- 3 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31¡Abrr!
00:01:56¡Abrr!
00:01:57It was really great.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:27If my little girl is gone, I don't know what I'm going to do.
00:02:31Because the little girl is gone, I don't know what I'm going to do.
00:02:41Darling.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:53Thanks.
00:02:53Bye, Criana.
00:02:55Ciao.
00:02:55Try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:07I know that look.
00:03:27It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:38I feel strange all of a sudden.
00:03:48I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:53I just cannot imagine what it is like to do it here, you know?
00:03:59I just cannot imagine what it is like to do it here, you know?
00:03:59It's very nice.
00:04:00Goodbye.
00:04:00It's good.
00:04:08Or, like, if you know the hotel Tren my blood goes away, you know?
00:04:10All right, my goodness.
00:04:25Hi.
00:04:36Hey, Priyola.
00:04:38Ah, chill.
00:04:39Hi.
00:04:39Where are you going?
00:04:40No.
00:04:41Any news?
00:04:42No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:05:09I can't take that.
00:05:10I can't take it.
00:05:11I'm good.
00:05:12I can't.
00:05:13No, no, no.
00:05:14I can't take it.
00:05:15I can't take it.
00:08:16Let's please, ladies and gentlemen.
00:08:46Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:56Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:00Okay.
00:09:00Here, will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to make for the Children of the Sun?
00:09:17Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:25If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34You didn't understand a thing.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:38No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:41That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think, they were going to get married, and not long before the wedding, she went
00:09:54on holiday with some friends from work, and they came here, to Santo Domingo, as part
00:09:59of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things, especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, Simple Islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having, whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Why?
00:12:28Your dancing is great.
00:12:32Come on, listen up.
00:12:48I feel uncomfortable.
00:12:50Well, no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18Okay.
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05I live.
00:14:15You know, it's his way out.
00:14:17But you, I feel like it's your favorite thing.
00:14:23It's not me, you know.
00:14:24Yes!
00:14:25Oh, the light is not the best, but we shall do what we can.
00:14:55It's full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it, I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:25Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:52Have you noticed he hasn't said a word since we left?
00:16:00I hired him to keep up a conversation with us, all right?
00:16:04Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24He looks like he's a drunk.
00:16:28He looks like he's never going to mess with us.
00:16:30He looks like he's never going to mess with us.
00:16:31He looks like he's never going to be necessary for the sea.
00:16:32like it what a place guaranteed primitive yeah hey it's wide open there's no key nobody
00:16:58lock stores here we said $100 right this is to keep one's enough adios
00:17:28uh is it far to the fishing village 500 meters down that way okay
00:17:39I'm gonna go to the village okay I prefer to stay here whatever you like
00:17:59I can't wait to take a swim go ahead see you later all right
00:18:09so long bye
00:18:16hi
00:18:43hi hi well so you came at last
00:18:48hi there hello
00:18:56wait good morning good morning
00:19:05no thanks
00:19:13thank you
00:19:22thank you
00:19:31good morning
00:20:00what can I do for you today I've got an empty refrigerator to load up I'll bring you a few
00:20:08drinks for instance would you like some alcohol or would you prefer some soft drinks
00:20:13well a little of both
00:20:15well a little of both
00:20:15I won't be long
00:20:16here are some models
00:20:30here are some models
00:20:44well a very well-known American writing
00:20:47Jimnov
00:20:50Joe and Sullivan Mood
00:20:51I know the two of us were at the same school because they're all over
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:12Andy the Nerd! Oh, my God!
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic. Come and sit down.
00:21:30What are you doing?
00:21:32Escaping, but don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38I imagine you're writing something now?
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:44How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:05No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:09Like the whole of the West.
00:22:11It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on. It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Mmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine
00:22:43and doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good. We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:05Mmm.
00:23:06Mmm.
00:23:07Mmm.
00:23:08That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:29Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35The warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella?
00:23:55It might be more fun if we didn't leave her out.
00:23:57Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10Ooh.
00:24:12Hey.
00:24:18That woman has a hard heart.
00:24:21With MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49The girl arrived a few months ago, that's all.
00:24:53Not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for her.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation,
00:25:17took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl,
00:25:25that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then,
00:25:34it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40You'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said,
00:25:54this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy,
00:26:11why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy
00:26:17for you to make an oaf like that?
00:26:20You know,
00:26:21come chasing after you like a beast in heat.
