- 6 months ago
Category
🦄
CreativityTranscript
00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08All right.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. All right. That's fine.
00:01:30That's a good dog.
00:01:32Good. All right. That's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:42All right. That is great.
00:01:48I think he looks good, don't you?
00:02:02Yeah, we're out of film. All right. Take five. We're reloading now.
00:02:06This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:10It's my dog. I trained that dog. I love this dog.
00:02:12Then you are as dumb as the dog.
00:02:14All right. Is everybody ready? Is your camera loaded? Yeah.
00:02:30Are we all happy with the dog?
00:02:34I'm happy with the dog.
00:02:36You're welcome.
00:02:38Est-ce qu'elle est prête ?
00:02:40Est-ce qu'elle est prête ?
00:02:42Oui.
00:02:43Est-ce qu'on est tous heureux ?
00:02:45Alors, donnez-moi l'homme.
00:03:08Je suis Sander Davis.
00:03:10En quelques minutes,
00:03:11nous allons changer notre contrôle
00:03:12de la Création Women's Press Club
00:03:13pour honor Emmanuel Griffith
00:03:15comme la femme de l'année.
00:03:17Certaines personnes ne connaissent pas le nom,
00:03:19mais elles devraient être capable
00:03:20de reconnaître le face.
00:03:22À l'âge 25,
00:03:23Miss Griffith a appareil
00:03:25sur le front cover
00:03:26de certaines des magasins
00:03:28du monde,
00:03:29les covers de Vision,
00:03:31Olé et Valérie,
00:03:33juste à nommer quelques.
00:03:35Emmanuel,
00:03:36qui est bien-known,
00:03:37est maintenant
00:03:38le standard du monde
00:03:39de la beauté et de la fashion
00:03:40et est aussi
00:03:41un major symbole
00:03:42du mouvement féministe.
00:03:44Elle n'a pas d'intérêt
00:03:45de la Présidente
00:03:46de la Création Women's Press Club.
00:03:48Donc, Melissa,
00:03:49qu'est-ce qu'il y a ces rumours ?
00:03:51Bien, Sander,
00:03:52c'est une position demandante
00:03:53et elle est déjà
00:03:55en grande demandante.
00:03:56Elle a été considéré
00:03:57comme la meilleure
00:03:58modelle de la fashion
00:03:59dans la histoire du business.
00:04:01Maintenant,
00:04:02nous allons changer nos cameras
00:04:03à Washington, D.C.
00:04:04et Joan Harris,
00:04:05à la Présidente Service
00:04:06de la Fréation Women's Press Club.
00:04:08...
00:04:13Good morning, ladies.
00:04:14Good morning.
00:04:15Good morning.
00:04:16I'm so very happy
00:04:17to see all of you
00:04:25here this morning.
00:04:26J'ai eu un problème.
00:04:29Oui, j'ai eu.
00:04:30Je ne pensais pas que je pouvais faire un travail.
00:04:32C'était trop difficile, trop difficile, et à l'heure, c'était impossible.
00:04:39Les femmes étaient des citoyens second-classes, et elles sont encore aujourd'hui.
00:04:45Mais laisse-moi vous dire ce que, les choses sont changées.
00:04:49Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God, this is really great stuff.
00:05:09This is great stuff.
00:05:12Jesus.
00:05:12Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies,
00:05:47some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03Thank God.
00:06:06I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:31Yes!
00:06:32I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:13I will tell you, you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes!
00:07:2550-50.
00:07:2650%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:35All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of the course.
00:07:46When I'm talking piece, ladies, I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes!
00:07:58Yes!
00:07:59Yes!
00:08:00Just get the back of it.
00:08:01Just get them, honey.
00:08:02Come on!
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:10C'est parti.
00:08:40Ok, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine, what about the deal?
00:08:50Ok, for every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me. I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies.
00:09:16I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23Girl, I see you, walk in that certain way.
00:09:43There's something about you that turns heads the other way.
00:09:49They all adore you.
00:09:51That's easy to see.
00:09:53They're all you're loving.
00:09:55But it won't be me.
00:09:57It's something that you just come to my heart.
00:10:00Girl, I don't turn about.
00:10:03It's something that you just come to my heart.
00:10:05Oh, girl, I can't see you with somebody else.
00:10:13I gotta have you, darling, now.
00:10:18Hold me and nobody else.
00:10:23Gonna make you love me.
00:10:26Hold you through the dark.
00:10:28Look what you've just done in my heart.
00:10:40Oh, baby.
00:10:42Look what you've just done in my heart.
00:10:45Yeah.
00:10:46Look what you've just done in my heart.
