- 4 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:30¡Abrr!
00:01:30¡Abrr!
00:01:30Well, it was really great.
00:02:00Now I'm going to show you what's going on.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:30Hello.
00:02:31Hello.
00:02:32Hello.
00:02:33Hello.
00:02:34Ciao.
00:02:35All go according to plan?
00:02:37Not bad.
00:02:38You look great.
00:02:39Thanks.
00:02:40Bye, Criona.
00:02:41Ciao.
00:02:42Try to have a nice trip.
00:02:43I'll try.
00:02:44Good luck.
00:02:45I need it.
00:02:46Another conquest?
00:02:48No.
00:02:49Hmm.
00:02:50I know that look.
00:02:51Hmm.
00:02:52I know that look.
00:02:53I can't do that.
00:02:54I can't do that.
00:02:55I can't do that.
00:02:56I can't do that.
00:02:57I can't do that.
00:02:58I can't do that.
00:02:59I can't do that.
00:03:00Bye, Criona.
00:03:01Ciao.
00:03:02Try to have a nice trip.
00:03:03I'll try.
00:03:04Good luck.
00:03:05Hmm.
00:03:06No.
00:03:07Hmm.
00:03:08I know that look.
00:03:30It really is beautiful.
00:03:32Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:36It's extremely erotic.
00:03:43I feel strange all of a sudden.
00:03:45Hmm?
00:03:47I hope the hotel's near.
00:03:49I'm almost there.
00:03:50Ah, it's beautiful.
00:03:52You were right.
00:03:54I just cannot imagine what it is like to do it here, you know?
00:04:05This is what we're looking for.
00:04:06Oh.
00:04:07You're welcome!
00:04:08Oh, yeah.
00:04:10Oh, yeah.
00:04:12Yeah.
00:04:13Hey.
00:04:15Hey.
00:04:17Hey.
00:04:18Hey, my girl.
00:04:19Hey, my girl.
00:04:20Hey, my girl.
00:04:21Hey, my girl.
00:04:23Hey, my girl.
00:04:25Hey, my girl.
00:04:27Hey.
00:04:28Hey, Priola.
00:04:38Ah, chill.
00:04:39Hi.
00:04:39How's it going?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:42I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:48I know.
00:04:49Good luck.
00:04:58Me dicen de tus raíces.
00:05:28Ah, ah, ah, ah.
00:05:58Ah, ah, ah, ah.
00:06:29I thought you'd never get here.
00:06:31No.
00:06:32It seemed like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:58Let's go.
00:07:12Will you play the same number, madame?
00:07:41Sure.
00:07:43Faites vos jeux.
00:07:48Number 13, rate.
00:07:51Faites, ladies and gentlemen.
00:08:07Faites, ladies and gentlemen.
00:08:14Faites, ladies and gentlemen.
00:08:19Faites, ladies and gentlemen.
00:08:29Faites, ladies and gentlemen.
00:08:35Faites, ladies and gentlemen.
00:08:50Hey, excuse me.
00:08:52Have you ever seen this girl?
00:08:54No, I'm sorry.
00:08:55Never seen her before in my life.
00:08:57You got an offer to make for the children of the sun?
00:08:59Okay.
00:09:00Here.
00:09:01Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04It might help you spiritually.
00:09:17Are you trying to get me trapped?
00:09:19That's not a bad idea.
00:09:20Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:33You didn't understand anything.
00:09:34So it is.
00:09:35Did he make love to you?
00:09:37No.
00:09:38He's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:41That's why he's here.
00:09:42And how did he lose her?
00:09:43It's an interesting story.
00:09:44I adore interesting stories.
00:09:48Just think.
00:09:49They were going to get married.
00:09:51And not long before the wedding, she went on holiday with some friends from work.
00:09:55And they came here to Santo Domingo as part of the package deal.
00:09:59When it was time to leave, she disappeared.
00:10:01Come on.
00:10:02Really?
00:10:03Yeah.
00:10:05Just up and deserted the others?
00:10:07Apparently.
00:10:08She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:13It's quite possible.
00:10:14The tropics can do funny things.
00:10:17Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:31And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:38You know, simple islander.
00:10:40Oh, come on.
00:10:42That's only in fiction.
00:10:44Love is everywhere.
00:10:46If it's there, it's there.
00:10:48If it's not, it's not.
00:10:50Be nice to the guy.
00:10:52Wouldn't hurt if you asked him to join us.
00:10:54I bet you'd think he'd be very lonely.
