- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54I know.
00:04:55But I'm sorry.
00:04:56Unlocally.
00:04:57For me where I have no worries of you, I know.
00:04:58Oh, no.
00:04:59My mind is not America.
00:05:00I've beenGreat.
00:05:01I know.
00:05:02It's gonna beное for the corner of my yard, too.
00:06:34Now that's more like it.
00:06:42Where are you taking me tonight?
00:07:04Where are you?
00:07:14Will you place the same number, madame?
00:07:41Sure.
00:07:42I'll play your game.
00:07:44Number 13, right there.
00:07:50Let's go.
00:07:57Let's go.
00:08:10Let's go.
00:08:17Let's go.
00:08:19Let's go.
00:08:21Let's go.
00:08:30Let's go.
00:08:34Let's go.
00:08:43Let's go.
00:08:47Let's go.
00:08:56Let's go.
00:08:57You got an offer to make for the children of the sun.
00:09:00Okay.
00:09:01Here.
00:09:02Will that do?
00:09:03Sure.
00:09:04Keep the literature.
00:09:05That might help you spiritually.
00:09:09Let's go.
00:09:18Let's go.
00:09:19Let's go.
00:09:20Let's go.
00:09:21Let's go.
00:09:22Let's go.
00:09:24Let's go.
00:09:25Let's go.
00:09:26Let's go.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:33I don't understand a thing.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No.
00:09:38He's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:41That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:17Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:31And besides, who knows?
00:10:34She might have met a guy she liked more.
00:10:38You know, simple islander.
00:10:40Oh, come on.
00:10:42That's only in fiction.
00:10:44Love is everywhere.
00:10:46If it's there, it's there.
00:10:48If it's not, it's not.
00:10:50Be nice to the guy.
00:10:52Wouldn't hurt if you asked him to join us.
00:10:54I thought you'd think he'd be very lonely.
00:10:56Are you ready to talk to?
00:10:58Okay.
00:10:59Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:10Hi, love.
00:11:11What?
00:11:12Very kind of you.
00:11:14Would you like something to drink?
00:11:18Yeah, I'll have what you're happy.
00:11:20Whatever it is.
00:11:22How's the search going?
00:11:24Did I find anything yet?
00:11:26No, I'm afraid nothing much yet.
00:11:28But they remember seeing her around.
00:11:32I'm sure that sooner or later I'll find her.
00:11:34Well, I sure hope you do.
00:11:36You two carry on.
00:11:37Excuse me.
00:11:38I'll be right back.
00:11:39Where are you going?
00:11:40Oh, I have to make a telephone call to New York.
00:11:43My magazine editor wants that weekly report.
00:11:46Well, that was rather sudden, wasn't it?
00:11:51Let's dance.
00:11:54I'm not too good a dancer.
00:11:56Just let the music do the work.
00:11:58No, I haven't danced in years.
00:12:00Well, we're going to have to make up for lost time then.
00:12:03Yeah.
00:12:04Listen, Criella, maybe we should go back to the table, huh?
00:12:07Why?
00:12:08Why?
00:12:09Why?
00:12:10Why?
00:12:11Why?
00:12:12Why?
00:12:13Why?
00:12:14Why?
00:12:15Why?
00:12:16Why?
00:12:17Why?
00:12:18Why?
00:12:19Why?
00:12:20Why?
00:12:21Why?
00:12:22Why?
00:12:23Why?
00:12:24Why?
00:12:25Why?
00:12:26Why?
00:12:27Why?
00:12:28Why?
00:12:29Why?
00:12:30Why?
00:12:31Why?
00:12:32Why?
00:12:33Why?
00:12:34Why?
00:12:35Why?
00:12:36Why?
00:12:37Why?
00:12:38Why?
00:12:39Why?
00:12:40Why?
00:12:41Why?
00:12:42Why?
00:12:43Why?
00:12:44Why?
00:12:45Why?
00:12:46Why?
00:12:47Why?
00:12:48Why?
00:12:49Why?
00:12:50Why?
00:12:51Why?
00:12:52Why?
00:12:53Why?
00:12:54Why?
00:12:55Why?
00:12:56Why?
