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  • 5 months ago
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00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54I can get you.
00:04:55I'm sorry.
00:04:57You're not sure.
00:04:59Look out.
00:05:01Yeah, we're here.
00:05:02You're not sure.
00:05:03We're here.
00:05:04All right.
00:05:05Have a good faut income.
00:05:07Here's the pushing.
00:05:08There's a pressure on each other.
00:05:09This is better at the very beginning of the future.
00:05:11Theème extras is tricky.
00:05:13There's a special Abendan角度.
00:05:14There's one way, there's going to start-up on each other young people.
00:05:16There's a real Есть card.
00:05:17Atаботsstgmental, they leave the crew music with the Fedящ.
00:05:19He's next to show Maura.
00:05:20Makes it happen.
00:05:21The future of the weather, it's about three ways.
00:05:22Oh, my God.
00:05:52Oh, my God.
00:06:22Oh, my God.
00:06:52Oh, my God.
00:07:22Oh, my God.
00:07:52Oh, my God.
00:08:22Oh, my God.
00:08:51Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:55Never seen her before in my life.
00:08:57Hey, have you got an offer to make for the children of the sun?
00:09:00Okay.
00:09:01Here, will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to get me, are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:19Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34You didn't understand a thing.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mm.
00:09:48Just think, they were going to get married, and not long before the wedding, she went
00:09:54on holiday with some friends from work, and they came here to Santo Domingo as part
00:09:59of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:46If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:10:58I bet you'd think he'd be very lonely.
00:10:59Okay.
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for lost time then.
00:12:19Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:37I feel uncomfortable.
00:12:50Well, there's no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05You know, love can be a strange thing.
00:14:15The light is not the best, but...
00:14:45We shall do what we can.
00:14:51It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:57But you told me you'd never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:02I feel like I know it by heart.
00:15:04It's in the form of a turtle.
00:15:06A turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:13You better start praying that you don't end up reincarnated as a turtle.
00:15:20Ha, ha.
00:15:22Sometimes you're a real asshole.
00:15:24Oh, for God's sake.
00:15:28I was joking.
00:15:31Get away.
00:15:32What a warped thing.
00:15:37What's wrong?
00:15:39Are you nervous?
00:15:40Huh?
00:15:41What is it?
00:15:42Are you uptight?
00:15:43Maybe.
00:15:44I don't know.
00:15:45I feel strange.
00:15:47And this boat.
00:15:49And that man up there.
00:15:56Haven't you noticed?
00:15:57He hasn't said a word since we left.
00:15:59We hired him.
00:16:00To keep up a conversation with us.
00:16:02All right?
00:16:03Look at him.
00:16:04Look at him.
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Oh.
00:16:45Like it?
00:16:46What a place.
00:16:49Guaranteed primitive.
00:16:50Yeah.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:22Bye.
00:17:23Bye.
00:17:33Uh-huh.
00:17:34Is it far to the fishing village?
00:17:35500 meters.
00:17:37Down that way.
00:17:38Okay.
00:17:51I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:58Whatever you like.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08All right.
00:18:09See you later.
00:18:11Bye.
00:18:15See you later.
00:18:16Bye.
00:18:18Bye.
00:18:19Bye.
00:18:33Bye.
00:18:34Bye.
00:18:36Bye.
00:18:37Hi.
00:18:44Hi.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:03Good morning.
00:19:04Good morning.
00:19:07Good morning, sir.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Ah, that's it.
00:19:37Good morning, Consuelo.
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:20:57Mm-hmm.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the nerd?
00:21:11Oh, Andy the nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:31Escaping, but don't ask me from what, because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is.
00:23:04The chef's special.
00:23:05Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35The warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella.
00:23:54It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:18Esa mujer tiene el corazón duro con MFP.
00:24:24Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:46Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:52Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:31But then, it must be her on the plane, I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:53It's like I said, this isle just wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanizer, and your friend will get back his girlfriend.
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:57Sorry.
00:27:11I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:27Me, too.
00:27:32I love you, too.
00:27:34God!
00:27:39It's okay.
00:27:42If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:27:57I love you, too.
00:28:27I love you, too.
00:28:57I love you, too.
00:29:27I love you, too.
00:29:57I love you, too.
00:30:08Leave me alone.
00:30:11Stop it. You're hurting me.
00:30:14Stop it.
00:30:16Leave me alone.
00:30:18Put me down.
00:30:21Let me go.
00:30:25Let's go.
00:30:28Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know,
00:30:47you shouldn't go around by yourself.
00:30:50It's asking for trouble.
00:30:52Especially dressed like that.