00:10:56Ready to talk to him?
00:10:58Okay.
00:11:01Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:10Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're happy.
00:11:20Whatever it is.
00:11:22How's the search going?
00:11:25Did I find anything yet?
00:11:27No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:34I'm sure that sooner or later I'll find her.
00:11:36Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:40Excuse me, I'll be right back.
00:11:42Where are you going?
00:11:43Oh, I have to make a telephone call to New York.
00:11:45My magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good a dancer.
00:12:00Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for lost time then.
00:12:20Yeah.
00:12:23Uh, listen, Criela.
00:12:24Maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is...
00:12:30Great.
00:12:36Come on, listen up.
00:12:37I feel uncomfortable.
00:12:38Well, there's no need.
00:12:47What is it?
00:12:48I don't know.
00:12:49It's just that your Andy could be watching us.
00:12:50Well, the truth is that I'm doing it so that he can watch us.
00:13:03Let's keep dancing like this.
00:13:04Like lovers, okay?
00:13:05You mean that he...
00:13:06Yes.
00:13:07It's his way of loving me.
00:13:08He likes to watch and thinks I don't know.
00:13:09That's ridiculous.
00:13:10Yeah, I know.
00:13:11But you see, I love you.
00:13:12He can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:35But you see, I love him. And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:54Please help me.
00:14:00I understand.
00:14:01You know, love can be a strange thing.
00:14:31Well, the light is not the best, but...
00:14:46We shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:57But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:06A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:14You better start praying that, uh...
00:15:17You don't end up reincarnated as a turtle.
00:15:20Ha, ha.
00:15:22Sometimes you're a real asshole.
00:15:26Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:33What a warp of the day.
00:15:38What's wrong?
00:15:39Are you nervous?
00:15:41Huh?
00:15:42What is it? Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:51Haven't you noticed he hasn't said a word since we left?
00:15:59We hired him to keep up a conversation with us, all right?
00:16:04Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Oh.
00:16:25Oh.
00:16:45Like it?
00:16:46What a place.
00:16:49Guaranteed primitive.
00:16:50Yeah.
00:16:53Hey.
00:16:54It's wide open.
00:16:56There's no key.
00:16:57Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:33Is it far to the fishing village?
00:17:35500 meters.
00:17:37Down that way.
00:17:38Okay.
00:17:54I'm going to go to the village.
00:17:55Okay.
00:17:56I prefer to stay here.
00:17:58Whatever you like.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08All right.
00:18:15So long.
00:18:16Bye.
00:18:35Hi.
00:18:45Hi.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:18:57Good morning.
00:18:58Good morning.
00:18:59Good morning.
00:19:00Good morning.
00:19:01Good morning.
00:19:02Good morning.
00:19:07No thanks.
00:19:08Hey.
00:19:09Hey, let me take a picture.
00:19:10Uh, that's it.
00:19:13No thanks.
00:19:14Hey, hey, let me take a picture.
00:19:16Uh, that's it.
00:19:18Nice.
00:19:19Oh my god.
00:19:21Guys.
00:19:22Nice.
00:19:24Dime, muñeca linda, que tú me hiciste, que cada día que pasa te quiero más
00:19:44Dime si son tus besos o tus caricias o tu forma de caminar
00:19:48Adoro tu sonrisa, tus sentimientos o tu manera de acariciar
00:19:52Uh, good morning, Consuelo
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up
00:20:07I'll bring you a few drinks
00:20:08For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both
00:20:15I won't be long
00:20:22Here are some bottles
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer
00:20:49Joanne Sullivan?
00:20:52Mm-hmm
00:20:52I know her
00:20:54The two of us were at the same school
00:20:56I think I'll say hello
00:20:57Joanne?
00:21:06Mm-hmm
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh, Andy the Nerd?
00:21:14Oh, my God
00:21:15Is it really you?
00:21:17Uh-huh
00:21:17Oh
00:21:18How are you?
00:21:21Fine
00:21:21Great to see my old valedictorian
00:21:23Great to see you
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine
00:21:27Oh, fantastic
00:21:28Come and sit down
00:21:29What are you doing?
00:21:33Escaping
00:21:33But don't ask me from what
00:21:35Because I don't know
00:21:36Maybe from myself
00:21:37Well, I imagine you're writing something now
00:21:40Checks, that's all
00:21:41As long as the cash lasts
00:21:43How do you spend your time
00:21:44If you don't write?
00:21:47Gymnastics
00:21:47And I drink
00:21:51I tend the garden
00:21:56I read
00:21:56Don't you like long for New York at all?
