- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:30Hey.
00:01:56Well, it was really great.
00:01:59You're fantastic.
00:02:06Thanks.
00:02:07Here's my address.
00:02:08Salam.
00:02:09Here's my address.
00:02:10Here's my address.
00:02:11Here's my address.
00:02:16Here's my address.
00:02:18Here's my address.
00:02:23Here's my address.
00:02:28Here's my address.
00:02:30Porque la negrita para si besara y compreter
00:02:34Que será que te estará en la vida con el que se va
00:02:37Que será que te estará en la vida con el que se va
00:02:41Darling!
00:02:43Hello, hello, hello
00:02:45Ciao
00:02:46Mmm, all go according to plan?
00:02:49Not bad
00:02:50You look great
00:02:52Thanks
00:02:53Bye, Criona
00:02:54Ciao, try to have a nice trip
00:02:57I'll try
00:02:57Good luck
00:02:58I need it
00:02:59Another conquest?
00:03:05No
00:03:06I know that look
00:03:29It really is beautiful
00:03:32Yeah, well, I think the atmosphere is weird here
00:03:35There's something in the air
00:03:37It's extremely erotic
00:03:38I feel strange all of a sudden
00:03:45I hope the hotel's near
00:03:49I'm almost there
00:03:51Ah, it's beautiful
00:03:53You were right
00:03:54I just cannot imagine what it is like to do it here, you know?
00:03:59Hey, man, girl
00:04:08Hey, man, girl
00:04:09Hey, man, girl
00:04:10Hey, man, girl
00:04:10Hi
00:04:12Hi.
00:04:13Hey, Priola.
00:04:19Ah, Joe.
00:04:21Hi.
00:04:22How's it going?
00:04:23No.
00:04:24Any news?
00:04:25No.
00:04:26None of them.
00:04:27No.
00:04:28No.
00:04:29No.
00:04:30No.
00:04:31No.
00:04:32No.
00:04:33No.
00:04:34No.
00:04:35No.
00:04:36No.
00:04:37No.
00:04:38No.
00:04:39No.
00:04:40No.
00:04:41No.
00:04:42Nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:45I'm sorry.
00:04:46I know.
00:04:47Good luck.
00:05:11No.
00:05:12No.
00:05:14No.
00:05:15No.
00:05:16No.
00:05:17No.
00:05:18No.
00:05:19No.
00:05:20No.
00:05:21No.
00:05:22Ah.
00:05:23I'll see you next time.
00:05:53Oh
00:06:23I thought you'd never get here
00:06:31No
00:06:32It seemed like an eternity
00:06:39Now that's more like it
00:06:41Where are you taking me tonight?
00:06:53Let's go
00:07:23Will you place the same number, madame?
00:07:41Sure
00:07:42It's better for you
00:07:48Number 13, right there
00:07:53Ladies and gentlemen
00:08:11Ladies and gentlemen
00:08:13Let's please
00:08:17Ladies and gentlemen
00:08:19Let's go.
00:08:49Hey, excuse me. Have you ever seen this girl?
00:08:55No, I'm sorry. Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here. Will that do?
00:09:02Sure. Keep the literature. That might help you spiritually.
00:09:17Are you trying to get me in trouble?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No. He's got other things to worry about.
00:09:40He's looking for his fiancée. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm. Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, Simple Islander.
00:10:40Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:41Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're going to have to make up for Laura's time then.
00:12:16Listen, Criela, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:31Come on, listen up.
00:12:37Uh, I feel uncomfortable.
00:12:50Well, there's no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm quite faithful.
00:13:54Please, help me.
00:14:00I understand.
00:14:03You know, love can be a strange thing.
00:14:12You know, love can be a strange thing.
00:14:13You know, love can be a strange thing.
00:14:14You know, love can be a strange thing.
00:14:15You know, love can be a strange thing.
00:14:16You know, love can be a strange thing.
00:14:17You know, love can be a strange thing.
00:14:18You know, love can be a strange thing.
00:14:19You know, love can be a strange thing.
00:14:20You know, love can be a strange thing.
00:14:21You know, love can be a strange thing.
