Skip to playerSkip to main content
  • 4 months ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Traffico di Napoli.
00:01:32Questa, ma al primo posto.
00:01:37Shit.
00:01:45Wow.
00:01:46I can't buy my wallet.
00:01:51The PC case?
00:01:52No.
00:01:53No, the PC case.
00:01:55Somewhere.
00:01:56Maybe it's in my club.
00:02:00She's lost my purse, my purse, no no no no no no no no no no no no no
00:02:30Where did you have it last?
00:02:34The train station, I think?
00:02:38The exchange booth?
00:02:42Oh, Jamie, I'm sorry.
00:02:46That bastard at the train station started when you dropped all your stuff.
00:02:52This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, man.
00:03:28It's nice.
00:03:42Yes, I have a credit card.
00:03:46Numbers on file on my computer.
00:03:48Yes, I have them here.
00:03:52Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:04:04Five, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:18Yes, I'll hold.
00:04:22You love how they ask, as if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34You don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end, I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:11I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:17She sounds very supportive.
00:05:22You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:52Why do you think he killed himself?
00:06:08Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, Jen.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world,
00:06:49and it wasn't enough.
00:06:50Jen, can I...
00:06:51Can we not talk about this?
00:06:53Just...
00:06:54Just...
00:06:55Just a bit moment.
00:06:57I love you.
00:07:13I love you too.
00:07:27Do you feel alright?
00:07:28Do you feel okay?
00:07:29Yeah.
00:07:30Are you sure?
00:07:31Mm-hmm.
00:07:32Mm-hmm.
00:07:33Do you feel alright?
00:07:34Do you feel okay?
00:07:35Yeah.
00:07:36Are you sure?
00:07:37Mm-hmm.
00:07:38Do you feel okay?
00:07:39Yeah.
00:07:40Do you feel okay?
00:07:41I'm sure.
00:07:46Mm-hmm.
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26I'll see you later.
00:10:28What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:14And this man, he had blood in his hair.
00:11:25Good night, cappuccino, okay?
00:11:27Good night, it's good.
00:11:28Good night.
00:11:28Good night.
00:11:29Good night.
00:11:29Good night.
00:11:44We were riding our bikes to school
00:11:59when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:40That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03No one to ask me more boring questions about the war.
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:39The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin
00:14:50from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming,
00:15:15there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten,
00:15:24and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49One Italian, please.
00:15:50One Italian, please.
00:15:50One Italian, please.
00:15:50One Italian, please.
00:15:51One Italian, please.
00:15:51One Italian, please.
00:15:52One Italian.
00:15:57One?
00:15:58One.
00:15:59Five.
00:16:00All right.
00:16:01Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11Grazie.
00:16:31What brought you out of here today?
00:16:35Barry.
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:39They have this device down in the basement.
00:16:42It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:50That would suck.
00:16:51In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:19You're a tourist.
00:17:21You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales
00:17:32in the Gulf of Naples.
00:17:34I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights is a 72-hour plane ride, but, you know, it was worth it.
00:17:47It was my first time out of the U.S.
00:17:49How old are you?
00:17:50I'm 19.
00:17:51It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over,
00:18:10I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know,
00:18:14is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:21Anyway, so this relative gave me the name of this great uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's like the oldest fucker I've ever seen,
00:18:30easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall,
00:18:37and he mumbles a couple of things to me in some crazy dialect,
00:18:40ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:19:02I never left.
00:19:03I know.
00:19:08I never left.
00:19:17But, uh, no, no, no, no, no, no, no, no.
00:19:23Well, it's a little bit of a habit.
00:19:28Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:55Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:37I'm impressed.
00:20:39Are you hungry?
00:20:40Are you hungry?
00:20:41Yes.
00:20:42I'm impressed.
00:20:44Are you hungry?
00:20:45Why, are you going to take me out?
00:20:46Yeah.
00:20:47Why, are you going to take me out?
00:20:48Yeah.
00:20:49All right, then.
00:20:50All right.