00:22:04No
00:22:05America is in an advanced state of decomposition, Andy
00:22:09Like the whole of the West
00:22:11It's no good
00:22:13I have no nostalgia
00:22:15Only for company, that's all
00:22:17Here there aren't any
00:22:19Men that I like
00:22:22That's probably a good thing
00:22:24I like everything sophisticated
00:22:27Or complicated
00:22:28I suppose I'm in a crisis
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on, it wasn't a proposition
00:22:36I see
00:22:37Well, in that case, I'll offer you a proposition
00:22:39What kind?
00:22:41Like I told you, I'm working for a magazine
00:22:43And I'm doing a story on this island
00:22:46And you know it pretty well
00:22:47Yes, I do
00:22:49You could help me
00:22:50Whenever you want
00:22:52My pleasure
00:22:53Great
00:22:55Here comes the food
00:23:01You look good, we can try the local cuisine
00:23:03Here it is, the chef's special
00:23:05Enjoy your food
00:23:10I'm starving
00:23:11Oh, that looks good
00:23:14Consuelo's such an extrovert
00:23:16She's always bright and sunny
00:23:17She's just my opposite
00:23:20I like her
00:23:21She's already had the cream of the young men on the island
00:23:25If I could only get used to going to bed
00:23:28So easily
00:23:29Yes
00:23:31It's knowing how to start it up
00:23:33Yeah
00:23:34Warm-up
00:23:36It's simplest to make it with someone you know
00:23:40The first step's taken already
00:23:42Are you making advances?
00:23:47I'm attempting to find you an answer
00:23:49I don't think Criela thinks it's such a good idea
00:23:52It might be more fun if we didn't leave her out
00:23:57Since when's three of the crowd?
00:24:00Oh, Andy, come on
00:24:01I thought you were emancipated
00:24:03But you're still stuck in the 70s
00:24:06Sex, lib, dreaming
00:24:07That's old hat
00:24:09You disappoint me
00:24:10Esa mujer tiene el corazón duro
00:24:20Con MFP
00:24:22Yeah, it's very at home here in this setting
00:24:44Been here long, do you know?
00:24:47Only a few years, but it's as if he was
00:24:49The girl arrived a few months ago, that's all
00:24:52Oh, not bad
00:24:54You dance almost like a native
00:24:59Is she his woman?
00:25:08His steady date
00:25:09She sits all day and waits for him
00:25:12I believe she's Italian
00:25:14Poor thing
00:25:15Came here on vacation
00:25:17Took one look and got stuck
00:25:19Stuck on him
00:25:20Hey, maybe that person is
00:25:24Is the girl, that air steward
00:25:26Was so, uh, desperately seeking
00:25:28You said she's Italian?
00:25:31Yes, why?
00:25:33But then
00:25:33It must be her on the plane
00:25:36I met her boyfriend
00:25:37He came here to look for her
00:25:39He'll go back empty-handed, I'm sure
00:25:41Leon is like a drug
00:25:44He doesn't conquer
00:25:45He dominates
00:25:46Your friend had better resign himself to losing her
00:25:49I hope he doesn't find her
00:25:52It's like I said
00:25:54This aisle
00:25:54Just wants to put
00:25:55Evil spells on sexy girls
00:25:58Poor guy
00:26:00He must love that girl a lot
00:26:02To come all this way
00:26:03Since you feel so sorry for the poor guy
00:26:11Why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage
00:26:15Could it be terribly easy
00:26:17For you to make an oaf like that
00:26:20You know, come chasing after you
00:26:22Like a beast in heat
00:26:24He's a womanizer
00:26:25And your friend will get back his girlfriend
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea
00:26:32Don't you?
00:26:33It's a little risky
00:26:35What?
00:26:35You mean I might lose her?
00:26:37I trust Creole or completely, Joanne
00:26:39And besides, she'll just have to fake it
00:26:41Right?
00:26:43Go on
00:26:43Ask him to dance
00:26:44Have a heart
00:26:45Hey, look, have you finished?
00:26:48I've had enough
00:26:49I'm gonna go
00:26:50This music's getting on my nerves
00:26:52Sorry
00:27:09I wasn't serious
00:27:12It was a joke
00:27:14I love you, Andy
00:27:16I love you more than anything else in the world
00:27:22Me too
00:27:27I love you too
00:27:33God
00:27:35It's okay
00:27:40If you're tired
00:27:43It's happened before
00:27:46It'll pass
00:27:50It'll pass
00:28:04It'll pass
00:28:08It'll pass
00:28:13It'll pass
00:28:13Oh, my God.