00:10:49Girl, I don't turn about.
00:10:51Look what you've just done in my heart.
00:10:54Oh, baby.
00:10:55Look what you've just done in my heart.
00:11:10Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:21They'll tell you anything they want you to hear.
00:11:25They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:11:59I think all you girls should remember the terminology, manpower, manipulate, the rights of man, manhole.
00:12:09I mean, all you girls can climb down and it's still going to be a manhole in the eyes of God, in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:17You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate is going to teach you, darling.
00:12:30Okora Hotel.
00:12:51Yes, Miss Emmanuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived.
00:12:58One moment, please.
00:12:59Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12Alright, fine.
00:13:14I'll be down in a minute.
00:13:15Ok, thank you.
00:13:29Thank you.
00:13:48C'est parti.
00:14:18Hey, buddy.
00:14:31I smell some gas back here.
00:14:36Hey, guy.
00:14:37You got a leak or something?
00:14:45Can't you get the window down?
00:14:47Hey, mister.
00:14:52Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:57Open my window.
00:14:59What are you doing?
00:15:20I need you.
00:15:21Let's go.
00:15:33Hey, buddy.
00:15:37Sous-titrage FR ?
00:16:07Don't worry, baby. I'm here to help you. Everything's gonna be just fine.
00:16:37Sous-titrage FR ?
00:16:39Sous-titrage FR ?
00:16:43Sous-titrage FR ?
00:16:53Sous-titrage FR ?
00:17:03Sous-titrage FR ?
00:17:05Sous-titrage FR ?
00:17:07Sous-titrage FR ?
00:17:09Sous-titrage FR ?
00:17:11Sous-titrage FR ?
00:17:13Sous-titrage FR ?
00:17:15Sous-titrage FR ?
00:17:17Sous-titrage FR ?
00:17:19Sous-titrage FR ?
00:17:21Où est-ce que je suis ?
00:17:23C'est pourquoi ?
00:17:25Qui est-ce que tu et pourquoi je suis ici ?
00:17:29Je n'aime pas les femmes qui utilisent profanité.
00:17:33Vous n'avez pas ?
00:17:35Non.
00:17:39Alors, vous me dites juste quelques choses.
00:17:43Qu'est-ce qui est-ce qui est-ce qui est-ce qui est-ce qui est-ce ?
00:17:47Et qui est-ce que tu ?
00:17:49Tu vas voir, Manny.
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00:27:42Je peux prendre ce truc off de l'hinge et tu vas à porter une porte pour le reste de ta vie.
00:27:50Please.
00:27:52C'est mieux.
00:27:53Vous savez ce que vous commencez à me arriver?
00:27:56La possibilité qui existe, c'est que vous devriez même mieux.
00:28:02Mais je ne sais pas.
00:28:07Je ne crois pas.
00:28:12J'ai participé de la personne.
00:28:16J'ai participé de la personne.
00:28:19J'ai participé de la personne.
00:28:25Oh, c'est ce que tu veux.
00:28:27Je n'aime pas ça, tu ne suis-tu ?
00:28:32All right.
00:28:34All right, c'est le gold que nous avons cherché.
00:28:39Et oui.
00:28:42oh yes
00:28:44oh yes
00:28:46oh yes
00:28:48oh yeah
00:28:50come on come on come on come on
00:28:52i see a touch of you babe
00:28:54come on come on honey
00:28:56come to daddy that's it that's better
00:28:58that oops not enough
00:29:00just get your magi- oh
00:29:02come on get in the view come on
00:29:04let me strike a
00:29:06close up on
00:29:08your magic spot
00:29:12what are you doing to me
00:29:16come on
00:29:26yeah
00:29:28no i want to i want to go someplace
00:29:30where i can totally be lost
00:29:32but at the same time if i wish to
00:29:34escape into some excitement
00:29:36it's uh it's nearby
00:29:38oh i understand
00:29:40i think
00:29:42but i want it to be magnificent
00:29:44first class all the way
00:29:46of course
00:29:48i like the ocean
00:29:50but it has to be more than that
00:29:52i want something that
00:29:54oozes love
00:29:56oozes
00:29:58i beg your pardon
00:30:00don't excuse me oozes
00:30:02i was just flashing on something
00:30:04oh right
00:30:06what do you have in mind
00:30:08well the uh
00:30:10people in the travel business
00:30:12might call me mr t because
00:30:14t stands for travel of course
00:30:16so you've come to the right place
00:30:18i'll show you young man
00:30:20is splendor
00:30:22in the sand
00:30:24hold your breath
00:30:26you'll be screaming for oxygen
00:30:28this
00:30:30this is antiga
00:30:32the island of beaches
00:30:34five years ago
00:30:36very dear
00:30:38well close intimate
00:30:42friend of mine and i spent five glorious days there
00:30:46never said i'll never forget it
00:30:48we lay on the beach and write love poems to each other
00:30:52and put them in a seal
00:30:54an empty orange juice
00:30:56bottle and hiding under this rock
