- 6 weeks ago
Gia Coppola may come from Hollywood royalty, but her sense of style is all her own—sentimental, spirited, and steeped in cinematic flair. In this episode of "The Good Buy," the famed director sits down with Harper’s BAZAAR to talk all things fashion and cinema, from her signature on-set uniform (Vans included, of course) and her favorite fashion films, to collaborating with her costume designer mother and going the distance to source original looks for her latest film, ‘The Last Showgirl.’ Whether she’s describing her “Party Gia” era—complete with a pink track suit, multicolor hair, and bedazzled Bebe hat— or her dream of finally purchasing a Chanel bag, the youngest Coppola proves that great style isn’t just about fashion—it’s about memory, meaning, and a little bit of movie magic.
Listen to "The Good Buy" on Spotify: https://open.spotify.com/show/2Npiwtz747oXVGA4rQRf3zx
Listen to "The Good Buy" on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-good-buy/id1778702915
Listen to "The Good Buy" on Spotify: https://open.spotify.com/show/2Npiwtz747oXVGA4rQRf3zx
Listen to "The Good Buy" on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-good-buy/id1778702915
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PeopleTranscript
00:00Hi, I'm Lynette Nylander, and I'm Leah Chernikoff, and this is Harper's Bazaars, The Goodbye,
00:05where we invite celebrities, designers, models, and tastemakers to talk shop.
00:09What they buy, where they got it, and why it matters.
00:15Lynette, here we are in the city of angels, enjoying the sunshine for a special Los Angeles
00:22edition of The Goodbye. Yeah. It'll still be a place that completely eludes me. I don't think
00:29I'll ever be an LA girl, but it is nice to be here. The weather's great. Yeah, the weather is nice.
00:34There's palm trees everywhere, and we went shopping, and we went to a fantastic store called Just One Eye,
00:42which is a multi-brand boutique concept store. They sell furniture. They have a salon in the back.
00:49They sell beautiful jewelry. It's also like an art gallery. There's incredible artworks all through.
00:55I mean, it's a really beautiful store. Yeah, super impressive.
00:59We met the manager, John Dolio, and he walked us through some of the collections. We went through
01:06the new collection of The Row that's causing controversy for its $2,000 cotton t-shirts,
01:12but they're really nice. Pre-pilled.
01:14The pre-pilled t-shirts. They'll probably be sold out by the time that this podcast comes out.
01:21I looked at a beautiful Yoji piece.
01:23I know. You're still thinking about it, right?
01:25I'm still thinking about it.
01:26It was like a top and a skirt.
01:28Yeah, paired, and the fabric kind of looked like it was burned through.
01:32In the landscape of clothing and the landscape of designer kind of brands,
01:38Yoji's actually kind of affordable, and it was a beautiful sort of cardigan-jacket hybrid
01:45with a kind of built-in scarf, which is really stunning, and an A-line kind of asymmetric,
01:51more asymmetric than A-line skirt.
01:53And that was really wonderful, so I've had my eye on that, but again, not just running,
01:58you know, jumping the gun and going for it.
01:59And so what say you? What's your goodbye of the week?
02:02My goodbye are these shorts.
02:05I'm wearing, I guess you might call them board shorts, Bermuda?
02:09Bermuda, Capri.
02:10No, then not Capri.
02:12I feel like Capri is our type.
02:13Anyway, this is promising to be a season of big shorts.
02:17Like, I'm seeing, like, big cargos around, big, long jean shorts.
02:21Like, that's a younger thing.
02:22I could never pull that off, but I admire it with, like, little kitten heels.
02:26But I liked the idea of trying it out.
02:30These are Tori, and I think the length is so important.
02:33So these hit just below the knee, so it sort of, like, accentuates the, like, smallest part of your leg.
02:41I think the concern is, like, I'm not short, but I'm not tall at all.
02:45So I thought Capri is, like, that's not going to be my thing.