00:28:43Oh, my God.
00:29:13Oh, my God.
00:29:43Oh, my God.
00:30:13Oh, my God.
00:30:14Let me.
00:30:18Let me go.
00:30:20Let me.
00:30:22Let me.
00:30:26Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you should go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:17What are you doing?
00:31:19Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:26No.
00:31:51Viola?
00:31:51Viola?
00:32:04You there?
00:32:05Viola?
00:32:10Viola?
00:32:17Viola?
00:32:22Viola?
00:32:24Viola?
00:32:24Viola!
00:32:39Have you seen Criola?
00:32:40No.
00:32:40There's no sign of her on the beach, the bungalow's empty. She's disappeared.
00:32:44She's probably gone off exploring the island.
00:32:46Yeah, I expect you're right. Thanks, Criola.
00:32:48Ciao.
00:32:49Ciao.
00:32:50Where the hell have you been? I looked all over for you.
00:32:52I got bored here all along. So I took off to look around, all right?
00:32:54Well, you'd have had more fun if you'd been with me.
00:32:56Joanne knows the island like the back of her hand. I took some magnificent pictures. Things are good to see you in the back of your hand.
00:33:01Things I'd never have found without her.
00:33:03Oh.
00:33:03Oh.
00:33:03Yeah.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along. So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand. I took some magnificent pictures. Things I'd never have found without her.
00:33:28andy yeah i gotta tell you something go ahead shoot let's go away from here why something
00:33:41the matter yeah let's go away we can't yet i still have photos to do besides i got a little
00:33:50money in advance i can't let the magazine down i'd never work again no way forget it well i can't
00:33:57forget it i want to go away i want to go back to america you're not being reasonable
00:34:05i know but i can't stay here another minute i suppose it's my fault no of course not
00:34:15i'll be all right again soon i swear no it's there's nothing to do with you i don't know
00:34:22it's just look i'm counting on the erotic atmosphere of this place to do the trick and i'm sure it will
00:34:29it's only a question of time i know it
00:34:33all you have to do is be patient just a little longer we'll be happy again and then
00:34:41give you what you need so badly
00:35:11ah
00:35:24ah
00:35:25Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Yeah, thanks.
00:35:57Food is the only healthy vice.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:25I guess I'll get a drink.
00:36:26Why do I get a drink?
00:36:27No, not for me.
00:36:29How come?
00:36:32One needs a good motive to get drunk.
00:36:35Do you want a drink?
00:36:40No, not for me.
00:36:43How come?
00:36:46One needs a good motive to get drunk,
00:36:50but I guess I'm the only one who hasn't got one.
00:36:55Does that mean you think I have one?
00:36:58Criola.
00:37:01What is this?
00:37:03The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:25Don't you tell the truth?
00:37:28I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:41It's a broken heart.
00:37:51It's a broken heart.
00:38:11I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17Do you want to make love with me again?
00:38:20Yes.
00:38:26Well, not today.
00:38:28What are you afraid of?
00:38:32That your woman will find out?
00:38:38Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:43You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it is.
00:39:05Bye.
00:39:06Hey, I'm always lying.
00:39:08It's not true.
00:39:11I'm not going to stay around and talk about it.
00:39:13Goodbye, I'll be yours.
00:39:34Bye.
00:40:04Bye.
00:40:08It's exactly four hours.
00:40:10What?
00:40:11Have we been driving around?
00:40:12No.
00:40:14Since you made a sound, Joanne.
00:40:18Sorry, Joanne, but the places you've shown me have been so...
00:40:21so dazzling that...
00:40:23I was too busy to talk.
00:40:25You forgot to mention Criola.
00:40:29She's the real reason for this.
00:40:31Oh, you always find the truth, don't you?
00:40:33She's desperate.
00:40:35She's changed.
00:40:36And if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:41You better hurry or you'll be too late.
00:40:44I'll take you back.
00:41:03I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:19I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:25I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:31So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:41Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine.
00:41:58If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:02Mm-hmm.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:06More than you bargained for.
00:42:08Listen.
00:42:10I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Where is it?
00:42:31Don't worry.
00:42:33What do you want?
00:42:35I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:13Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:19Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:29I'm not leaving this island without you.
00:43:31I'm not leaving this island without you.
00:43:32I'm not leaving this island without you.
00:43:33I'm not leaving this island without you.
