- 4 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Taffico di Napoli.
00:01:44C***.
00:01:45C***.
00:01:46C***.
00:01:47I can't put my wallet.
00:01:51C***?
00:01:52No.
00:01:53No, it's the same place.
00:01:55Somewhere.
00:01:57What do you think of this?
00:02:13She's lost her purse.
00:02:27Where did you have it last?
00:02:35The train station, I think. The exchange group.
00:02:43Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think so.
00:03:27It's nice.
00:03:28Yes, I have a credit card. The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:33It's nice.
00:03:34Yes, I have a credit card. The number's on file on my computer.
00:03:37Yes, I have them here.
00:03:38Okay.
00:03:39Five, five, three, three.
00:03:40Seven, six, four, five.
00:03:41Eight, seven, eight, seven, eight, seven.
00:03:42Nine, one, five, seven.
00:03:43Five, seven.
00:03:44Yeah.
00:03:45Expires 12.15.
00:03:46No, she'll definitely need another card sent out immediately.
00:03:47We're here for two weeks.
00:03:48No, she'll definitely need another card sent out immediately.
00:03:49We're here for two weeks.
00:03:50No, I'm working here.
00:03:51No, I'm working here.
00:03:52No, she'll definitely need another card sent out immediately.
00:03:53We're here for two weeks.
00:03:54Nope, I'm working here.
00:04:17Yes, I'll hold.
00:04:22Nope, I'm working here.
00:04:23You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:45And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:48Well, I am going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jen.
00:05:15I always have, you know that?
00:05:18I just don't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34It has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39Why do you think he killed himself?
00:06:04David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:21Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, do you know?
00:06:40Just so tedious.
00:06:44And of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't that...
00:06:50Jane, can I...
00:06:50Can we not talk about this?
00:06:54Just...
00:06:54Just a bit more than...
00:06:56I love you.
00:07:15I love you too.
00:07:20I love you too.
00:07:24Do you feel alright?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:45Mm-hmm.
00:07:54Mm-hmm.
00:08:18Mm-hmm.
00:08:18I don't know.
00:08:48I don't know.
00:09:18You'll be so busy.
00:09:22We get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26I'll see you later.
00:10:28What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19And this man, he had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:25Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:35Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:53No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war.
00:13:08All right, then.
00:13:08Uh, scusi.
00:13:12Susi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Sì.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:28My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:28You look too young to be married.
00:15:33You newlywed?
00:15:33No.
00:15:36No.
00:15:46Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:51Fuck.
00:15:58One?
00:15:58Damn.
00:15:59All right.
00:16:00Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:30What brought you out of here today?
00:16:35Barry.
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:40They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:53In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40You know, I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights is a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older.
00:18:34He's like deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46Let's see what happens.
00:18:48I'm like deaf and blind.
00:18:49He's like deaf and blind and deaf and deaf.
00:18:50I'm like deaf and deaf.
00:18:51I'm such a policeенер.
00:18:52I'm sorry.
00:18:53I don't care.
00:18:54I'm hungry.
00:18:55I have you.
00:18:56I don't care about the perfect answer.
00:18:57I'm afraid he might sit with you.
00:18:59I'm afraid he might sit with me.
00:19:00I'm afraid he might sit with me apart for that.
00:19:03I'm afraid he might come with you.
00:19:05I'm not afraid he might be.
00:19:07I love you.
00:19:37Love teaches me to feed on flames and tears.
00:19:42To turn withered hope green through desire.
00:19:48To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:03You read that in your guidebook this morning, didn't you Jane?
00:20:08Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes, but that didn't stop her from loving him.
00:20:28Let's hear it then. In Italian.
00:20:31In Italian. Let's hear the poem.
00:20:35Come on.
00:20:36Okay.
00:20:37I'm impressed.
00:20:39I'm impressed.
00:20:41Are you hungry?
00:20:42I'm hungry.
00:20:43I'm hungry.
00:20:44I'm hungry.
00:20:45Why, you gonna take me out?
00:20:46Yeah.
00:20:47Why, you gonna take me out?
00:20:48Yeah.
00:20:49All right.
00:20:50Alright then.
00:20:51Okay.
00:20:52Okay.
00:20:53Okay.
00:20:54Okay.
00:20:55Okay.
00:20:56Two pastas with the...
00:20:57house...
00:20:58I'm hungry.
00:20:59I'm hungry.
00:21:00I'm hungry.
00:21:02And you gonna take me out?
00:21:03I'm hungry.
00:21:04Please.
00:21:05Makes me happy.
00:21:06I'm hungry.
00:21:07So I'm hungry.
00:21:08So I'm hungry.
00:21:09Yeah?
00:21:10So I'm hungry.
00:21:11All right, I'd like to finish your meat up.
