- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I'm looking for the traffic of Napoli.
00:01:33I'm looking for the people.
00:01:35In this place, the first place.
00:01:43Shit.
00:01:44Woah.
00:01:46Camp on my wallet.
00:01:51Are you a C-case?
00:01:52No.
00:01:53No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:01:55No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:01:56Somewhere?
00:01:57Maybe it's in my car.
00:02:00Square Enflo MachinaMM
00:02:10What are you doing?
00:02:11What did you think?
00:02:12What do you think?
00:02:13He's checked out for us?
00:02:14They didn't look.....
00:02:15No there's nothing.
00:02:16There's nothing.
00:02:17Did you kill me?
00:02:18Did you just leave it a minute?
00:02:19You keep standing there?
00:02:21One moment.
00:02:23There's nothing.
00:02:24Here's nothing you've lost.
00:02:25Not here's nothing.
00:02:27Come on, money!
00:02:28Come on, money!
00:02:34Where did you have it last?
00:02:35Oh, no.
00:02:37The train station, I think?
00:02:38The exchange booth?
00:02:43Aw, Jamie.
00:02:44I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need, we need, we need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think so.
00:03:27It's nice.
00:03:28Yes, I have a credit card.
00:03:29The number's on file on my computer.
00:03:30Yes, I have them here.
00:03:32Okay.
00:03:33Five, five, three, three.
00:03:34Seven, six.
00:03:38Four, five.
00:03:39Eight, seven.
00:03:40Okay, six, four, five.
00:03:41Eight, seven.
00:03:42Eight, seven.
00:03:43Eight, nine, three.
00:03:44Yes, I have her credit card numbers on file on my computer.
00:03:49Yes, I have them here.
00:03:52Okay.
00:03:52Okay.
00:03:535533 7645 8787 9157.
00:04:045-7.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:17No, I'm working here.
00:04:21Yes, I'll hold.
00:04:23You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides knowing Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:43Besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:50I'm going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:00Well, if you can see it through to the end.
00:05:05I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:16You don't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39Why do you think he killed himself?
00:06:04I don't know.
00:06:08Who?
00:06:10David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:21Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:39I really don't know, John.
00:06:40Just so tedious.
00:06:44And then, of course, he felt guilty.
00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't enough.
00:06:50Can I, can we not talk about this?
00:06:54Just, just, just a bit more, then.
00:07:12Love you.
00:07:15Love you, too.
00:07:20Do you feel all right?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:46Mm-hmm.
00:07:50Do you feel okay?
00:08:20Do you feel okay?
00:08:21I don't know.
00:08:51Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21We get boring all alone.
00:09:23I think someone should be here in case the card is delivered.
00:09:27True.
00:09:32Then I think I might go out, see what the world has to offer.
00:09:36If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:43Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:09:57I'll see you later.
00:09:58I'll see you later.
00:09:59Yes.
00:10:00I'll see you later.
00:10:02Thanks.
