फिल्म डायरेक्टर फारुक कबीर ने 'सलाहकार' की कहानी के Spy हिस्ट्री को IANS के साथ शेयर किया है। उन्होंने फिल्म की स्टोरी को इंडिया और पाकिस्तान के spy इतिहास से जुड़ा हुआ बतया साथ ही उन्होंने बताया, कि इस फिल्म की कहानी उन फिल्मों से अलग है जो कश्मीर और पाकिस्तान या टेररिज्म से कनेक्ट हैं। फारुक ने फिल्म में लीड किरदारों के रिश्ते को यूनिक भी बताते हुए कहा, ऐसा रिलेशन उन्होंने स्क्रीन पर पहले कभी नहीं देखा। वहीं उन्होंने बतौर फिल्म डायरेक्टर म्यूजिक के लिए प्यार जताते हुए बताया कि उन्हें म्यूजिक बहुत पसंद हैं और दिन में कई बार म्यूजिक सुनते है साथ ही उन्होंने कहा, कि "एक हिंदुस्तानी को 'सलाहकार' टाइटल ट्रैक 'बलिया' जरूर पसंद आएआ।"
00:03And so first of all, I have to say that Salakar is a chapter of history that we are not taught in our school textbooks.
00:19It's espionage history, it's spy history.
00:21It literally took Pakistan backed by 10 years in creation.
00:51It's getting their first nuclear weapon.
00:54Usually, in the series, we have seen India-Pakistan, India-Pakistan, war series, and spies.
01:04So, what are the new ones that you think that audience is attracted to us?
01:09Ionets.
01:10Ionets.
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01:29Ionets.
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01:35Ionets.
01:36Ionets.
01:37Ionets.
01:38Ionets.
01:39Ionets.
01:40Pensate 못.
01:41Ionets.
01:42Ionets.
01:44Ionets.
01:59Ionets.
02:01Ionets.
02:03niche people may not like that,
02:06they may like slow burners.
02:08This is a very commercial story.
02:10This is for those people who love a good, well-made, fast-paced thriller.
02:16This is for those people who have a great mass audience.
02:20In the series of characters, people say that you have a stereotype.
02:26What do you want to say about this?
02:28Tell me what the stereotype is.
02:30My young salakar is.
02:32In fact, he can't be wrong.
02:34Stumble is wrong.
02:36James Bond is not told.
02:39He can't tell you something.
02:41He can't tell you that James Bond is wrong.
02:44He can't tell you that James Bond is wrong.
02:46He has a secret.
02:48He has a secret.
02:50He has a secret.
02:52He has a emotional part.
02:55General Ziya's character has seen.
02:59He has a secret.
03:02He has a secret.
03:04He has a secret.
03:06He has a secret.
03:08Do you think you have a political commentary on this series?
03:13No, I think geopolitically we've got it absolutely right.
03:22Geopolitical scenario, if we look at it in today's time,
03:26it's very relevant to us because we don't listen to these words nuclear or spy
03:326 months ago, 7 months ago in common discourse, media, geopolitical news circuits.
03:39We don't listen to these words like spy or nuclear.
03:42We don't listen to these words.
03:46Usually India and Pakistan are the same.
03:52But now, we have seen the same people.
03:58We have seen the same people.
04:00We have seen the same people.
04:02We have seen the same people.
04:04We have seen the same people.
04:07Look, because India and Pakistan have become many subjects, so many subjects have become Kashmir and terrorism based, so I have chosen that Kashmir and the terrorism angle of India and Pakistan has been compared to India-Pakistan's story to listen to the story of India and Pakistan's story and the two timelines, I am interested in watching the audience as an audience.
04:31We are watching the audience, so many of you can see the audience, so many of you can see the audience, so many of you can see the audience, so many of you can see the audience as well, and I think the feedback is very interesting.
04:53General Ziya's character is the one who is familiar with all the characters.
05:00So, is that the character of General Ziya's character?
05:08Yes, I didn't have a look test or a screen test.
05:12I had a conversation here in the office.
05:16I locked them in the same time.
05:19So, it was
05:42This is the miracle of the general Ziyar.
05:46The one who has the character of the General Ziyar,
05:48he is the right man.
05:50The one who is the Hindoostan character of the U.S.
05:52The one who has the right thing is the right man.
05:55The one who has maintained the law to protect us,
05:58and the one who has the right character of Ziyar is the right man.
06:03The one who has the right man who can't do it.
06:08That's why this mission is the first time.
06:12In this series, you have a realistic tone
06:16which is a traditional bodybuilder, which is very different.
06:20So, can you experiment with this?
06:23The niche audience is saying that there is a lot of problem.
06:27And I think that the people who know are also very good.
06:32So, every person has their own attention.
06:35I think that the critics of the audience
06:40can see more content in order to see
06:43a person like that.
06:44For every thing to criticize,
06:47every thing to get out of it,
06:49if you're sitting there,
06:50then you'll see it.
06:52But if you're a young person,
06:55what happens now?