00:21:13Yeah.
00:21:18Alright then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please?
00:21:28Red.
00:21:29Red.
00:21:30Red.
00:21:31Uh-huh.
00:21:32Grazie.
00:21:33So you're really not going to tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:09What don't you know?
00:22:12You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:18I love to listen.
00:22:33Well, it's tangled up.
00:22:35I won't learn.
00:22:36Okay.
00:22:37Awful as it was, it made you stronger.
00:22:44These days, people whine about all sorts of things.
00:22:47And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:52We all have our own private wars every era, but it was nothing like it.
00:22:59It really brought people together, the war.
00:23:01We helped each other during that time.
00:23:04We had to laugh.
00:23:05We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like, it's like a window in time.
00:23:22The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:28I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:33Bonding over granny, huh?
00:23:36Make it sound perverse.
00:23:38That's what it was, right?
00:23:40Buongiorno.
00:23:42Buongiorno.
00:23:43Signori.
00:23:52I got pregnant, so we got married.
00:23:58I lost the baby.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:28I didn't go back after that to the States.
00:24:37Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate, or your family, or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape, I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure, and how I'm gonna show World War II from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:26:00Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Un compleanno.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish, huh?
00:26:15Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27You ready?
00:26:28What do you mean I'm ready?
00:26:29You ready?
00:26:30What?
00:26:31Grab my hand.
00:26:32Wait.
00:26:33Go, go, go.
00:26:34Oh my God.
00:26:35Oh my gosh!
00:26:36Oh my gosh!
00:26:37Oh my gosh!
00:26:38Oh my gosh!
00:26:39Oh my gosh!
00:26:40Oh my gosh!
00:26:41Oh my gosh!
00:26:42What?
00:26:43What do you mean?
00:26:44Oh my gosh!
00:26:45Oh no!
00:26:46What?
00:26:47What?
00:26:48What do you mean?
00:26:50Stronzo!
00:26:52Hey!
00:26:53Hey!
00:26:54Hey!
00:26:55It's the carabinerie!
00:26:56It's the police!
00:26:57No!
00:26:58Hey!
00:26:59Yeah!
00:27:00Yeah!
00:27:01Yeah!
00:27:02Hey!
00:27:04We can't go back!
00:27:05We can't go back!
00:27:06We can't go back!
00:27:07Look!
00:27:08We can't pay for that!
00:27:10I'm getting away!
00:27:11I'm getting away!
00:27:12Oh my God!
00:27:14I'm getting away!
00:27:15Oh my God!
00:27:16Oh my God!
00:27:18Hey!
00:27:19Hey!
00:27:20Hey!
00:27:21Hey!
00:27:22Hey!
00:27:23Hey!
00:27:24Hey!
00:27:25Hey!
00:27:26It would make you feel bad if I said I said that one thing out!
00:27:30Yes, it's true!
00:27:32Yes, it's true!
00:27:33I made the check when I went to the bathroom!
00:27:37you're horrible
00:27:41you're horrible
00:27:43you're really horrible
00:27:45let's go
00:27:46let's go
00:27:47let's go
00:27:49why are we still running
00:27:52I don't know where we're still running
00:27:54oh my gosh
00:28:07it went up my nose
00:28:15we come back
00:28:22maybe
00:28:23maybe it's not a no
00:28:28and since I don't have a phone
00:28:30you're going to have to give me your number
00:28:33for cheap thrills
00:28:35and future crimes committed
00:28:37no
00:28:37you're enough
00:28:41I've got to go
00:28:51catch a fairy
00:28:53hey
00:28:58why do violists
00:29:04keep their viola cases
00:29:08on their dashboards
00:29:09why
00:29:20why
00:29:20so they can park in handicapped spots
00:29:25happy birthday
00:29:32happy birthday
00:29:34thank you
00:29:35happy birthday
00:29:40thank you
00:29:45God bless you.
00:30:15God bless you.
00:30:45You're awake.
00:30:52Yeah, there's so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:03There are the great big events.
00:31:06The things you think you'll always remember, and you do,
00:31:09but there are other smaller.
00:31:11Picking a blackberry that's been in the sun,
00:31:13or brushing the fingertip of someone you didn't know you loved
00:31:17until you touched them.
00:31:20Nellie was this little collie who wouldn't go on a leash,
00:31:24so she had to sit on a bicycle seat.
00:31:27They stay with me, too.
00:31:29Jane.
00:31:41Jane.
00:31:42Janey.
00:31:43Got some pastries.
00:31:50You still asleep?
00:31:52Janey.
00:31:54Janey.