00:30:58look this is the very rock
00:31:00and the nights
00:31:02don't ask the nights were magical
00:31:06the wind the people
00:31:10the island the beaches
00:31:12the love poems
00:31:14the love poems
00:31:16then when the mood struck us
00:31:18which was quite often
00:31:20we would adjourn to our magical suite
00:31:22yeah
00:31:24this
00:31:26is the actual suite
00:31:28just between us
00:31:30we did it everywhere
00:31:32upstairs
00:31:34downstairs
00:31:36in my lady's chamber so to speak
00:31:38it was magnificent
00:31:42i bet
00:31:44what a memory
00:31:46yes
00:31:48oh excuse me
00:31:50now tell me will you be traveling alone
00:31:52uh
00:31:54no i'll be traveling with my wife
00:31:56the way
00:31:58of course
00:32:00sorry
00:32:02no harm done
00:32:04now you want me to write that up
00:32:06yeah sure thing pal
00:32:08like i said i want a first class all the way
00:32:12i'll take the beach i'll take the sand i'll take the nightlife
00:32:14but i definitely do not want that bro
00:32:18oh
00:32:20oh
00:32:22oh
00:32:24hello
00:32:36this is dick
00:32:38what can i do for you
00:32:40look richard
00:32:42i have nothing against you
00:32:46please let me go
00:32:48not until your act is together my darling
00:32:50okay
00:32:52you're right i'm sorry
00:32:54let me explain something to you darling
00:32:58okay i kidnapped you
00:33:00i kidnapped you know that means
00:33:02the fbi is involved with this
00:33:04as we speak even here
00:33:06and i'm not going to let you out till you get your head straight
00:33:10and that my love
00:33:12is quite up to you
00:33:14look richard
00:33:16i have nothing against you
00:33:18please let me go
00:33:20not until you get your act together
00:33:24i know
00:33:26you're right i'm sorry
00:33:28not only do i hate women who use foul words
00:33:32i hate women who lie
00:33:34goodnight sweetheart
00:33:36oh no
00:33:38richard
00:33:40richard come back
00:33:42oh please don't go away
00:33:44oh please you gotta come back
00:33:48you gotta talk to me richard please
00:33:52oh god
00:33:54oh god
00:33:56oh god no go away
00:33:58please
00:34:04please richard
00:34:06please
00:34:08please
00:34:10yes my darling
00:34:12i can hear you
00:34:14isn't it nice to see a friendly face
00:34:16look richard
00:34:18i have money
00:34:20i have money
00:34:22i have a lot of money
00:34:24i don't need new money
00:34:28what do you want then
00:34:30i want you to be a nice little girl
00:34:32i want you to be nice
00:34:34to the men who support you
00:34:36i want you to be barefoot and not pregnant
00:34:38i hate kids
00:34:40look
00:34:42i will do
00:34:44whatever you want
00:34:46i have got to get out of here
00:34:50i am going crazy in here
00:34:52okay
00:34:54take off the town
00:34:56i want to see you
00:35:02you can see me
00:35:04you've been watching me
00:35:08just relax baby
00:35:10how do i turn off this fucking thing
00:35:14it's locked i control it from here
00:35:16just relax okay
00:35:18what is it
00:35:20is it a peephole dick you prick
00:35:22oh no not a peephole
00:35:24not for dicky boy
00:35:26dicky boy is much too clever for that isn't he
00:35:28oh it's gotta be something else huh
00:35:30how about a tv camera
00:35:32how does that sound
00:35:34and when i find it
00:35:36and when i find it
00:35:38and i will find it
00:35:40i am gonna smash the shit out of it
00:35:44don't even give it a thought baby
00:35:46you'll never find it
00:35:47never
00:35:48you bastard
00:35:49you sick son of a bitch
00:35:51who do you think you are anyway
00:35:53you listen to me and you pay attention
00:35:55i'm the guy with the key to your mind
00:35:58god i hate you
00:36:00i hate you
00:36:01you are the lowest of the low
00:36:03you listen to me dicky boy
00:36:06when i get out of here
00:36:08you are dead meat
00:36:10don't do it don't do it
00:36:14that was a bad idea baby
00:36:19you best plug that back in
00:36:21fuck you
00:36:25good night sweetheart
00:36:27oh this is just perfect
00:36:29oh what's the matter dicky boy
00:36:31reality get to be too much for you
00:36:33huh reality gets to be a little tough
00:36:35and you can't take it
00:36:37you gotta turn off the sound huh buddy
00:36:39well let me tell you something
00:36:41i'm still gonna find it
00:36:43and when i find it
00:36:45you can watch yourself for the rest of your fucking life
00:36:49haaaaaaaaahhhhhh
00:36:59hahaaah
00:37:00ha haha haah
00:37:02hahaaah
00:37:05haha
00:37:07ha ha
00:37:09ha haaa
00:37:12ha ha haaa
00:37:14ha-ha-ha haa
00:37:46...
