- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Traffico di Napoli.
00:01:32Capota, bellissima.
00:01:33Di un uomo.
00:01:34Che cazzo.
00:01:35Qui si chiama al primo posto.
00:01:37Shhhht.
00:01:43Shit.
00:01:44What?
00:01:46Camp on my wallet.
00:01:49Restore in un'acqua.
00:01:51Restore in un'acqua.
00:01:52Restore in un'acqua.
00:01:53No, non, non and c'entrista.
00:01:55La ricetta, ma la ricetta...
00:01:56Sono da dove?
00:01:57Faith, can I come?
00:02:00She's lost purpose, purpose.
00:02:15No, no, no, no, no, no, no, no, no, no, no, no.
00:02:20You just give her a minute.
00:02:22Just give her a minute.
00:02:24You got to sit here for a moment.
00:02:26Okay, okay, okay.
00:02:26How's it, Sonny?
00:02:27Come on, Mommy.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think.
00:02:38The exchange booth.
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started
00:02:49when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need to, we need 70.
00:03:10Here we go.
00:03:11Here we go.
00:03:12Here we go.
00:03:13Here we go.
00:03:14Here we go.
00:03:15Here we go.
00:03:16Here we go.
00:03:20Is this it?
00:03:21Thank you, Sonny.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:525533
00:03:557645
00:03:588787
00:04:019157
00:04:0457.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides,
00:04:46what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:51I'm gonna finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:01Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing.
00:05:12I think it's a fantastic idea, Jen.
00:05:15I always have. You know that?
00:05:16You know that.
00:05:20She doesn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35For you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39I think we've just done it.
00:05:41I absolutely tried.
00:05:43No, no, no, no, no.
00:05:45No, no, no, no, no, no.
00:05:47No, no, no.
00:05:49No, no, no, no.
00:05:51What did you think?
00:05:52What happened?
00:05:53Why do you think he killed himself?
00:06:08David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, though.
00:06:23Do you think he recognized a blank infinity, just stretching out?
00:06:34He got to this point, maybe, where it was just day after day after day.
00:06:39I really don't know.
00:06:40Just so tedious.
00:06:44And then, of course, he felt guilty.
00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't enough.
00:06:50Jane, can I... can we not talk about this?
00:06:53Just, just, just a bit more, a bit.
00:07:12Love you.
00:07:15Love you, too.
00:07:16Do you feel all right?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:41Mm-hm.
00:08:04Mm-hm.
00:08:06I don't know.
00:08:36I don't know.
00:09:06Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26I'll see you later.
00:10:28What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19He had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:15Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:24Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:35Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:24Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27Yeah.
00:13:27They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water, and he couldn't tell which was the
00:13:40German side and which was the Allied side.
00:13:43When he came home after something like that, you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:58That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:25My husband is working in Naples.
00:14:29What does he do?
00:14:30He is playing in a concert at the end of the night.
00:14:34Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:38Mm-mm-mm.
00:14:40The viola.
00:14:41Any good?
00:14:43Yes.
00:14:45Very.
00:14:45Very.
00:14:45Very.
00:14:48How do you keep your violin from getting stolen?
00:14:51You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:36No.
00:15:46Thanks.
00:15:46Thanks.
00:15:47Stop making me feel like a stalker.
00:15:48Fuck.
00:15:49One, two, please.
00:15:50One.
00:15:5110.
00:15:5110.
00:15:5510.
00:15:5510.
00:15:5610.
00:15:5610.
00:15:5710.
00:15:5810.
00:15:5910.
00:16:0010.
00:16:0110.
00:16:0210.
00:16:0310.
00:16:0410.
00:16:0510.
00:16:0610.
00:16:0710.
00:16:0810.
00:16:0910.
00:16:10That's it.
00:16:33What brought you out of here today?
00:16:35Barry.
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:40They have this device down in the basement.
00:16:42It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:47Can you imagine?
00:16:49Dying by just sitting there?
00:16:50That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:02It doesn't smell pretty bad.
00:17:04All those people crammed onto this rock.
00:17:07I know.
00:17:08I've been coming here every day and it still gets me.
00:17:09If only we could kill off all the tourists.
00:17:10You're a tourist.
00:17:11No I'm not.
00:17:12I came out here a few months ago with this volunteer organization dedicated to studying the relic
00:17:16populations of dolphins and whales in the Gulf of Naples.
