37:25Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:33Since I quit writing that crap about love, I've stopped looking for it.
00:37:49To broken hearts.
00:38:03I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:38Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:51Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:02I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05I'm always lying.
00:39:08It's not true.
00:39:09Thank you very much.
00:40:09Four hours.
00:40:11What? Have we been driving around?
00:40:13Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:21so dazzling that I was too busy to talk.
00:40:25You forgot to mention Criola.
00:40:29She's the real reason for this.
00:40:31Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:35She's changed, and if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:43I'll take you back.
00:40:45I bet you're enjoying it.
00:40:51Joanne gave me one too with a dedication.
00:40:53I sobbed my eyes out.
00:40:55For a romantic novel, it's not bad.
00:41:01Is a model a fun thing to be, Criola?
00:41:03I wouldn't recommend it to my friends,
00:41:05but I'm not complaining.
00:41:07I asked because when I was a little girl,
00:41:09I dreamed of being a dancer or a model.
00:41:11But I ended up with overweight tits.
00:41:13So you snuck away to live on an island.
00:41:15Well, here, at least they appreciate it.
00:41:17I'm afraid of being a dancer or a model.
00:41:19But I ended up with overweight tits.
00:41:21So you snuck away to live on an island.
00:41:23Well, here, at least they appreciate my boobs.
00:41:27Here comes a customer.
00:41:28Oh, it's Marco.
00:41:29You know him?
00:41:30Yeah.
00:41:31Hi, Marco.
00:41:32Hi, Criola.
00:41:33I imagine bumping into you here.
00:41:34Did you just get here?
00:41:35Yeah.
00:41:36Wow, it's great.
00:41:37Yes, can I help you?
00:41:38Can I help you?
00:41:39Yes.
00:41:40Can I help you?
00:41:41Yes.
00:41:42Yes.
00:41:43Can I help you?
00:41:44Yes.
00:41:45Yes.
00:41:46Yes.
00:41:47Yes.
00:41:48Yes.
00:41:49Yes.
00:41:50Yes.
00:41:51Yes.
00:41:52Can I help you?
00:41:53Well, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine.
00:41:58If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:02Mm-hmm.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen.
00:42:09I have some important news for you.
00:42:11Very important.
00:42:12I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:19You.
00:42:20Who is it?
00:42:21Don't worry.
00:42:22What do you want?
00:42:23I came to take you back.
00:42:24You made the trip for nothing.
00:42:26I'm sorry.
00:42:27Leon, where are you going?
00:42:28I'm leaving.
00:42:29But why?
00:42:30You're not the one who has to leave.
00:42:31Go away.
00:42:32Go away.
00:42:33Go away.
00:42:34Go back where you came from.
00:42:35Go on, get out.
00:42:36Leon, throw him out.
00:42:37Do something.
00:42:38I am.
00:42:39Leon.
00:42:40Leon.
00:42:41Leon.
00:42:42Leon.
00:42:43Leon.
00:42:44Leon.
00:42:45Leon.
00:42:46Leon.
00:42:47Leon.
00:42:48Don't go.
00:42:49Damn you.
00:42:50Why?
00:42:51Why did you come here?
00:42:52Because I still love you.
00:42:53And I'm not leaving without you.
00:42:54Don't you understand, Marco?
00:42:55I'm no longer the girl that you knew.
00:42:56Now I'm another person.
00:42:57I love another man.
00:42:58I'll wait, Han.
00:42:59I'm patient.
00:43:00Iris, you'll get over it once we're together again.
00:43:01You'll get over it once we're together again.
00:43:02No, I'm sorry.
00:43:03I'm sorry.
00:43:04You will get over it once we're together again.
00:43:05I'll go in the same way.
00:43:06You'll get over it.
00:43:07You'll get over it.
00:43:08I'll go in the same way.
00:43:09Don't you understand, Marco?
00:43:10Why?
00:43:11Why?
00:43:12Why did you come here?
