- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:30Hey.
00:01:56Well, it was really great.
00:01:59You're fantastic.
00:02:06Thanks.
00:02:07Here's my address.
00:02:08Salam.
00:02:09Here's my address.
00:02:10Here's my address.
00:02:11Here's my address.
00:02:16Here's my address.
00:02:18Here's my address.
00:02:23Here's my address.
00:02:24Here's my address.
00:02:26Here's my address.
00:02:28Here's your address.
00:02:29I know what I'm going to do,
00:02:31because the black woman is gone,
00:02:33and I don't know what to do.
00:02:41Darling!
00:02:43Hello, hello, hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:51You look great.
00:02:53Thanks. Bye, Criona.
00:02:55Ciao. Try to have a nice trip.
00:02:57I need it.
00:03:03Another conquest?
00:03:05No.
00:03:07I know that look.
00:03:27It really is beautiful.
00:03:31Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:43I feel strange all of a sudden.
00:03:45I hope the hotel's near.
00:03:49I'm almost there.
00:03:51It's beautiful. You were right.
00:03:53You just cannot imagine
00:03:55what it is like
00:03:57to do it here, you know?
00:04:15You never know.
00:04:16You never know.
00:04:17You never know.
00:04:18You never know.
00:04:19You never know.
00:04:20You never know.
00:04:21That's a good deal.
00:04:22You're welcome.
00:04:23Hi.
00:04:35Hey, Priola.
00:04:36Ah, ciao.
00:04:37Hi.
00:04:38How's it going?
00:04:39How?
00:04:40Any news?
00:04:41No, nothing yet.
00:04:42I can't find anyone who recognizes her name or her picture.
00:04:45Sorry.
00:04:46I know.
00:04:47Good luck.
00:04:53Five moments.
00:05:05You all right?
00:05:06Oh, my God.
00:05:09You're right?
00:05:11Me lavar me.
00:05:13You're right?
00:05:14My love.
00:05:15You're right.
00:05:16You're right.
00:05:18It's a mini Rica.
00:05:19Oh, my God.
00:05:20You're right.
00:05:21Oh, my God.
00:05:51Oh, my God.
00:06:21Oh, my God.
00:06:51Oh, my God.
00:07:21Oh, my God.
00:07:51Oh, my God.
00:08:21Oh, my God.
00:08:51Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:56Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:01Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to get me, are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's looking for his fiancee, that's why he's here.
00:09:42And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think, they were going to get married, and not long before the wedding, she went
00:09:54on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:38You know, a simple islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for lost time then.
00:12:19Yeah.
00:12:23Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:37Uh, I, I feel uncomfortable.
00:12:50Well, there's no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05I love you.
00:14:21You know, love can be a strange thing.
00:14:25But you know, love can be a strange thing.
00:14:29Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56It's full of surprises.
00:14:57But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it. I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah. You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha. Sometimes you're a real asshole.
00:15:24Ha, ha.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away. What a warped thing.
00:15:38What's wrong? Are you nervous?
00:15:42Huh? What is it? Are you uptight?
00:15:43Maybe. I don't know. I feel strange.
00:15:49This boat. That man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him. Look at him.
00:16:08The hat, his base. He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24He looks like a ''", Пол получcattery, he cleaned his own Joyfully and was there.
00:16:30Ha!
00:16:32Ha!
00:16:34Ha!
00:16:35Ha! Ha!
00:16:38Ha! Ha! Ha!
00:16:38Ha! Ha! Ha! Ha!