00:17:17I can't tell if you're joking.
00:17:18I'm dead fucking serious.
00:17:19I just didn't want to go to college and they paid for me to come over.
00:17:214 connecting flights is a 72 hour plane ride but you know it was worth it.
00:17:22It was my first time out of the US.
00:17:23How old are you?
00:17:24I'm 19.
00:17:25It's my birthday today.
00:17:26Is it really?
00:17:27Uh huh.
00:17:28Happy birthday.
00:17:29Thank you very much.
00:17:30Yeah so I left the program after like a month.
00:17:33Fuck the relic dolphins.
00:17:34I'm not sure.
00:17:35I'm not sure if you're joking.
00:17:37I'm dead fucking serious.
00:17:39I just didn't want to go to college and they paid for me to come over.
00:17:434 connecting flights is a 72 hour plane ride but you know it was worth it.
00:17:46It was my first time out of the US.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:51Is it really?
00:17:52Uh huh.
00:17:53Happy birthday.
00:17:54Thank you very much.
00:17:55Yeah so I left the program after like a month.
00:17:58Fuck the relic dolphins.
00:18:00I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically I used to have ancestors in Ischia so when I come over I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed in case you didn't know is when one person's great grandparent is another person's great great great grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry anyway so this relative gave me the name of this great uncle who lives on the island so I show up.
00:18:26He answers the door and he's like the oldest fucker I've ever seen easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah if not older he's like deaf and blind and about four feet tall.
00:18:36He mumbles a couple of things to me in some crazy dialect.
00:18:39Ushers me inside pours me a glass of wine and leads me to this basement apartment and uh yeah I never left.
00:18:49I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41I'm impressed.
00:20:46Are you hungry?
00:20:47Why, you gonna take me out?
00:20:48Yeah.
00:20:49All right then.
00:20:50Mm-hmm.
00:20:51Okay.
00:20:52Okay.
00:20:53Okay.
00:20:56All right then.
00:20:57Okay.
00:20:58Two pastas with the house sauce, please.
00:20:59Red.
00:21:00Red.
00:21:01Red.
00:21:02Red.
00:21:03Red.
00:21:04Red.
00:21:05Red.
00:21:06Red.
00:21:07Uh-huh.
00:21:10Grazie.
00:21:11So you're really not gonna tell me what you do?
00:21:12No.
00:21:13No.
00:21:14No.
00:21:15No.
00:21:16No.
00:21:17No.
00:21:18No.
00:21:19No.
00:21:20No.
00:21:21No.
00:21:22No.
00:21:23No.
00:21:24No.
00:21:25No.
00:21:26No.
00:21:27No.
00:21:28No.
00:21:29No.
00:21:30No.
00:21:31No.
00:21:32No.
00:21:33No.
00:21:34No.
00:21:35No.
00:21:36No.
00:21:40No.
00:21:41No.
00:21:42I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:49No.
00:21:52No.
00:21:53I'm writing a book about my grandmother's experiences in rural England living through two
00:21:59world wars.
00:22:01I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:08What don't you know?
00:22:11You want to listen? A little?
00:22:14Yeah. Yeah?
00:22:16Yeah, I know it. I love to listen.
00:22:33It's tangled up.
00:22:35I don't know.
00:22:41Awful as it was, it made you stronger.
00:22:45These days people whine about all sorts of things.
00:22:48I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars, every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:04We had to laugh. We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off. Would you get it out of my face?
00:23:18That is like... it's like a window in time.
00:23:22The sort of thing you always did before someone died, you know?
00:23:26My husband thinks I'm never going to finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:34Bonding over Granny, huh?
00:23:36Make it sound perverse.
00:23:38That's what it was, right?
00:23:40Buongiorno. Buongiorno.
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant so we got married.
00:24:00I lost the baby.
00:24:01I'm sorry.
00:24:02I'm sorry.
00:24:03Excuse me.
00:24:04It was your regret.
00:24:05Yes, thank you.
00:24:06You can take it away.
00:24:07Yes, thank you.
00:24:09I didn't go back after that to the States.
00:24:10Did you, uh...
00:24:11Did you ever hear that song?
00:24:12No.
00:24:13No.
00:24:14No.
00:24:15No.
00:24:16No.
00:24:17No.
00:24:18No.
00:24:19No.
00:24:20No.
00:24:21No.