00:43:13Because I still love you.
00:43:14And I'm not leaving without you.
00:43:15Don't you understand, Marco?
00:43:17You better know?
00:43:18I'm no longer the girl that you knew.
00:43:19Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:56Can I stay on board?
00:44:12I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:23I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:51How? Wearing a pareo?
00:44:54Andy, look!
00:44:55She hasn't gone. Her stuff's still here.
00:45:09Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24I need going to come back.
00:45:24I'll get to're.
00:45:25Ready?
00:45:33Come?
00:45:40Come?
00:45:40Come on.
00:45:42Come on.
00:45:43Come on.
00:45:44Amplmon ryased on meu home.
00:45:45Come on.
00:45:47Come on.
00:45:47Oh
00:45:57Have you seen Leon
00:46:10Sorry
00:46:12To disturb I want a word with him. I'll leave you two together
00:46:17Wait
00:46:18What do you want iris?
00:46:21Iris you got her
00:46:24You don't want iris iris is free to do what she wants
00:46:28adios
00:46:47For me, you don't want iris is free to do what she wants
00:46:49Be me
00:46:57My eyes are open and open to my eyes
00:46:58I'm 11
00:46:59I'm 2009
00:47:00And you feel creative
00:47:02And so on
00:47:03I'm slowing your bow
00:47:03nawet
00:47:04I'm
00:47:34No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:04No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:23I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ.
00:48:34It's over.
00:48:36I know him.
00:48:37I can't believe he was fast.
00:48:39THE END
00:49:09Get out of here and stop bothering the customers
00:49:15So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past
00:49:26Playing with fire
00:49:28One can be burned in the end
00:49:30I blame myself
00:49:34My unnatural desire to see the excitement men get in seeing a
00:49:37And seeing a naked woman
00:49:40I'm perverted, I guess
00:49:42I proposed it to her
00:49:45I must be an asshole
00:49:47But now she's gone for good
00:49:49She did it because she knew you liked it
00:49:53Not for herself
00:49:54She's not the kind of woman who sleeps around a lot
00:49:58Are you serious?
00:50:00Yes, I am
00:50:02Whatever she became
00:50:03Was to please you
00:50:05She realized simply that she had to go to bed with other guys
00:50:09In order to try to keep your interest in her going
00:50:11And look what happened
00:50:13Fate set a trap for her
00:50:15Oh, God
00:50:15I'm the one who went and trapped her
00:50:18Yep
00:50:21Now you're trapped
00:50:22It started as a game, that's all
00:50:25It wasn't serious
00:50:28Games can be dangerous to play if you don't keep to the rules
00:50:33Good evening
00:50:38Good evening
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen
00:50:41Thanks
00:50:43Hey, you've forgotten?
00:50:45We met one night in San Domingo
00:50:47I'm married to Creole
00:50:49Oh, yes
00:50:50Now I remember you
00:50:51Hi
00:50:52I'm, uh
00:50:53I'm sure she'll be delighted to know you're here
00:50:55She already knows
00:50:57But you mean to say you
00:50:59You've seen her?
00:51:01Yes, uh, briefly
00:51:02Yeah, but where?
00:51:04You haven't said
00:51:05I have to know immediately
00:51:07Surely you can guess
00:51:16She's on Leon's boat
00:51:20Don't go
00:51:25Don't go
00:51:25I have to
00:51:31I have to
00:52:01You're hurting me
00:52:02You're hurting me
00:52:03Where can I find Leon?
00:52:26Leon's gone fishing, senor
00:52:27In his boat
00:52:29Thanks
00:52:30Thanks
00:52:31Thanks
00:52:33I'm sorry
00:52:34I'm sorry
00:52:40I am yang
00:52:44I am
00:52:48I am
00:52:50I am
00:52:52I am
00:52:53I am
00:52:53I
00:52:54I am
00:52:54Iam
00:52:55I am
00:52:55I
00:52:55I am
00:52:56I am
00:52:57I am
00:53:28Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:58Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No, no, I don't believe you.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:42I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:11I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I invented this.