02:50But these kind of flare out and, like, cut right below the knee.
02:55What fabric are they?
02:56Uh, can you feel it?
02:59They're, like, they're very sturdy.
03:00I would say it's, like, a wool.
03:01It's, like, a, yeah.
03:03A wool with, like, maybe a wool or something.
03:05Yeah.
03:05Yeah, they're quite substantial.
03:07Yeah.
03:08Anyway, I did not think this would be something I could work in and pull off.
03:13But, you know, I love, like, a trouser, and this is sort of, like, the seasonal version of that.
03:19Moving on to this week's episode of the goodbye.
03:22We're really excited because we have somebody.
03:26We have, it's our very first director.
03:28Yeah.
03:28Um, someone with a really kind of chic, put together, understated sense of style.
03:36She is somebody who thinks about fashion both on and off the screen.
03:40That's a big hint.
03:41And I think, you know, there aren't that many women behind the camera, and I think there is something really interesting about the way they dress to kind of assume that position of power.
03:51So I'm excited to learn from her how she kind of assumes that role and styles herself for it.
03:58On this week's episode, we welcome director Gia Coppola.
04:02We have our very first director on the podcast, one whose most recent movie, The Last Showgirl, was received with critical acclaim.
04:14Her personal approach to dressing is classically put together with laid-back elegance.
04:19Think if Los Angeles and French star had a baby, it would be our next guest.
04:23She is part of a cinematic dynasty, but has forged a path entirely her own.
04:27And we can't wait to dissect how she uses style to tell stories both on the screen and in her own life.
04:33Welcome to the Goodbye, Gia Coppola.
04:39We made it through.
04:41We made it through.
04:42Hello.
04:43Hi.
04:44I'm really excited to talk about fashion and style with you because you're visually stimulated by the world.
04:53I guess by being a director and everything that you see becomes inspiration.
04:57So let's talk about fashion and when it first became something that you were interested in and inspired by.
05:06Yeah, it's funny because I feel like very intimidated by fashion, but I was raised around it so much.
05:15My mom was a costume designer and I always remember going to thrift stores and putting random stuff together.
05:27And then, of course, my aunt being in fashion.
05:29But yeah, my first memories of fashion were kind of really going to thrift stores.
05:33And I think I picked out a plaid converse shoe and my grandma was like, whoa, that's eccentric and he's such a minimalist.
05:43I was like, okay, I guess that's who I am is a bit quirky.
05:46I wanted to ask about being a director.
05:48There was this book, was it A24 that put it out?
05:51About director's dress.
05:52You know what I'm talking about?
05:54I've seen like the Instagram handle.
05:57It's funny.
05:58Oh, director fits.
05:58Director fits, yeah.
05:59Yeah.
06:00I wanted to know when you started directing, like, did you think about what you were wearing behind the camera?
06:06Did you think about a uniform or what, I guess, what do you wear to feel powerful and comfortable?
06:13There's this narrative of like, oh, I need to look professional when I go to like big meetings and things like that.
06:22And I don't know really what my viewpoint is on that because sometimes I rebel and I'm like, I'm just going to be me.
06:31Like, take it or leave it.
06:32And I think that's sort of become my new approach is like, I'm going to give you what it is that I want to make.
06:40And you can either join that bandwagon or not.
06:44Whereas before I would really conform of like, I am capable.
06:48I can do this.
06:49Pick me.
06:50Yeah, pick me.
06:51And now it's like, you would be lucky to.
06:53No, totally.
06:54And I think just that tone shifted.
06:58Yeah, getting the things I actually do want because I'm not trying to go after things that don't want me.
07:04Yeah.
07:05Right.
07:05And I just have to say as a kicker, like, that's nothing that men ever think about.
07:09You know, like coming to a meeting and being professional.
07:12Yeah.
07:13Yeah.
07:13You've got to just do what I want.
07:15I was.
07:16This is like maybe a little cliched.