00:31:54my friends had lots of american boyfriends
00:32:22and they used to bring us nylon stockings and chocolates and all sorts of things
00:32:26and we used to go to london and we saw glenn miller one time we used to go all over the place
00:32:35there were wonderful times i never had an american boyfriend i liked some of them
00:32:43they were nice boys but i i didn't i didn't want to leave my mum and dad
00:32:51i wish i had sometimes you know when you were 19 and the world just felt so open
00:32:57and carefree and full of possibility you reminded me of that
00:33:03at that time you were 19 when we met yeah i wouldn't have described you as carefree back
00:33:10then not at all well i felt nostalgia or something for youth
00:33:15you're not old hey we ran out on the bill
00:33:19you just ran what do you mean you ran out on the bill
00:33:23perhaps i'm not explaining it well it was
00:33:25it was fun
00:33:28how's work
00:33:42the conductor's actually a descendant of water leg which is fascinating
00:33:47the three of us should plan a dinner before we leave
00:33:50i'd like that
00:33:51jane
00:33:56oh my god
00:34:00this is caleb
00:34:02hi
00:34:03no no we were just talking about you
00:34:05we were
00:34:05that's so weird
00:34:07sit please sit down join us
00:34:09what
00:34:10what
00:34:11i mean
00:34:12what
00:34:13what
00:34:14what
00:34:15the chance of event
00:34:16i know
00:34:18me
00:34:19i'm actually gonna get back pretty soon
00:34:21that's okay i i already ate so i'll just grab a coffee
00:34:24let's
00:34:25go
00:34:34i have the check please
00:34:37In a cafe, play for play?
00:34:42Oh, no thank you
00:34:47Jane, you don't smoke?
00:34:51Yes I do
00:34:53Sometimes at parties
00:34:56You didn't know that. Well, I don't do it a lot
00:35:02Grazie
00:35:07Italian food is so overrated
00:35:11I love it
00:35:13There's no variety
00:35:14English food on the other hand
00:35:16Say what you like about it
00:35:18There's nothing like a good steak and kidney pie
00:35:21I went to this party the other day in this villa owned by this old drunk ex-pat
00:35:27They had like a private chef and everything
00:35:30And they were serving this like loaf of meat covered in sauce with all these other loaves
00:35:36And this girl came over to me and said it was cat
00:35:38No
00:35:39No joke like a roasted mommy cat and her kittens
00:35:44That is disgusting
00:35:46True story
00:35:51Why don't you tell Leonard one of your viola jokes
00:35:55What is the definition of perfect pitch?
00:36:00What?
00:36:01When you throw a viola into the dumpster without hitting the rim
00:36:08You didn't just make that up
00:36:10I did
00:36:11It's too good
00:36:13I did
00:36:13Well, I'm impressed and I'm stealing it
00:36:15You can pretty much make that joke about any instrument
00:36:17Did you play anything Kelly?
00:36:26This and that, you know
00:36:28Shall we?
00:36:31What time to go already?
00:36:48Yeah, I've got to get back to work
00:36:52So what's next in your agenda?
00:37:02Caleb
00:37:02Um, I'm thinking Tibet
00:37:05Oh, Tibet, really?
00:37:07Yeah, there's this thing called the shopping festival at the end of the summer
00:37:10Yeah, I've heard about that
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:15The monks, the monks, the monks
00:37:17It's so pretty
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that
00:37:28Oh, all right then
00:37:30I'll walk you
00:37:31Does anybody have a pen? You got a pen?
00:37:34Yeah, I have a pen
00:37:42Okay
00:37:47I have a piece of paper
00:37:50You guys should definitely come over to the island
00:37:52I'll take you somewhere fun, you know
00:37:55But don't knock on the front door, come around the side
00:37:57I need Regina
00:37:59Lucia
00:38:04Thank you
00:38:06And thanks again for yesterday
00:38:07Oh, no problem
00:38:11Okay
00:38:13Ciao
00:38:17How stoned are you?
00:38:23Come on, man
00:38:23We should tell him a pub
00:38:24It's not a big deal
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally
00:38:32Hey, can we do something fun tonight?
00:38:35Sure
00:38:39I'm fine from here
00:38:41Okay
00:38:41See you after work
00:38:42Yep
00:38:43I'll be waiting
00:38:47I'll be waiting
00:39:14Hey
00:39:15God, you scared me
00:39:17Are you following me?
00:39:19Maybe
00:39:20Is that weird?
00:39:22Yeah
00:39:32I couldn't sleep last night
00:39:37You told me you were staying near the port
00:39:38So I got the first ferry this morning
00:39:41I came looking for you
00:39:44And I can't believe I found you
00:39:47I just stayed on the flight
00:39:48I was like
00:40:08Oh my god, you're having me
00:40:09You're the craziest teddy bear
00:40:11Because I might have never met us
00:40:13No, without any doubt
00:40:14That you're beginning to come to me
00:40:14I canydze it
00:40:14What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy and beautiful.