00:24:22No.
00:24:23No.
00:24:24No.
00:24:25No.
00:24:26No.
00:24:27No.
00:24:28No.
00:24:29No.
00:24:30No.
00:24:31No.
00:24:32No.
00:24:33No.
00:24:34No.
00:24:35No.
00:24:36No.
00:24:37No.
00:24:38No.
00:24:39No.
00:24:40No.
00:24:41No.
00:24:42No.
00:24:43No.
00:24:44No.
00:24:45No.
00:24:46No.
00:24:47No.
00:24:48No.
00:24:49No.
00:24:50No.
00:24:51No.
00:24:52No.
00:24:53No.
00:24:54No.
00:24:55No.
00:24:56No.
00:24:57No.
00:24:58No.
00:24:59No.
00:25:00No.
00:25:01No.
00:25:02No.
00:25:03No.
00:25:04No.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape.
00:25:21I'm sitting, waiting in the airport bar for my flight.
00:25:26And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure
00:25:32and how I'm going to show World War II from a totally different perspective.
00:25:40But...
00:25:40I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Bravo.
00:26:32What do you mean?
00:26:38What?
00:26:38Grab my hand.
00:26:40What?
00:26:40Oh my god.
00:26:42Oh my gosh.
00:26:42Oh my gosh.
00:26:43Oh my gosh.
00:26:44Oh no.
00:26:45What?
00:26:46What do you mean?
00:26:46Stronzo!
00:26:48Stronzo!
00:26:50Stronzo!
00:26:52Hey! Hey!
00:26:54It's the carabinerie!
00:26:56It's the police!
00:26:58Get down!
00:27:00We can't go back!
00:27:04We can't go back!
00:27:06We can't go back!
00:27:08We can't back!
00:27:10I'm back!
00:27:12Oh no!
00:27:14Oh no!
00:27:16Oh no!
00:27:18Oh no!
00:27:20Oh no!
00:27:22Oh no!
00:27:24Oh no!
00:27:26Did it make you feel better if I said I said the whole thing up?
00:27:30Yes, it's true!
00:27:32Yes, it's true!
00:27:34I made the check when I went to the bathroom!
00:27:38You're horrible!
00:27:42You're horrible!
00:27:44You're horrible!
00:27:46Let's go!
00:27:48Let's go!
00:27:50Why are we still running?
00:27:52I don't know where we're still running!
00:28:06Oh my gosh!
00:28:08Yeah?
00:28:14It went up my nose!
00:28:16Can we come back?
00:28:22Maybe.
00:28:24Maybe is not a no.
00:28:28And since I don't have a phone,
00:28:30you're gonna have to give me your number.
00:28:32For cheap thrills and future crimes committed.
00:28:36No!
00:28:38Fair enough.
00:28:40Fair enough.
00:28:50I've gotta go...
00:28:52catch a fairy.
00:28:56Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:18Why?
00:29:20So they can park in handicapped spots.
00:29:22So they can park in handicapped spots.
00:29:32Happy birthday.
00:29:36Good times,
00:29:42theonen.
00:29:50No.
00:29:53My dear friend,
00:29:54let's get ready.
00:29:56Can you hear the earthquake?
00:30:28You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:55That's it.
00:30:58Nice.
00:31:25I've got a bicycle seat.
00:31:27They stay with me too.
00:31:30Jane.
00:31:31Tony.
00:31:32Got some pastries.
00:31:34Still asleep?
00:31:36Jane.
00:31:37Jane.
00:31:38Tony.
00:31:39Got some pastries.
00:31:43Still asleep?
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47Jane.
00:32:48Jane.
00:32:49Jane.
00:32:50Jane.
00:32:51I wish I had sometimes.
00:32:54You know, when you were 19, the world just felt so open
00:32:57and carefree and full of possibility.
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:27It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lake,
00:33:47which is fascinating.
00:33:48The three of us were planning dinner before we leave.
00:33:50I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07That's it.
00:34:08Please, sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:11You're welcome.
00:34:12You're welcome.
00:34:13I'll have a chance of a wrap.
00:34:14I know, right?
00:34:19I'm obviously going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:25I'll have the check, please.
00:34:37In a cafe, put-put-put-put?
00:34:38Oh, no, thank you.
00:34:44Okay.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:57Well, I don't do it a lot.
00:35:01Okay.
00:35:02Grazie.