00:20:51Okay.
00:20:52Okay.
00:20:53All right, then.
00:20:54Okay.
00:20:55Okay.
00:20:56la vista, tierra, ed alma.
00:21:05I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18All right then.
00:21:19Okay.
00:21:20Two pastas with the house sauce, please.
00:21:27Red.
00:21:28Red, please.
00:21:29Uh-huh.
00:21:31Grazie.
00:21:32So you're really not gonna tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:50I'm writing a book about my grandmother's experiences in rural England, living through
00:21:59two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:07What don't you know?
00:22:10You wanna listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah?
00:22:16Yeah, no, I love to listen.
00:22:19A little tangled up.
00:22:20I don't know.
00:22:21Okay.
00:22:22Awful as it was, it made you stronger.
00:22:26These days people whine about all sorts of things.
00:22:27And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:28We all have our own private wars, every era.
00:22:29But it was nothing.
00:22:30I don't know.
00:22:31I don't know.
00:22:32I don't know.
00:22:33I don't know.
00:22:34I don't know.
00:22:35I don't know.
00:22:36I don't know.
00:22:37I don't know.
00:22:38I don't know.
00:22:39I don't know.
00:22:40I don't know.
00:22:41I don't know.
00:22:42I don't know.
00:22:43I don't know.
00:22:44I don't know.
00:22:45If we were all together, the war don't know.
00:22:46The war didn't really do.
00:22:47I don't know.
00:22:48You're dead.
00:22:49It was like an unusual night.
00:22:50The war didn't really know.
00:22:51It really was.
00:22:52It really didn't really take the same time after the war.
00:22:54We all have our own private wars, every era, but it was nothing like.
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh, we had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I shut that thing off, would you get it out of my face?
00:23:18That is like, it's like a window in time.
00:23:21I mean, the sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:43Buongiorno.
00:23:44Signori?
00:23:51I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06I didn't go back after that to the States.
00:24:31I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected by
00:25:04this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape.
00:25:21I'm sitting, waiting in the airport bar for my flight.
00:25:24And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing
00:25:32adventure and how I'm going to show World War II from a totally different perspective.
00:25:38But.
00:25:46I don't know if it's that interesting.
00:25:48That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish, uh, yeah.
00:26:16Make it great.
00:26:18Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Come over here.
00:26:37What do you mean I'm going to go?
00:26:38Ready?
00:26:38What?
00:26:39Grab my hand.
00:26:39Wait, go, go, go.
00:26:41Oh, my God.
00:26:41Oh, my gosh.
00:26:43Oh, my God.
00:26:44Oh, no.
00:26:45What?
00:26:45What do you mean?
00:26:46This is my life's hand.
00:26:47Yeah, this is mine.
00:26:48Tornso.
00:26:53Hey, hey, hey.
00:26:55It's a carabinerie!
00:26:56Right?
00:26:57At the police.
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:26:59Yeah.
00:27:00Yeah.
00:27:01Oh, my God.
00:27:01Oh, my God.
00:27:03You right?
00:27:05We can't go back.
00:27:05We can't go back again.
00:27:06We can't go back.
00:27:08We can't.
00:27:08Oh, my God.
00:27:10We can't pick.
00:27:10We aren't.
00:27:10You what?
00:27:11Oh, my God.
00:27:12Oh, God!
00:27:14Oh, God!
00:27:16Oh, God!
00:27:18Oh, God!
00:27:20Oh, God!
00:27:22There you go.
00:27:24There you go.
00:27:26It would make you feel better if I said I said no one day off.
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:38You're a liar.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:46Come on, let's go.
00:27:48Quick.
00:27:50Let's go.
00:27:52Why are we still running?
00:27:54I don't know.
00:28:06Oh, my God.
00:28:08Yeah.
00:28:14What up my nose?
00:28:16We come back?
00:28:22Maybe.
00:28:24Maybe is not a no.
00:28:28And since I don't have a phone, you're gonna have to give me your number.