00:14:22You know, love can be a strange thing.
00:14:23You know, love can be a strange thing.
00:14:24You know, love can be a strange thing.
00:14:25You know, love can be a strange thing.
00:14:26You know, love can be a strange thing.
00:14:27You know, love can be a strange thing.
00:14:28You know, love can be a strange thing.
00:14:29You know, love can be a strange thing.
00:14:30Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, if Ryan told me such a lot about it, I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:28I was joking.
00:15:32Get away.
00:15:34What a warped thing.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46Oh, I feel strange.
00:15:49And this boat.
00:15:51And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:21Bye.
00:17:23Bye.
00:17:23Bye.
00:17:33Is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:51I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15Bye.
00:18:15Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:21Bye.
00:18:47Hi.
00:18:47Hi.
00:18:48Hi there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:12No, thanks.
00:19:13Hey, let me take a picture.
00:19:44Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:12Hmm, well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:20:57Mm-hmm.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the nerd?
00:21:10Oh, Andy the nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:31Oh, I guess I'm escaping, but don't ask me from what, because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is.
00:23:04The chef's special.
00:23:05Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35The warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella.
00:23:54It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10Esa mujer tiene el corazón duro con MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:24:59Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:31But then, it must be her on the plane.
00:25:36I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanizer, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33Hmm, it's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:27:03Sorry.
00:27:04I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:21I'll...
00:27:22I love you, too.
00:27:31I love you, too.
00:27:33God.
00:27:38It's okay.
00:27:41If you're, if you're tired.
00:27:43And it's happened before.
00:27:48It'll pass.
00:28:13It'll pass.
00:28:43It'll pass.
00:29:13It'll pass.
00:29:43It'll pass.
00:30:13It's a good thing you came.
00:30:35I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you shouldn't go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:06Offering you a little hospitality.
00:31:20Come on, buddy.
00:31:21Here, have a drink.
00:31:30Come on.
00:31:41Come on.
00:31:41Come on.
00:31:41Come on.
00:31:42Come on.
00:31:43Oh
00:32:04You there
00:32:10Real
00:32:13Real
00:32:18Real
00:32:20Real
00:32:22Real
00:32:24Real
00:32:38You see Criola no
00:32:41There's no sign of her on the beach the bungalow is empty she's disappeared
00:32:46She's probably gone off exploring the island
00:32:50I expect you're right thanks as well
00:32:53Ciao
00:33:02Ciao
00:33:03Ciao
00:33:05Where the hell have you been?
00:33:06I looked all over for you
00:33:07I got bored here all alone
00:33:09So I took off to look around
00:33:10All right
00:33:11Well you'd have had more fun if you'd been with me
00:33:13Joanne knows the island like the back of her hand
00:33:23I took some magnificent pictures
00:33:25Things I'd never have found without her
00:33:27I found without her
00:33:33Andy
00:33:34Yeah?
00:33:35I got to tell you something
00:33:36Go ahead shoot
00:33:37Let's go away from here
00:33:39Why something the matter?
00:33:40Why something the matter?
00:33:42Yeah
00:33:43Let's go away
00:33:45We can't yet
00:33:47I still have photos to do
00:33:49Besides I got a little money in advance
00:33:52I can't let the magazine down I'd never work again
00:33:54No way forget it
00:33:55Well I can't forget it
00:33:57Well I can't forget it
00:33:58I want to go away
00:34:00I want to go back to America
00:34:03You're not being reasonable
00:34:08I know
00:34:09But I can't stay here another minute
00:34:11I suppose it's my fault, huh?
00:34:12No, of course not
00:34:15I'll be all right again soon, I swear
00:34:18No, it's...
00:34:19There's nothing to do with you
00:34:20I don't know
00:34:21It's just...
00:34:23Look
00:34:24I'm counting on the erotic atmosphere of this place to do the trick
00:34:28And I'm sure it will
00:34:30It's only a question of time
00:34:32I know it
00:34:35All you have to do is be patient
00:34:38Just a little longer
00:34:40We'll be happy again
00:34:41And then...