00:43:35I owe you a little bit.
00:43:36Because I'm not leaving here.
00:43:37We're waiting for this island.
00:43:38You're waiting for something.
00:43:39I'm not leaving this island.
00:43:40I still don't know.
00:43:41I'm trying to go.
00:43:42I'm not leaving this island.
00:43:43Aramem.
00:43:44I'm not leaving here.
00:43:45Can I stay on board?
00:44:12Now get this straight.
00:44:15This time, it must be forever.
00:44:23I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach. She's gone.
00:44:43There's no other explanation. I knew it. She's gone back to the States.
00:44:47How? Wearing a pareo? Andy, look! She hasn't gone. Her stuff's still here.
00:44:57Andy, you're not to worry. I'm sure that Criola will soon come back. Do believe me.
00:45:11I've got to be off now. So long. See you at dinner?
00:45:13Hmm?
00:45:14Yeah.
00:45:15Yeah.
00:45:16Yeah.
00:45:17Yeah.
00:45:18Yeah.
00:45:19Yeah.
00:45:20Yeah.
00:45:21Yeah.
00:45:22Yeah.
00:45:23Yeah.
00:45:24Yeah.
00:45:25Yeah.
00:45:26Yeah.
00:45:27Yeah.
00:45:28Yeah.
00:45:29Yeah.
00:45:30Yeah.
00:45:31Yeah.
00:45:32Yeah.
00:45:33See you.
00:45:34Yeah.
00:45:35Yeah.
00:45:56Have you seen Leon?
00:46:00Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29You don't want Iris.
00:46:31You don't want Iris.
00:47:34No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:53You'll suffer a little at first, but then, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:12It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:35It's me.
00:48:36Oh, Christ.
00:48:38THE END
00:49:08Get out of here and stop bothering the customers
00:49:15So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past
00:49:26Playing with fire, one can be burned in the end
00:49:30I blame myself, my unnatural desire to see the excitement men get
00:49:37And seeing a naked woman
00:49:40Perverted, I guess
00:49:42I proposed it to her
00:49:45I must be an asshole
00:49:47Because now she's gone for good
00:49:49She did it because she knew you liked it
00:49:53Not for herself
00:49:54She's not the kind of woman who sleeps around a lot
00:49:58Are you serious?
00:50:00Yes, I am
00:50:02Whatever she became was to please you
00:50:05She realized simply that she had to go to bed with other guys
00:50:09In order to try to keep your interest in her going
00:50:11And look what happened
00:50:13Fate set a trap for her
00:50:15Oh God
00:50:15I'm the one who went and trapped her
00:50:18Yep
00:50:21Now you're trapped
00:50:22It started as a game, that's all
00:50:25It wasn't serious
00:50:28Games can be dangerous to play if you don't keep to the rules
00:50:33Good evening
00:50:38Good evening
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen
00:50:41Thanks
00:50:43Hey, you've forgotten?
00:50:45We met one night in San Domingo
00:50:47I'm married to Creole
00:50:49Oh yes, now I remember you
00:50:51Hi
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here
00:50:55She already knows
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes, uh, briefly
00:51:02Yeah, but where?
00:51:04You haven't said
00:51:05I have to know immediately
00:51:07Surely you can guess
00:51:16She's on Leon's boat
00:51:20Don't go
00:51:25Don't go
00:51:25I have to
00:51:31I have to
00:52:01Hurry me
00:52:02Hurry me
00:52:02Hurry me
00:52:03Where can I find Leon?
00:52:26Leon's gone fishing, senor
00:52:27In his boat.
00:52:30Thanks.
00:52:57In his boat.
00:53:27Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:57Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola.
00:55:01With a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't believe it.
00:55:27I'm terribly sorry, Ant.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:37My life is meaningless without you.
00:56:03I'm sorry.
00:56:04I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37I'm going to do this.
00:56:41I call it gin-balling.
00:56:43It's a very silly game.
00:56:45For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Okay.
00:56:52Mmm.
00:56:53Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet patient.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:19This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Puritan.
00:58:08It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves, falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:39I...
00:58:40That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:04I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49There's a time for food.
00:59:56Here we go.
01:00:09There's a time for food.
01:02:28I don't know anymore, Iris.
01:02:30How can you humiliate yourself this way?
01:02:32I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:37How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:43Don't I count for anything?
01:02:45Perhaps you've forgotten that we were supposed to get married in a month.
01:02:49You don't understand, Marco.