00:28:34For cheap thrills and future crimes committed.
00:28:36No.
00:28:40Fair enough.
00:28:42I've got to go catch a fairy.
00:28:54Hey.
00:28:56Why do violists keep their viola cases on their dashboards?
00:29:00Why do violists keep their viola cases on their dashboards?
00:29:14Why?
00:29:16So they can park in handicapped spots.
00:29:28Oh.
00:29:30Happy birthday.
00:29:32Happy birthday.
00:29:38Happy birthday.
00:29:52Happy birthday.
00:30:54There's stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:00There are the great big events, the things you think you'll always remember, and you do, but there are other smaller. Picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:18Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat. They stay with me too.
00:31:28Jane, Tony.
00:31:30Got some pastries.
00:31:34You're still asleep?
00:31:36Jane.
00:31:38Tony.
00:31:40Got some pastries.
00:31:42You're still asleep?
00:31:46Jane.
00:31:48Jane.
00:31:50Jane.
00:31:52Jane.
00:31:54Jane.
00:31:56Jane.
00:31:58Jane.
00:32:00Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08my friends had lots of american boyfriends and they used to bring us nylon stockings and chocolates
00:32:25and all sorts of things and we used to go to london and we saw glenn miller one time
00:32:32we used to go all over the place there were wonderful times i never had an american boyfriend
00:32:42i liked some of them they were nice boys but i i didn't i didn't want to leave my mom and dad
00:32:52i wish i had sometimes you know when you were 19 the world just felt so open and carefree and full
00:32:59of possibility you reminded me of that at that time you were 19 when we met yeah i wouldn't have
00:33:09described this carefree back then not at all well i felt nostalgia or something for youth you're not
00:33:16old hey we ran out on the bill you just ran what do you mean you ran out on the bill perhaps i'm not
00:33:24explaining it well it was it was fun it was just fun
00:33:41how's work the conductor's actually a descendant of water leg which is fascinating
00:33:48the three of us were planning dinner before we leave i'd like that
00:33:56jane
00:33:59oh my god this is caleb hi no no we were just talking about you we were that's so weird sit please sit down
00:34:08join us
00:34:19i'm obviously gonna get back pretty soon that's okay i i already ate so i'll just grab a coffee
00:34:25i have the check please in a cafe
00:34:43oh no thank you
00:34:44okay jane you don't smoke yes i do sometimes at parties you know that well i don't do it a lot
00:34:59okay
00:35:08italian food is so overrated i love it
00:35:13there's no variety english food on the other hand say what you like about it there's nothing like a
00:35:19good steak and kidney pie i went to this party the other day in this villa owned by this old drunk
00:35:26expat they had like a private chef and everything and uh they were serving this like loaf of meat
00:35:33covered in sauce with all these other loaves and this girl came over to me and said it was cat
00:35:38no no no joke like a roasted mommy cat and her kittens that is disgusting true story
00:35:51why don't you tell leonard one of your viola jokes
00:35:58come on
00:35:58i have one
00:36:12what is the definition of perfect pitch
00:36:17what
00:36:20when you throw a viola into the dumpster without hitting the rim
00:36:24you didn't just make that up it's too good i did well i'm impressed and i'm stealing it
00:36:32you can pretty much make that joke about any instrument
00:36:39do you play anything caleb this and that you know
00:36:44shall we what time to go already yeah i'm gonna get back to work
00:36:54so what's next on your agenda caleb um i'm thinking tibet oh tibet really yeah there's
00:37:08just a thing called the shantan festival at the end of the summer yeah i've heard about that that's
00:37:11where the the buddhist monks unroll all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know a bit of this bit of that
00:37:28oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:42okay
00:37:47i have a piece of paper you guys should definitely come over to the island i'll take you somewhere
00:37:53fun you know don't knock on the front door come around the side i need regina
00:38:04thank you and thanks again for yesterday oh no problem
00:38:11okay ciao
00:38:17how stoned are you come on let me push this home pop it's not a big deal
00:38:27so you're saying you smoke back at her occasionally can we do something fun tonight sure
00:38:35oh
00:38:39i'm fine from here okay see you after work yep i'll be waiting
00:38:43i'll be waiting
00:38:53so
00:38:55i'll be waiting
00:38:57so
00:39:05okay
00:39:14hey
00:39:15hey god you scared me
00:39:17are you following me maybe is that weird yeah
00:39:22i can't sleep last night
00:39:33you told me you're staying near the port so i got the first ferry this morning
00:39:40i came looking for you and i came looking for you and i can't believe i found you
00:39:55so
00:40:17What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy.
