- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Il traffico di Napoli.
00:01:33Il trasferimento di uomini.
00:01:35Il primo posto.
00:01:37Sì.
00:01:43Shit.
00:01:45Whoa.
00:01:46I can't put my wallet.
00:01:51A pretty lucy case?
00:01:52No.
00:01:53No, it's not missing.
00:01:54It's not where they're missing.
00:01:55Somewhere.
00:01:57Maybe it's in a car.
00:02:00What is it? What do you think?
00:02:08She's lost her purse.
00:02:11No, there's nothing. She didn't catch anything.
00:02:16There's nothing.
00:02:21Just give her a minute.
00:02:23One moment.
00:02:25No, no, no, no, no!
00:02:28Where did you have it last?
00:02:30The train station, I think?
00:02:32The exchange group?
00:02:34Oh, Jamie.
00:02:36I'm sorry.
00:02:38That bastard at the train station started when you dropped all your stuff.
00:02:42This is 170, not 70.
00:02:44Where do we need to go?
00:02:46I don't know.
00:02:48I don't know.
00:02:50I don't know.
00:02:52I don't know.
00:02:54I don't know.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think it's nice.
00:03:26It's nice.
00:03:28Yes, I have a credit card.
00:03:30The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:34Okay.
00:03:36Five five three three.
00:03:38Seven six four five.
00:03:40Eight seven eight seven.
00:03:42Nine one five seven.
00:03:44Nine one five seven.
00:03:46Five seven.
00:03:48Five seven.
00:03:50Yeah.
00:03:52Expires 12.15.
00:03:54No, she'll definitely need another card sent out immediately.
00:03:56We're here for two weeks.
00:03:58No, she'll definitely need another card sent out immediately.
00:04:00We're here for two weeks.
00:04:02No, I'm working here.
00:04:04Yes, I'll hold.
00:04:06You love how they ask.
00:04:07As if I have a choice.
00:04:08Do you know what I'm gonna try to do while I'm here?
00:04:10Do you know what I'm gonna try to do while I'm here?
00:04:12Do you know what I'm gonna try to do while I'm here?
00:04:14Besides an old Italian.
00:04:27I don't know why you think that's so ridiculous.
00:04:30You don't at all.
00:04:32I admire you.
00:04:33I just think it's too late for me.
00:04:35That's not true.
00:04:37You can't teach an old dog to TV tricks.
00:04:40So to read that,
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:46The whole bloody world speaks English.
00:04:49Well, I...
00:04:51want to finally transcribe the tapes.
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:01Well, if you can see it through to the end,
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:09Nothing.
00:05:10Mm-hmm.
00:05:13I think it's a fantastic idea, Jen.
00:05:15I always have. You know that?
00:05:20You shouldn't sound very supportive.
00:05:25You have my support.
00:05:26I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be,
00:05:33has been, for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:40No.
00:05:41Yes, it's great.
00:05:42Thank you, Jen.
00:05:43It's great.
00:05:44I'm so into it.
00:05:45I do not know.
00:05:46How did you want to live in a tent too?
00:05:47I do not know what you did.
00:05:48Why do you think he killed himself?
00:05:52Why do you think he killed himself?
00:06:08Who?
00:06:10David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't you?
00:06:22Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:39I really don't know, do you know?
00:06:40Just so tedious.
00:06:44And then of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't...
00:06:50Jane, can I... can we not talk about this?
00:06:52Just... just... just a bit more, a bit.
00:07:12Love you.
00:07:15Love you too.
00:07:16Do you feel alright?
00:07:37Do you feel okay?
00:07:38Do you feel okay?
00:07:40Yes.
00:07:41Just me...
00:08:01Love you.
00:08:06Love you.
00:08:06I don't know.
00:08:36I don't know.
00:09:06Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21We get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:14And this man, he had blood in his hair.
00:11:19Good night.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:08It feels nice if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:25Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:32I hope you'll have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:24Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:35And there were all these bomb holes filled with water, and he couldn't tell which was
00:13:40the German side and which was the Allied side.
00:13:43When he came home after something like that, you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:04Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:29What does he do?
00:14:30He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:37Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49One, two, ten, please.
00:15:5110, 10.