00:26:24He's a womanized,
00:26:25and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:59I'm sorry.
00:27:11I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:27I love you more than anything else in the world.
00:27:30I love you too.
00:27:34God.
00:27:39It's okay.
00:27:42If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:27:57It's okay.
00:27:58It's okay.
00:27:59It's okay.
00:27:59It's okay.
00:28:00It's okay.
00:28:01It's okay.
00:28:01It's okay.
00:28:02It's okay.
00:28:02It's okay.
00:28:03It's okay.
00:28:03It's okay.
00:28:04It's okay.
00:28:04It's okay.
00:28:05It's okay.
00:28:05It's okay.
00:28:06It's okay.
00:28:07It's okay.
00:28:07It's okay.
00:28:08It's okay.
00:28:08It's okay.
00:28:09It's okay.
00:28:09It's okay.
00:28:10It's okay.
00:28:10It's okay.
00:28:11It's okay.
00:28:11It's okay.
00:28:12It's okay.
00:28:13It's okay.
00:28:13It's okay.
00:28:14It's okay.
00:28:15It's okay.
00:28:15It's okay.
00:28:16It's okay.
00:28:17It's okay.
00:28:17It's okay.
00:28:18It's okay.
00:28:19It's okay.
00:28:27Let's go.
00:28:57Let's go.
00:29:27Let's go.
00:29:57Let's go.
00:30:27Let's go.
00:30:29Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:38You don't have to.
00:30:41Thanks, anyway.
00:30:43You know, you shouldn't go around by yourself.
00:30:49It's asking for trouble, especially dressed like that.
00:30:52I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:58Do what you want.
00:31:00What are you doing?
00:31:01Offering you a little hospitality.
00:31:08What are you doing?
00:31:18Offering you a little hospitality.
00:31:20Here.
00:31:21Here.
00:31:22Have a drink.
00:31:30Here.
00:31:38Here.
00:31:40Here.
00:31:50Here.
00:31:51Here.
00:31:52Here.
00:31:53Here.
00:31:54Here.
00:31:55Here.
00:31:56Here.
00:31:57Here.
00:31:58Here.
00:31:59Here.
00:32:00Here.
00:32:01Here.
00:32:02Here.
00:32:03Here.
00:32:04Here.
00:32:05Here.
00:32:06Here.
00:32:07Here.
00:32:08Here.
00:32:09Here.
00:32:10Here.
00:32:11Here.
00:32:12Here.
00:32:13Here.
00:32:14Here.
00:32:15Here.
00:32:16Here.
00:32:17Here.
00:32:18Here.
00:32:19Here.
00:32:20Here.
00:32:21Here.
00:32:22Here.
00:32:23Here.
00:32:24Here.
00:32:35Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach.
00:32:45The bungalow's empty.
00:32:46She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right.
00:32:53Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along.
00:33:09So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:24I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:37Go ahead, shoot.
00:33:39Let's go away from here.
00:33:40Why?
00:33:40Something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:46We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:57Well, I can't forget it.
00:33:58I want to go away.
00:34:01I want to go back to America.
00:34:02You're not being reasonable.
00:34:08I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:15I'll be all right again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:24Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:29Well, it's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:42Then I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need.
00:35:15Then I'll be able to give you what you need.
00:35:45Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:05One day, I guess I'll get another chance.
00:36:12One day, I guess.
00:36:34Do you want a drink?
00:36:39No, not for me.
00:36:42How come?
00:36:45One needs a good motive to get drunk,
00:36:49but I guess I'm the only one who hasn't got one.
00:36:54Does that mean you think I have one?
00:36:57Criola.
00:37:00What is this?
00:37:03The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly, I don't know why you two should be
00:37:12a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:24Don't you tell the truth?
00:37:28I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:41It's a broken heart.
00:37:50It's a broken heart.
00:38:11I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17Do you want to make love with me again?
00:38:20Yes.
00:38:26Well, not today.
00:38:28What are you afraid of?
00:38:31That your woman will find out?
00:38:37Well, answer me.
00:38:38Iris doesn't enter into this.
00:38:40And I decide when I make love.
00:38:42Are you quite sure you don't want to come with us?
00:38:54No.
00:38:55I prefer to stay here in King Consuelo.
00:38:57Okay.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06Hey, I'm always high.
00:39:08It's not true.
00:39:27We'll fly away.
00:39:28Bye-bye.
00:39:29Up to the top.
00:39:30Nouri falls.