00:16:43Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! May
00:16:48guaranteed primitive yeah hey it's wide open there's no key nobody locks doors here
00:16:59looks like florida what a disappointment
00:17:04we said a hundred dollars right
00:17:08this is two
00:17:15keep it one's enough
00:17:19adios
00:17:24uh is it far to the fishing village 500 meters down that way okay
00:17:45i'm gonna go to the village okay i prefer to stay here whatever you like
00:17:59i can't wait to take a swim go ahead see you later all right
00:18:09so long
00:18:16bye
00:18:16hi
00:18:29hi hi well so you came at last
00:18:48wait good morning good morning
00:19:05no thanks
00:19:13hey
00:19:14hey let me take a picture
00:19:14thanks
00:19:18thank you
00:19:19I have been a dream of all my feelings, I have been a remedy for love
00:19:24Tell me that you love me, that you love me, that you love me
00:19:42Every day I love you, I love you
00:19:44If I'm your smile, I love you, I love you
00:19:48I love your smile, your feelings, or your way to acariciar.
00:19:52You have robbed all your feelings,
00:19:54and you have to love you more.
00:19:59Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol,
00:20:11or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:18Come here.
00:20:20Come here.
00:20:21Come here.
00:20:22Come here.
00:20:23Come here.
00:20:24Come here.
00:20:25Come here.
00:20:26Come here.
00:20:43Here are some bottles.
00:20:45Who's that woman?
00:20:47A very well-known American writer.
00:20:50Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the nerd?
00:21:09Andy the nerd?
00:21:10Andy the nerd.
00:21:11Oh, my God.
00:21:12Is it really you?
00:21:13Uh-huh.
00:21:14How are you?
00:21:15Fine.
00:21:16Great to see my old valedictorian.
00:21:17Great to see you.
00:21:18What are you doing here?
00:21:19Oh, I'm taking pictures for a magazine.
00:21:20Fantastic.
00:21:21Come and sit down.
00:21:22What are you doing?
00:21:23Escaping.
00:21:24But don't ask me from what.
00:21:25Because I don't know.
00:21:26Maybe from myself.
00:21:27I imagine you're writing something now.
00:21:28Checks, that's all.
00:21:29As long as the cash lasts.
00:21:30How do you spend your time if you don't write?
00:21:31Gymnastics.
00:21:32And I drink.
00:21:33I tend the garden.
00:21:34I read.
00:21:35Don't you like long for New York at all?
00:21:36No.
00:21:37No.
00:21:38No.
00:21:39No.
00:21:40No.
00:21:41No.
00:21:42No.
00:21:43No.
00:21:44No.
00:21:45No.
00:21:46No.
00:21:47No.
00:21:48No.
00:21:49No.
00:21:50No.
00:21:51No.
00:21:52No.
00:21:53No.
00:21:54No.
00:21:55No.
00:21:56No.
00:21:57No.
00:21:58No.
00:21:59No.
00:22:00No.
00:22:01No.
00:22:02No.
00:22:03No.
00:22:04No.
00:22:05No.
00:22:06No.
00:22:07No.
00:22:08No.
00:22:09No.
00:22:10No.
00:22:11No.
00:22:12No.
00:22:13No.
00:22:14No.
00:22:15No.
00:22:16No.
00:22:17No.
00:22:18No.
00:22:19No.
00:22:20No.
00:22:21No.
00:22:22No.
00:22:23No.
00:22:24No.
00:22:25No.
00:22:26No.
00:22:27No.
00:22:28No.
00:22:29I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on. It wasn't a proposition.
00:22:36I see. Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine
00:22:43and I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want. My pleasure.
00:22:54Great.
00:22:59Here comes the food.
00:23:01Oh, good. We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:07Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily,
00:23:29yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35A warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:54It might be more fun if we didn't leave her out.
00:23:57Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:10That woman has a hard heart with MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:46Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:24:59Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:46Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24She's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole, completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm going to go.
00:26:51This music's getting on my nerves.
00:26:52I love you, Andy.
00:26:54I love you more than anything else in the world.
00:26:56I love you.
00:26:58I love you, Andy.
00:26:59I love you.
00:26:59I love you.
00:27:00I love you more than anything else in the world.
00:27:03I love you more than anything else in the world.
00:27:08I love you.
00:27:09I love you.
00:27:09I love you.
