- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54No, no, no.
00:04:55I think it was a little more clear than he justッ to leave me.
00:04:59Oh, I love you all.
00:05:00What I'm actually going with you all.
00:05:01There's more, there's a whole tô up.
00:05:03And there's different to how I love.
00:05:05I love your mind around.
00:05:06It's fun.
00:05:07To be clear for my life to this morning, your environment.
00:05:09To be with you all嗯嗯.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:07:10Come on.
00:07:12Come on.
00:07:14Come on.
00:07:16Come on.
00:07:18Come on.
00:07:20Come on.
00:07:22Come on.
00:07:24Come on.
00:07:26Come on.
00:07:28Come on.
00:07:30Come on.
00:07:32Come on.
00:07:40Will you play the same number, madame?
00:07:41Sure.
00:07:42Come on.
00:07:44Come on.
00:07:46Come on.
00:07:48Come on.
00:07:49Come on.
00:07:50Come on.
00:07:52Come on.
00:07:54Come on.
00:07:56Come on.
00:07:58Come on.
00:08:00Come on.
00:08:02Come on.
00:08:03Let's please, ladies and gentlemen.
00:08:33Hey, excuse me, have you, have you ever seen this girl?
00:08:54No, I'm sorry, never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here, will that do?
00:09:02Sure, keep the literature, that might help you spiritually.
00:09:17Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:25If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think, they were going to get married, and not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:38You know, a simple islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for lost time then.
00:12:19Yeah.
00:12:23Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:37Uh, I, I feel uncomfortable.
00:12:50Well, no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:59I understand you.
00:14:03You know, love can be a strange thing.
00:14:06I don't know.
00:14:07I know.
00:14:08You know, love can be a machine.
00:14:12You know.
00:14:14The light is not the best, but...
00:14:44We shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:22Sometimes you're a real asshole.
00:15:26Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for you to do.
00:15:38What's wrong?
00:15:39Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:52Have you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:51Hey, it's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:21Is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:39Okay.
00:17:39I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:17:59I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long.
00:18:16Bye.
00:18:16Bye.
00:18:43Hi.
00:18:43Hi.
00:18:44Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:05Good morning.
00:19:05Good morning, senor.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Eh, that's it.
00:19:19Good morning.
00:19:31Keep it.
00:19:40Hey, me energia linda.
00:19:41Que tú me hiciste.
00:19:42Pero cada día que pasa te quiero más.
00:19:44Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:12Mm, well, a little of both.
00:20:15I won't be long.
00:20:42Here are some bottles.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:01No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:19Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:28I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Hmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:22:55Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Hmm.
00:23:07Hmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:11Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:25Hmm.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:33Yeah.
00:23:35The warm-up.
00:23:38It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:52It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08Hmm, that's old hat.
00:24:09You disappoint me.
00:24:10That woman has a hard heart with MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago.
00:24:52That's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for us.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:15Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane.
00:25:36I met her boyfriend.
00:25:37He came here to look for her.
00:25:39He'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:43He doesn't conquer.
00:25:44He dominates.
00:25:45Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:52It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:58Poor guy.
00:25:59Poor guy.
00:26:00He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:12Me?
00:26:13Yeah, he's a savage, but it'd be terribly easy for you to make an oaf like that.
00:26:19You know, come chasing after you like a beast in heat.
00:26:23He's a womanized, and your friend will get back his girlfriend.
00:26:26Have you gone haywire?
00:26:28I think it's a magnificent idea, don't you?
00:26:30It's a little risky.
00:26:31What, you mean I might lose her?
00:26:33I trust Creole completely, Joanne.
00:26:35And besides, she'll just have to fake it.
00:26:37Right?
00:26:38Go on.
00:26:39Ask him to dance.
00:26:40Have a heart.
00:26:41Hey, look, have you finished?
00:26:43I've had enough.
00:26:44I'm gonna go.
00:26:45This music's getting on my nerves.
00:26:47This music's getting on my nerves.
00:26:49This music's getting on my nerves.
00:26:51This music's getting on my nerves.