01:02:51I'm not able to leave Leon.
01:02:53My God! How is this possible?
01:02:57Go away from here. It's useless.
01:03:01I'll never give Leona. For any reason.
01:03:31I'll never give Leona.
01:03:33I'll never give Leona.
01:03:39Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:46Right.
01:03:47I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:00Getting drunk.
01:04:05If only we had any guts, we'd do something about it.
01:04:17No, sir.
01:04:18Thank you!
01:04:34Hello?
01:04:35Hello.
01:04:42Don't look at me like that.
01:04:44I was just... admiring you.
01:04:47Then don't admire me that way.
01:04:50Are you alone?
01:04:52Why?
01:04:54Tomorrow morning I go.
01:04:56I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you. Nothing can make me change ever.
01:05:12I put your things in a bag. What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do? Keep it?
01:05:24Burn it. I'm not coming back.
01:05:26You're lying.
01:05:30Hey! What do you want?
01:05:35I need you, Leon. A ride to the mainland, so I can fly out to America.
01:05:41I want to hire the boat tomorrow morning.
01:05:44Marco's also going.
01:05:46And I want it to be a party, so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:56She's got work to do.
01:05:58And I want something to eat when I get back.
01:06:00Anyway, it's okay. I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:34Come back with me, Iris.
01:06:38No, Marco. Not now, not ever.
01:06:41And for heaven's sake, don't ask me again.
01:06:45Now leave me alone. I have work to do.
01:06:50You win. Okay.
01:06:55I'll be fine for it!
01:06:56Sunday it will be amazing.
01:06:57It might be, man.
01:06:58응, well.
01:06:59Then I'll have it...
01:07:00head over to doet you, won't show up.
01:07:01When I leave you apart, no.
01:07:03Then you can help me out.
01:07:04I'll be trying...
01:07:05As if I do, can get back to you.
01:07:06Before I leave, join me all the shot.
01:07:08Molly.
01:07:09Teacher, wait.
01:07:10Going back to you!
01:07:12Molly.
01:07:14Okay.
01:07:15And coming to you after...
01:07:16I forgot my plan.
01:07:17Come back and see any hours.
01:07:18I'm my brain coming home.
01:07:20Let's go.
01:07:50I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning,
01:08:19and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday
01:08:24when he was drunk.
01:08:27But when I saw him this morning,
01:08:29he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38What's all the mystery?
01:08:51Oh, my God.
01:08:52Oh, my God.
01:08:53Oh, my God.
01:08:56Oh, my God.
01:08:56Oh, my God.
01:08:57Oh, my God.
01:09:57There must be something caught in the propeller.
01:10:19I'm going down to have a look.
01:10:22Come on.
01:10:24Let's go.
01:10:26Come on.
01:10:28Let's go.
01:10:30Come on.
01:10:32Let's go.
01:10:36Come on.
01:10:38Let's go.
01:10:40Come on.
01:10:42Let's go.
01:10:46Come on.
01:10:50Come on.
01:10:51Let's go.
01:10:52Let's go.
01:10:54Let's go.
01:10:56Let's go.
01:10:58Let's go.
01:11:00Let's go.
01:11:02Let's go.
01:11:04Let's go.
01:11:06Let's go.
01:11:08Let's go.
01:11:10Let's go.
01:11:12Let's go.
01:11:13Let's go.
01:11:14Let's go.
01:11:18Let's go.
01:11:20Let's go.
01:11:23Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Criella were very upset. They left.
01:11:35What the hell's going on?
01:11:36Nothing.
01:11:47Iris!
01:11:52Oh!
01:12:02Iris!
01:12:23Stop it!
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:46It was pure desperation. Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:59Funny.
01:13:00I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they meant to kill Leon really.
01:13:24It's an ugly story.
01:13:27I never thought he would go that far.
01:13:30You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:59I love Leon.
01:14:01And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:07You're still hurt and angry with poor Andy.
01:14:10Because he threw you into the arms of that wretched animal Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:22Still happy?
01:14:24Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:36And faced up to it.
01:14:38The truth may hurt you, so you need courage.
01:14:40Hello, Andy.
01:14:42We thought...
01:14:56We thought...
01:15:00Well, he thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:10We thought...
01:15:12Come here.
01:15:14Oh!
01:15:16Oh!
01:15:18Oh!
01:15:25You were right, Jack.
01:15:27There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:38Yes.
01:15:39Right.
01:15:40They say these islands cast a spell on lovers.
01:15:42They love us.
01:15:43We get
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