00:30:54I can't have any fun shutting a bungalow.
00:30:58It's your life.
00:31:00Do what you want.
00:31:17What are you doing?
00:31:19Offering you a little hospitality.
00:31:20Here.
00:31:22Have a drink.
00:31:51Greela?
00:32:05You there?
00:32:10Greela?
00:32:11Criola?
00:32:17Criola?
00:32:21Criola?
00:32:24Criola?
00:32:38Did you see Criola?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right. Thanks, Criola.
00:33:03Criola.
00:33:05Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:13Joanne knows the island like the back of her hand. I took some magnificent pictures. Things I'd never have found without her.
00:33:27Andy.
00:33:28Yeah?
00:33:29I got to tell you something.
00:33:30Go ahead, shoot.
00:33:31Let's go away from here.
00:33:32Why?
00:33:33Something the matter?
00:33:34Yeah.
00:33:35Let's go away.
00:33:36We can't yet.
00:33:37We can't yet. I still have photos to do. Besides, I got a little money in advance. I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:42Well, I can't forget it. I want to go away. I want to go away. I want to go back to America. You're not being reasonable.
00:33:51I know, but I can't stay here another minute. I suppose it's my fault, huh? No, of course not.
00:33:58I'll be all right again soon, I swear.
00:33:59No, it's... there's nothing to do with you. I don't know. It's just...
00:34:00Look, I'm counting on the erotic atmosphere of this place to be here.
00:34:01I can't get it. I can't get it. I want to go away. I want to go back to America.
00:34:05You're not being reasonable.
00:34:06I know, but I can't stay here another minute. I suppose it's my fault, huh? No, of course not.
00:34:11I'll be all right again soon, I swear.
00:34:12No, it's... there's nothing to do with you. I don't know. It's just...
00:34:17Look, I'm counting on the erotic atmosphere of this place to be here.
00:34:27To do the trick, and I'm sure it will. It's only a question of time. I know it.
00:34:35All you have to do is be patient. Just a little longer. We'll be happy again.
00:34:41And then... I'll be able to give you what you need so badly.
00:34:57You're welcome. You're welcome. You're welcome.
00:34:58You're welcome. You're welcome. I'll be able to choose this place for the first place to be here.
00:35:34Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:10One day I guess I'll get another chance.
00:36:33Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:54Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:15Of course, you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:30I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:37I've stopped looking for it.
00:37:50The broken hearts.
00:37:51I was sure you'd come.
00:38:14You were?
00:38:15Do you want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:09Hey, I'm always lying.
00:39:10Hey, I'm always lying.
00:39:11Hey, I'm always lying.
00:39:12Hey, I'm always lying.
00:39:12I'm talking about you.
00:39:13I'm getting married.
00:39:13Goodbye, adios.
00:39:14Bye, adios.
00:39:15Bye, adios.
00:39:39Bye, adios.
00:39:43Bye, adios.
00:39:45Bye, adios.
00:39:45It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:13Since you made a sound.
00:40:15I'm sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:21I was too busy to talk.
00:40:23You forgot to mention Criola.
00:40:26She's the real reason for this.
00:40:29Oh, you always find the truth, don't you? I'm desperate.
00:40:33She's changed, and if I don't get her away from this place,
00:40:36I'm afraid I'm bound to lose her.
00:40:39You better hurry or you'll be too late.
00:40:42I'll take you back.
00:40:44I bet you're enjoying it.
00:40:46Joanne gave me one too with a dedication.
00:40:48I saw my eyes out.
00:40:50For a romantic novel, it's not bad.
00:40:54Is a model a fun thing to be, Criola?
00:40:56I wouldn't recommend it to my friends, but I'm not complaining.
00:40:58I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:02But I ended up with overweight tits.
00:41:05I bet you're enjoying it.
00:41:07Joanne gave me one too, with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends,
00:41:23but I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or a model,
00:41:28but I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:35Well, here, at least they appreciate my boobs.
00:41:41Here comes a customer.
00:41:42Oh, it's Marco.
00:41:44You know him?
00:41:45Yeah.
00:41:45Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah, wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed open.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris?
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:28What is it?
00:42:29Oh, don't worry.
00:42:31What do you want?
00:42:33I came to take you back.
00:42:35You made the trip for nothing.
00:42:37I'm sorry.
00:42:39Leon, where are you going?
00:42:41I'm leaving.
00:42:42But why?
00:42:43You're not the one who has to leave.
00:42:44Go away.
00:42:45Go back where you came from.
00:42:46Go on, get out.
00:42:47Leon, throw him out.
00:42:48Do something.
00:42:49I am.