00:26:54This music's getting hung up.
00:26:57This music's getting on my nerves.
00:26:59This music has beenJan Kolbe on my nerves.
00:27:02This music's getting on my nerves.
00:27:09Sorry.
00:27:13I wasn't serious.
00:27:16I was a joke.
00:27:17I love you, Andy.
00:27:20I love you more than anything else in the world.
00:27:24I love you too.
00:27:26Me too.
00:27:32I love you too.
00:27:34God.
00:27:40It's okay.
00:27:42If you're tired.
00:27:46It's happened before.
00:27:48It'll pass.
00:27:54Weenten,
00:27:57and you're full.
00:28:00I love you too.
00:28:03It's time to head back to your youth.
00:28:06My brother真的很 sorry.
00:28:08I love you too.
00:28:09I know that you still need for you too.
00:28:12Were out
00:28:14of issue that I've never died.
00:28:17I've got a team.
00:28:19I know you're forever.
00:28:21Oh, my God.
00:28:51Oh, my God.
00:29:21Oh, my God.
00:29:51Oh, my God.
00:30:21Oh, my God.
00:30:31Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:38You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you shouldn't go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:05What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:51Viola?
00:31:51You there?
00:32:05Criola!
00:32:06Criola!
00:32:07Grilla?
00:32:13Grilla?
00:32:17Grilla?
00:32:21Grilla?
00:32:23Grilla?
00:32:38Have you seen Grilla?
00:32:40No.
00:32:44There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:04Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:28Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again.
00:33:54No way, forget it.
00:33:55Well, I can't forget it.
00:33:58I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:08I know, but I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:15I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you.
00:34:20I don't know. It's just...
00:34:22Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:42And then...
00:34:44I'll be able to give you what you need so badly.
00:34:51here,
00:34:53let's go, come on.
00:34:55So...
00:34:56Well...
00:34:58I'm gonna try.
00:34:59You go, come on, go, come on.
00:35:01Here.
00:35:03Time for the next hour.
00:35:06Here.
00:35:08This is...
00:35:10I've got a dog on the top.
00:35:13Let's go.
00:35:43Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:13I'll get another chance.
00:36:38Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk,
00:36:51but I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:05No one ever tells the truth.
00:37:09Even jokingly, I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course, you include yourself in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:30I don't know.
00:37:31But I'm trying to.
00:37:33Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:49To broken hearts.
00:38:03I was sure you'd come.
00:38:14You were?
00:38:17You want to make love with me again?
00:38:20Yes.
00:38:26Well, not today.
00:38:30What are you afraid of?
00:38:33That your woman will find out?
00:38:38Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06Hey, I'm always on.
00:39:08It's not true.
00:39:09I'll tell you.
00:39:10Bye, Mr.
00:39:11I'm sorry.
00:39:12I'm talking about it.
00:39:13Goodbye, introduce us.
00:39:14Bye.
00:39:16Bye.
00:39:19Bye.
00:39:21Bye.
00:39:23Bye.
00:39:25Bye.
00:39:26Bye.
00:39:29Bye.
00:39:31Bye.
00:39:33Bye.
00:39:34Bye.
00:40:05It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling.
00:40:22I was too busy to talk.
00:40:25You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45Joanne gave me one, too, with a dedication, I sobbed my eyes out.
00:40:56Joanne gave me one, too, with a dedication, I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:14It's a model a fun thing to be, Criola.
00:41:20I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:55Leon, Leon.
00:42:58Leon, Leon, don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:07Because I still love you.
00:43:08Because I still love you.
00:43:09And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:33Can I stay on board?
00:44:00Kingston?
00:44:12Well, get this straight.
00:44:15This time, it must be forever.
00:44:18I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:48How? Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24Yes, come on.
00:45:32Yes, come on.
00:45:32I'm not going back.
00:45:33I'm not going back.
00:45:34I have to be off.
00:45:35I'm not going back.
00:45:36Yes, you are going back.
00:45:37I'm not going back.
00:45:38I'm about to be with you.