07:18I'm sure you've been asked it.
07:19But I do.
07:19You know, there aren't as many women behind the camera directing.
07:21And so I did wonder if that like did affect how you dress maybe at some point earlier on.
07:27Like to be taken seriously, do I have to look like I don't care because I'm a woman behind the camera.
07:34And I've got a bunch of men in this room that I need to control.
07:39Yeah.
07:39I mean, I think I also do this thing.
07:41I'm like I was the youngest in my family.
07:43And so I can be like the little girl.
07:45And I think sometimes I felt like people would look at me like why would I hire this little girl to do, you know, she's not capable.
07:55And I feel like I have to prove, you know, my point of view, my life experiences are fresh and new.
08:00And like that's why I should have the job.
08:03But I always felt like, oh, people are looking at me as though I'm childish and inexperienced.
08:09And I think that my own insecurity about that probably reflected back until, I don't know, probably motherhood.
08:18You just sort of like an experience of like I know what I'm doing.
08:23We're all human beings.
08:24Like we have different levels of experience and capabilities.
08:30So it's less about the exterior and the interior will emote.
08:36Yeah.
08:37There are certain things like you kind of have to wear to be comfortable on set.
08:40Like you need to wear closed toe shoes.
08:43Like you don't want anything falling on your feet.
08:45And sneakers, you're standing for a really long time.
08:49But I have kind of like a little bit of a uniform, I guess, where it's like I love Vans.
08:54I wear Vans as my sneakers.
08:56I guess they're just easy to slip on.
08:58I think my dad used to wear them.
08:59So it reminds me of like connection to my family perhaps.
09:02But yeah, Vans, slacks, sweater, hoodie.
09:07Yeah.
09:07You have that kind of, we were obviously looking at pictures of your style.
09:11You have that kind of like 70s, like evergreen type of thing going on, I think.
09:17Like it's always on in a good way.
09:19Oh, thanks.
09:20I really don't feel fashionable.
09:22So it's like it's funny to be on this podcast talking about what my fashion is because I feel very lazy and I just take whatever.
09:29Well, I appreciate that you said at the beginning of the podcast that, you know, you feel intimidated by it.
09:36Because I think that's something that a lot of people can relate to is that, you know, they can appreciate fashion shows or the Met Gala or see something on a celebrity.
09:46But they're like, that has no place in my everyday life.
09:49And I think it's great for you to just say that.
09:54Though I do want to speak about your red carpet and occasion wear because you've just come off of a press run for your most recent film, The Last Show Girl.
10:04And I saw that you wore a lot of Valentino and obviously that's Alessandro Michele's new position after Gucci.
10:11And I know you guys have kind of an ongoing relationship at this point.
10:15Do you want to talk a little bit about that and why you kind of gravitate towards him?
10:19I was invited to his very first Gucci show.
10:24Just getting to know him, he's just a lovely person and an artist.
10:29And I mean, all of those designers, the way they do their work is such an artistry and such a production.
10:36And it's like boggles my mind.
10:38Like, how can you produce so much inspiration all the time?
10:43But, you know, he would come over to my mom's house and we'd make pizza and just talk about, like, art and exhaustion and, you know, family and cooking.
10:55And to kind of get to know someone in that personal level.
10:59And I think what he makes is just gorgeous.
11:01So anything that I could get my hands on, I feel, like, honored and privileged to get to wear that.
11:07Let's talk about some of the other designers that you also like.
11:09Like, I know you have a great relationship with Proenza, Shula.
11:14Jack and Lazaro obviously have now departed their brand and headed to Loewe.
11:19But I know you wear a lot of Proenza, Rodarte.
11:23Talk about why you kind of like those brands as well.
11:26I guess because I've gotten to know the designers as people and just, like, jive with them, their personalities, have fun with them.
11:37You know, the Rodarte girls love to go see blockbuster movies.
11:42And so it becomes a friendship.