00:42:50Leon.
00:42:51Leon.
00:42:52Leon.
00:42:53Leon.
00:42:54Leon.
00:42:55Don't go.
00:42:56Damn you.
00:42:57Why?
00:42:58Why did you come here?
00:42:59Because I still love you.
00:43:00And I'm not leaving without you.
00:43:02Don't you understand, Marco?
00:43:04I'm no longer the girl that you knew.
00:43:05Now I'm another person.
00:43:06I love another man.
00:43:07I'll wait.
00:43:08I'll wait.
00:43:09I'm patient.
00:43:10Iris, you'll get over it once we're together again.
00:43:13I'm not leaving this island without you.
00:43:16I'll wait.
00:43:17I'll wait.
00:43:18I'll wait.
00:43:19Iris, you'll get over it once we're together again.
00:43:21I'm not leaving this island without you.
00:43:24I'll wait I'm patient iris you'll get over it once we're together again
00:43:30I'm not leaving this island without
00:43:54Can I stay on board?
00:44:12I'll get this straight this time must be forever
00:44:24I know
00:44:27So stay
00:44:40She's not a consuelo she's not on the beach she's gone no other explanation I knew it she's gone back to the states
00:44:47How wearing apparel Andy look she hasn't gone her stuff still here
00:45:09Andy you're not to worry I'm sure that Criola will soon come back do believe me
00:45:17I gotta be off now so long see you at dinner
00:45:47Have you seen leon?
00:45:57Have you seen what he did with a girl?
00:45:59Have you seen what he did with a girl?
00:46:10sorry
00:46:12to the stern
00:46:14I want a word with him
00:46:16I'll leave you two together
00:46:18What do you want?
00:46:20iris
00:46:20iris
00:46:22you got her
00:46:24You don't want iris
00:46:25iris is free to do what she wants
00:46:27adios
00:46:28adios
00:46:30adios
00:47:30No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:53You'll suffer a little at first, but then, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:12It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:48:35Oh, Christ.
00:49:06Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:27Don't go.
00:51:56I have to.
00:51:57Where can I find Leon
00:52:26Leon's gone fishing, senor. In his boat.
00:52:29Thanks.
00:52:56.
00:53:03.
00:53:05.
00:53:11.
00:53:18.
00:53:22.
00:53:26.
00:53:42Put it in the pail.
00:53:45.
00:53:47You know how to cook it?
00:53:50Mm-mm.
00:53:51You'll have to learn.
00:53:54Hey. What are you doing here?
00:54:09.
00:54:17Hey. What are you doing here?
00:54:19.
00:54:21.
00:54:22.
00:54:24.
00:54:25.
00:54:27.
00:54:28.
00:54:29.
00:54:30.
00:54:31.
00:54:32Leon! No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late. It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that?
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying. You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished, God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive. He satisfies me.
00:55:22No, no.
00:55:24I don't want you.
00:55:25I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:46I'm sorry.
00:55:48I'm sorry.
00:55:49I'm sorry.
00:55:50I'm sorry.
00:55:51I'm sorry.
00:55:52I'm sorry.
00:55:53I'm sorry.
00:55:53I'm sorry.
00:55:54I'm sorry.
00:55:55I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem, really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:19Thanks.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:29Oh, I'm going to go.
00:56:38Oh.
00:56:38I'm in to this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46Well, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:53Mmm.
00:56:54Mmm.
00:56:55okay tell mother everything I'm all ears look I have no intention of fighting
00:57:06with you you're a kind sweet patient get to the point the question is will she
00:57:12tire of that dope that's what you want to know is that it she's bound to tire
00:57:18she always does this place plays tricks on one sometimes even I fell once you know
00:57:30there's no truth in all that shit I surely don't need to prove it do I you're up against an example
00:57:37and you know it it's not a person who casts a spell on one at all but this island it
00:57:45intoxicates people's minds it may not be happiness God only knows happiness it's hard enough to find
00:57:52anywhere but it's a narcotic that makes them feel they found paradise hmm yeah it's blinded even
00:57:59Creola she used to hate dirt invention of squalor made her sick for days mm-hmm I'll be heard in
00:58:07it's usual when they eventually rebel that's it they reject the previous moral values they had
00:58:15and abandoned themselves falling into the arms of someone like Leon but you see I can't
00:58:20understand how she could learn to make love like that oh yes you can please right let's not say
00:58:31anymore you want to sit here all night
00:58:32all right
00:58:41that's not gonna do any good
00:58:58hey what's the matter you suddenly develop morals
00:59:04I'm as immoral as you are but there is such a thing as the right moment
00:59:12night it's way past my bedtime
00:59:16is it ready is it caught
00:59:39there's a time for love and a time for food now we eat
00:59:49so
00:59:52yeah
00:59:57yeah
01:00:00yeah
01:00:03yeah
01:00:04yeah
01:02:08Ha, ha, ha.