00:45:39Have you seen Leon?
00:45:58Sorry to the stern I want a word with him I'll leave you two together wait
00:46:18What do you want iris iris you got her you don't want iris iris is free to do what
00:46:27she wants adios
00:46:57Oh
00:46:59Oh
00:47:01Oh
00:47:03Oh
00:47:05Oh
00:47:07Oh
00:47:09Oh
00:47:11Oh
00:47:13Oh
00:47:15Oh
00:47:17Oh
00:47:19Oh
00:47:21No it's not true I don't believe you you're only saying that to convince me to come with you I tell you I saw them with my own eyes
00:47:39It's true forget him you'll suffer a little at first but then but then it'll pass I'll help you to forget no I don't want to forget it doesn't make sense
00:47:56It doesn't make sense why don't you believe me he's with someone else now it's over don't you understand you'll get tired of her quickly it's already happened other times I know him but I don't know how to do it
00:48:03You'll suffer a little at first but then but then it'll pass I'll help you to forget no I don't want to forget it doesn't make sense why don't you believe me he's with someone else now
00:48:09It's over don't you understand you'll get tired of her quickly it's already happened other times I know him it's me he loves I'll wait Christ
00:48:30Oh
00:49:00Get out of here and stop bothering the customers
00:49:15So this isn't the very first
00:49:21No it isn't the first time but she came back in the past
00:49:25Playing with fire one can be burned in the end
00:49:30I blame myself my unnatural desire to see the excitement men get in seeing a
00:49:36In seeing a naked woman
00:49:39Perverted I guess I proposed it to her
00:49:44I must be an asshole
00:49:46But now she's gone for good
00:49:49She did it cause she knew you liked it
00:49:52Not for herself
00:49:54She's not the kind of woman who sleeps around a lot
00:49:57Are you serious?
00:49:59Yes I am
00:50:01Whatever she became was to please you
00:50:04She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going
00:50:10And look what happened
00:50:12Fate set a trap for her
00:50:13Oh God
00:50:14I'm the one who went and trapped her
00:50:17Yep
00:50:20Now you're trapped
00:50:21It started as a game that's all
00:50:24It wasn't serious
00:50:27Games can be dangerous to play if you don't keep to the rules
00:50:32Good evening
00:50:36Good evening
00:50:37Where can I find Consuelo?
00:50:39Back there in the kitchen
00:50:41Thanks
00:50:42You've forgotten?
00:50:44We met one night in San Domingo
00:50:46I'm married to Creole
00:50:48Oh yes
00:50:49Now I remember you
00:50:50Hi
00:50:51I'm uh
00:50:52I'm sure she'll be delighted to know you're here
00:50:54She already knows
00:50:56But you mean to say you've seen her?
00:51:00Yes
00:51:01Briefly
00:51:02Yeah but where?