00:12:57what is it i don't know it's just that your andy could be watching us
00:13:08well the truth is that i'm doing it so that he can watch us
00:13:15let's keep dancing like this like lovers okay
00:13:22you mean that he yes
00:13:23it's his way of loving me
00:13:31he likes to watch and thinks i don't know that's ridiculous yeah i know
00:13:40but you see i love him and i'll do anything
00:13:51he likes to think i'm quite faithful please i understand you
00:14:03you know love can be a strange thing
00:14:21so
00:14:41the light is not the best but
00:14:42we shall do what we can
00:14:52it's a beautiful island an absolutely amazing place
00:14:56full of surprises but you told me you'd never been here
00:15:00well ryan told me such a lot about it i feel like i know it by heart it's in the form of a turtle a
00:15:07turtle sleeping on the surface of the ocean is it true that turtles only make love once a year
00:15:13yeah you better start praying that uh
00:15:16but you don't end up reincarnated as a turtle
00:15:21ha ha sometimes you're a real
00:15:24you're a real asshole
00:15:24oh for god's sake
00:15:31i was joking
00:15:32get away what a warped
00:15:38what's wrong are you nervous
00:15:42huh what is it are you uptight
00:15:43maybe i don't know i feel strange and this boat
00:15:51that man up there
00:15:57haven't you noticed he hasn't said a word since we left
00:15:59you hired him to keep up a conversation with us all right
00:16:05look at him look at him the hat his base he's a pirate
00:16:11i've been told he's a very good sailor honest and completely trustworthy who knows these islands
00:16:17he looks like he doesn't watch
00:16:20it appears to be uncommonly interesting to you for somebody who never bought soap
00:16:24like it what a place
00:16:50guaranteed primitive
00:16:51yeah
00:16:54hey it's wide open there's no key nobody locks doors here
00:17:02looks like florida what a disappointment
00:17:07we said a hundred dollars right
00:17:14this is two keep it
00:17:18one's enough
00:17:21one's enough
00:17:23one's enough
00:17:32uh is it far to the fishing village
00:17:36five hundred meters
00:17:38down that way
00:17:39okay
00:17:51i'm gonna go to the village okay i prefer to stay here whatever you like
00:18:05i can't wait to take a swim go ahead see you later all right
00:18:09so long
00:18:15so long
00:18:15bye
00:18:29Hi.
00:18:31Hi.
00:18:33Well, so you came at last.
00:18:39Hi there.
00:18:41Hello, sir.
00:18:43Hi.
00:18:45Well, so you came at last.
00:18:47Hi there.
00:18:49Hello, sir.
00:18:51Hello, sir.
00:18:53Hello, sir.
00:18:55Hi.
00:18:57Good morning.
00:19:01Good morning.
00:19:03Good morning.
00:19:11No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Ah, that's it.
00:19:27Good morning.
00:19:29Good morning.
00:19:31Good morning.
00:19:33Good morning.
00:19:35Good morning.
00:19:37Good morning.
00:19:39Good morning.
00:19:41Good morning.
00:19:43Good morning.
00:19:45Good morning.
00:19:47Good morning.
00:19:49Good morning.
00:19:51Good morning.
00:19:53Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Mm, well, a little of both.
00:20:15I won't be long.
00:20:23Here are some bottles.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:46Hmm.
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:01No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:23I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Hmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:52My pleasure.
00:22:54Great.
00:22:59Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:29Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35The warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:45I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08Hmm, that's all to add.
00:24:09You disappoint me.
00:24:10Ha, ha, ha, ha.
00:24:14Ha, ha, ha.
00:24:18Esa mujer tiene el corazón duro.
00:24:21Con MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49The girl arrived a few months ago, that's all.
00:24:53Not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for her.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:15Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:31But then, it must be her on the plane, I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanizer, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:59I'm sorry.
00:27:11I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:27I love you more than anything else in the world.
00:27:32I love you too.
00:27:34God.
00:27:38It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:48It'll pass.
00:27:57It'll pass.
00:28:22Oh, my God.
00:28:52Oh, my God.
00:29:22Oh, my God.
00:29:52Oh, my God.
00:30:22Oh, my God.
00:30:24Vamos.
00:30:30Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you should go around by yourself.
00:30:48If it's asked him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:58Do what you want.
00:31:00What are you doing?
00:31:18Offering you a little hospitality.
00:31:20Here, have a drink.
00:31:30Here, have a drink.
00:31:31Here.
00:31:32Here.
00:31:33Here.
00:31:34Here.
00:31:35Here.
00:31:36Here.
00:31:37Here.
00:31:38Here.
00:31:39Here.
