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In dem kürzlich wiederentdeckten Gespräch Peter Hujar's Day tauschen sich der Fotograf Peter Hujar und seine Freundin Linda Rosenkrantz im Jahr 1974 über Kunst aus und geben so Einblicke in die Kunstszene New Yorks, persönliche Kämpfe und Ereignisse, die das Leben des Künstlers prägten.

Mehr dazu: https://www.moviepilot.de/movies/peter-hujar-s-day

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Kurzfilme
Transkript
00:00I stay in bed till 11.45, and then I put my clothes on.
00:06I thought you hadn't taken them off.
00:09Oh, I guess I didn't, I just lied.
00:17And I go downstairs to buy cigarettes, and I break a $10 bill because the cigarettes are 56 cents.
00:23God, they are.
00:24And I say, is Allen Ginsberg there? And he says, who's calling?
00:31And I say, it's Peter Hujar. I'm supposed to photograph you, the Times.
00:39If I get my camera stuff together, I had a flash that there was something sort of bohemian poet about it,
00:44and I'd be much snazzier in my red ski jacket.
00:46Oh, good choice, yes.
00:47I just think it's more like Lower East Side.
00:49I photographed Ginsberg, and he sits down in the lotus position, looking very Buddha,
00:58right in the doorway, and he starts to chant.
01:01And I really think, well, I can't interrupt God.
01:07But I realize that to do good portraits, I have to, like, have the time to really look at it,
01:12really see what I'm doing.
01:14Sometimes I just stand and stare at it, and it's even rather pleasurable.
01:17I often have a feeling that in my day, nothing much happens, that I've wasted it.
01:25Well, now you know.
01:26I've wasted another day.
01:32That's why I'm doing this, actually, to find out how people fill up their days.
01:44That's what happened. That's the way it happened.
01:47That's what happened.

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