11:44And in that, it just, I am able to sort of ask, hey, do you mind if I can borrow this for this event?
11:53Because that sort of circuit is just a nonstop thing.
11:58And to have access to just looking appropriate.
12:02But those clothes feel like they make me feel comfortable.
12:07I love the cuts of Proenza.
12:09They're sort of abstract.
12:11And I'm so curious to see what they do with Loewe.
12:13Yeah.
12:14Who are some of your style inspirations?
12:16Because I watched an old video on YouTube of you this morning.
12:19Oh, my God.
12:20Yeah, it was a fun video when you were on the, I think you were on the cover of the magazine.
12:24And you were talking about everyone from Alexa Chung, which I can, I can, I can see, to Mark Gonzalez, The Scaler, which I loved that as a reference.
12:36Who else?
12:37I feel like lately it's been just, like, people on the street, my friends.
12:42Like, I was on a job in Paris, and one of the PA girls on set was wearing these really cute, like, sporty ballerina Zara flats with this pink gingham comme des garçons, like, floofy skirt.
13:00And I was, and it was, like, abstract and, like, kind of went up and down.
13:03And I was, like, that is so cute.
13:04I need to rip off that look.
13:06And I literally was just, like, bought.
13:07So I'm not afraid to, like, copy things that I feel, like, I see and I'm inspired by my friends, what they wear.
13:15It's always random, too.
13:17Like, it could be, like, I don't know, some toddler wears something cool.
13:22And I'm, like, why don't they make that for adults?
13:24Toddlers have great style.
13:26It's very pure.
13:27Yeah.
13:27When my kids pick stuff out, I'm just, like, wow, I would never think of that.
13:31It looks so good.
13:32Yeah.
13:33How often do you get to shop?
13:35I'm not a big shopper.
13:38I really don't enjoy it.
13:40I feel exhausted by it.
13:43I love it.
13:44A shopping podcast, you're just, like, no, thanks.
13:46I like house stuff.
13:48Like, when I work, I work towards, like, doing, getting things for my home.
13:53But my mom, I think because she was a costume designer,
13:56and we often work together.
13:59So I feel like I still get dressed by her.
14:02Yeah.
14:02Like, she'll pull things for our jobs, and then I'm, like, oh, I'll just take this home.
14:07Like, what kind of, and she's, like, you need to have this.
14:09And sometimes she gets things from, like, this is probably not okay to reveal this,
14:13but we get things from, like, Universal Warehouse or, like, costume houses.
14:17And I'm, like, oh, my God, that piece is so good.
14:19You can't return it.
14:20But if we trade it for a few other things, then I get to keep this, like, awesome costume.
14:25Yeah.
14:26A lot of that.
14:26But that's, like, you know, you're sort of, like, raised in cinema.
14:30So it makes sense that these clothes are just kind of, like, filtering through still.
14:35All the costumes from my movies I hold on to, and so, and I think that comes from my
14:40mom of, like, no, this, you're not wearing this now, but hold on to it.
14:44And I'm so glad, like, she held on to, like, all of her 90s pieces and early 2000 pieces,
14:51and I've been wearing, I just wear that.
14:53Like, I have these Balenciaga corduroy pants that I love that were hers from the 90s and,
14:59like, a Prada dress.
15:01Like, she's.
15:01Yeah, what are the other gems?
15:02Oh, my God.
15:03That must be so cool to have that for your, I mean, does that explain the intimidation
15:07was, or, at all?
15:09Yeah, because she, she was really, like, into fashion and all of that sort of stuff, and
15:14I think maybe it, it overwhelms me, and so I, I feel also maybe a little bit of, like,
15:19the teenage rebellion of, like, oh, I'm.
15:20Yeah, that's her saying.
15:21That's not me.
15:22Yeah.
15:22I, I don't care.
15:24I'm, I'll just be.
15:25Yeah, I have other things going on.
15:26Yeah, yeah.
15:26But I do, I do like clothes.