00:15:58One?
00:15:58Five.
00:15:59All right.
00:16:02Oh, hey, have you got 50 cents?
00:16:04If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11Grazie.
00:16:11What brought you out of here today?
00:16:35Barry?
00:16:36Barry?
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:52In like the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know. I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:34I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:39No, I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights is a 72-hour plane ride, but you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:50I'm 19. It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after like a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry. Anyway.
00:18:21So this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older. He's like deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:19:14Love teaches me to feed on flames and tears.
00:19:33Love teaches me to feed on flames and tears,
00:19:40to turn withered hope green through desire,
00:19:46to re-enslave my heart each time love frees his noble face
00:19:51from that heavy disdain.
00:19:54Who is that?
00:19:57Vittoria Colonna.
00:20:00Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory
00:20:13all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then, in Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36Okay.
00:20:37De lacrime a de faco nutria l'alma.
00:20:43Con secca speme reinvedia la voglia.
00:20:49Lega de nuovo il cor quando de scioglia.
00:20:55Segna maggiore la vista tierra ed alma.
00:21:00I'm impressed.
00:21:02You hungry?
00:21:03Why, you gonna take me out?
00:21:04Yeah.
00:21:05Alright then.
00:21:06Okay.
00:21:07Two pastas with the house sauce, please.
00:21:10Red.
00:21:11Red.
00:21:12Red.
00:21:13Uh-huh.
00:21:15Grazie.
00:21:16So you're really not gonna tell me what you do?
00:21:18No.
00:21:19No.
00:21:20No.
00:21:21No.
00:21:22No.
00:21:23No.
00:21:24No.
00:21:25No.
00:21:26No.
00:21:27No.
00:21:28No.
00:21:29No.
00:21:30No.
00:21:31No.
00:21:32No.
00:21:33No.
00:21:34No.
00:21:35No.
00:21:36No.
00:21:37No.
00:21:38No.
00:21:39No.
00:21:40No.
00:21:41No.
00:21:42No.
00:21:43No.
00:21:44No.
00:21:45No.
00:21:46No.
00:21:47No.
00:21:48No.
00:21:49No.
00:21:50No.
00:21:51No.
00:21:52No.
00:21:53No.
00:21:54No.
00:21:55No.
00:21:56No.
00:21:57No.
00:21:58No.
00:21:59No.
00:22:00No.
00:22:01I recorded her for hours and hours, but now, I don't know.
00:22:09What don't you know?
00:22:12You want to listen? A little?
00:22:15Yeah. Yeah?
00:22:17Yeah, I know it. I love to listen.
00:22:31Well, it's tangled up.
00:22:35Not loud.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things,
00:22:48and I'm not one of those old people who think my time had the only joy and the only problems.
00:22:54We all have our own private wars, every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh. We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I'll shut that thing off. Would you get it out of my face?
00:23:19That is like... it's like a window in time.
00:23:23The sort of thing which you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:45I got pregnant so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06Sorry.
00:24:29I didn't go back after that to the States.
00:24:31Did you ever hear that story about the Red Strain?
00:24:41I think I might have. Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape.
00:25:20I'm sitting waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm going to show World War II from a totally different perspective.
00:25:38But...
00:25:39I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Pleano, grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make it great.
00:26:21Okay.
00:26:26Bravo, bravo.
00:26:28Come over here.
00:26:37What do you mean, Amarillo?
00:26:38What?
00:26:39Grab my hand.
00:26:40Wait, go, go, go!
00:26:41Oh my God!
00:26:42Oh my gosh!
00:26:43Oh my gosh!
00:26:44Oh no!
00:26:45What?
00:26:46What do you mean?
00:26:51Stronzo!
00:26:53Hey!
00:26:54Hey!
00:26:55It's the carabinerie!
00:26:56Is it police?
00:26:57No!
00:26:58Hey!
00:26:59Yeah!
00:27:00Yeah!
00:27:01Yeah!
00:27:02Yeah!
00:27:03Hey!
00:27:04We can't go back!
00:27:05We can't go back!
00:27:06We can't go back!
00:27:07I can't pay for that.
00:27:09I can't pay for that.
00:27:11I can't pay for that.