00:10:10testing testing okay do you have any stories for my book what kind of stories stories are you
00:10:30prepared or i can ask them a list of stories that dad told me about go ahead and ask from
00:10:35your father's list god rest his soul let's start with the war we went into an air raid shelter my
00:10:42mother your great-grandmother she was shaking sirens wailed and and then there was the sound
00:10:49of a bomb and the man next to us he said i was in a shelter last night with my wife and my little boy
00:10:56and half of it got blown away there was blood in his hair he was all alone that nearly finished my
00:11:04mother you know here we were in this tiny town in england miles from germany from russia from
00:11:12italy from any front lines and this man he had blood in his hair
00:11:19and uh cappuccino
00:11:26okay
00:11:27we had to bring glory from his dad
00:11:36yeah
00:11:37yeah
00:11:39yeah
00:11:41yeah
00:11:43yeah
00:11:45yeah
00:11:47yeah
00:11:49yeah
00:11:51yeah
00:11:53we were riding our bikes to school when the germans started firing at us
00:12:01we jumped into a hedge we were terrified but afterwards we couldn't stop laughing
00:12:08it feels nice if i'm the only one who remembers that it's as vivid to me as if it happened
00:12:15yesterday oh hi leonard it's jane i decided to take an impromptu trip to ischia or um ischia
00:12:26as they pronounce it see i'm learning a little bit um anyway i'll be home later i hope you have
00:12:34a good day bye those friends are all dead now there's no one left that's one of my regrets you
00:12:42know sometimes i think i should have had more children not just your father
00:12:48you're all alone now that your parents are gone no brothers no sisters
00:12:55i'm upsetting you let's talk about something else you want to ask me more boring questions about the
00:13:06war all right then uh scusi scusi um the castle castle parlato anglese no no no no no no um
00:13:20castello oreganese andare andare andare andare ah grazie
00:13:27they'd been shot through the neck the bullet went in one side and came out the other
00:13:35and there were all these bomb holes filled with water and he couldn't tell which was the german
00:13:40side and which was the allied side when he came home after something like that
00:13:46you couldn't really complain to him about anything now could you i'm actually going there now
00:13:51to the castle you speak english now yeah why do you think i was italian yeah yes that's great
00:13:58that's cool hey hey hey where are you from london no in america come on i mean no shit i'm
00:14:07from massachusetts that's crazy that's weird right yeah vacation oh are you what are you here on
00:14:15vacation oh sorry i thought you were saying you are on vacation me no so come on my husband is working
00:14:28in naples what does he do he is playing in a concert at the end of the night cool what does he play
00:14:37play the viola any good yes very how do you keep your violin from getting stolen
00:14:51you put it in a viola case right that's not funny um what's the difference between a viola and a
00:15:01coffin a coffin has a dead person on the inside
00:15:04because viola players are dead no why is a viola solo like premature ejaculation
00:15:10because even though you know it's coming there's nothing you can do about it
00:15:17i can't help it i've got this weird autistic mind for jokes and i went to this music slash nerd
00:15:23summer camp when i was like 10 and i played the triangle and i'm an only child so you know understand
00:15:29you look too young to be married you newlywed stop making me feel like a stalker
00:15:48oh hey have you got 50 cents
00:16:04if you can catch it
00:16:07what brought you out of here today
00:16:35fairy ha fairy i like it they have this device down in the basement it's like a torture cage
00:16:44they lock you in there until you turn up bones but can you imagine dying by just sitting there
00:16:51that would suck
00:16:52in like the 1300s thousands of families lived in this castle
00:17:02it doesn't smell pretty bad all those people crammed onto this rock
00:17:07wow
00:17:11i know i've been coming here every day and it still gets me
00:17:16if only we could kill off all the tourists
00:17:19you're a tourist
00:17:21no i'm not
00:17:23i came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and
00:17:32whales in the gulf naples
00:17:35i can't tell if you're joking
00:17:36i'm dead fucking serious
00:17:40no i just didn't want to go to college and they pay for me to come over
00:17:43for connecting flights a 72 hour plane ride but you know it was it was worth it my first time out of the u.s
00:17:49how old are you i'm 19 it's my birthday today is it really uh-huh happy birthday thank you very much
00:17:56yeah so i left the program after like a month
00:17:59fuck the relic dolphins
00:18:02i have this this awesome living situation i'll tell you the short version
00:18:07basically i used to have ancestors in ischia so when i come over i facebook this second cousin twice removed
00:18:12in case you didn't know is when one person's great-grandparent is another person's great-great-great-grandparent
00:18:18i'd love to hear the long version
00:18:20sorry anyway
00:18:22so this relative gave me the name of this great uncle who lives on the island so i show up
00:18:27i i he answers the door and he's like the oldest fucker i've ever seen easily pushing a hundred
00:18:32a hundred
00:18:33yeah if not older he's like deaf and blind and about four feet tall he mumbles a couple of things to me in some crazy dialect
00:18:40ushers me inside pours me a glass of wine and leads me to this basement apartment and uh yeah i never left
00:19:10love teaches me to feed on flames
00:19:12love teaches me to feed on flames
00:19:17love teaches me to feed on flames
00:19:38Love teaches me to feed on flames and tears,
00:19:43to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love
00:19:51frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Victoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian by committing to memory
00:20:13all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:18I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs
00:20:23of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian, let's hear the poem.