00:39:32Nouri falls.
00:39:34I'm still crazy.
00:39:36But on the top.
00:39:37First clip, you end up taking a dark eye,
00:39:38ain't it.
00:39:41That was two.
00:39:42Pencils.
00:39:43Manojers.
00:39:44We are back here.
00:39:45I'm in
00:39:50Take this font of shallots.
00:39:51I'm still in front of a console.
00:39:52I'm in the back.
00:39:53So crazy.
00:39:56It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:26She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:48Joanne gave me one too with a dedication.
00:40:50I saw my eyes out.
00:40:54For a romantic novel, it's not bad.
00:41:00Is a model a fun thing to be, Criola?
00:41:01I wouldn't recommend it to my friends.
00:41:02But I'm not complaining.
00:41:02I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:06But I ended up with overweight tits.
00:41:07So you snuck away to live on an island.
00:41:10Well, here at least they appreciate my boobs.
00:41:14Here comes a customer.
00:41:15Oh, it's Marco.
00:41:16You know what?
00:41:17It's not bad.
00:41:18It's not bad.
00:41:19It's not bad.
00:41:20It's a model a fun thing to be, Criola.
00:41:21I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:23I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:31So you snuck away to live on an island.
00:41:35Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine.
00:41:58If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:02Mm-hmm.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen.
00:42:09I have some important news for you.
00:42:11Very important.
00:42:12I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:28Who is it?
00:42:30Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:36You made the trip for nothing.
00:42:39I'm sorry.
00:42:40Leon, where are you going?
00:42:43I am leaving.
00:42:44But why?
00:42:45You're not the one who has to leave.
00:42:47Go away.
00:42:48Go back where you came from.
00:42:50Go on, get out.
00:42:51Leon, throw him out.
00:42:53Do something.
00:42:54I am.
00:42:55Leon.
00:42:56Leon.
00:42:57Leon.
00:42:58Don't go.
00:43:00Damn you.
00:43:01Why?
00:43:02Why did you come here?
00:43:03Because I still love you.
00:43:05And I'm not leaving without you.
00:43:08Don't you understand, Marco?
00:43:11I'm no longer the girl that you knew.
00:43:14Now I'm another person.
00:43:17I love you.
00:43:18I love you.
00:43:19I love you.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:26Iris, you'll get over it once we're together again.
00:43:29I'm not leaving this island without you.
00:43:50Can I stay on board?
00:43:59Can I stay on board?
00:44:13I get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:19I know.
00:44:20So?
00:44:21Stay.
00:44:22She's not a Consuelo.
00:44:23She's not on the beach.
00:44:24She's gone.
00:44:25There's no other explanation.
00:44:26I knew it.
00:44:27She's gone back to the States.
00:44:28How?
00:44:29How?
00:44:30Wearing a pareo?
00:44:31Andy, look.
00:44:32She hasn't gone.
00:44:33Her stuff's still here.
00:44:34She hasn't gone.
00:44:35She hasn't gone.
00:44:36Her stuff's still here.
00:44:37She hasn't gone.
00:44:38She hasn't gone.
00:44:39Her stuff's still here.
00:44:40Andy.
00:44:41Andy.
00:44:42You're not too worried.
00:44:43You're not too worried.
00:44:44You're not too worried.
00:44:45She's gone.
00:44:46You're not too worried.
00:44:47I'm going to go.
00:44:48She's gone.
00:44:49She's gone.
00:44:50How? Wearing a pareo?
00:44:53Andy, look!
00:44:55She hasn't gone. Her stuff's still here.
00:45:08Andy, you're not to worry.
00:45:11I'm sure that Criola will soon come back.
00:45:14Do believe me.
00:45:20I've got to be off now.
00:45:22So long. See you at dinner?
00:45:50Have you seen Leon?
00:45:58He's seen what he did with a girl.
00:46:02Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:18Wait. What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:32Someone has a memory of over the ass.
00:46:34We'll have many more videos.
00:46:36We'll see you at the end of the video.
00:46:38Shoot us!
00:46:53Over by the end.
00:47:24No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:54You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:19It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ!
00:48:34I'll be too quick.
00:48:57I'll be fine.
00:48:58I know you.
00:48:59Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:46I must be an asshole.
00:49:48Because now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:11And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:17I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Not briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:07Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:37You're hurting me.
00:52:02You're hurting me.
00:52:07Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:37You're hurting me.
00:53:07You're hurting me.