00:34:43I'll be able to give you what you need so badly
00:34:54Christopher
00:35:01Dad
00:35:04What?
00:35:05You have to do it
00:35:06Oraz
00:35:24Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54It's fine, Consuelo.
00:35:55Thanks.
00:35:56Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:24You want a drink?
00:36:25No, not for me.
00:36:26I'll come.
00:36:27You want a drink?
00:36:28No, not for me.
00:36:30How come?
00:36:34One needs a good motive to get drunk.
00:36:35But I guess I'm the only one who hasn't got one.
00:36:41Does that mean you think I have one?
00:36:42Criola?
00:36:43Criola?
00:36:44What is this?
00:36:45The game of truth?
00:36:46No one ever tells the truth.
00:36:47Even jokingly.
00:36:48I don't know.
00:36:49I don't know why you two should be a flagrant couple exceptions.
00:36:50Of course you include yourself in that sweeping statement.
00:36:51I don't know.
00:36:52I don't know.
00:36:53But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola?
00:37:01I don't know.
00:37:02No one ever tells the truth.
00:37:07No one ever tells the truth.
00:37:08Even jokingly.
00:37:09I don't know why you two should be a flagrant couple exceptions.
00:37:15Of course you include yourself in that sweeping statement.
00:37:20Don't you tell the truth?
00:37:27I don't know.
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:49To broken hearts.
00:38:00I was sure you'd come.
00:38:02You were?
00:38:04Mm-hmm.
00:38:05Do you want to make love with me again?
00:38:07Yes.
00:38:11Well, not today.
00:38:14I'm sorry.
00:38:16I'm sorry.
00:38:18I'm sorry.
00:38:20I'm sorry.
00:38:22I'm sorry.
00:38:27Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:38Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:06Hey, I'm always high.
00:39:08It's not true.
00:39:11I'm not going to stay around and talk about it.
00:39:13Goodbye, I'll be yours.
00:39:14Goodbye, I'll be yours.
00:39:15Goodbye, I'll be yours.
00:39:16Goodbye, I'll be yours.
00:39:17Goodbye, I'll be yours.
00:39:18Goodbye, I'll be yours.
00:39:19Goodbye, I'll be yours.
00:39:20Goodbye, I'll be yours.
00:39:21Goodbye, I'll be yours.
00:39:22Goodbye, I'll be yours.
00:39:23Goodbye, I'll be yours.
00:39:24Goodbye, I'll be yours.
00:39:25Goodbye, I'll be yours.
00:39:26Goodbye, I'll be yours.
00:39:27Goodbye, I'll be yours.
00:39:28Goodbye, I'll be yours.
00:39:29Goodbye, I'll be yours.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Creole?
00:41:18I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Creole.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:50Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:19You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:42:59Leon.
00:42:59Don't go.
00:43:00Don't go.
00:43:02Don't go.
00:43:02Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:18Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32I'm sorry.
00:43:38Come on.
00:43:39Come on.
00:43:40Wait.
00:43:40Bye.
00:43:41Perfect.
00:43:41One thing.
00:43:43To the real time, Erica.
00:43:43Come on.
00:43:44Come on, Erica.
00:43:44Come on.
00:43:45Come on.
00:43:45Let us go.
00:43:46Come on.
00:43:51Let's go.
00:43:52Come on.
00:43:53Bye.
00:43:54Come on.
00:43:54Let us go.
00:43:56Go.
00:43:57Go.
00:43:57Go.
00:43:58Can I stay on board?
00:44:12I'll get this straight.
00:44:14This time.
00:44:16Must be forever.
00:44:22I know.
00:44:24So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:48How? Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone. Her stuff's still here.
00:45:10Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:14Do believe me.
00:45:18I've got to be off now.
00:45:22So long. See you at dinner.
00:45:48Have you seen Leon?
00:45:50He's seen what he did with a girl.
00:45:56Sorry.
00:45:58To the stern.
00:46:00I want a word with him.
00:46:02I'll leave you two together.
00:46:04Wait.
00:46:06What do you want?
00:46:08Iris.
00:46:10Iris?
00:46:12You got her.
00:46:14You don't want Iris.