00:35:04Grazie.
00:35:04Grazie.
00:35:08Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day
00:35:23in this villa owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat
00:35:33covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:50Why don't you tell Leonard
00:35:53one of your viola jokes?
00:35:58Come on.
00:35:59Something might end.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:12What is the definition
00:36:13of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster
00:36:23without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed
00:36:30and I'm stealing it.
00:36:32You can pretty much make that joke
00:36:34about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:48Yeah, I've got to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet, really?
00:37:07Yeah, there's this thing called
00:37:08the Shantan Festival
00:37:09at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks
00:37:13unroll all the tapestries
00:37:14on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I have a piece of paper.
00:37:50You guys should definitely
00:37:51come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door
00:37:56or come around the side.
00:37:57I need Regina.
00:38:05And thanks again for yesterday.
00:38:07Oh, no problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:27So you're saying
00:38:29you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:35I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:39:05Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:31I couldn't sleep last night.
00:39:35You told me you were staying
00:39:38near the port
00:39:38so I got the first ferry
00:39:39this morning.
00:39:41I came looking for you.
00:39:44And I can't believe
00:39:45I found you.
00:40:05What are we doing?
00:40:30I think we're making it out.
00:40:33So sexy.
00:40:34And beautiful.
00:40:36for me.
00:41:06I can't do this.
00:41:09What? What?
00:41:09I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women? Is this what you do?
00:41:31You need to be less serious.
00:41:36Don't follow me.
00:42:06Don't follow me.
00:42:36Don't follow me.
00:42:45There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:00I knew him.
00:43:04Anyways, I met your grandfather not long after and we got married.
00:43:09Was it love at first sight with grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:36Jane, I'm sorry. Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:42Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely.
00:43:49I've got some dinner.
00:43:50I thought we'd just stay in here.
00:43:52The two of us.
00:43:54I've just got to work this thing out for tomorrow.
00:43:56OK.
00:43:57OK.
00:43:58I'm sorry.
00:44:12I'm sorry, today.
00:44:17What would you mention?
00:44:18Yes.
00:44:19Yes, yes.
00:44:24Yes, I can't?
00:44:26I'll do something I could make awayleşir his head.
00:44:27Yes, yes.
00:44:28He's beginning to jump, sorry.
00:44:29I'm sorry.
00:44:30God, I'll do something better on the highض Council.
00:44:52Leonard?
00:44:55Leonard.
00:44:57Can we talk?
00:45:03Say cheese.
00:45:33You should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:50That's what our living room is missing.
00:46:03What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:33I'm sorry.
00:46:45I'm sorry.
00:46:49I'm sorry.
00:46:53I'm sorry.
00:48:57Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:08Yeah.
00:49:13I'm going to put my pants on.
00:49:16Okay.
00:49:38I'm going to put my pants on.
00:49:48I'm going to put my pants on.
00:49:49I'm going to put my pants on.
00:53:03You make me feel nervous.
00:53:07You make me feel calm.
00:53:08You make me feel nervous.
00:53:23You make me feel calm.
00:53:38You want a drink?
00:54:08Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:38You make me feel calm.
00:54:41He just shuffled around all night.
00:54:46You make me feel calm.
00:54:50You make me feel calm.
00:54:55I don't want to do it.
00:54:59I want to do it.
00:55:02You make me feel calm.
00:55:05Again and again and again
00:55:30Again and again and again
00:55:35Once I was single, my pocket is deep
00:55:39Jingle, I wish I was single again
00:55:43Again and again and again
00:55:47Again and again and again
00:55:52Once I was single, my pocket is deep
00:55:56Jingle, I wish I was single again
00:56:00I didn't sleep at all last night, where have you been?
00:56:15I was walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here, I had to plug it in.
00:56:25We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me, I have to go to work.
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:33That's the thing.
00:57:35That's the thing about struggle.
00:57:37I'm going to make some tea.
00:57:50Do you want some?
00:57:52I'm alright.
00:57:56If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:04Okay.
00:58:05I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good?
00:58:28In the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:52I'll tell you next time we come to Italy to get a proper kitchen.
00:59:05I don't know what you want me to say, Jane.
00:59:22If one little thing had changed in my grandmother's life, I might not be here.
00:59:40Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:49With my life.
00:59:54This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:18The horses.
01:00:21The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up.
01:00:34Brass things and little horseshoes.