00:53:37Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:51Hey.
00:53:53What are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola.
00:54:36I never thought it would come to this.
00:54:38Please.
00:54:39I know it's all my fault, but...
00:54:41Please, don't humiliate yourself like this.
00:54:43It's too late.
00:54:44It's too late.
00:54:45No.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:52It's...
00:54:52Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola.
00:55:01With a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:11No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't believe it.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:44It's ridiculous.
00:55:51I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:19Thanks, but not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I invented this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46For what?
00:56:47Serves to calm the nerves, Trudy.
00:56:49Try it.
00:56:50Okay.
00:56:53Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:57:00I'm all ears.
00:57:02Look.
00:57:04I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient.
00:57:09Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She is bound to tire of it.
00:57:18She always does.
00:57:23This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they've found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Puritan.
00:58:08It's usual.
00:58:09When they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:08But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:35Is it ready?
00:59:36Ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Hmm.
01:00:08Let's do it.
01:00:09What?
01:00:17Hmm.
01:00:17THE END
01:00:47THE END
01:01:17THE END
01:01:47THE END
01:01:49THE END
01:01:53THE END
01:01:55THE END
01:01:59THE END
01:02:01THE END
01:02:03THE END
01:02:05THE END
01:02:07THE END
01:02:11THE END
01:02:13THE END
01:02:17THE END
01:02:19THE END
01:02:23THE END
01:02:25THE END
01:02:27THE END
01:02:29THE END
01:02:31THE END
01:02:33THE END
01:02:35THE END
01:02:37THE END
01:02:39THE END
01:02:41THE END
01:02:43THE END
01:02:45THE END
01:02:47THE END
01:02:49THE END
01:02:51THE END
01:02:53THE END
01:02:55THE END
01:02:57THE END
01:02:59THE END
01:03:01THE END
01:03:03THE END
01:03:05THE END
01:03:07THE END
01:03:09THE END
01:03:11THE END
01:03:13THE END
01:03:15THE END
01:03:17THE END
01:03:19THE END
01:03:21THE END
01:03:23THE END
01:03:33THE END
01:03:35THE END
01:03:37Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:57And we are here getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:32Hello.
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:02I'm not mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey!
01:05:31What do you want?
01:05:37I need you, Leon.
01:05:38A ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:44Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51鎂鎔 flight.
01:07:12Bye.
01:07:13Bye.
01:07:13Bye.
01:07:14Bye.
01:07:14Bye.
01:07:15Bye.
01:07:15Bye.
01:07:19Bye.
01:07:19Bye.
01:07:20Bye.
01:07:20Let's go.
01:07:50I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning, and he had a strange evil.
01:08:20He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let's go.
01:10:01There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:22Come on, let's go.
01:10:51Come on, let's go.
01:11:21Come on, let's go.
01:11:22Come on.
01:11:23Consuelo?
01:11:24Have you seen Iris?
01:11:29She and Criella were very upset.
01:11:30They left.
01:11:31Criella?
01:11:32What the hell's going on?
01:11:36Nothing.
01:11:39Iris!
01:11:48Iris!
01:11:49No!
01:11:50No!
01:11:51No!
01:11:52No!
01:11:53No!
01:11:54No!
01:11:55No!
01:11:56No!
01:11:57No!
01:11:58No!
01:11:59No!
01:12:00No!
01:12:01No!
01:12:02No!
01:12:03No!
01:12:04No!
01:12:05No!
01:12:06No!
01:12:07No!
01:12:08No!
01:12:09No!
01:12:10No!
01:12:11No!
01:12:12No!
01:12:13No!
01:12:14No!
01:12:15No!
01:12:16No!
01:12:17No!
01:12:18No!
01:12:19No!
01:12:20No!
01:12:21No!
01:12:22No!
01:12:23No!
01:12:24No!
01:12:25No!
01:12:26No!
01:12:27No!
01:12:28You've got no call.
01:12:29That's exactly what you're trying to do to me.
01:12:32Leon...
01:12:33Just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about he risked losing his mind.
01:12:40And I risked losing my life!
01:12:42Parker didn't really mean to kill you.
01:12:45It was pure desperation.
01:12:46Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:55No.
01:12:56Funny, I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:52Joanne, don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy, because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola, and faced up to it.
01:14:37The truth may hurt you, so you need courage.
01:14:40Hello, Andy.
01:14:56We thought...
01:14:57Well, he thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:42We get...
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