00:27:13I can't pay for that.
00:27:15Oh, God.
00:27:17Oh, God.
00:27:23I know.
00:27:25I know.
00:27:27It would make you feel better if I said I said the whole thing up.
00:27:31Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:41You're horrible.
00:27:43You're horrible.
00:27:45Come on, let's go.
00:27:47Come on.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:28:05Oh, my gosh.
00:28:07Oh, my gosh.
00:28:13What up my nose?
00:28:15We come back?
00:28:19Maybe.
00:28:21Maybe is not a no.
00:28:23And since I don't have a phone,
00:28:25you're gonna have to give me your number.
00:28:27For cheap thrills and future crimes committed.
00:28:29No.
00:28:31You're enough.
00:28:41I've got to go catch a fairy.
00:28:45Hey.
00:28:59Why do violists keep their viola cases on their dashboards?
00:29:07Why?
00:29:19So they can park in handicapped spots.
00:29:23Oh.
00:29:25Happy birthday.
00:29:29Oh.
00:29:31Happy birthday.
00:30:35You're awake.
00:30:52Yeah, there's so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:30:58Nice.
00:31:28Nice.
00:31:29You too.
00:31:30Shit.
00:31:39Jane.
00:31:41Tony.
00:31:42Got some pastries.
00:31:46You still asleep?
00:31:51Jane.
00:31:53Jane.
00:31:54Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47I didn't want to leave my mum and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open
00:32:57and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:15You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lig,
00:33:46which is fascinating.
00:33:48The three of us were planning dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were.
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:13You have a chance of a wrap.
00:34:14I know, right?
00:34:19I'm actually going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:34Can I have the check, please?
00:34:37In a cafe, put the play?
00:34:38Oh, no, thank you.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:02Okay?
00:35:02Grazie.
00:35:03Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk expat.
00:35:27They had, like, a private chef and everything.
00:35:29And, uh, they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:55Go on.
00:35:59I'm selling my hand.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08I have one.
00:36:12What is the definition
00:36:13of perfect pitch?
00:36:17What?
00:36:20when you throw a viola into the dumpster
00:36:23without hitting the rim.
00:36:24you didn't just make that up
00:36:27I did
00:36:28it's too good
00:36:28I did
00:36:29well I'm impressed
00:36:30and I'm stealing it
00:36:31you can pretty much
00:36:33make that joke
00:36:34about any instrument
00:36:35did you play anything
00:36:39this and that
00:36:41you know
00:36:42shall we
00:36:45what time to go
00:36:47already
00:36:48yeah
00:36:49I'm gonna get back to work
00:36:50so what's next
00:37:01on your agenda
00:37:01Caleb
00:37:02um
00:37:03I'm thinking
00:37:05Tibet
00:37:05oh Tibet
00:37:06really
00:37:07yeah there's this
00:37:08thing called the shopping festival
00:37:09at the end of the summer
00:37:10yeah I've heard about that
00:37:11that's where the
00:37:12the Buddhist monks
00:37:13unroll all the tapestries
00:37:14on the hill right
00:37:15the monks
00:37:16the monks
00:37:17the monks
00:37:17so pretty
00:37:18how do you support yourself
00:37:21you know
00:37:22a bit of this
00:37:23a bit of that
00:37:23oh
00:37:28all right then
00:37:30I'll walk you
00:37:31does anybody
00:37:32have a pen
00:37:33you got a pen
00:37:33yeah I have a pen
00:37:35I have a piece of paper
00:37:50you guys should definitely
00:37:51come over to the island
00:37:52I'll take you somewhere
00:37:53fun you know
00:37:54don't knock on the front
00:37:55door come around the side
00:37:56I need Regina
00:37:58thank you
00:38:05and thanks again
00:38:07for yesterday
00:38:07oh no problem
00:38:08hey
00:38:11ciao
00:38:13ciao
00:38:13how stoned are you
00:38:22come on man
00:38:24we should tell him
00:38:24pop it's not a big deal
00:38:25so you're saying
00:38:29you smoke back at her
00:38:30occasionally
00:38:31hey can we do something
00:38:33fun tonight
00:38:33sure
00:38:35I'm fine from here
00:38:40see you after work
00:38:42I'll be waiting
00:38:43I'll be waiting
00:38:46Hey.