15:28But nice when you borrow the 90s clothes.
15:29Yeah.
15:29Yeah.
15:29It's, like, I rebel, but then I have such an appreciation, and I, and I admire it, and
15:34I love it, but I get, like, lazy and don't know how to, or, or overwhelmed, in a way.
15:39Yeah.
15:39Yeah.
15:39Yeah.
15:40I need someone to curate, and then I kind of gravitate.
15:43It's important to keep, I, I mean, I'm not a director, I've never worked on a TV or a movie
15:48set, but I think it's so important to keep those things.
15:52Like, I think about Sarah Jessica Parker wrote into the clause of Sex and the City that she
15:57could keep every outfit.
15:59And I'm just like, God, she can live off of, if she never, I mean, if she never worked
16:03again, she'd be fine.
16:04But if she really, really never worked again, I think, like, the posterity of that collection
16:09of clothing is something that.
16:11That's, like, a Met Gala in itself.
16:13Yeah, that's a Met Gala in and of itself.
16:15I mean, that, that influence on fashion and the way that modern women dress is incredible.
16:21But it's, like, yeah, it's important.
16:22It tells the story, and people are endlessly fascinated, I think.
16:26Yeah, and not to interrupt, but it is, like, that thing of, like, how do you know what pieces
16:30to keep that will be a wonderful time capsule later and, and, and will, and be museum?
16:36I mean, they're investments in ways, you know, and I, I do believe in that.
16:42So certain things I hold on to knowing, like, this is going to mean, you know, this designer.
16:47My mom held on to some Tom Ford pieces of, of when he was at Gucci or Tom Ford pieces of
16:53when, you know, when he's from his era at Tom Ford.
16:57And, like, how did she know which ones to hold?
16:59So it's just, that takes a special eye.
17:01And let's talk about your, your mother.
17:04So she was the costume designer on the last showgirl, right?
17:07Yeah.
17:08Which was amazing.
17:09I mean, the costumes were a character, were basically a character in that movie.
17:13Very much so.
17:13And I read that you actually got Bob Mackie's showgirl costumes for the film, which I'm like,
17:22anyone who works at Bazaar knows I am obsessed with Bob Mackie.
17:27Yes.
17:27Big, big obsession.
17:28Every time there's a pitch meeting, Lynette is just like, and what about Bob Mackie?
17:33I think.
17:34I get it.
17:34It's, he's very important.
17:36And he's a reference for, whether you, you know it or not, he's a reference for so much.
17:42You know, these pop girls wearing ensembles, you don't even.
17:47Right.
17:47Without him, there's none of that.
17:49And so, yeah, I do, I do think he's really important.
17:51But let's talk about your approach to costuming in that, in that movie and, and how involved
17:56are you?
17:56So with this, you know, I was like, I really want to just like make a movie and go, I don't
18:01want to wait around and keep it small and intimate.
18:06And here's this play that, you know, is, is, doesn't have a lot of locations, doesn't have
18:11a lot of characters.
18:12But then my mom was like, but you, these costumes, you can't recreate these costumes.
18:17You have to have the actual showgirl costumes.
18:20And, and trying to find them was actually really hard because there's only like one woman in,
18:27in Rio that like has a bunch of them or.
18:30Wow.
18:30Um, and there's no, like, she has no organization whatsoever.
18:35Um, and then there was the casinos that have it.
18:38And thankfully, Dita Von Teese was like, um, helping kind of archive and pay tribute to
18:44all of those costumes and the sets.
18:46Cause they're just like stuck in the casino.
18:48Getting to have access to that and realizing like, oh, they're just museum pieces.
18:54They hadn't left the building in, in 30 years.
18:57Wild.
18:57And getting to like touch them and their name, like certain dancers' names were still on
19:02the inside.
19:03It felt like just that spirit was part of our, our, our film.
19:07Um, and I don't know, listening to the showgirls of that time and, and podcasts with Bob Mackey
19:14of that time and just the level of production that went into those pieces.