00:20:35Come on.
00:20:36OK.
00:20:37De lacrime a de faco nutria l'alma.
00:20:44Con secca speme reinvedia la voglia.
00:20:50Lega de nuovo il cuor quando de scioglia.
00:20:55Segna maggiore la vista, tierra e d'alma.
00:21:05I'm impressed.
00:21:09You hungry?
00:21:11Why, you gonna take me out?
00:21:13Yeah.
00:21:19All right, then.
00:21:19OK.
00:21:20Two pastas with the house sauce, please?
00:21:27Red.
00:21:28White?
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:32So you're really not going to tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:48I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now, I don't know.
00:22:09What don't you know?
00:22:12You wanna listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah?
00:22:16Yeah, I know it.
00:22:17I love to listen.
00:22:33All tangled up.
00:22:34Oh, God.
00:22:35OK.
00:22:36Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:48And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like...
00:23:19It's like a window in time.
00:23:22The sort of thing which you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:37Make it sound perverse.
00:23:40That's what it was, right?
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:45I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the red string?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape, I'm sitting waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show World War II from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just wanna write about nothing.
00:26:03Everything is nothing.
00:26:05All the best.
00:26:07Pleano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:36What do you mean I'm ready to go?
00:26:38What?
00:26:39Grab my hand.
00:26:41Go, go, go.
00:26:42Oh my God.
00:26:44Oh no!
00:26:45What?
00:26:46What do you mean?
00:26:47It's my son.
00:26:49Oh no!
00:26:50Stronzo!
00:26:53Hey!
00:26:54Hey!
00:26:55It's the Carabinerie!
00:26:56The police!
00:26:57No!
00:26:58Yeah! Yeah!
00:27:04We can't go back! We can't go back!
00:27:06We can't go back!
00:27:09We can't pay!
00:27:10We haven't got any money!
00:27:13Oh, God!
00:27:16Oh, God!
00:27:23Look out!
00:27:25Yeah.
00:27:27It'd make you feel better if I said I said the whole thing up.
00:27:30Yes, it's true.
00:27:32Is it true?
00:27:34I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:43You're horrible.
00:27:44Come on, let's go.
00:27:46Come on.
00:27:47Quick.
00:27:48Let's go.
00:27:50Why are we still running?
00:27:52I don't know why we're still running.
00:27:54Come on, come on.
00:27:55Come on, come on.
00:27:56Come on.
00:27:57Come on.
00:27:58Come on.
00:27:59Come on.
00:28:01Come on.
00:28:03Oh, my gosh.
00:28:04Yeah.
00:28:05Went out my nose.
00:28:07We come back?
00:28:08Yeah.
00:28:14What about my nose?
00:28:21We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number.
00:28:34For cheap thrills and future crimes committed.
00:28:37No.
00:28:41Fair enough.
00:28:50I've got to go catch a fairy.
00:28:57Hey.
00:29:02Why the violists
00:29:04keep their viola cases on their dashboards?
00:29:18Why?
00:29:20So they can park in handicapped spots.
00:29:29Oh.
00:29:32Happy birthday.
00:29:35Happy birthday.
00:29:38Oh my God.
00:29:49Happy birthday.
00:30:52Yeah, look so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:21There was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me too.
00:31:29Jane.
00:31:30Jane.
00:31:31Janey.
00:31:31Got some pastries.
00:31:46You're still asleep?
00:31:52Jane.
00:31:54Janey.
00:31:55Janey.
00:31:56Janey.
00:31:57Janey.
00:31:58Janey.
00:31:59Janey.
00:32:00Janey.
00:32:01Janey.
00:32:02Janey.
00:32:03Janey.
00:32:04Janey.