00:38:48God, you're scaring me.
00:38:49Hey.
00:38:50God, you're scaring me.
00:38:51Oh, my God.
00:38:52Hey.
00:38:53Hey.
00:38:54Hey.
00:38:55Hey.
00:38:56Hey.
00:38:57Hey.
00:38:58Hey.
00:38:59Hey.
00:39:01Hey.
00:39:02Hey.
00:39:03Hey.
00:39:15Hey, hey.
00:39:16You're scaring me.
00:39:17Are you following me?
00:39:18Maybe.
00:39:19Is that weird?
00:39:21Yeah.
00:39:30I couldn't sleep last night.
00:39:33You told me you were staying near the port, so I got the
00:39:38first ferry this morning.
00:39:40I came looking for you.
00:39:43And I can't believe I found you.
00:40:13What are we doing?
00:40:28I think we'll make it out.
00:40:31So sexy and beautiful.
00:40:43I can't do this.
00:41:08What?
00:41:09Why?
00:41:10I can't do this.
00:41:11Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:36Don't follow me.
00:41:37Don't follow me.
00:41:39Don't follow me.
00:41:43What?
00:41:48Oh,
00:41:55Oh!
00:42:34There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:00I did deserve that.
00:43:28And I just left my husband.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a mess in my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've had lots of dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:08Okay.
00:44:08All right.
00:44:39Leonard, can we talk?
00:45:09Say cheese.
00:45:29Oh, you should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:39That's what our living room is missing.
00:45:51What did you do?
00:46:10Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:14Come on.
00:46:44Come on.
00:46:50Come on.
00:46:52Come on.
00:46:54Come on.
00:46:56Come on.
00:49:00Hi.
00:49:01Did I wake you?
00:49:03No.
00:49:04I think I need to be less serious.
00:49:09Yeah?
00:49:10Will you put my pants on?
00:49:14Okay.
00:49:16Okay.
00:49:17Okay.
00:49:19Okay.
00:52:48Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You made me feel nervous.
00:53:19You made me feel calm.
00:53:20You make me feel calm.
00:53:24You want to drink?
00:53:29Want a drink?
00:53:59Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:18Must be lonely.
00:54:29Yeah, he just shuffled around all night.
00:54:46Yeah, he just shuffled around all night.
00:55:03Yeah, he just shuffled around all night.
00:55:09Again and again and again,
00:55:30Again and again and again,
00:55:35And once I was single,
00:55:40My pocket is English.
00:55:42And girl, I wish I was single again.
00:55:44Again and again and again,
00:55:48Again and again and again,
00:55:52Once I was single,
00:55:55My pocket is English.
00:55:57And girl, I wish I was single again.
00:56:00Tum, Tum!
00:56:05I didn't sleep at all last night, where have you been?
00:56:15Just walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here, I had to plug it in.
00:56:25We need to talk, Leonard.
00:56:28I have to go to work.
00:56:30Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me, I have to go to work.
00:56:52Okay.
00:57:04If it wasn't the war, it would have been something else.
00:57:16There's always something else, isn't there?
00:57:21That's the thing.
00:57:22That's the thing about struggle.
00:57:25I'm going to make some tea.
00:57:26Do you want some?
00:57:27I'm all right.
00:57:28I'm going to make some tea.
00:57:29Do you want some?
00:57:30I'm all right.
00:57:31I'm all right.
00:57:32If you go out like that again, just tell me.
00:57:33I'm all right.
00:57:34If you go out like that again, just tell me.
00:57:35I'm all right.
00:57:36Don't worry.
00:57:37Okay.
00:57:38I'm all right.
00:57:39If you go out like that again, just tell me.
00:57:41Don't worry.
00:57:42Okay.
00:57:43I can't seem to figure out what's going on in your head.
00:57:45I'm all right.
00:57:46If you go out like that again, just tell me.
00:58:03Don't worry.
00:58:05Okay.
00:58:06I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good in the long run?
00:58:35Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you next time we come to Italy to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:58:57I don't know what you want me to say, Jane.
00:58:58I don't know what you want me to say, Jane.
00:59:02I don't know what you want me to say, Jane.