06:55All of them are very fast-forwarding
06:57for review.
06:59So, I think I'm going to listen to some reviews
07:02fast-forwarding and watch it.
07:04let's write a press note in the press note,
07:08he has a synopsis, he has added a synopsis,
07:10he has added a synopsis.
07:12If you look at it,
07:14they troll the animals,
07:16they troll the animals,
07:18they troll the animals,
07:20so this is still working.
07:22What do people think of it?
07:24This is the most important thing.
07:26Sir, you have made a film and art film.
07:30There are many
07:32scenes,
07:34scenes films,
07:36scenes films.
07:38Do you have some romantic films?
07:40Do you have some comedy films?
07:42For me, God,
07:44there was a love story
07:46that a husband
07:48goes to find her own baby.
07:50It's strange.
07:52I don't have a stunt
07:54either.
07:56I don't have a summer salt,
07:58limber salt,
07:59triple salt,
08:00all that
08:02she does.
08:08It's called a common man.
08:12It's called a truck,
08:14which is a common man.
08:16I can do it.
08:17What is this?
08:18What is this?
08:19I have told you that I have done an action film.
08:23It's not that.
08:24But action is in my case of a very high emotion from the audience.
08:29There is a deep emotion behind the action.
08:33It's the action that I like.
08:35Critics are saying that the message is posted.
08:41So, the criticism is saying that?
08:44I don't like anything.
08:47I think it's good.
08:50The response of the audience is good.
08:54The commentary of the audience is good.
08:57It's a big country.
09:00There are a lot of people who think.
09:02There are a lot of critics' views.
09:05But you can't at all.
09:07If you're a critic, you can't wait to see it.
09:09You can't wait to see it.
09:11I can't wait to see it.
09:13I can't wait to see it.
09:15I have a comment that I have read about 5 episodes, which is a very good part of the story.
09:37Okay, no, sure.
09:38A lot of people's comments are good, okay.
09:42Some people think they don't like anything.
09:45Everyone's right to give their rights.
09:48I think today's time where we have a lot of distracted people.
09:56Everyone is distracted by themselves in life.
10:00Or some other things they need to give attention to each other.
10:04And more on the phone, the truth is that we are all right.
10:08Now, if I hold your attention to each other, then I will be able to give attention to each other.
10:15The series of protocols, the struggle has been shown.
10:19Do you think the struggle has been realized?
10:21Do you think the relationship has been made?
10:24No, in fact, we have seen less struggle.
10:27There will be a lot of struggle and many struggles will be gone.
10:30we had a little bit of a struggle with a little bit of a little bit.
10:34And that's why I told him that I didn't want a James Bond as a character.
10:43I wanted to show a real human journey.
10:48Sir, when you build a series during the industry,
10:51what is the issue of necrotism?
10:54Do you have any post-treativity impact?
10:59Sir, I don't think all these things.
11:03I don't think all these things,
11:05nepotism and other things.
11:07I think it's just that you keep your own mind,
11:10you keep your own work,
11:12you keep your own mind,
11:14and you keep praying for everything.
11:17Sir, you have personally
11:19an action team with the poliogram?
11:22Yes.
11:23So, in your own projects,
11:25Do you have any action things in the projects?
11:30Yes, I have all the action papers on my action paper.
11:33I will write it in detail.
11:35Then I will create a 3D pre-waste.
11:38I will create a lot of detail.
11:40Then I will create a actual pre-waste.
11:42The whole action that you see in the set,
11:44I will shoot in a studio.
11:48Then I will shoot in the cameras.
11:51And I will shoot in the camera myself.
11:56Because I have a particular style that I want to shoot.
12:02How easy or difficult for all the information and materials to make it really obvious?
12:08If you do a deep seek through some strong AI engines also,
12:15you will get to know that there is a lot of material related to Salahkar,
12:20which is a part of the history.
12:22There is a lot of material out there.
12:27In which you can see one story.
12:30Salahkar is one story.
12:32What do you think about the material?
12:37If you look at the material,
12:39you can see the material that you can see on the good things.
12:42Then you don't need to say anything before anything.
12:45And this is my opinion.
12:47So, it's going on.
12:49My journey as a filmmaker continues.
12:51The hustle is real, the struggle is real, the pain is real, the sacrifice is real.
12:57It's all very personal.
12:59It's all professional.
13:00To be a filmmaker is one of the toughest jobs.
13:04In the ten tough jobs of the world,
13:06a filmmaker is one of those jobs.
13:08Can you expect Salahkar's part 2?
13:21Look, if Salahkar's part 2 will become a part 2,
13:25it will be the love of the audience of the audience.
13:28If the audience has the love of the series,
13:30then definitely Jio Hot Sons will become a season 2.
13:34We have a thought about a story.
13:37Let's see.
13:38The love of the Lord.
13:40Faruk Ji,
13:41How much you work as a director?
13:46How much you work as a director?
13:48How much you work in the music?
13:50Because, every film of music,
13:52you have something different and heart-touching.
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