19:19Like we just don't do that anymore.
19:20Like millions of dollars went into just feathers alone.
19:24Yeah.
19:24Yeah.
19:24We don't make calls like that anymore.
19:26And that's why they're all still there in that condition.
19:28Right.
19:28Cause they were made.
19:29So yeah, I mean, they're pretty durable.
19:31I mean, they're, they're like 60 pounds.
19:34Sometimes it's like, it's armor and it's not designed to wear for like, you know, hours
19:39on end, which we were having these actors do like they go on for 20 minutes or less and,
19:45you know, dance and then get off stage and get it right off.
19:49But, um, it was like magic getting to be with those pieces.
19:52It's significant also.
19:54I didn't know that Dia Fontes, like that she helped, helped do that.
19:59And I think that's really, that's so cool as someone who has kind of eternally beautiful.
20:04Yeah.
20:05But I, I, when I was younger, I was in awe of someone who was always on like that.
20:10We never let a hair be out of place, never be without the Louboutin shoes, never be without
20:17the corsetry.
20:18I was just like, my God, this is just a commitment.
20:21Tell us, what was the first thing you bought that you have a real memory attached to where
20:26you feel like it represents some important time in your life or made you feel like you
20:31had made it?
20:32Maybe it, maybe it's a home thing or an art thing.
20:33Well, I think for me, it was, it was a photo camera.
20:37It was like finally getting to splurge on like the nice camera that I really wanted.
20:43And it was the Contax T3.
20:46My aunt has that camera.
20:48Now it's super popular.
20:50Like the Kardashians use it and it's like, you can't get that camera for like less than
20:55five grand probably.
20:57But, um, yeah, it's a wonderful camera, but it's, uh, not the most durable.
21:03Um, you still have it then?
21:05It broke, unfortunately, but, uh, I'm not very, talk about like Dita who like is so poised
21:12and like put together and I'm like gruff with all of my things and, uh, yeah, didn't, didn't
21:19survive my messiness.
21:22What was your regret by, or what was a time in your style journey that you wish you could
21:28go back on and change?
21:29I like went through a phase in my late twenties where I was sort of rebelling.
21:36Like I rebelled a little too late and I like dyed my hair multicolors.
21:40And I think that phase was like going through a lot of crazy clashing thrift stuff.
21:47But I went for it and, uh, I was having a great time in that era.
21:53I partied really hard, but it was good.
21:56I got it out of my system.
21:57Okay.
21:58What, what does, what did party Gia look like?
22:02How did she wear?
22:03And where were you going?
22:04Is this all in the year?
22:05I had, oh my God, I had like a, yeah, let's do it.
22:08I had like a bedazzled BB hat that was like, and like Hollywood Boulevard, like I was really
22:17into like all the tourists, like Hollywood Boulevard, like pink jumpsuit.
22:21Like I just was like that, that sort of fashion was interesting to me.
22:27So I think I was immersing myself in that kind of culture of like flip flops and I don't
22:37know what I'm, sequins.
22:39Yeah.
22:39And you know what?
22:40I think in terms of showgirl, yeah, like I still am a sucker for bedazzle and feathers.
22:47Like I, and even now I'm like, I don't know where I'm going to go from here.
22:50Cause I just am going to miss all of those feathers and sparkles.
22:54And that's the little girl in me.
22:56I love a sparkle.
22:56Yeah.
22:57You love Las Vegas.
22:58I do.
22:59It's interesting.
23:01Yeah.
23:01Cause it's, I went to Vegas once and I don't think I could ever go back.
23:06It was three days of extreme fun, but it's very intense.
23:10Yeah.
23:11Um, why do you love it?
23:13I think I'm very intrigued by like Americana and I just am like, it is such an unusual city.
23:20What is it like to live there?
23:22I've always wanted to make a movie there.