00:59:07One little thing had changed in my grandmother's life, I might not be here.
00:59:08One little thing had changed in my grandmother's life, I might not be here.
00:59:31Sometimes I worry I'm not honoring her.
00:59:38With the book?
00:59:39No, with my life.
00:59:40This is it, you know.
00:59:41It ends with me.
00:59:45In the harvest time we all went to the field where they were cutting the corn.
00:59:52Everyone was chasing rabbits and then we had our tea in the harvest fields.
00:59:59The horses.
01:00:00Yeah.
01:00:01The horses.
01:00:02Yeah.
01:00:03The horses.
01:00:04The horses back then they were kept beautifully.
01:00:11Dad used to dress them all up, brass things and little horses.
01:00:25He put braids on them.
01:00:26They used to dress them all up.
01:00:29Brass things and little horseshoes.
01:00:36horseshoes he put braids on them they used to be gorgeous what are your plans for tomorrow
01:00:46there was one duke he was a clydesdale i used to ride down to the marshes every night when he
01:00:54finished working they were lovely days really
01:01:07they're gone for me jane but not for you jane you know it's different for you in some ways it's easier
01:01:20you haven't got the war people don't die as much as they did back then but in some ways it's more
01:01:27disjointed you've got to make your own life one that you love and you can't be afraid of
01:01:35the time time is shiftable
01:01:51there are moments in my life that i would trade 60 years to have back again
01:01:56that's the truth you know the truth when you find it it'll come to you like something you've known
01:02:02before rather than something you're learning for the first time
01:02:06what is it oh oh you all right oh you okay yeah it's on my toe oh it's bleeding oh it's fine it's fine
01:02:30it's fine it's fine it's fine are you finishing that yes oh fuck
01:02:37i met these backpackers last night frank and elsa she's french he's german
01:02:52they're going to tibet and i'm going with them
01:02:56i want you to come with me
01:03:10so
01:03:16so
01:03:24so
01:03:30so
01:03:38so
01:03:44so
01:03:52Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why didn't they not?
01:04:17I don't think I'd jump to doing another stint like this.
01:04:22How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project.
01:04:52Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:09Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:56So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:46I never will.
01:06:49And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:11We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:00What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:29Yes.
01:08:30That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:47I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:18I'm sorry.
01:09:19I'm sorry.
01:09:20I shouldn't have done that.
01:09:20I shouldn't have done that.
01:09:22I shouldn't have done that.
01:09:23I'm sorry.
01:09:24I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:39Jane, you've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do, and then come back to me.
01:10:17No questions asked, no guilt.
01:10:22This is good.
01:10:35This is good.
01:11:05ORGAN PLAYS
01:11:35Hi
01:11:46Hi
01:11:49You want some?
01:12:02Oh, thanks
01:12:03You want some?
01:12:33I'm coming over in a couple of hours
01:12:48Frank bought a car
01:12:50So we're gonna head out in a couple of weeks
01:12:54Or so, you know
01:12:55I'm thinking of
01:13:01Driving through Romania
01:13:05And then Ukraine
01:13:08And down through Russia
01:13:09And through Kazakhstan
01:13:10And then straight to Tibet
01:13:13Or I don't know
01:13:16So we'll have tôi
01:13:18To throwupp that down
01:13:20Okay, well...
01:13:22You guys are not all medo
01:13:23You know what's going on
01:13:23You don't visit me
01:13:24You know what's going on
01:13:25And what's going on
01:13:25You don't want it
01:13:26I don't want to be
01:13:28You don't Wast
01:13:28Afro
01:13:29But I don't want to be
01:13:29I don't want to be
01:13:30You don't want to be
01:14:08Good luck.
01:14:53Jay!
01:14:58You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:02It's four in the morning, the end of December.
01:15:09It's four in the morning, the end of December.
01:15:18I'm riding you now just to see if you're there.
01:15:24New York is cold, but I like where I'm living.
01:15:31There's music on Clinton Street all through the evening.
01:15:37I hear that you're building your house deep in the desert.
01:15:58Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:23She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:42Now shut that thing off.
01:16:44All the lessons.
01:16:45All the lessons.
01:16:46All the lessons.
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