00:31:40Here.
00:31:41Here.
00:31:42Here.
00:31:43Here.
00:31:44Here.
00:31:45Here.
00:31:46Here.
00:31:47Here.
00:31:48Here.
00:31:49Here.
00:31:50Here.
00:31:51Here.
00:31:52Here.
00:31:55Here.
00:32:10Here.
00:32:13Here.
00:32:14You see Criola, no
00:32:44There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52Yeah, I expect you're right. Thanks, Maxwell.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:14Let's go.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:42Let's go away.
00:33:46We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:57Well, I can't forget it.
00:33:58I want to go away.
00:34:01I want to go back to America.
00:34:02You're not being reasonable.
00:34:08I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:18No, it's, it's, there's nothing to do with you. I don't know. It's just, look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time. I know it.
00:34:33All you have to do is be patient. Just a little longer. We'll be happy again. And then, I'll be able to give you what you need so badly.
00:34:45I'll be happy again.
00:35:15I'll be happy again.
00:35:45Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo. Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:12The money is the only health device.
00:36:13Yes, here are many of us.
00:36:30Let's go and see.
00:36:31Do you want a drink?
00:36:38No, not for me.
00:36:41How come?
00:36:44One needs a good motive to get drunk,
00:36:47but I guess I'm the only one who hasn't got one.
00:36:51Does that mean you think I have one?
00:36:55Criola.
00:36:58What is this? The game of truth?
00:37:05No one ever tells the truth.
00:37:08Even jokingly.
00:37:10I don't know why you two should be a flagrant couple of exceptions.
00:37:15Of course you include yourself in that sweeping statement.
00:37:24Don't you tell the truth?
00:37:27I don't know, but I'm trying to.
00:37:33Since I quit writing that crap about love,
00:37:36I've stopped looking for it.
00:37:40It's a broken heart.
00:37:50The broken heart.
00:38:10I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17Do you want to make love with me again?
00:38:19Yes.
00:38:22Well, not today.
00:38:27What are you afraid of?
00:38:32That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:40And I decide when I make love.
00:38:42You quite sure you don't want to come with us?
00:38:54No.
00:38:55I prefer to stay here in King Consuelo.
00:38:57Okay.
00:38:58I'll try not to be late.
00:38:59I told you that's the way it was.
00:39:00Bye.
00:39:01Hey, I'm always high.
00:39:02It's not true.
00:39:03There you go.
00:39:10There you go.
00:39:11I'm going to stay around and talk about it
00:39:12and get back to me.
00:39:13Goodbye, have yours.
00:39:14Bye.
00:39:15Bye.
00:39:16I'm always high.
00:39:17That's not true.
00:39:19I'm always high.
00:39:20I'm always high.
00:39:21That's not true.
00:39:22I'm not going to stay around
00:39:23and talk about it again.
00:39:24Goodbye, have yours.
00:39:25Bye.
00:39:26Bye.
00:39:57It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:27She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:41:06Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:18I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hey, hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Oh, is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:58Leon.
00:42:58Leon.
00:43:00Don't go.
00:43:03Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:12Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:24I know.
00:44:26So?
00:44:28Stay.
00:44:28She's not a consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:47How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:10Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Um.
00:45:24Um.
00:45:24Uh.
00:45:46Uh.
00:45:47Uh.
00:45:47Uh.
00:45:48Uh.
00:45:48Uh.
00:45:49Uh.
00:45:49Uh.
00:45:49Have you seen Leon?
00:45:59Sorry.
00:46:12To the stir.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29I know.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:13It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:23I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ.
00:48:34Oh, Christ.
00:49:07Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes, but briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:31Don't go.
00:52:00You're hurting me.
00:52:02You're hurting me.
00:52:24Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:53:00Yes, sir.
00:53:04You did not need to see the sky.
00:53:06Why can I go near the sky?
00:53:08The sky not to mention the sky!
00:53:10They will not be so cold.
00:53:12Everything will be so cold.
00:53:14Yes, sir.
00:53:16Put it in the pail.
00:53:43You know how to cook it?
00:53:50You'll have to learn.
00:54:13Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:30I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:43It's too late.
00:54:45No, it's not too late.
00:54:47It's not.
00:54:48It's too late, Andy.
00:54:50No, it's not.
00:54:52Please, we must begin again.
00:54:54I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:02I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:09You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:13It can't be finished, goddammit.