00:27:09I love you.
00:27:13It was a joke.
00:27:14It was a joke.
00:27:14It was a joke.
00:27:15It was a joke.
00:27:15I love you, Andy.
00:27:16I love you more than anything else in the world.
00:27:20I love you more than anything else in the world.
00:27:21I love you more than anything else in the world.
00:27:26I love you more than anything else in the world.
00:27:29I love you.
00:27:29I love you more than anything else in the world.
00:27:34I love you.
00:27:37It's okay, if you're tired, it's happened before, it'll pass.
00:28:07It's okay, if you're tired, it'll pass.
00:28:37It's okay, if you're tired.
00:29:07It's okay, if you're tired, it'll pass.
00:29:37It's okay.
00:29:39It's okay, if you're tired.
00:29:41It's okay.
00:29:43It's okay.
00:29:45It's okay.
00:29:47It's okay.
00:29:49It's okay.
00:29:51It's okay.
00:29:53It's okay.
00:29:55It's okay.
00:29:57It's okay.
00:29:59It's okay.
00:30:03It's okay.
00:30:05It's okay.
00:30:07It's okay.
00:30:09It's okay.
00:30:11It's okay.
00:30:13It's okay.
00:30:15It's okay.
00:30:16It's okay.
00:30:17It's okay.
00:30:19It's okay.
00:30:20Let's go!
00:30:24Let's go!
00:30:31Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you shouldn't go around by yourself.
00:30:50If it's asked him for trouble, especially dressed like that.
00:30:54I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:17What are you doing?
00:31:18Offering you a little hospitality.
00:31:21Here. Have a drink.
00:31:33Bye.
00:31:34Bye.
00:31:35Bye.
00:31:37Bye.
00:31:38Bye.
00:31:39Bye.
00:31:41Bye.
00:31:43Bye, if we'll get over, we'll get to the guys' point in view.
00:31:45Bye.
00:31:46Bye.
00:31:47I'm not sure what's going on.
00:31:51Griotlap?
00:32:05You there?
00:32:11Griotlap!
00:32:17Criola!
00:32:22Criola!
00:32:24Criola!
00:32:39Have you seen Criola?
00:32:41No.
00:32:43There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:51Yeah, I expect you're right. Thanks, Criola.
00:32:54Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:28Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:48Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:04You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:14No, of course not.
00:34:17I'll be all right again soon, I swear.
00:34:20No, it's... there's nothing to do with you. I don't know...
00:34:23It's just...
00:34:24Look.
00:34:26I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:42And then...
00:34:44I'll be able to give you what you need so badly.
00:34:54The way...
00:35:12I'll be happy again.
00:35:15I'll be happy again.
00:35:17I'll be happy again.
00:35:19Now, I'm sorry.
00:35:21Oh, my God.
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:21One day, I guess I'll get another chance.
00:36:39Care for a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:45One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:05No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course, you include yourself in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40To broken hearts.
00:38:10I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:09Take the man.
00:39:11I'm almost there.
00:39:12I'm talking about a party.
00:39:13Goodbye.
00:39:14Bye.
00:39:14Bye-bye.
00:39:15Bye-bye.
00:39:16Bye-bye.
00:39:20Bye-bye.
00:39:21Bye-bye.
00:39:35Bye.
00:39:35Bye-bye.
00:39:36Bye-bye.
00:39:36Bye.
00:40:07It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound change.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling that I was too busy to talk.
00:40:25You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:37I'm afraid. I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:53Joanne gave me one too with a dedication.
00:40:55I saw my eyes out.
00:41:10For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends,
00:41:22but I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or a model,
00:41:28but I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:54I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:24You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:53Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00Listen.
00:44:10Let's play.
00:44:12Now get this street.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:48How? Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24Come on, go.
00:45:33So long, spent there?
00:45:33It's so long.
00:45:35The night is gone.
00:45:35Do you have to go into alcohol?
00:45:36Do you have to go to the night?