00:46:28Iris is free to do what she wants.
00:46:30You don't want a word?
00:46:32I want her.
00:46:46You won't want her.
00:46:48You don't want her.
00:46:50You're listening to me.
00:47:22No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Christ.
00:48:32Christ.
00:48:33Oh, Christ.
00:48:34Christ.
00:48:35I'm on.
00:48:35Don't you either.
00:48:36I know him.
00:48:43I know him.
00:48:47Get out of here and stop bothering the customers.
00:49:17So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire. One can be burned in the end.
00:49:33I blame myself. My unnatural desire to see the excitement men get in seeing a...
00:49:38in seeing a naked woman.
00:49:41I'm perverted, I guess. I proposed it to her.
00:49:45That must be an asshole.
00:49:48But now she's gone for good.
00:49:50She did it because she knew you liked it.
00:49:53Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:58Are you serious?
00:50:00Yes, I am. Whatever she became was to please you.
00:50:06She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:11And look what happened. Fate set a trap for her.
00:50:14Oh, God. Now I'm the one who went and trapped her.
00:50:19Yep. Now you're trapped.
00:50:22It started as a game, that's all. It wasn't serious.
00:50:29Games can be dangerous to play if you don't keep to the rules.
00:50:34Good evening.
00:50:37Good evening.
00:50:38Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:42Thanks.
00:50:43You've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:47I'm married to Creole.
00:50:49Oh, yes. Now I remember you.
00:50:51Hi.
00:50:52I'm sure she'll be delighted to know you're here.
00:50:55She already knows.
00:50:57But you mean to say you've seen her?
00:51:01Yes. Briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go. Don't go.
00:51:26I have to.
00:51:56You're hurting me.
00:51:57You're hurting me.
00:51:58You're hurting me.
00:51:59You're hurting me.
00:52:00You're hurting me.
00:52:01Where can I find Leon?
00:52:25Leon's gone fishing, senor.
00:52:28In his boat.
00:52:29Thanks.
00:52:30Thanks.
00:52:35...
00:53:37Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:51Come on.
00:54:22Criola!
00:54:26Criola!
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:50No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No, don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:11No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:23I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:44It's ridiculous.
00:55:53I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem, really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:19Thanks, but not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I invented this.
00:56:41I call it gin balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:46For what?
00:56:46It serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:53Hmm.
00:56:54Hmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:04I have no intention of fighting with you.
00:57:07You're a kind, sweet, patient...
00:57:08Okay.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She is bound to tire of it.
00:57:18She always does.
00:57:23This place...
00:57:25Plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they've found paradise.
00:57:57Hmm.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Hmm.
00:58:06A Buridan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:08But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:35Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Hmm.
01:00:08The night of a Bono is eating.
01:00:16Well, that's good.
01:00:20Thanks.
01:00:20Thanks.
01:00:21Thanks.
01:00:21Give me a Bible.
01:00:23I'm so happy.
01:00:28If you puis…
01:00:33That's good.
01:00:34I'm so happy.
01:00:35Did you?
01:00:35Oh, my God.
01:01:05The other night I was waiting for the rain for 2 hours,
01:01:141,000 hours, like a dog.
01:01:18And when you look at me, you told me,
01:01:22you're loco, you're in love, I don't want you.
01:01:27It's cold, I'm lejos from casa.
01:01:31Hace tiempo que estoy sentado sobre esta piedra,
01:01:35yo me pregunto para qué sirven las piedras.
01:01:40En un boquete en el pantalón,
01:01:42voces están tan frías como la nieve a mi alrededor,
01:01:46voces están tan blancas que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia 2 horas,
01:01:551,000 horas como un perro.
01:01:59Y cuando llegaste, me miraste, me dijiste loco,
01:02:03que estás mojado, ya no te quiero.
01:02:07Ja, ja, ja.
01:02:13Bomba.
01:02:15Bomba.
01:02:17Bomba.
01:02:19Bomba.
01:02:20Bomba.