01:00:37He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:48He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:55They were lovely days really.
01:01:01They're gone.
01:01:02For me.
01:01:03Jane.
01:01:04But not for you.
01:01:05Jane.
01:01:06Jane.
01:01:07You know it's different for you.
01:01:08In some ways it's easier.
01:01:09You haven't got the war.
01:01:10People don't die as much as they did back then.
01:01:11But in some ways it's more disjointed.
01:01:13You've got to make your own life.
01:01:14One that you love.
01:01:15And you can't be afraid of the time.
01:01:16Time is shiftable.
01:01:17Time is shiftable.
01:01:18And you can't be afraid of the time.
01:01:20Time is shiftable.
01:01:21You can't be afraid of the time.
01:01:23You can't be afraid of the time.
01:01:26Time is shiftable.
01:01:27There are moments in my life that I would trade 60 years to have back again.
01:01:30That's what you can't be afraid of the time.
01:01:31It's more disjointed.
01:01:32You've got to make your own life.
01:01:33One that you love.
01:01:34And you can't be afraid of the time.
01:01:36Time is shiftable.
01:01:39Time is shiftable.
01:01:42There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:10Sorry.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah, you...
01:02:18Ah!
01:02:19You all right?
01:02:21Ah!
01:02:22You okay?
01:02:23You okay?
01:02:24Yeah.
01:02:25Stunned my toe.
01:02:26Ah!
01:02:27It's bleeding.
01:02:28Ah!
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33It's fine.
01:02:34You losing it?
01:02:35Yes.
01:02:36Ah!
01:02:37Fucker.
01:02:38I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:57I want you to come with me.
01:03:00I want you to come with me.
01:03:05Ooh, it's fine.
01:03:06Oh, god.
01:03:07168.
01:03:09Ce producto?
01:03:10What?
01:03:11To the table?
01:03:12Would you dig what?
01:03:13So I'm going with, of course.
01:03:15So what?
01:03:16All right.
01:03:17Whatever wait, I've done so, really?
01:03:18I'd like to just keep my eyes out and then recover.
01:03:20If you should do nothing next, all right?
01:03:21Hardlyання always, I guess you could shake my outside.
01:03:23I'm going with you guys all of you.
01:03:25From Would you like to walk?
01:03:26So that doesn't even know what thatрут ausmatch.
01:03:57Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, when are they not?
01:04:17I don't think I'm chomped at doing another stick like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32That's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:45You found the key to finishing this project?
01:04:48I don't know.
01:04:56But the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:00It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:20Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:11I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:46I want you to do what you need to do.
01:10:52I want you to do what you need to do.
01:10:52I want you to do what you need to do.
01:10:53I want you to do what you need to do.
01:10:54I want you to do what you need to do.
01:10:55I want you to do what you need to do.
01:10:56I want you to do what you need to do.
01:10:57I want you to do what you need to do.
01:10:58I want you to do what you need to do.
01:10:59I want you to do what you need to do.
01:11:00I want you to do what you need to do.
01:11:01I want you to do what you need to do.
01:11:02I want you to do what you need to do.
01:11:03I want you to do what you need to do.
01:11:04I want you to do what you need to do.
01:11:05I want you to do what you need to do.
01:11:06I want you to do what you need to do.
01:11:07ORGAN PLAYS
01:11:37Hi
01:11:46Hi
01:11:49You want some?
01:12:02Oh, thanks
01:12:07You want some?
01:12:37Frank and Elsa
01:12:45Coming over in a couple hours
01:12:48Frank bought a car
01:12:50So we're gonna
01:12:51We're gonna
01:12:52Head out in a couple of weeks
01:12:54Or so, you know
01:12:55We're thinking about
01:13:01Driving through Romania
01:13:05And then Ukraine
01:13:08And down through Russia
01:13:09And through Kazakhstan
01:13:10And then straight to Tibet
01:13:12And then sky
01:13:14And then
01:13:16There are 2, 3, 5, 2, 5
01:13:202, 5, 4, 5, 5, 5, 6, 5, 6, 7, 7, 8, 8, 9, 9, 9, 9, 10
01:14:56You've got to come over to this side.
01:15:00Train's going to be here in a minute.
01:15:01It's four in the morning, the end of December.
01:15:05It's four in the morning, the end of December.
01:15:17It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:27That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:41Now shut that thing off.
Comments