23:24So I was so happy to have the chance to finally like get to live in Vegas and do like a creative endeavor.
23:32But I had a eight months sun baby with me at the time.
23:36So I was like, this isn't the version of Vegas I anticipated I was going to have.
23:39Yeah.
23:39That was meant to be party Gia.
23:41Yeah.
23:41And you direct music videos also.
23:45Some of my most formative memories of fashion and style and come from music videos in the 90s and earlier.
23:53But like, were you that type of person and how, what, what part does kind of fashion and music videos play for you?
24:02Yeah.
24:03I feel like music videos are really a, a space where you can, you're not tied to any sort of continuity or narrative, so to speak.
24:13So you can really be as dreamy and like fantastical as you want.
24:20You can put as many different looks as you want.
24:22So that's really a space to kind of play in that, that regard.
24:26So it's fun to partner up with musicians who also have such distinct style and, you know, can, you know, I did something with Gracie Abrams and, and, and playing with the different looks with her.
24:40And yeah, musicians are wonderful to work with in that way.
24:43Gia, is there anything you dream of owning?
24:46What's your dream by?
24:49Oh, I would really love a Chanel purse.
24:53Oh, I think, I feel like that could happen.
24:56Let's, let's not, let's not state the obvious that, you know, you and your family have a pretty big relationship with that brand.
25:04Do you, do you own any Chanel bags?
25:07I do not.
25:08What?
25:09A true goodbye shocker.
25:12I know.
25:12I would never expect that.
25:14Text your aunt right now.
25:16She has to have hundreds.
25:17Yeah.
25:18Why is that?
25:18But she has two daughters.
25:20Yeah.
25:21Are they first in line?
25:22Oh man.
25:23There's a will for the bags.
25:26Um, okay.
25:27Well, what kind?
25:28Let's, I think I'd like a color one.
25:31Yeah.
25:31Frankie Rader had like a really cool, like green one that she would rock a lot.
25:37Even a colorful one is a neutral when it comes, because the shape is so classic.
25:42I have a couple and it's, they're just always so fun.
25:45Well, it makes an outfit.
25:46Yeah.
25:47And I, I think you can be like as sloppy as you want and you have a great bag and it makes
25:52you look fashionable.
25:53Yeah.
25:54Yeah.
25:54It's true.
25:55A t-shirt and jeans and then a Chanel bag and it's good to go.
25:58Why have you never gone?
26:00Let's do it.
26:01I know.
26:01Let's go for it.
26:02I know.
26:02Can we motivate you?
26:03What?
26:0440 grand?
26:05No, they're not 40.
26:06They're like a very, they've gone up.
26:08They have.
26:09They're trending upwards.
26:11Well, how big are we talking?
26:13I mean, not one where I can actually like fit medium, a medium clap, like a medium flap.
26:18Like, yeah, they've definitely said with all the love in the world, Chanel can charge what
26:22they want.
26:23They are canon at this point, but they have definitely significantly raised in price, but
26:28they're not 40.
26:29They are, they are, you could get one for five.
26:32Okay.
26:32If you wanted one new.
26:34Yeah.
26:34Yeah.
26:34It's just, but then I'm like, oh, some plumbing breaks in the house.
26:38I know.
26:39Yeah, every house thing is five grand.
26:41Yeah.
26:41No matter what happens.
26:42It's like, right when you think you're reaching your goal, you're like, ah, it has to go towards
26:47something I don't want to pay for.
26:49Oh, you, I think you have to like promise to yourself, next movie, when it wraps, do you
26:54get yourself a gift and it's the bag?
26:56Like, I'm really.
26:58You're practical.
26:59My relationship with money is, is I've always feel, um, yeah, I don't know.
27:05I always feel stressed and I don't, I don't, every once in a while I'll splurge, but it'll
27:11be like, oh, I'll get a, I'll get like a facial or, um, and, and to, to get like
27:17something like that.
27:18My, my husband is good.