00:32:05Janey.
00:32:06Janey.
00:32:07Janey.
00:32:08Janey.
00:32:09Janey.
00:32:10Janey.
00:32:11Janey.
00:32:12Janey.
00:32:13Janey.
00:32:14Janey.
00:32:15Janey.
00:32:16Janey.
00:32:17Janey.
00:32:18Janey.
00:32:19Janey.
00:32:20Janey.
00:32:21Janey.
00:32:22Janey.
00:32:23Janey.
00:32:24Janey.
00:32:25Janey.
00:32:26Janey.
00:32:27Janey.
00:32:28Janey.
00:32:29Janey.
00:32:30Janey.
00:32:31Janey.
00:32:32Janey.
00:32:33Janey.
00:32:34Janey.
00:32:35Janey.
00:32:36Janey.
00:32:37Janey.
00:32:38Janey.
00:32:39Janey.
00:32:40Janey.
00:32:41Janey.
00:32:42Janey.
00:32:43Janey.
00:32:44Janey.
00:32:45Janey.
00:32:46Janey.
00:32:47Janey.
00:32:48Janey.
00:32:49Janey.
00:32:50Janey.
00:32:51Janey.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open
00:32:58and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:08Yeah.
00:33:09I wouldn't have described you as carefree back then. Not at all.
00:33:12Well I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:20You just ran out? What do you mean you ran out on the bill?
00:33:23Perhaps I'm not explaining it well. It was...
00:33:26It was fun.
00:33:28It was just fun.
00:33:40How was work?
00:33:42The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:47The three of us were planning dinner before we leave.
00:33:50I'd like that.
00:33:55Jane?
00:33:58Oh my God.
00:34:00This is Caleb.
00:34:02Hi. No, no. We were just talking about you.
00:34:04We were? That's so weird.
00:34:06Sit. Please. Sit down. Join us.
00:34:08What?
00:34:09What?
00:34:10Ugh.
00:34:11You have a chance of a run.
00:34:13I know, right?
00:34:14I'm actually going to get back pretty soon.
00:34:17That's okay. I already ate so I'll just grab a coffee or something.
00:34:23Can I have the check, please?
00:34:24In that cafe, play, play?
00:34:25Oh, no thank you.
00:34:26Jane?
00:34:27Jane, you don't smoke.
00:34:28Yes, I do.
00:34:29Sometimes, at parties.
00:34:30Didn't know that.
00:34:31Well, I don't do a lot.
00:34:32I'm that.
00:34:33Well, I don't smoke.
00:34:34Yes, I do.
00:34:36Sometimes, at parties.
00:34:37You know that.
00:34:38Well, I don't do a lot.
00:34:47But I'll do a lot.
00:34:50Yes, I do.
00:34:52Sometimes, at parties.
00:34:55You didn't know that.
00:34:57Well, I don't do it a lot.
00:35:01Grazie.
00:35:03Grazie.
00:35:08Italian food's so overrated.
00:35:10I love it.
00:35:12There's no variety.
00:35:14English food, on the other hand...
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day
00:35:22in this villa owned by this old, drunk ex-pat.
00:35:26They had, like, a private chef and everything.
00:35:29And they were serving this, like, loaf of meat
00:35:32covered in sauce with all these other loaves.
00:35:35And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:43That is disgusting.
00:35:45True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:57Come on.
00:35:59I'm selling my aunt.
00:36:01Come on.
00:36:02Let's hear one.
00:36:06Um...
00:36:08I have one.
00:36:09What is the definition of perfect pitch?
00:36:15What?
00:36:20When you throw a viola into the dumpster
00:36:22without hitting the rim.
00:36:23You didn't just make that up.
00:36:26I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45What time to go?
00:36:46What time to go?
00:36:47Already?
00:36:48Yeah.
00:36:49I've got to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:02Um...
00:37:03I'm thinking...
00:37:04Tibet.
00:37:05Oh, Tibet.
00:37:06Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:09Yeah, I've heard about that.