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00:43:06Je suis vraiment fantastique.
00:43:36Bienvenue, Emmanuel.
00:43:37I have something very special for you.
00:43:41Something pink for Pink Lady.
00:43:44How are you?
00:43:45Hey you, what's going on here?
00:43:47Plug it back in.
00:43:48There's a little bra for you in black.
00:43:49I've been calling you all day.
00:43:50I don't have any water and where the hell's my food?
00:43:52Plug it back in and things will be quite beautiful for you.
00:43:55Here's something royal for a royal lady.
00:43:57Oh, yes.
00:43:58Prick.
00:43:59Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:02Another thing for Pink Lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:23You got it, sweetheart.
00:44:24And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:30Oh, my.
00:44:32Well, Jesus Christ.
00:44:34I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:44:41I'm not taking any calls, sweetheart.
00:44:43And I'm going to get some water, all right?
00:44:45Jeez.
00:44:47I'm not taking any calls, sweetheart.
00:44:48And I'm going to get some water, all right?
00:44:49Jeez.
00:44:53I'm not taking any calls, sweetheart.
00:44:55I'm not taking any calls, sweetheart.
00:44:56I'm not taking any calls, sweetheart.
00:45:09And I'm going to get some water, all right?
00:45:11Jeez.
00:45:13I'm going to get some water, all right?
00:45:15I'm going to get some water, all right?
00:45:17Yes, yes.
00:45:18I'm going to get some water.
00:45:19You know what?
00:45:20Oh, my God.
00:45:21I'm going to get some water.
00:45:22I'm going to get some water.
00:45:23I'm going to die.
00:45:24Sous-titrage MFP.
00:45:54Sous-titrage MFP.
00:46:24Sous-titrage MFP.
00:46:54Sous-titrage MFP.
00:47:24Sous-titrage MFP.
00:47:54Sous-titrage MFP.
00:48:24Once you try the steak, it's great.
00:48:26I mean, I'd like to see what you think.
00:48:29It's very good.
00:48:38Later, I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:43The secret is, though, that I used two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:54Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:05That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight, I'm going to be the designated driver.
00:49:18Are we going out?
00:49:22No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:33I have learned that.
00:49:35Really, I have.
00:49:37Oh.
00:49:38Well, here's this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:47Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:01What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:28I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:09So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:21Oh.
00:51:22No, just, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:29I was 19.
00:51:30What a joke.
00:51:31I went to New York to become an actress.
00:51:34I was 19.
00:51:35What a joke.
00:51:36So, what happened?
00:51:37I found out I was no actress.
00:51:40I found out I was no actress.
00:51:47Then what?
00:51:49My mom needed money.
00:51:50I didn't know how to do anything.
00:51:51I didn't know how to do anything.
00:51:55Cheers.
00:51:56I'm not ashamed.
00:51:57It was in all the papers.
00:51:58What?
00:51:59I did nude dancing at a Times Square bar.
00:52:13Well, I mean, uh, how'd you handle that?
00:52:18It was easy.
00:52:22I actually enjoyed it.
00:52:28I got off on guys watching me.
00:52:35It was a turn on.
00:52:38That's what all models do.
00:52:42Turn guys on.
00:52:43Hm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:58Well, men just take advantage.
00:53:05Oh.
00:53:06So when you're stuck naked in front of those good old boys, I mean, who has the advantage
00:53:13then?
00:53:14Why don't you play me some music?
00:53:24I want to dance for you.
00:53:29I want to dance.
00:53:30I want to dance now.
00:53:32I want to dance.
00:53:33I love you.
00:53:34I want to dance on my own.
00:53:36Okay?
00:53:38I just want to dance for you.
00:53:39Let's dance.
00:53:40I want to dance.
00:53:41All right.
00:53:42I want to dance.
00:53:43All right.
00:53:44I want to dance.
00:53:45I'm going to dance.
00:53:46I want to dance.
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