00:55:15Leave me alone.
00:55:17It's finished.
00:55:19With Leon, I'm alive.
00:55:20He satisfies me.
00:55:21No.
00:55:22No.
00:55:23I don't believe you.
00:55:27I'm terribly sorry, Andy.
00:55:30Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:39My life is meaningless without you.
00:55:49I'm sorry.
00:56:03I didn't mean to disturb you, but I just wanted something to drink.
00:56:09No problem.
00:56:10Really.
00:56:11I don't mind having a break.
00:56:14Why don't you stick around?
00:56:16You might even keep us company if you like.
00:56:22Thanks.
00:56:23But not tonight.
00:56:25Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I'm going to do this.
00:56:40I call it gin balling.
00:56:42It's a very silly game.
00:56:44Hm?
00:56:46For what?
00:56:47Serves to calm the nerves.
00:56:48Try it.
00:56:49Okay.
00:56:55Okay.
00:56:57Tell mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:04I have no intention of fighting with you.
00:57:06You're kind, sweet, patient.
00:57:08Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:14Is that it?
00:57:16She is bound to tire of it.
00:57:18She always does.
00:57:23This plays...
00:57:25Plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:32I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:46It may not be happiness.
00:57:49God only knows happiness.
00:57:50It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they found paradise.
00:57:56Hm.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Hm?
00:58:06A Puritan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:18But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:37I...
00:58:57That's not gonna do any good.
00:59:01Hey, what's the matter? You've suddenly developed morals?
00:59:04I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night. It's way past my bedtime.
00:59:35Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
01:00:04There's a time for eating food.
01:00:05There's a time for food.
01:00:06I'm as simple as i'm eating food for food.
01:00:08Just to find it, I'm not sure.
01:00:09I'm just gonna chat.
01:00:11I can't eat food, Nona.
01:00:13I'm just hungry.
01:00:14There's a time for food.
01:00:15There's a time for food.
01:00:16The diner.
01:00:17There's a time for food.
01:00:18No, I really enjoy it.
01:00:19There's water so I do sew.
01:00:21There's a time for food.
01:00:23I'm anything for food.
01:00:24I can't sleep.
01:00:26Oh, oh, oh, oh, oh.
01:00:56Oh, oh, oh, oh, oh.
01:01:27Hace frío, estoy lejos de casa.
01:01:32Hace tiempo que estoy sentado sobre esta piedra.
01:01:36Yo me pregunto, ¿para qué sirven las piedras?
01:01:41Tengo un boquete en el pantalón.
01:01:43Voces están frías, como la nieve a mi alrededor.
01:01:47Voces están blancas, que ya no sé qué hacer.
01:01:50La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste, me dijiste loco, estás mojado.
01:02:05Ya no te quiero.
01:02:07Ha, ha, ha.
01:02:09I don't know anymore, Iris.
01:02:34¿Cómo puedes humilartearte de esta manera?
01:02:38¿Cómo puedes aceptar todo esto?
01:02:39Porque yo lo amo como nunca lo amé a nadie.
01:02:42¿Cómo nos, entonces?
01:02:44¿No me cuesta por nada?
01:02:45No me cuesta por nada.
01:02:46No me cuesta por nada.
01:02:47No me cuesta por nada.
01:02:48No me cuesta por nada, Marco.
01:02:52No puedo dejar Leona.
01:02:54Mi Dios.
01:02:55¿Cómo es esto posible?
01:02:58No, no me cuesta por aquí.
01:02:59Es no es necesario.
01:03:00No me cuesta por nada.
01:03:30No me cuesta en la bandera.
01:03:31No me cuesta por nada.
01:03:33No me cuesta por nada.
01:03:34No me cuesta por nada.
01:03:39¿Lo una bebida?
01:03:41Bien.
01:03:42Hay que ser una vida mejor en algún lugar.
01:03:47¿De acuerdo?
01:03:48No a lo que sé si todas las paradigmas son una hermana.
01:03:54¿El asista?
01:03:56Nosotros estamos estamos aquí.
01:04:01Getting drunk.
01:04:06If only we had any guts, we'd do something about it.
01:04:30Hello?
01:04:40Don't look at me like that.
01:04:42I was just... admiring you.
01:04:45Then don't admire me that way.
01:04:48Are you alone?
01:04:50Why?
01:04:52Tomorrow morning I go.
01:04:54I thought I should tell you that...