00:37:10That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:15The monks, the monks, the monks.
00:37:17So pretty.
00:37:19How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:31Does anybody have a pen?
00:37:32You got a pen?
00:37:33Yeah, I have a pen.
00:37:41Okay.
00:37:48I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:52I'll take you somewhere for fun, you know.
00:37:54But don't knock on the front door.
00:37:55Come around the side.
00:37:56I need Regina.
00:37:58Iskia.
00:38:05And thanks again for yesterday.
00:38:07Oh, no problem.
00:38:10Okay.
00:38:13Ciao.
00:38:18How stoned are you?
00:38:22Come on, man.
00:38:23We should tell him a pub.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:30Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:48I'll be waiting.
00:39:14Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe?
00:39:20Is that weird?
00:39:22Yeah.
00:39:31I couldn't sleep last night.
00:39:36You told me you were staying near the port,
00:39:38so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:43And I can't believe I found you.
00:39:44And I can't believe I found you.
00:40:12What are we doing?
00:40:13I think we'll make it out.
00:40:14So sexy.
00:40:15And beautiful.
00:40:16And beautiful.
00:40:19What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy and beautiful.
00:40:49I can't do this.
00:41:08What?
00:41:09I can't do this.
00:41:10Why?
00:41:19Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:38Don't follow me.
00:41:49Yeah, dear.
00:42:07Oh, yeah.
00:42:43There was one boy from Belgium. He was lovely. He had a moustache. My mother hated moustaches. But he was shipped off. I never saw him again. Anyways, I met your grandfather not long after, and we got married.
00:43:08Was it love at first sight with Grandpa? Love at first sight? Stop that thing.
00:43:16I know. You're home early.
00:43:19I do deserve that.
00:43:28You know, it doesn't work for your husband.
00:43:31Jane, I'm sorry. Just give me a minute. I have a hell of a mess in my day. I've got so much stuff to do.
00:43:41Sorry, darling. Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. Lots of dinner. I thought we'd just stay in here. The two of us. I've just got to work this thing out for tomorrow.
00:43:56Okay. Okay. I'm sorry.
00:44:26No.
00:44:27No.
00:44:28No.
00:44:29No.
00:44:30No.
00:44:44No.
00:44:51No.
00:44:55Can we talk?
00:45:26Say cheese.
00:45:33You should kind of be in the middle.
00:45:36All right.
00:45:38Hold on a second.
00:45:50That's what our living room is missing.
00:45:55What did you do?
00:46:09Put my hand over my mouth.
00:46:10You did?
00:46:11What did you do?
00:46:12Just wave.
00:46:25What did you do?
00:46:28Oh, no.
00:46:30CHOIR SINGS
00:47:00ORCHESTRA PLAYS
00:47:30ORCHESTRA PLAYS
00:48:00ORCHESTRA PLAYS
00:48:30ORCHESTRA PLAYS
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:11Yeah.
00:49:12Will you put my pants on?
00:49:16Okay.
00:49:30Let's go.
00:50:00Let's go.
00:50:30Let's go.
00:52:31Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:52Were you?
00:52:53They were delicious.
00:52:58You made me feel nervous.
00:53:05You made me feel nervous.
00:53:18You made me feel calm.
00:53:25You made me feel calm.
00:53:26You made me feel comfortable.
00:53:27You made me feel calm.
00:53:28You made me feel calm.
00:53:32Want a drink?
00:54:02Is that him?
00:54:11Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:27He just shuffled around all night.
00:54:36He just shuffled around all night.
00:54:42He just shuffled around all night.
00:54:48He just shuffled around all night.
00:54:57He just shuffled around all night.
00:55:03He just shuffled around all night.
00:55:09He just shuffled around all night.
00:55:18He just shuffled around all night.
00:55:24Again and again and again.
00:55:31Again and again and again.
00:55:35Once I was single my pocket is itching.
00:55:39Girl, I wish I was single again.
00:55:43Again and again and again.
00:55:47Again and again and again.
00:55:52Once I was single my pocket is itching.