00:51:03You haven't said
00:51:05I have to know immediately
00:51:14Surely you can guess
00:51:17She's on Leon's boat
00:51:23Don't go
00:51:24Don't go
00:51:25I have to
00:51:55I have to know
00:51:56You're hurting me
00:51:57You're hurting me
00:52:00You're hurting me
00:52:01It's hurting me
00:52:02You're hurting me
00:52:03where can i find leon leon's gone fishing senor in his boat thanks
00:52:33so
00:52:56so
00:53:03THE END
00:53:33put it in the pail
00:53:43you know how to cook it
00:53:48you'll have to learn
00:54:03hey what are you doing here
00:54:20Criola
00:54:20Criola
00:54:23Criola
00:54:27what do you want
00:54:29I've come together
00:54:30Leon
00:54:33no what are you doing
00:54:34Criola
00:54:36I never thought it would come to this
00:54:38please
00:54:39I know it's all my fault
00:54:40but
00:54:40please don't humiliate yourself like this
00:54:43it's too late
00:54:45it's not too late
00:54:47it's not
00:54:48please we must begin again
00:54:55I can't
00:54:56no
00:54:57don't tell me you're gonna stay here
00:54:59Jesus Criola
00:55:00with a bastard like that
00:55:02I have no more strength
00:55:05no more desire to go on
00:55:07it's finished
00:55:08you don't know what you're saying
00:55:09you're coming back
00:55:10no
00:55:11yes
00:55:11no
00:55:12it can't be finished
00:55:14goddammit
00:55:15leave me alone
00:55:17it's finished
00:55:19with Leon I'm alive
00:55:21he satisfies me
00:55:22no
00:55:22I'm terribly sorry
00:55:29really
00:55:32it's ridiculous
00:55:34ridiculous
00:55:37my life is meaningless without you
00:55:42I'm sorry
00:56:03I didn't mean to disturb you
00:56:07but
00:56:07I just wanted something to drink
00:56:09no problem
00:56:11really
00:56:11I don't mind having a break
00:56:13why don't you stick around
00:56:16you might even keep us company
00:56:18if you like
00:56:19thanks
00:56:23but not tonight
00:56:25maybe some other time
00:56:27I'm not in the best of moods
00:56:39I invented this
00:56:40I call it gin balling
00:56:42it's a very silly game
00:56:44hmm
00:56:45well what
00:56:46serves to calm the nerves
00:56:49try it
00:56:50okay
00:56:50okay
00:56:54tell mother everything
00:56:58I'm all ears
00:57:01look
00:57:02I have no intention of fighting with you
00:57:07you're a kind, sweet, patient
00:57:09get to the point
00:57:10the question is
00:57:11will she tire of that dope?
00:57:13that's what you want to know
00:57:14is that it?
00:57:17she's bound to tire of it
00:57:18she always does
00:57:19this place
00:57:25plays tricks on one sometimes
00:57:28even I fell once
00:57:30you know
00:57:30there's no truth in all that shit
00:57:33I surely don't need to prove it, do I?
00:57:35you're up against an example
00:57:37and you know it
00:57:39it's not a person
00:57:41who casts a spell
00:57:42on one at all
00:57:43but this island
00:57:44it intoxicates people's minds
00:57:47it may not be happiness
00:57:49God only knows happiness
00:57:51it's hard enough to find anywhere
00:57:52but it's a narcotic
00:57:54that makes them feel
00:57:55they found paradise
00:57:56yeah
00:57:58it's blinded even Creole
00:58:00she used to hate dirt
00:58:02invention of squalor
00:58:04made her sick for days
00:58:05mm-hmm
00:58:06a Puritan
00:58:07it's usual
00:58:09when they eventually rebel
00:58:10that's it
00:58:11they reject the previous moral values
00:58:15they had
00:58:15and abandon themselves
00:58:17falling into the arms
00:58:18of someone like Leon
00:58:19but you see
00:58:20I can't understand
00:58:21how she could learn
00:58:22to make love like that
00:58:23oh yes you can
00:58:26please
00:58:28right
00:58:30let's not say anymore
00:58:31you want to sit here all night
00:58:32I
00:58:41I
00:58:53that's not going to do any good
00:58:58hey
00:59:02what's the matter
00:59:02you've suddenly developed morals
00:59:04I'm as immoral as you are
00:59:08but there is such a thing
00:59:11as the right moment
00:59:12night
00:59:15it's way past my bedtime
00:59:16is it ready
00:59:36is it cooked
00:59:39there's a time for love
00:59:44there's a time for food
00:59:46now we eat
00:59:49it's way past my bedtime
00:59:56I
00:59:57I
00:59:58I
00:59:59I
01:00:00I
01:00:01I
01:00:02I
01:00:02I
01:00:02I
01:00:03I
01:00:03I
01:00:04I
01:00:05I
01:00:06I
01:00:08I
01:00:09I
01:00:09I
01:00:09I
01:00:10I
01:00:11I
01:00:14I
01:00:15I
01:00:15I
01:00:16I
01:00:17I
01:00:17I
01:00:17I
01:00:17I
01:00:18Oh, my God.
01:00:48Oh, my God.