00:45:38Do you have to go?
00:45:40I can't have to go in the morning.
00:45:41Do you know what he's going to do?
00:45:43Do you have to go to the house?
00:45:45Do you have to go to the house?
00:45:45Do you have to go to the house?
00:45:47Have you seen Leon?
00:45:58He's seen what he did with a girl.
00:46:10Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:19What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29Oh, my God.
00:46:30She's free to do what she wants.
00:46:40¶¶
00:47:10¶¶
00:47:39¶¶
00:47:48¶¶
00:47:49¶¶
00:47:58¶¶
00:48:02¶¶
00:48:06¶¶
00:48:07¶¶
00:48:08Why don't you believe me?
00:48:10He's with someone else now.
00:48:13It's over.
00:48:15Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ!
00:48:38I'll wait.
00:48:41I'll wait.
00:48:46I'll wait.
00:48:48I'll wait.
00:48:58Oh, God.
00:49:01Oh, God.
00:49:03Oh, God.
00:49:07Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:07Okay.
00:51:08Okay.
00:51:08Okay.
00:51:08Okay.
00:51:08Okay.
00:51:08Okay.
00:51:08Okay.
00:51:08Okay.
00:51:09Okay.
00:51:09Okay.
00:51:09Okay.
00:51:10Okay.
00:51:10Okay.
00:51:11Okay.
00:51:11Okay.
00:51:12Okay.
00:51:13Okay.
00:51:15Sure thing you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:27Okay.
00:51:43You're hurting me.
00:52:02You're hurting me.
00:52:13Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:43You're hurting me.
00:53:31Put it in the pail.
00:53:45You know how to cook it?
00:53:49You'll have to learn.
00:54:01Hey, what are you doing here?
00:54:20Criola.
00:54:23Criola.
00:54:26Criola.
00:54:26What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola.
00:54:36I never thought I would come to this.
00:54:38Please.
00:54:39I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola.
00:55:01With a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't believe it.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:37Ridiculous.
00:55:37My life is meaningless without you.
00:56:03I'm sorry.
00:56:04I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37I'm going to do this.
00:56:41I call it gin-balling.
00:56:43It's a very silly game.
00:56:45For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Okay.
00:56:52Mmm.
00:56:53Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet patient.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:19This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Puritan.
00:58:08It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves, falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:39I...
00:58:40That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:04I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49iba.
00:59:50Oh, my Lord.
00:59:54Oh, my God.
00:59:54Oh, my God.
00:59:54Oh, eh.
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:28Do you like a beer?
01:03:41Sure.
01:03:45There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:51That bastard fucks our women, and we are here, getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:21Hello.
01:04:23Hello?
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:23Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Oh, my God.
01:07:21Oh, my God.
01:07:51I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:35Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:09:05Let me in on it.
01:09:51There must be something caught in the propeller.
01:10:19I'm going down to have a look.
01:10:22Come on.
01:10:24Let's go.
01:10:26Come on.
01:10:28Let's go.
01:10:32Come on.
01:10:34Let's go.
01:10:38Come on.
01:10:46Let's go.
01:10:50Come on.
01:10:51Let's go.
01:10:52Let's go.
01:10:54Let's go.
01:10:56Let's go.
01:11:24Let's go.
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella.
01:11:35What the hell's going on?
01:11:37Nothing.
01:11:48Iris!
01:11:49What the hell's going on?
01:12:02Iris!
01:12:04Let's go.
01:12:05I've got to go.
01:12:11I've got to go.
01:12:13I've got to go.
01:12:15Stop it.
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:46It was pure desperation. Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:07Oh, my God.
01:13:19They must have burned themselves up into a jealous frenzy.
01:13:21I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:27I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:48But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't, really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:56We thought...
01:14:58We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:10Come here.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:38Right.
01:15:40They say these islands cast a spell on lovers.
01:15:42We get...
01:15:51We get...
01:15:51We get...
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