01:02:21Bomba
01:02:36this way how can you accept all this because i love him like i never loved anyone how about us
01:02:43then don't account for anything perhaps you've forgotten that we were supposed to get married in
01:02:49a month you don't understand marco i'm not able to leave my god how is this possible go away from
01:02:58here it's useless i'll never give leona for any reason
01:03:28like a beer sure
01:03:45it's got to be a better life someplace right i wonder if all tropic paradises are such hell
01:03:51that bastard fucks our women and we are here getting drunk
01:04:06if only we had any guts we'd do something about it
01:04:21hello
01:04:43don't look at me like that i was just admiring you then don't admire me that way
01:04:49are you alone
01:04:53why tomorrow morning i go i thought i should tell you that i'd like to hire the boat from leon
01:05:05i'm mad about you nothing can make me change ever
01:05:12i uh i put your things in a bag what do you want me to do with it whatever you want
01:05:20what do i do keep it
01:05:24burn it i'm not coming back
01:05:27you're lying
01:05:30hey what do you want
01:05:32i need julian a ride to the mainland so i can fly out to america i want to hire the boat tomorrow
01:05:43morning marco's also going and i want it to be a party so bring creole along as well
01:05:50it's better if creole stays at home she's got work to do and i want something to eat when i get back
01:06:00anyway it's okay i'll accompany you
01:06:11don't you realize the life you're leading i'm fine here
01:06:27come back with me iris
01:06:38no marco not now not ever
01:06:42and for heaven's sake don't ask me again
01:06:44no marco not now leave me alone i haven't worked
01:06:50you win okay
01:07:00i've made it
01:07:22so
01:07:25Let's go.
01:07:55I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:25But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:08:39Let me in on it.
01:09:52There must be something caught in the propeller.
01:10:19I'm going down to have a look.
01:10:22I'm going down to have a look.
01:10:29Come on.
01:10:34Let's go.
01:10:36Come on.
01:10:37Let's go.
01:10:38Come on.
01:10:39Let's go.
01:10:45Come on.
01:10:51Let's go.
01:10:52Let's go.
01:10:59Let's go.
01:11:01Let's go.
01:11:08Let's go.
01:11:09Let's go.
01:11:15Let's go.
01:11:22Consuelo?
01:11:24Have you seen Iris?
01:11:25She and Cruella were very upset.
01:11:26They left.
01:11:27Cruella?
01:11:28What the hell's going on?
01:11:32Nothing.
01:11:33Iris!
01:11:34Iris!
01:11:36Iris!
01:12:07Stop it.
01:12:08You've got no call.
01:12:14Exactly what are you trying to do to me?
01:12:21Leon, just stop and think of the position he's in.
01:12:22That man's finished because of you.
01:12:23Losing the one thing he cared about, he risked losing his mind.
01:12:28And I risk losing my life.
01:12:29Parker didn't really mean to kill you.
01:12:30It was pure desperation.
01:12:31Surely even you can comprehend that.
01:12:32You must have been in love at least once in your lonely life.
01:12:35So much it made a fool of you, Leon.
01:12:37No.
01:12:38No.
01:12:39Funny.
01:12:40I'm not proud of the man I see when I look in the mirror and see myself.
01:12:42But from now on, I'll be glad to say, at least I'm not like Leon.
01:12:47Yes.
01:12:48So far, my son.
01:12:49You'll be like, Leon.
01:12:50What?
01:12:51Well, yes.
01:12:52I'm not very lucky, Ben.
01:12:53Whale.
01:12:54Where are you?
01:12:55Some are you?
01:12:56I'm sorry.
01:12:57Do you understand me?
01:12:58My son is really good.
01:12:59And then, you don't want to know him.
01:13:00My son is really good.
01:13:01As a man, Irene.
01:13:02You're quite겠어요.
01:13:03To the people you see in the mirror, you're really happy.
01:13:04He's just a little bit.
01:13:05And now, I'm happy to say, at least I'm not like Leon.
01:13:17They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:26It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:43You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne, don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't, really.
01:14:07You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you, so you need courage.
01:14:49Hello, Andy.
01:14:50We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:38Right.
01:15:40They say these islands cast a spell on lovers.
01:15:42We get it.
01:15:52We get it.
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