00:55:56Girl, I wish I was single again.
00:56:00I didn't sleep at all last night.
00:56:14Girl, where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here.
00:56:23I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:38Leonard.
00:56:39Jane, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me.
00:56:47I have to go to work.
00:56:52Okay.
00:57:13If it wasn't the war, it would have been something else.
00:57:30There's always something else, isn't there?
00:57:33That's the thing.
00:57:34That's the thing.
00:57:35That's the thing about struggle.
00:57:48I'm going to make some tea.
00:57:49Do you want some?
00:57:51I'm alright.
00:57:52If you go out like that again, just tell me.
00:58:01Don't worry.
00:58:03Okay.
00:58:04I can't seem to figure out what's going on in your head.
00:58:25Do you think everything we've been through actually does us any good?
00:58:28In the long run?
00:58:34Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:39I tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:10If one little thing had changed in my grandmother's life, I might not be here.
00:59:31Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:48No, with my life.
00:59:54This is it, you know.
00:59:57It ends with me.
01:00:00In the harvest time, we all went to the field where they were cutting the corn.
01:00:07Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:21Yeah.
01:00:22The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:44There was one.
01:00:46Duke.
01:00:47He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:00:54They were lovely days really.
01:01:07They're gone.
01:01:08For me.
01:01:09Jane.
01:01:10Jane.
01:01:11Jane.
01:01:12But not for you.
01:01:13Jane.
01:01:14You know, it's different for you.
01:01:17In some ways, it's easier.
01:01:19You haven't got the war.
01:01:20People don't die as much as they did back then.
01:01:23But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:32One that you love and you can't be afraid of the...
01:01:36The time.
01:01:39Time is shiftable.
01:01:42There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:06Oh, sorry.
01:02:10It's okay.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah!
01:02:17You...
01:02:18Ah!
01:02:19You all right?
01:02:20Ah!
01:02:21You okay?
01:02:22Yeah.
01:02:23Stunned my toe.
01:02:24Ah!
01:02:25It's bleeding.
01:02:26Ah!
01:02:27It's fine.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33You losing it?
01:02:34Yes.
01:02:35Ah!
01:02:36Fuck.
01:02:37Ah!
01:02:46I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:05o!
01:03:07Ah!
01:03:08Ah!
01:03:09Ah!
01:03:10I love the loof!
01:03:12O!
01:03:15Of course.
01:03:16Ohh!
01:03:17Ah!
01:03:48Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back at this.
01:04:11Long day?
01:04:14Oh, why didn't they know?
01:04:15I don't think I'd jump to doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:45You found the key to finishing this project.
01:04:56But the water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:21Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:12I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:41I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:55Please, Jane.
01:06:55And again.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:08How does it make you feel?
01:07:09You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted,
01:07:29I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:19Is he?
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:15I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better,
01:09:37then you should go.
01:09:38You should go with him.
01:09:39Jane, you've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance,
01:09:57meet me at the train station.
01:10:01Our training's at 4.30.
01:10:02We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23This is good.
01:10:32This is good.
01:10:33This is good.
01:10:54This is good.
01:11:30Hi.
01:11:48Hi.
01:11:49You want some?
01:12:00Oh, thanks.
01:12:30Frank and Elsa coming over in a couple hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so.
01:12:55I mean, I'm thinking of driving through Romania and then Ukraine and down through Russia
01:13:09and through Kazakhstan, then straight to Tibet.
01:14:08Ciao.
01:14:09Buena fortuna.
01:14:15Father.
01:14:17Come and pray.
01:14:20Bye.
01:14:22All right.
01:14:24My friend has been sitting here in the chair too.
01:14:26I'm going to keep you down.
01:14:27You're my friend.
01:14:29Take care.
01:14:30I'm going to get you down.
01:14:32I'm going to take care of my wife.
01:14:34Jay, you've got to come over to this side, the train's going to be here in a minute.
01:15:04It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45Let's go.
01:16:46Let's go.
01:16:47Let's go.
01:16:48Let's go.
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