00:40:35And beautiful.
00:40:47I can't do this.
00:41:09What?
00:41:09Why?
00:41:09I can't do this.
00:41:11Why?
00:41:17Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:31You need to be less serious.
00:41:39Don't follow me.
00:41:47Don't follow me.
00:42:17There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:00Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I know.
00:43:16I know.
00:43:16You're home early.
00:43:27I do deserve that.
00:43:28Jane, I just met my husband.
00:43:31Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a mess in my bed.
00:43:40I've got so much stuff to do.
00:43:41I'm sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:29How you doing?
00:44:51Leonard...
00:44:55Leonard...
00:44:57Can we talk?
00:44:59Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:51That's what our living room is missing.
00:45:57What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:15What did you do?
00:46:27What did you do?
00:46:29What did you do?
00:46:45What did you do?
00:46:47What did you do?
00:46:49What did you do?
00:46:51What did you do?
00:46:53What did you do?
00:46:55What did you do?
00:46:57What did you do?
00:46:59What did you do?
00:47:01What did you do?
00:47:11What did you do?
00:47:15All right.
00:47:45Oh, my God.
00:48:15Oh, my God.
00:48:45Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:08Yeah.
00:49:13I'm going to put my pants on.
00:49:16Okay.
00:49:38I'm going to put my pants on.
00:50:08I'm going to put my pants on.
00:50:38I'm going to put my pants on.
00:51:08I'm going to put my pants on.
00:51:38I'm going to put my pants on.
00:52:08I'm going to put my pants on.
00:52:38I'm going to put my pants on.
00:52:48Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:53You said that?
00:52:53Wait.
00:52:57They were delicious.
00:52:59You made me feel nervous.
00:53:05You made me feel nervous.
00:53:19You made me feel calm.
00:53:25You made me feel calm.
00:53:26I'm going to drink.
00:53:27Want a drink?
00:53:40Do you want a drink?
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:18Must be lonely.
00:54:40Yeah, he just shuffled around all night.
00:54:50Yeah, he just shuffled around all night.
00:55:00Yeah, he just shuffled around all night.
00:55:06Yeah, he just shuffled around all night.
00:55:10Yeah, he just shuffled around all night.
00:55:14Yeah, he just shuffled around all night.
00:55:26Again and again and again.
00:55:30Again and again and again.
00:55:36Once I was single, my pocket is itching.
00:55:40Girl, I wish I was single again.
00:55:44Again and again and again.
00:55:48Again and again and again.
00:55:52Once I was single, my pocket is itching.
00:55:56Well, I wish I was single again.
00:56:00I didn't sleep at all last night.
00:56:14Where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I'm thinking.
00:56:22You left your phone here.
00:56:24I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:30Can you be late?
00:56:34No, I can't be late.
00:56:36Leonard.
00:56:38Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:52Okay.
00:57:08If it wasn't the war, it would have been something else.
00:57:30There's always something else, isn't there?
00:57:34That's the thing.
00:57:36There's always a thing about struggle.
00:57:48I'm going to make some tea.
00:57:50Do you want some?
00:57:52I'm all right.
00:58:00If you go out like that again, just tell me.
00:58:02No worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:12Do you think everything we've been through actually does us any good?
00:58:28In the long run?
00:58:30Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40Yeah.
00:58:52I tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:08One little thing had changed in my grandmother's life, I might not be here.