01:01:18Y cuando llegaste me miraste me dices, loco, estás mojado, ya no te quiero.
01:01:28Hace frío, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto, ¿para qué sirven las fiestas?
01:01:41Tengo un boquete en el pantalón, vos estás tan frías como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dijiste, loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17Bomba.
01:02:27Bomba.
01:02:28Bomba.
01:02:29Bomba.
01:02:30Bomba.
01:02:31Bomba.
01:02:32I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:37How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:43Don't I account for anything?
01:02:45Perhaps you've forgotten that we were supposed to get married in a month.
01:02:49You don't understand, Marco.
01:02:51I'm not able to leave Leon.
01:02:53My God!
01:02:55How is this possible?
01:02:57Go away from here.
01:02:59It's useless.
01:03:01I'll never give Leona.
01:03:03For any reason.
01:03:31I'll never give Leona.
01:03:33I'll never give Leona.
01:03:39Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:46Right.
01:03:47I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:00Getting drunk.
01:04:05If only we had any guts, we'd do something about it.
01:04:17If we had no matter, why is it supposed to be a better life?
01:04:23Really?
01:04:24All we have to do is we're going to die.
01:04:26Come down.
01:04:27We're going to grow up.
01:04:28Well, this is the best.
01:04:29All we have to do is.
01:04:30We're going to die by the kids,
01:04:31we've got to do so.
01:04:32And we're going to die by the kids.
01:04:34You've got to do the kids in the garden.
01:04:35Oh, my goodness.
01:04:36I'm not alone, but we're going to die.
01:04:37Even you're not alone.
01:04:38You're so good now.
01:04:39Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:06Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:36I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:36No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now, leave me alone.
01:06:47I have worked.
01:06:50You win.
01:06:51Okay.
01:06:51I'm fine.
01:06:52I'll wait.
01:06:52Thank you very much.
01:06:53I'll do it.
01:06:55Hey.
01:06:56Ciao.
01:06:57Oh, my God.
01:07:27Oh, my God.
01:07:57I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:21He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:51Let me in on it.
01:08:52Let me in on it.
01:08:53Let me in on it.
01:08:54Let me in on it.
01:08:55Let me in on it.
01:08:56Let me in on it.
01:08:57Let me in on it.
01:08:58Let me in on it.
01:08:59Let me in on it.
01:09:00Let me in on it.
01:09:01Let me in on it.
01:09:02Let me in on it.
01:09:03Let me in on it.
01:09:04Let me in on it.
01:09:05Let's go.
01:09:35Let's go.
01:10:05There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:35Come on, let's go.
01:10:51I'm going down to have a look.
01:11:21I'm going down to have a look.
01:11:23Consuelo?
01:11:25Have you seen Iris?
01:11:29She and Criella were very upset.
01:11:31They left.
01:11:31Criella?
01:11:32What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:49Iris!
01:11:50Iris!
01:11:54Iris!
01:12:02You've got no call.
01:12:04You've got no call.
01:12:16You've got no call.
01:12:23Exactly what are you trying to do to me?
01:12:30Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:42Marco didn't really mean to kill you.
01:12:45It was pure desperation.
01:12:46Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:53No.
01:12:54Funny.
01:12:55I'm not proud of the man I see when I look in the mirror and see myself.
01:13:00But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:18They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they're meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:27I never thought he would go that far.
01:13:30You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:41You think so?
01:13:44You see, my dear, it's my duty to try and open your eyes.
01:13:48But my eyes are wide open.
01:13:51Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:12You're punishing him with this affair.
01:14:15But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:25Yes, it is banal.
01:14:28But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola.
01:14:34And faced up to it.
01:14:36The truth may hurt you.
01:14:38So you need courage.
01:14:40Hello, Andy.
01:14:41We thought...
01:14:55We thought...
01:15:00We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12Come here.
01:15:25You were right, Jack.
01:15:26There's magic everywhere here.
01:15:27Kiss me.
01:15:31It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:38Right.
01:15:39They say these islands cast a spell on lovers.
01:15:51We get...
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