01:02:14Bomba.
01:02:16Bomba.
01:02:17Bomba.
01:02:18Bomba.
01:02:28I don't know anymore, Iris.
01:02:34how can you humiliate yourself this way how can you accept all this because i love him like i
01:02:41never loved anyone how about us then don't i count for anything perhaps you've forgotten
01:02:47that we were supposed to get married in a month you don't understand marco i'm not able to leave
01:02:53my god how is this possible go away from here it's useless i'll never give leona
01:03:03for any reason
01:03:33like a beer sure
01:03:42it's got to be a better life someplace right i wonder if all tropic paradises are such hell
01:03:51that bastard fucks our women and we are here getting drunk
01:04:02if only we had any guts we'd do something about it
01:04:10hello
01:04:37don't look at me like that i was just admiring you then don't admire me that way
01:04:50are you alone
01:04:52why tomorrow morning i go i thought i should tell you that
01:04:58i'd like to hire the boat from leon
01:05:01i'm mad about you nothing can make me change ever
01:05:09i uh i put your things in a bag what do you want me to do with it
01:05:16whatever you want what do i do keep it burn it i'm not coming back you're lying
01:05:28i need you leon a ride to the mainland so i can fly out to america
01:05:41i want to hire the boat tomorrow morning marco's also going and i want it to be a party so bring creole
01:05:49it's better if it stays at home she's got work to do and i want something to eat when i get back
01:06:00anyway it's okay i'll accompany you
01:06:07don't you realize the life you're leading i'm fine here
01:06:27come back with me iris
01:06:36no marco not now not ever
01:06:41and for heaven's sake don't ask me again
01:06:44now leave me alone i have worked
01:06:48you win okay
01:06:51you win
01:06:58you win
01:07:05you win
01:07:12you
01:07:14you
01:07:16you
01:07:18you
01:07:20you
01:07:49you
01:08:18He came to me this morning, and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it!
01:08:48Let me in on it!
01:09:48There must be something
01:10:18caught in the propeller.
01:10:20I'm going down to have a look.
01:10:48Come on, let's go.
01:11:18Consuelo?
01:11:23Have you seen Iris?
01:11:28She and Criella were very upset.
01:11:31They laughed.
01:11:31Criella?
01:11:32What the hell's going on?
01:11:36Nothing.
01:11:38Iris!
01:11:48Iris!
01:12:02Stop it!
01:12:12Stop it!
01:12:24You've got no call.
01:12:28Exactly what are you trying to do to me?
01:12:32Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:43Parker didn't really mean to kill you.
01:12:45It was pure desperation.
01:12:46Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:54No.
01:12:57Funny.
01:12:58I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous frenzy.
01:13:21I'm sure of it.
01:13:22I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:27I never thought he would go that far.
01:13:30You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:51Thanks.
01:13:54Joanne.
01:13:56Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:06You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:20Still happy?
01:14:21Sounds like a banal line from one of your books.
01:14:27Yes, it is banal.
01:14:29But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:38So you need courage.
01:14:39Hello, Andy.
01:14:40We thought...
01:14:42We thought that island would help us escape from reality.
01:14:45We must accept the place the scientists on this earth.
01:14:46Come here.
01:14:47Oh!
01:14:48Oh!
01:14:49Oh!
01:14:50Oh!
01:14:51Oh!
01:14:52Oh!
01:14:53Oh!
01:14:54Oh!
01:14:55Oh!
01:14:56Oh!
01:14:57Oh!
01:14:58Oh!
01:14:59Oh!
01:15:00Oh!
01:15:01Oh!
01:15:02Oh!
01:15:03Oh!
01:15:04Oh!
01:15:05Oh!
01:15:06Oh!
01:15:07Oh!
01:15:08Oh!
01:15:09Oh!
01:15:10Oh!
01:15:11Oh!
01:15:12Oh!
01:15:13Oh!
01:15:14Oh!
01:15:15Oh!
01:15:24You were right, Jack.
01:15:25There's magic everywhere here.
01:15:26Kiss me.
01:15:30It's in the very air.
01:15:31Can't you feel it?
01:15:32I know that if we stay here long, something wonderful will happen to us.
01:15:38They say these islands cast a spell on lovers.
01:15:45Because we're about to...
01:15:50We get it!
01:15:51We get it!
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