00:56:40I call it gin-balling.
00:56:42It's a very silly game.
00:56:44Hmm?
00:56:46Well, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Tell mother everything.
00:57:00I'm all ears.
00:57:01Look.
00:57:01Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16Well, she's bound to tire of it.
00:57:18She's bound to tire of it.
00:57:18She always does.
00:57:19This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness is hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Yeah.
00:57:59It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Buridan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:37That's not going to do any good.
00:58:58Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:36Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49What is it?
00:59:51I love you.
00:59:55I've never eaten it.
00:59:59I don't know.
01:00:02Let's eat.
01:00:05All right.
01:00:07You mãozinas.
01:00:08You mean?
01:00:10Just Wash.
01:00:10All right.
01:00:11Cool.
01:00:12You can't do your thing.
01:00:13I mean, it's hey Tank.
01:00:14You can't.
01:00:15Hey Tom.
01:00:17Thanks, ma'am.
01:00:18You're here.
01:00:18Oh, my God.
01:00:48Oh, my God.
01:01:18Y cuando llegaste me miraste me dices loco, estás mojado, ya no te quiero.
01:01:28Hace frío, estoy lejos de casa, hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto para qué sirven las fiestas, tengo que tener pantalón, vos estás tan fría como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dices loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17Bomba.
01:02:32I don't know anymore, Iris.
01:02:34how can you humiliate yourself this way how can you accept all this because i love him like i
01:02:41never loved anyone how about us then don't i count for anything perhaps you've forgotten
01:02:47that we were supposed to get married in a month you don't understand marco i'm not able to leave
01:02:53leona my god how is this possible go away from here it's useless i'll never give leona for any reason
01:03:23like a beer sure
01:03:45it's got to be a better life someplace right i wonder if all tropic paradises are such hell
01:03:53that bastard fucks our women and we are here getting drunk
01:04:05uh if only we had any guts we'd do something about it
01:04:23hello
01:04:43don't look at me like that
01:04:44i was just admiring you then don't admire me that way are you alone
01:04:53why tomorrow morning i go i thought i should tell you that i'd like to hire the boat from leon
01:05:00i'm mad about you nothing can make me change ever
01:05:12i uh i put your things in a bag what do you want me to do with it whatever you want what do i do keep it
01:05:22burn it burn it i'm not coming back you're lying
01:05:30hey what do you want
01:05:32i need you leon a ride to the mainland so i can fly out to america i want to hire the boat tomorrow
01:05:43morning marco's also going and i want it to be a party so bring creole along as well
01:05:50it's better if it stays at home she's got work to do and i want something to eat when i get back
01:06:04anyway it's okay i'll accompany you
01:06:15i don't you realize the life you're leading i'm fine here
01:06:35come back with me iris
01:06:36no marco not now not ever and for heaven's sake don't ask me again
01:06:45now leave me alone i have worked
01:06:50you win okay
01:07:06you win okay
01:07:26Let's go.
01:07:56I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:25But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:11:24Consuelo?
01:11:26Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Nothing.
01:11:46Iris!
01:11:48Iris!
01:11:48Iris!
01:11:49Iris!
01:11:50Iris!
01:11:58Iris!
01:12:02Iris!
01:12:03Stop it!
01:12:25You've got no call.
01:12:29Exactly what are you trying to do to me?
01:12:31Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risked losing my life.
01:12:44Marco didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:53No.
01:12:54Funny.
01:12:55I'm not proud of the man I see when I look in the mirror and see myself.
01:13:00But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:05They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:10I don't think they're meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:40You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:12You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Hello, Andy.
01:14:56We thought...
01:14:57We thought that island would help us escape from reality.
01:15:05We must accept the place of scientists on this earth.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:38They say these islands cast a spell on lovers.
01:15:51We get...
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42:05
48:53
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