00:59:24Sometimes I worry I'm not honoring her.
00:59:40With the book?
00:59:42No, with my life.
00:59:44This is it, you know.
00:59:46It ends with me.
00:59:48In the harvest time we all went to the field where they were cutting the corn.
01:00:06Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:22Yeah.
01:00:28The horses back then, they were kept beautifully.
01:00:32Dad used to dress them all up.
01:00:34Brass things and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:46There was one.
01:00:48Duke.
01:00:50He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:01:00They were lovely days really.
01:01:08They're gone for me.
01:01:10Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:16You know it's different for you.
01:01:18In some ways it's easier.
01:01:20You haven't got the war.
01:01:22People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:32One that you love and you can't be afraid of the...
01:01:36of the time.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade sixty years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:05Sorry.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah!
01:02:17Ah!
01:02:18You...
01:02:19Ah!
01:02:20You alright?
01:02:21Ah!
01:02:22You okay?
01:02:23Yeah.
01:02:24Stumped my toe.
01:02:25Ah!
01:02:26It's bleeding.
01:02:27It's bleeding.
01:02:28Ah!
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33It's fine.
01:02:34Are you finishing that?
01:02:35Yes.
01:02:36Ah!
01:02:37Fucker.
01:02:38Ah!
01:02:39I met these backpackers last night.
01:02:49Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:53They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:01There is a very nice walk.
01:03:03Which means everybody is a weird little boy.
01:03:05Like you do.
01:03:06You will return on to the hill.
01:03:07You have to do that.
01:03:08I'll go with you.
01:03:09You'll find me I'll come with you.
01:03:11You will return on in the hill.
01:03:12You'll come with me.
01:03:13See you next time.
01:03:15Hi, my friend.
01:03:16You will return on to the hill.
01:03:17Hi.
01:03:18And when you fall into the hill.
01:03:19You will return to the hill.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:42Are you listening?
01:04:44You found the key to finishing this project?
01:04:56The water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:03Oh, Jane.
01:05:04Have you?
01:05:05Can we not?
01:05:06Have you?
01:05:07Absolutely not.
01:05:08Why did you take such a long time to answer that?
01:05:09Because I'm sick.
01:05:10Of what, Leonard?
01:05:11Of it being so hard?
01:05:12Yes.
01:05:13Tedious.
01:05:14I hate talking about sex with you.
01:05:16I hate talking about sex with you.
01:05:17Is that what we're talking about?
01:05:18Normal people talk about sex, Leonard.
01:05:19And we don't.
01:05:20There's just huge vacant lots that we don't discuss.
01:05:24Like what?
01:05:25Is there anything you want to ask me?
01:05:27Why?
01:05:28Is there anything you want to tell me?
01:05:29Why?
01:05:30Why?
01:05:48I just want to connect.
01:05:57So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:39But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:56How does that make you feel?
01:07:04It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:19Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:27That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:19I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23I want you to do what you need to do.
01:10:28ORGAN PLAYS
01:10:58ORGAN PLAYS
01:11:28ORGAN PLAYS
01:11:58ORGAN PLAYS
01:12:00ORGAN PLAYS
01:12:02ORGAN PLAYS
01:12:04ORGAN PLAYS
01:12:06ORGAN PLAYS
01:12:08ORGAN PLAYS
01:12:10ORGAN PLAYS
01:12:42Frank, you know, it's coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:00I'm thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan.
01:13:10And then straight to Tibet.
01:14:08Bye.
01:14:12Sir.
01:14:42Jay, you've got to come over to this side, the train's going to be here in a minute.
01:15:05It's four in the morning, the end of December, I'm riding you now just to see.
01:15:34New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:15:59Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:11Yes.
01:16:12And Jane came by with a lock of your hair.
01:16:20She said that you gave it to her that night when you planned to go clear.
01:16:32I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:38Did you ever go clear?
01:16:42Now shut that thing off.
01:16:43Oh, the last...
01:16:44Oh, the last...
Be the first to comment
Add your comment

Recommended