27:20I'm always like, make him.
27:22Right.
27:23Can he, can he, can somebody text him his podcast?
27:25He, well, he, you know, he got me this beautiful Cartier bracelet.
27:29Okay.
27:29When we wrapped the movie.
27:31Can I see?
27:32Yeah.
27:32Yeah.
27:33Beautiful and delicate.
27:35Um.
27:35And what kind of stone is that?
27:37That's a diamond.
27:38Diamond.
27:39I love that.
27:40Yeah.
27:40It's very beautiful.
27:41It is beautiful.
27:42Chia, what is your latest goodbye?
27:44What is something you recently acquired that you love and you want to tell the world about?
27:51Well, I was just in this job in Paris.
27:55What did I get there?
27:56I have like mom brain.
27:57So I'm like.
27:58No, I get it.
27:59My brain is a sieve.
28:01But like the things that I get excited about, I also don't get for myself.
28:04Like it makes me really excited to get presents for everyone else.
28:07So I went to university.
28:11Oh, Bully?
28:11Bully.
28:12Yeah.
28:12Yeah.
28:13And all these teenage girls were in line.
28:15Yes.
28:15Why were they all there?
28:16I know.
28:17And I guess because it was Taylor Swift went there and got the little.
28:20Lip balm.
28:21Lip balm.
28:21The way you monogram it.
28:22Yeah.
28:23Yeah.
28:23I was like, oh, the teenagers know, like go follow them wherever they line up.
28:27But I got like my grandfather a comb with his name.
28:31I call him Dada.
28:32So it was his birthday.
28:34So I got that.
28:35Yeah.
28:35Very sweet.
28:36I never know what to get him.
28:37So that he was excited.
28:38Yeah.
28:38That feels like an intimidating person to get.
28:40Yeah.
28:41Yeah.
28:41And then I got like the little Charvet cufflinks for my uncle's birthday.
28:46Like this time of the year is like all my family's birthday.
28:50So like.
28:50Taurus season.
28:51Taurus season.
28:52So I got a bunch of stuff for like little, little things.
28:57Those are all good.
28:58Yeah.
28:58Little souvenirs.
28:59Those are great ones.
29:00Charvet cufflinks are great.
29:00Charvet cufflinks like forever.
29:03Yeah.
29:03How cool is that?
29:04It's like such an old store.
29:06Yeah.
29:06That's what teenagers are appreciating.
29:09I'll, I'll, I'll give kudos to that.
29:11Yeah.
29:11Yeah.
29:11It's, you know, again, it's the range.
29:14Mm-hmm.
29:14Mm-hmm.
29:15Yeah.
29:15Gia, thank you so much for being a guest on The Goodbye.
29:19I love your approach to your, your slower, more considered approach to shopping, but a
29:25shopper nonetheless.
29:25I can see it in you and I think it's going to grow.
29:28And I think your home stuff is like, come back and tell us, we'll do a home edition and
29:33you can tell us what you bought there.
29:34Yeah.
29:34I need to figure out like, how do you balance like splurging for yourself so you can get
29:40that Chanel bag and, you know, getting through life.
29:44Yeah.
29:44Yeah.
29:44Yeah.
29:45Or yeah.
29:46When you're plumbing.
29:47Yeah.
29:47When your plumbing breaks.
29:48And we live and hope for that Chanel bag.
29:51Guys, this was Harper's Bazaars, The Goodbye.
29:53Goodbye.
29:54Bye.
29:55Goodbye.
29:56Yay.
29:56Yay.
29:56Yay.
29:56Yay.
29:56Yay.
29:56Yay.
29:56Yay.
29:57Yay.
29:57Yay.
29:57Yay.
29:57Yay.
29:58Yay.
29:58Yay.
29:58Yay.
29:58Yay.
29:58Yay.
30:00Yay.
30:00Yay.
30:00Yay.
30:00Yay.
30:04Yay.
30:32Yay.
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