00:40:44I can't do this.
00:41:08What?
00:41:09I can't do this.
00:41:10Why?
00:41:14Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:35Don't follow me.
00:41:41I don't screw you up.
00:41:44I can't do it.
00:41:46I can't do it.
00:41:50I can't hold you tight.
00:41:55I can't do it.
00:42:28There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after and we got married.
00:43:09Was it love at first sight with grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I don't know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:31I don't know.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59I'm sorry.
00:43:59I'm sorry.
00:44:11Okay.
00:44:41Leonard, can we talk?
00:45:11Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:50That's what our living room is missing.
00:46:08What did you do?
00:46:09Put my hand over my mouth.
00:46:10You did?
00:46:11What did you do?
00:46:12Just wave.
00:46:14Put your hand over your hand over your head.
00:46:30I don't know.
00:47:00ORCHESTRA PLAYS
00:47:30ORCHESTRA PLAYS
00:48:00ORCHESTRA PLAYS
00:48:30ORCHESTRA PLAYS
00:49:00ORCHESTRA CONNECOUS
00:49:06I think I need to be less serious.
00:49:11Yeah, will you put my pants on?
00:49:16Okay.
00:49:36Yeah.
00:52:36Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49Is that him?
00:54:12Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:56:21I'm thinking.
00:56:23You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49I can't be late.
00:56:51Okay.
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:50I'm all right.
00:57:59If you go out like that again, just tell me.
00:58:03No worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:07If one little thing had changed in my grandmother's life, I might not be here.
00:59:32Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:48No, with my life.
00:59:50This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:21The horses.
01:00:22Yeah.
01:00:28The horses back then, they were kept beautifully.
01:00:30Dad used to dress them all up, brass things, and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:46There was one.
01:00:48Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:00:55They were lovely days, really.
01:01:08They're gone.
01:01:09For me.
01:01:11Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love, and you can't be afraid of the...
01:01:36The time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:01It'll come to you like something you've known before,
01:02:03rather than something you're learning for the first time.
01:02:06It's okay.
01:02:13What is it?
01:02:15Oh!
01:02:17Oh, you...
01:02:19Oh!
01:02:20You all right?
01:02:21Oh!
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:26Oh!
01:02:27It's bleeding.
01:02:28Oh, it's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:31It's fine.
01:02:32Are you finishing that?
01:02:34Yes.
01:02:35Fuck.
01:02:46I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:02...
01:03:07...
01:03:08...
01:04:10How's the writing going?
01:04:27I'm feeling inspired.
01:04:28It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:03Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:21Of what, Leonard?
01:05:24Of it being so hard?
01:05:26Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:01I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:38Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:01It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Joan?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:19Is he?
01:08:26Caleb.
01:08:28That kid.
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:55I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:15I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:54The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do, and then come back to me.
01:10:17No questions asked, no guilt.
01:10:22This is good.
01:10:35You don't love me, I'm sorry.
01:11:02You don't love me.
01:11:05ORGAN PLAYS
01:11:35Hi
01:11:46Hi
01:11:49You want some?
01:12:02Oh, thanks
01:12:03You want some?
01:12:33I'm coming over in a couple of hours
01:12:48Frank bought a car
01:12:50So we're gonna head out in a couple of weeks
01:12:54Or so, you know
01:12:55I'm thinking of
01:13:01Driving through Romania
01:13:05And then Ukraine
01:13:08And down through Russia
01:13:09And through Kazakhstan
01:13:10And then straight to Tibet
01:13:13And then we're gonna continue to parade
01:13:16And then somewhere in usar
01:13:17Okay, Clique
01:13:30Thank you
01:13:30So we're gonna anger
01:13:31And I'm gonna use my card
01:13:32As I can do it
01:13:33But I could ask you
01:13:34Well, that's okay
01:13:35Well, I can turn it on
01:13:35You know I can Außerdem
01:13:36PIANO PLAYS
01:14:06Ciao, buona fortuna
01:14:10Ciao
01:14:36Jase
01:14:54You've got to come over to this side
01:14:59The train's going to be here in a minute
01:15:01The train's going to be here in a minute
01:15:31I'm riding you now just to see if you're there
01:15:37New York is cold, but I like where I'm living
01:15:43There's music on Clinton Street all through the evening
01:15:51I hear that you're building your house
01:15:58Deep in the desert
01:16:03Are you living for nothing now?
01:16:07Hope you're keeping some kind of record
01:16:13And Jane came by with a lock of your hair
01:16:22She said that you gave it to her
01:16:28That night when you planned to go clear
01:16:32I wouldn't want to live to be 100
01:16:35Why not?
01:16:36I'm not telling you why not
01:16:38Did you ever go clear?
01:16:42Now shut that thing off
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