01:04:56I'd like to hire the boat from Leon.
01:05:04I'm mad about you.
01:05:06Nothing can make me change ever.
01:05:10I put your things in a bag.
01:05:14What do you want me to do with it?
01:05:16Whatever you want.
01:05:18What do I do?
01:05:20Keep it?
01:05:22Burn it. I'm not coming back.
01:05:24You're lying.
01:05:30Hey!
01:05:31What do you want?
01:05:36I need you, Leon.
01:05:38A ride to the mainland, so I can fly out to America.
01:05:41I want to hire the boat tomorrow morning.
01:05:43Marco's also going.
01:05:45And I want it to be a party, so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:56She's got work to do.
01:05:58And I want something to eat when I get back.
01:06:03Anyway, it's okay.
01:06:05I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:24I'm fine here.
01:06:26Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:41And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:46I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:56I'll come back, mate.
01:06:58You win.
01:06:59I'll take it.
01:07:00I'll take you together.
01:07:01I'll take it.
01:07:02I can say goodbye.
01:07:03You won't miss me.
01:07:04Oh, my God.
01:07:05I'm not waiting.
01:07:06I'll take it.
01:07:11Maybe I'll take it.
01:07:12If you guys are waiting, I'll take it.
01:07:14But it's okay.
01:07:15I want you to take it.
01:07:16It's okay.
01:07:17I don't wait.
01:07:18But it's okay.
01:07:19Oh, my God.
01:07:49I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:12He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:17He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:08:41Let me in on it.
01:08:41Let me in on it.
01:08:42Oh, my God.
01:09:12Oh, my God.
01:09:42Oh, my God.
01:10:12There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:42Come on, let's go.
01:10:51Come on, let's go.
01:11:00Come on, let's go.
01:11:10Come on, let's go.
01:11:19Come on, let's go.
01:11:20Come on, let's go.
01:11:21Come on.
01:11:22Come on.
01:11:23Consuelo?
01:11:24Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:30They left.
01:11:31Cruella.
01:11:32What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:38Iris!
01:11:47Iris!
01:11:48Iris!
01:11:50Oh.
01:11:51Oh.
01:11:52Oh!
01:11:53Oh.
01:11:54Oh.
01:11:55Oh.
01:11:56Oh.
01:11:57Oh.
01:11:58Oh.
01:11:59Oh.
01:12:00Oh.
01:12:02Iris!
01:12:25Stop it!
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Marco didn't really mean to kill you.
01:12:46It was pure desperation. Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon?
01:12:55No.
01:12:56Funny.
01:12:58I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:10I don't think they meant to kill Leon really.
01:13:12It's an ugly story.
01:13:13I never thought he would go that far.
01:13:14You're wrong about Andy.
01:13:15He loves you more than anything else in the world.
01:13:16He'd do anything to get you back, anything at all.
01:13:17He's changed, you know.
01:13:18You think so?
01:13:19You see, my dear, it's my duty to try and open it up.
01:13:21They must have burned themselves up into their daily lives.
01:13:22Please take three hundred and five hundred and five hundred and twelve.
01:13:24He must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:26I don't think they meant to kill Leon really.
01:13:27Well, you've got to kill Leon really.
01:13:29It's an ugly story.
01:13:31I never thought he would go that far.
01:13:32You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back.
01:13:37Anything at all.
01:13:39He's changed, you know.
01:13:40You think so?
01:13:42You see, my dear, it's my duty to try and open up this house.
01:13:48your eyes but my eyes are wide open thanks joanne don't you understand i love leon and i won't leave
01:14:02him you think you love him but you don't really you're still hurt and angry with poor andy because
01:14:10he threw you into the arms of that wretched animal leon you're punishing him with this affair
01:14:16but you're punishing yourself at the same time what do you suppose it'll be like in two or three years
01:14:21still happy sounds like a banal line from one of your books
01:14:28yes it is banal but the truth often is i honestly think it's time you took stock of your life
01:14:35and faced up to it the truth may hurt you so you need courage
01:14:45hello andy
01:14:56we thought
01:15:00well he thought that island would help us escape from reality
01:15:05we must accept the place assigned us on this earth come here
01:15:22you were right jack there's magic everywhere here kiss me
01:15:31it's in the very air can't you feel it i know that if we stay here long
01:15:36something wonderful will happen to us
01:15:40they say these islands cast a spell and love
01:15:51we get
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